Author: Editorial Team

Brit Floyd — described by Rolling Stone as “widely recognized as the world’s premiere Pink Floyd experience” — has announced that legendary Pink Floyd vocalist Machan “Margaret” Taylor will join the band as a special guest for select dates on their ongoing “The Moon, The Wall and Beyond” 2026 North American tour, beginning July 10 at the Greek Theatre in Los Angeles. The group will also welcome saxophone sensation Scott Page — known for his work with Pink Floyd, Toto, and Supertramp — for two shows: July 10 in Los Angeles and July 11 in San Diego.

Nearly four decades after performing with Pink Floyd on the A Momentary Lapse of Reason and Delicate Sound of Thunder tours, Machan Taylor — credited as Margret Taylor during her time with the band — is rejoining Brit Floyd to reprise some of her most celebrated performances. She is also the author of the new memoir Naked Out Loud, which traces her journey from her childhood in Japan and New Jersey to singing alongside Pink Floyd on two of the band’s landmark world tours.

“We are incredibly honored to welcome Machan Taylor back to the Brit Floyd tour this summer,” said Andy Robbins, CEO of Palladium Entertainment and producer of Brit Floyd’s world tours. “Her voice helped define some of Pink Floyd’s greatest live moments and having her share the stage with us is a real privilege. We know fans will be thrilled to experience the magic she brings to these songs.”

The “The Moon, The Wall and Beyond” tour, produced by Palladium Entertainment, celebrates 15 years of Brit Floyd — founded in 2011 — and stands as the group’s most ambitious production to date. The concept spotlights two of Pink Floyd’s most iconic and best-selling albums: The Dark Side of the Moon and The Wall. Setlists feature “Time,” “Money,” “Comfortably Numb,” and “Another Brick in the Wall, Part 2,” alongside selections from Wish You Were Here, Animals, and other fan favorites. On select nights, fully dedicated thematic performances for each album will create two distinct concert experiences within the same tour.

The run is part of a larger 123-date North American tour. Brit Floyd will also team up with Get the Led Out — a tribute to Led Zeppelin — for two special collaborative engagements: Aug. 1 at the Broadview Stage at SPAC in Saratoga Springs, N.Y., and Aug. 8 at Hartford HealthCare Amphitheater in Bridgeport, Conn.

Founded in 2011, Brit Floyd has performed more than 1,600 shows worldwide. Over the years, the group has shared the stage with several alumni of Pink Floyd and Roger Waters’ touring ensembles, including Guy Pratt, Scott Page, Durga McBroom, Roberta Freeman, Machan Taylor, Harry Waters, and Graham Broad. In 2025, Brit Floyd collaborated with legendary producer and engineer Alan Parsons for a run of shows across California and Nevada, drawing nearly 20,000 fans.

Brit Floyd 2026 Tour Dates:

• July 10 – Greek Theatre – Los Angeles, Calif.
• July 11 – Cal Coast Credit Union Open Air Theatre – San Diego, Calif.
• July 12 – Arizona Financial Theatre – Phoenix, Ariz.
• July 14 – Wagner Noel Auditorium – Midland, Texas
• July 16 – ACL Live at The Moody Theater – Austin, Texas
• July 17 – Bayou Music Center – Houston, Texas
• July 18 – Texas Trust CU Theatre – Grand Prairie, Texas
• July 19 – Raising Cane’s River Center Theatre – Baton Rouge, La.
• July 21 – Mark C. Smith Concert Hall – Huntsville, Ala.
• July 23 – PNC Pavilion – Cincinnati, Ohio
• July 24 – Rose Music Center – Huber Heights, Ohio
• July 26 – Jacobs Pavilion – Cleveland, Ohio
• July 27 – Kresge Auditorium – Interlochen, Mich.
• July 29 – Everwise Amphitheater – Indianapolis, Ind.
• July 30 – Capital Theatre – Wheeling, W.Va.
• July 31 – Kirby Center – Wilkes-Barre, Pa.
• Aug. 1 – Broadview Stage at SPAC – Saratoga Springs, N.Y. * w/ Get the Led Out
• Aug. 4 – Casino Ballroom – Hampton Beach, N.H.
• Aug. 5 – Casino Ballroom – Hampton Beach, N.H.
• Aug. 8 – Hartford HealthCare Amphitheater – Bridgeport, Conn. * w/ Get the Led Out
• Aug. 9 – Santander Performing Arts Center – Reading, Pa.
• Aug. 11 – Ovens Auditorium – Charlotte, N.C.
• Aug. 13 – Wilson Center – Wilmington, N.C.
• Aug. 14 – Wilson Center – Wilmington, N.C.
• Aug. 15 – Steven Tanger Center for the Performing Arts – Greensboro, N.C.
• Aug. 16 – Township Auditorium – Columbia, S.C.
• Aug. 19 – Kemba Live! – Columbus, Ohio
• Sept. 18 – Hanover Theatre – Worcester, Mass.
• Sept. 19 – Community Arts Center – Williamsport, Pa.
• Sept. 20 – Luhrs Performing Arts Center – Shippensburg, Pa.
• Sept. 22 – Dow Event Center Theater – Saginaw, Mich.
• Sept. 24 – Genesee Theatre – Waukegan, Ill.
• Sept. 25 – Genesee Theatre – Waukegan, Ill.
• Sept. 26 – Gatton Park – Lexington, Ky.
• Sept. 27 – Tennessee Theatre – Knoxville, Tenn.
• Sept. 29 – Saenger Theatre – Mobile, Ala.
• Sept. 30 – First Security Amphitheater – Little Rock, Ark.
• Oct. 1 – Tulsa Theater – Tulsa, Okla.
• Oct. 2 – Heartland Credit Union Arena – Park City, Kan.
• Oct. 5 – Revel – Albuquerque, N.M.
• Oct. 6 – The Linda Ronstadt Music Hall – Tucson, Ariz.
• Oct. 7 – Findlay Toyota Center – Prescott, Ariz.
• Oct. 9 – Agua Caliente – Rancho Mirage, Calif.
• Oct. 10 – Orleans Arena at Orleans Casino – Las Vegas, Nev.
• Oct. 11 – Saroyan Theatre – Fresno, Calif.
• Oct. 13 – Dignity Health Theater – Bakersfield, Calif.
• Oct. 14 – Fox Theater – Oakland, Calif.
• Oct. 15 – Vina Robles Amphitheatre – Paso Robles, Calif.
• Oct. 16 – Hard Rock Casino & Hotel Sacramento – Wheatland, Calif.
• Oct. 18 – Ilani Casino – Ridgefield, Wash.
• Oct. 20 – Toyota Center – Kennewick, Wash.
• Oct. 22 – Rogers Forum – Abbotsford, B.C.
• Oct. 23 – South Okanagan Events Centre – Penticton, B.C.
• Oct. 24 – Grey Eagle Event Center – Calgary, Alta.

Visit here for the most up-to-date information on “The Moon, The Wall and Beyond” world tour.

The post BRIT FLOYD Welcomes MACHAN “MARGARET” TAYLOR & SCOTT PAGE As Special Guests For Their Ongoing “The Moon, The Wall and Beyond” North American Tour appeared first on Sonic Perspectives.

Iron Maiden has announced new filming plans for their forthcoming cinematic tour documentary, confirming the project will be completed at Eddfest — their 50th anniversary celebration at Knebworth — on July 11, following a power outage that cut their June 22 concert at La Défense Arena in Paris dramatically short.

The Paris show, part of the band’s current “Run For Your Lives” world tour, had been playing to more than 30,000 fans in the middle of a ferocious heatwave — with temperatures exceeding 40 degrees — when a total power cut struck the building approximately 50 minutes in, toward the end of “Two Minutes to Midnight,” plunging the entire stadium into silence and darkness.

Full power was eventually restored, and the band retook the stage roughly an hour later. Local police granted a curfew extension to 11:35 PM — but no further, as Paris public transit closes shortly thereafter and officials did not want more than 30,000 fans stranded in the city’s streets in the extreme heat. In the time remaining, Iron Maiden was able to complete their main set, closing with “Iron Maiden,” though the three planned encores — “Aces High,” “Fear of the Dark,” and “Wasted Years” — were not performed.

Steve Harris addressed the situation in an official statement: “You all know what happened in Paris, we all know what happened in Paris, so we’re gonna finish it off at Knebworth, and we’ll see you there.”

Bruce Dickinson added: “We’re not going to lose what we did in Paris but we’re going to add to it with some amazing stuff from Knebworth. So Knebworth, be on ya best behavior!!”

With fans from both the Paris concert and Eddfest now set to be part of the finished film, the decision means the “Run For Your Lives” production — currently halfway through its world tour run — will receive a proper cinematic conclusion at one of the most storied venues in rock history.

Eddfest will also feature Iron Maiden’s “Infinite Dreams” museum experience, bringing to life the band’s pictorial book of the same name with more than 50 items spanning nearly 50 years of history. Among the artifacts on display: the iconic pharaoh’s head from the World Slavery tour, Eddie’s ray-gun from the 1986 Somewhere on Tour, the electric chair from the The X Factor era, the tank commander Eddie from the A Matter of Life and Death tour, the baphomet from The Number of the Beast, the Phantom of the Opera organ from the Maiden England tour, and personal mementoes from the late Paul Di’Anno onward.

Longtime Iron Maiden manager Rod Smallwood said: “We’ve raided Eddie’s archive, Steve’s garden and our very own offices, warehouses and homes to bring you some actual pieces of our history! More than 50 items from almost 50 years of history will be on display for tens of thousands of you to see. Try to be there early, because sadly there likely won’t be time for every one of you to take everything in, especially as we have so many other exciting things happening on site. This weekend is for you, our fans. We are trying to do something special and a bit different in celebration of 50 years — a full-on MAIDEN experience from the moment you arrive on site to the minute you leave.”

The festival’s “Maidenville” on-site village will be open to campers throughout the weekend. Friday’s entertainment includes live performances from former Iron Maiden vocalist Blaze Bayley and Gypsy’s Kiss, as well as Eddie’s Dive Bar, the Unfair Funfair with Eddie-themed rides and games, and Eddie’s Emporium. Saturday-only ticket holders will also have access to “Maidenville” once the main arena opens. Full information, FAQs, and remaining tickets are available here.

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Canadian rock icons Rush have postponed their June 30 and July 2 performances at Dickies Arena in Fort Worth, Texas, after bassist and vocalist Geddy Lee was diagnosed with laryngitis and bronchitis.

The July 2 concert had already been rescheduled once. It was originally set for June 24 before production delays related to travel and border issues forced the band to move the date.

In a statement shared on social media on Tuesday, June 30, Rush explained the situation to fans.

“To our fans, we are deeply sorry to share that we must postpone our June 30 and July 2 shows.

“Geddy has been diagnosed with laryngitis and bronchitis. After being evaluated by his doctors, he has been advised that he needs additional time to rest and recover before returning to the stage.

“This is incredibly disappointing for all of us. We know many of you have made travel plans and have been counting down the days to these shows.

“Please know this decision was not made lightly. After more than 50 years of touring, we’ve always believed that if we’re going to step on stage, we owe you the very best performance we can give — and right now, that simply isn’t possible.

“We’re grateful to everyone involved for helping us quickly find new dates to celebrate together.

“The Sunday June 30 show has been rescheduled for Saturday July 11.

“The Thursday July 2 show has been rescheduled for Monday July 13.

“All previously purchased tickets will be honored for the rescheduled dates.

“If you are unable to attend, refund information will be available from your original point of purchase.

“Thank you for your patience, your understanding, and for always standing with us. We look forward to seeing you in just a couple of weeks and appreciate your continued support while Geddy makes a full recovery.”

The band’s June 26 and June 28 performances at Dickies Arena marked Rush‘s first concerts in North Texas since the R40 tour stopped at the American Airlines Center in 2015.

The current Fifty Something tour features Geddy Lee and guitarist Alex Lifeson, joined by drummer Anika Nilles, who toured with Jeff Beck in 2022, and keyboardist Loren Gold, known for his work as a touring musician with The Who and Chicago.

Each night, the band draws from a rotating selection of nearly 40 Rush classics across two sets, with the performances serving as a tribute to the life and legacy of late drummer Neil Peart.

The 2026 North American run was originally announced with 22 dates across Canada, the United States and Mexico. Strong demand quickly sold out those shows, leading to additional dates. The tour has since expanded to 58 concerts in 24 cities, with more than 500,000 tickets sold.

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Hollywood Vampires — the supergroup featuring Alice Cooper, Johnny Depp, Joe Perry and Tommy Henriksen — will release a new live album, At Montreux Jazz Festival. The recording captures the band’s 2018 appearance at the renowned Swiss festival and will arrive digitally on August 7, followed by CD and vinyl editions on October 16 through earMUSIC.

Among the highlights of the release are several cover songs that Hollywood Vampires had never officially released before, including a version of Motörhead‘s “Ace Of Spades”, performed as a tribute to the late Lemmy.

To preview the album, the band has made “Raise The Dead” available along with a live performance video showcasing the energy of the Montreux show.

The concert documents a night dedicated to the history of rock, with Hollywood Vampires paying tribute to influential artists through a performance built on powerful musicianship and the chemistry between its members.

When the band took the stage at the Montreux Jazz Festival in 2018, it brought its mix of theatrical rock, classic songs and tributes to fallen musical heroes to one of the world’s most respected festivals. The performance celebrated not only the music itself but also the friendships, excesses and legacy that continue to define rock culture.

The group’s identity traces back to the original Hollywood Vampires, a circle of musicians connected by friendship and a shared passion for rock ‘n’ roll. That spirit remains central to the band, balancing high-energy performances with respect for the artists who inspired them.

Since releasing its self-titled debut, Hollywood Vampires, in 2015, the group has evolved beyond its original concept of star-filled collaborations and classic rock covers. The follow-up album, Rise, released in 2019, introduced more original material while maintaining the band’s signature style.

Over the years, Hollywood Vampires has built a reputation through festival appearances and international tours, combining classic rock songs, theatrical performances and tributes to legendary musicians while continuing to celebrate the enduring legacy of rock ‘n’ roll.

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U.K. progressive metal outfit Haken will release its new EP, In A Fever Dream, digitally on July 17 before issuing CD and vinyl editions on September 18.

The EP was co-produced and mixed by George Lever (Loathe, Sleep Token) and features bass performances from Bryan Beller (Joe Satriani, The Aristocrats) and Adam “Nolly” Getgood (Periphery). According to the band, the release showcases some of its most personal and emotionally open songwriting to date.

Alongside the announcement, Haken has unveiled the official music video for the new song “Delirium”, directed by Oliver Kember.

Discussing the EP, the band said: “This EP was born from a period of reflection and rediscovery.

“Over the last few years, we’ve faced challenges that forced us to look inward, both as musicians and as people, and the songs on this record are the result of that journey.

“We allowed ourselves to be completely honest in the writing process, digging into real experiences, doubts, and emotions rather than hiding behind them. That vulnerability gave these songs a weight and purpose unlike anything we’ve created before. Musically, we pushed ourselves into new territory, embracing fresh influences while holding onto the intensity and identity that define this band. Working with producer George Lever helped us sharpen that vision, and Vada Studios provided the perfect environment to collaborate and bring it to life.

“This EP captures a moment in time of us finding our feet again — moving forward, taking risks, and creating from a place that feels as genuine as we have ever been.”

In A Fever Dream will be available in several physical editions, including a CD, a Deep Blood Red vinyl edition for Europe, a Lotus White vinyl edition in the United States, and a highly limited clear vinyl version available exclusively through the band’s official store.

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German melodic hard rock veterans Mad Max will celebrate 45 years as a band with the release of their new studio album, Stories Of Destiny, on September 4, 2026, through ROAR, a division of Reigning Phoenix Music.

The record combines new songs with revived older material and collaborations with several respected names from the rock and metal world. It also introduces new vocalist Alan Clark from the U.K., while original Mad Max singer Andreas Baesler returns as a special guest for his first appearance with the band in 45 years, connecting the group’s beginnings with its current lineup.

To launch the album, Mad Max has released the first single, “Silver”. Guitarist, songwriter and band founder Jürgen Breforth explained the background behind the track.

“‘Silver’ is the first single from our upcoming brand-new Mad Max studio album Stories Of Destiny.

“Following the international success of the Mad Max comic, the very first comic book by a German band in Latin America, the video continues this world with a story full of mystery, adventure and emotion.

“The song was originally written in 2001 for the debut album of Michael Schenker Group singer Gary Barden, and it was a huge honor to co-write it with Andreas Broon, known for his work with The Sisters Of Mercy, Doro Pesch, and many other artists.

“I always felt that ‘Silver’ had the potential to be a major hit single, but the original album faced many obstacles back then. Now I am more than proud to finally present the Mad Max version, with a slightly heavier guitar edge while still keeping its British melodic touch through our new lead singer Alan Clark from the U.K.”

Founded in Münster, Germany, in 1981 by Jürgen Breforth, Mad Max has spent more than four decades building a reputation as one of Europe’s longstanding melodic hard rock acts. The band’s combination of guitar-driven songs, strong melodies and classic hard rock influences has earned it a loyal international audience through studio releases, touring and festival appearances.

The material on Stories Of Destiny also reflects Breforth’s songwriting collaborations with musicians including Sascha Gerstner (Helloween), David Readman (Pink Cream 69), Andreas Broon (The Sisters Of Mercy) and Michael Voss, whose résumé includes work with Michael Schenker. Those compositions have been revisited and recorded with the current Mad Max lineup while preserving the band’s signature style.

The album also features two previously unreleased Mad Max songs from 1991, “Til’ The End Of Time” and “Weapons Of Love”. Another highlight is a newly recorded version of “Piece Of Candy”, built around the first guitar riff Breforth wrote for the band back in 1981. The song is performed as a duet between Alan Clark and Andreas Baesler, emphasizing the connection between the band’s past and present.

In addition, the Spanish-language version, “Dulces Falsos”, becomes Mad Max‘s first recording with Spanish lyrics, recognizing the band’s growing fanbase throughout Latin America.

The album’s visual identity also ties into the Mad Max comic created by Mexican artist Maestro Arturo Said. The comic follows the band’s story from its formation in 1981 through the 1980s and continues to its first concerts in Colombia in 2023, making Stories Of Destiny both a musical release and a celebration of the band’s history.

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Australian hard rock outfit Airbourne has unveiled its new single, “Kid In A Candy Store”, the latest preview of the band’s upcoming self-titled album, Airbourne, which is scheduled for release on August 28 through Spinefarm.

The track was produced by Brian Howes, who previously worked on Black Dog Barking. Recording duties were handled by Mike Fraser, known for his work on No Guts. No Glory and Breakin’ Outta Hell, while Zakk Cervini(Bring Me The Horizon, Architects, Evanescence) mixed the song. Mastering was completed by Ted Jensen.

“Kid In A Candy Store” follows a string of recent releases that introduced the new record. “Gutsy” arrived in spring 2025, signaling the beginning of a new chapter for Airbourne, before “Christmas Bonus” and “Alive After Death (Last Plane Out)” continued to build anticipation for the 12-track album. The latest single carries the same straight-ahead hard rock spirit, drawing inspiration from classic anthems such as Ac/Dc‘s “Whole Lotta Rosie”.

When Airbourne—Joel O’Keeffe (vocals/guitar), Ryan O’Keeffe (drums), Justin Street (bass) and Brett Tyrrell(guitar)—entered Music Farm Studio in southeastern Australia, the band approached the sessions with one clear objective: to create its strongest album to date while staying true to the no-frills hard rock approach that has defined its career.

Drummer Ryan O’Keeffe said: “We said, this is it, let’s make the oracle. And if we’re going to do it, no corner can be cut. Because if you cut a corner, you’re not going to pull it off.”

He added: “This record distils everything we stand for into one place. Everything we love. It’s the best album we could possibly have made.”

Frontman Joel O’Keeffe also shared his thoughts on the finished record: “It’s a rocket that we’ve been building and building, and we’ve filled it with this fuel, and we’re ready to light it up and let it go. Everything we are as a band, our heart and soul, is in this record.”

Recorded in Australia despite difficult weather conditions, hazardous wildlife and aging studio equipment, Airbournereflects the band’s determination to push itself further. The album also features songwriting contributions from Bryan Adams and renowned producer Mutt Lange on select tracks.

The announcement of the new record also came with a personal tribute to Lemmy, as Airbourne revealed the album through a heartfelt letter honoring the late Motörhead legend, who served as both a mentor and friend to the band.

Airbourne features the current lineup of Joel O’Keeffe, Ryan O’Keeffe, longtime bassist Justin Street and guitarist Brett Tyrrell, who recently joined the band on rhythm guitar.

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Progressive trio Stick Men will release its first new studio album in more than 10 years when Let’s Thrak Again arrives on September 4. The record serves as a tribute to King Crimson‘s 1995 album Thrak, with the project receiving the approval of Robert Fripp.

To introduce the album, the band has shared “Swimming In Tea”, the only track on the record featuring vocals. Markus Reuter handles lead vocals before the song shifts into one of Tony Levin‘s trademark Chapman Stick performances.

Rather than presenting a single version of the album, Stick Men has created two separate editions. Reel One was mixed by Stefano Castagna, while Reel Two was handled by Fabio Trentini. Each mix features its own sequencing and sonic character, giving listeners two different interpretations of the same material.

The band explained its approach: “‘Let’s Thrak Again’ is 60 minutes of pure, kinetic energy. We didn’t just write 12 new compositions; we designed an entirely new sonic vocabulary for them.”

The trio also discussed the decision to release two distinct versions of the album.

“Our audience listens deeply. They don’t just want to hear the notes; they want to understand the architecture of the sound. By having Stefano and Fabio approach the exact same music with completely different visions, we are handing the listener the ultimate audiophile puzzle. It’s a roll of the dice, a sonic triptych, and a tribute to the heavy, mechanical impact of the original Thrak era.”

Pre-orders for Let’s Thrak Again are available now through Bandcamp. The 26-track release will be offered on vinyl, CD and digital formats. The album artwork was created by Ritxi Ostariz.

The lineup brings together three musicians with decades of experience in progressive and rock music. Tony Levin, known for his work with Peter Gabriel, John Lennon, Pink Floyd and King Crimson, performs on his signature Chapman Stick, a 12-string tapping instrument that allows him to combine bass lines and melodic passages at the same time.

Alongside him is longtime King Crimson bandmate Pat Mastelotto, whose hybrid drum setup blends traditional percussion with electronic elements, loops and samples to create the band’s rhythmic foundation.

Rounding out the trio is composer and multi-instrumentalist Markus Reuter, who performs on his custom-built eight-string Touch Guitar. Using a similar two-handed tapping technique, Reuter moves between atmospheric textures, layered chords and lead work, helping the three musicians create a sound that reaches far beyond what is typically expected from a trio.

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The Rock & Roll Hall Of Fame will open a new exhibit, Women In Metal: You Will Know My Name, on July 10, shining a spotlight on influential women who have helped shape the metal genre through their music, attitude and lasting impact.

The exhibit recognizes artists who have challenged expectations and expanded the boundaries of metal while inspiring future generations to forge their own paths.

Among the featured musicians are Lita Ford, Lzzy Hale (Halestorm), Alissa White-Gluz (Arch Enemy, Dragonforce), Taylor Momsen (The Pretty Reckless), Courtney LaPlante (Spiritbox) and many others. The collection has been curated by Haley Cronin, assistant curator at the Rock & Roll Hall Of Fame, and includes artifacts representing different eras and styles from across the metal landscape.

Discussing the exhibit, Cronin said: “Women have been pivotal influencers and changemakers in the metal genre since its inception. We are excited to tell the stories of those women who stand firmly and courageously at the forefront of innovation and acceptance, and through their raw power pave the way for all girls who just want to rock.”

The public opening on July 10 will include a special celebration featuring Lzzy Hale and Joe Hottinger of Halestorm, who will perform a short acoustic set on the outdoor PNC Stage. The evening will also feature performances by Storms Within, Maxilla and Reign Of Z.

Hale shared her thoughts on being included in the exhibit: “I’m so proud to be a part of the Rock & Roll Hall Of Fame‘s ‘Women In Metal’ exhibit,” says Lzzy. “I’m honored to stand next to my sisters of scream. These women have set me on fire and helped shape this genre. Together, we are creating a space to shine, be loud, and carve a path for the next generation to follow, like our foremothers inspired us. Raise your horns and come celebrate with me on July 10th!”

Tickets for the opening event are available now. The dedication ceremony and live performances on the Union Home Mortgage Plaza begin at 7:00 p.m., with general admission priced at $15. An Event Plus ticket costs $40 and includes both entry to the showcase and museum access from 5:00 p.m. until 8:00 p.m., allowing visitors to experience the new Women In Metal: You Will Know My Name exhibit.

The Rock & Roll Hall Of Fame encourages visitors to check its official event schedule for complete details and ticket information.

Dedicated to preserving the history and evolution of rock music, the Rock & Roll Hall Of Fame continues to highlight the artists, songs and cultural moments that have influenced generations. Through exhibitions, educational programs, live performances and its annual induction ceremony, the museum documents the continuing evolution of rock and its many related genres, including metal.

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Christian metal veterans Stryper will return on September 25 with their 18th studio album, Throne Of Thorns, set for release through Frontiers Music Srl.

More than four decades into their career, Stryper continues to build on its legacy, combining the band’s signature lyrical themes with the melodic heavy metal sound that has defined it since the early days.

Drummer Robert Sweet expressed his excitement about the upcoming release: “Soon our new Stryper record will be out, and can you believe it? It’s album number 18! I really believe you’re all going to love it. Michael [Sweet, Stryper frontman] worked incredibly hard writing these songs and bringing everything together. Oz [Fox, Stryper guitarist], Perry [Richardson, Stryper bassist] and I also worked hard to make this what I feel is our best record yet. I’m confident that once you hear it, you’ll agree. Thank you all for your incredible loyalty and for continuing to support what we do.”

Alongside the album announcement, the band has released the title track, “Throne Of Thorns”, accompanied by an official music video.

Frontman Michael Sweet explained the meaning behind the song: “‘Throne Of Thorns’ is a powerful message. Christ is on the throne, and we are redeemed because of the crown of thorns that He endured. This song is a perfect representation of our 43 years and who we were and who we are. Heavy yet melodic, classic yet modern, and 100% Stryper!”

According to the band, Throne Of Thorns delivers the combination of heavy riffs, melodic hooks and layered arrangements that longtime fans have come to expect. The record pairs powerful rhythms, dual guitar harmonies and memorable choruses while continuing to push the band’s songwriting forward.

At the center of the album is Michael Sweet, whose distinctive vocal style remains one of Stryper‘s defining trademarks. His performance moves comfortably between soaring melodies and more emotional passages, giving the new material both power and depth.

Bassist Perry Richardson shared his thoughts on the album’s creative process: “The best music doesn’t come from comfort. It comes from living, struggling, growing, and refusing to quit. I hope these songs find you exactly when you need them.”

With Throne Of Thorns, Stryper continues to develop its sound while staying true to the identity that has carried the band through more than 40 years in metal.

Guitarist Oz Fox added: “I’m really happy with the final outcome of this record and of the heart that went into it. Michael continues to pour everything he has into the music and the message; Robert brings the power and energy that have always been the pulse of Stryper; Perry‘s musicianship, vocal talents, and dedication are second to none, and I’m grateful to be on this journey with all of them.”

With its 18th studio album on the way, Stryper also has a busy touring schedule ahead. The band will kick off a full U.S. tour on July 17 in Arlington, Texas, bringing the new material to fans across the country.

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