Author: Editorial Team

  • CRAFT RECORDINGS Announces Vinyl Reissues For Three Defining WHITESNAKE Classics

    In the mid- to late 1980s, Whitesnake exploded from a popular British hard rock band into a worldwide phenomenon, becoming one of the decade’s most successful rock acts. This fall, Craft Recordings revisits that landmark period with vinyl reissues of Slide It In (1984), Whitesnake (1987), and Slip of the Tongue (1989). Powered by hits including “Here I Go Again,” “Is This Love,” “Still of the Night,” and “Fool for Your Loving,” the David Coverdale-led group’s run of multi-Platinum albums helped define the sound and spectacle of ’80s hard rock.

    Arriving September 18, the titles return to vinyl in their original U.S. 1-LP configurations. Alongside the wide release on standard black vinyl, exclusive color pressings include the self-titled Whitesnake on “Tan Smoke” (via Walmart) and “Stone Marble” (Revolver). Fans can also find Whitesnake on limited-edition “Gold Black Ice,” alongside Slide It In on “Onyx” and Slip of the Tongue on “Crimson Moon,” exclusively here. All three albums are available to pre-order and stream today.

    Founded in 1978 by Rock & Roll Hall of Fame inductee David Coverdale, Whitesnake was the next chapter in a career that had already brought him international acclaim as the frontman of Deep Purple. After appearing on the influential Deep Purple albums Burn, Stormbringer, and Come Taste the Band, Coverdale formed Whitesnake to pursue his own songwriting vision. While the band’s earliest work was rooted in blues, soul, and classic British rock, later Whitesnake albums paired those influences with bigger hooks, a heavier guitar-driven sound, and arena-rock scale, propelling the band to worldwide success.

    That evolution comes into sharp focus with 1984’s Slide It In, the album that pushed Whitesnake’s blues-rock foundation toward a leaner, more radio-ready hard rock sound. Powered by “Love Ain’t No Stranger,” “Slow an’ Easy,” and the swaggering title track, the album retained the grit and swing of the band’s earlier work while pointing clearly toward the bigger hooks and heightened production that would soon define the band’s international breakthrough. It became Whitesnake’s first U.S. Top 40 release and later achieved double-Platinum certification in the U.S.

    If Slide It In opened the door, 1987’s self-titled Whitesnake kicked it off its hinges. Often referred to simply as 1987, the album transformed the band into international superstars with “Here I Go Again,” “Is This Love,” and “Still of the Night.” A reimagined version of a song first released in 1982, “Here I Go Again” became the band’s signature hit, topping the Billboard Hot 100. The album peaked at No.2 on the Billboard 200, was certified 8x Platinum in the U.S., and yielded the No.2 Hot 100 hit “Is This Love.”

    For the MTV generation, Whitesnake’s cinematic videos were central to the band’s rise, giving the songs a visual language as bold and polished as the records themselves. Among the most iconic was the video for “Here I Go Again,” featuring model and actress Tawny Kitaen, whose memorable appearance helped make it one of the defining music videos of the MTV era. Heavy rotation on the network helped introduce the band to millions of new fans worldwide, further elevating Whitesnake’s status as one of hard rock’s defining acts. Decades later, tracks like “Here I Go Again,” “Is This Love,” and “Still of the Night” remain staples of classic rock radio, streaming playlists, and concert stages around the world.

    By 1989’s Slip of the Tongue, Whitesnake was firmly established on the world stage. Co-written by Coverdale and Adrian Vandenberg, the album took on a new dimension when Vandenberg was sidelined by a wrist injury and Steve Vai stepped in to record much of the guitar work. Featuring “Fool for Your Loving,” “The Deeper the Love,” and “Now You’re Gone,” Slip of the Tongue reached No.10 in both the U.S. and UK and earned Platinum certification in the States.

    Together, Slide It In, Whitesnake, and Slip of the Tongue capture a pivotal chapter in rock history, when blues-rock roots, stadium-sized spectacle, MTV-era image-making, and pop crossover instinct converged to create some of the era’s most enduring anthems. Collectively, the albums document David Coverdale’s evolution from respected British rock vocalist to international superstar and remain cornerstones of the hard rock canon.

    Craft Recordings is home to one of the largest and most essential collections of master recordings and compositions in the world. Its storied repertoire includes landmark releases from icons such as Joan Baez, John Coltrane, Creedence Clearwater Revival, Celia Cruz, Miles Davis, Isaac Hayes, John Lee Hooker, Little Richard, R.E.M., and Joan Sebastian. Plus, the catalog recordings of celebrated contemporary acts including A Day to Remember, Daddy Yankee, Evanescence, Alison Krauss, Nine Inch Nails, Taking Back Sunday, and Violent Femmes, to name just a few.

    Renowned imprints with catalogs issued under the Craft banner include Fania, Fantasy, Fearless, Musart, Nitro, Panart, Prestige, Riverside, Rounder, Specialty, Stax, Vanguard, Varèse Sarabande, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation—ensuring that these recordings endure for new generations to discover. Craft is also home to the Billie Holiday and Tammy Wynette estates which preserve and protect their respective names, likeness and music through day-to-day legacy management of these cultural trailblazers.

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  • RODRIGO Y GABRIELA Share Behind-the-Scenes Studio Video For The Making Of “Monster”

    Grammy-winning guitar duo Rodrigo y Gabriela have shared a new behind-the-scenes studio video documenting the recording of “Monster,” the first single from their forthcoming album OurHome, due September 18th via ATO Records.

    Filmed at NK Sound Tokyo during the album sessions, the intimate footage offers a rare look inside the creative process behind a record that found the duo returning to Japan after a period of creative uncertainty, capturing Rodrigo Sánchez and Gabriela Quintero performing together in the studio where the album ultimately took shape.

    Released earlier this month alongside an official animated video created by legendary manga artist Naoki Urasawa, “Monster” serves as the opening chapter of OurHome. Recorded in Japan and self-produced by Rodrigo Sánchez and Gabriela Quintero at NK Sound Tokyo, OurHome marks a new chapter for the Mexico City-bred duo, whose singular blend of instrumental guitar music and fearless musical exploration has earned them a global audience over the past two decades.

    One of Japan’s most celebrated creators, Urasawa is the acclaimed author of “Monster”, 20th Century Boys, Pluto, and Master Keaton, with more than 140 million copies of his work sold worldwide. Inspired by Urasawa’s seminal psychological thriller “Monster”, Rodrigo y Gabriela’s single explores the tangled contradictions of the human psyche through one of the album’s darkest and most cinematic compositions. The official music video brings the connection full circle, with Urasawa creating original artwork inspired by the song and its themes.

    “Monster is such a deep, philosophical story – it’s about a psychopathic killer, but it’s so uplifting and leaves you with a real sense of hope,” says Quintero. “We’d written that track without knowing that Urasawa was a fan of ours, and now he’s making the video for us.”

    The admiration was mutual. Urasawa, who discovered Rodrigo y Gabriela through their live performances years before the collaboration came together, says he was stunned when he learned the duo had written a song inspired by “Monster”.

    “I still find it incredible that encounters like this can really happen,” says Urasawa. “Originally, I watched videos of their live performances and thought they were amazing, so I started collecting their vinyl records and CDs.”

    After learning that Rodrigo y Gabriela’s new song had been inspired by “Monster”, Urasawa reached out through the band’s Japanese promoter and soon found himself sitting down with the duo in Tokyo.

    “When artists I admire that much bring you an offer like that, there’s no way you can say no!” he says. “The completed track, ‘Monster,’ not only perfectly captures the mood of my work Monster, but the duo’s guitar playing also transports us to an entirely different and elevated dimension.”

    The collaboration serves as the opening chapter of OurHome, an album deeply shaped by Rodrigo y Gabriela’s long-standing connection to Japan. After a period of creative frustration and uncertainty, the duo found renewed inspiration in a country that has long served as a source of artistic and personal renewal.

    “We’ve always felt drawn to Japan because of the art and aesthetics and attention to beauty,” says Quintero. “There’s also something about being there that invites you to look inward, to reconnect with who you really are and what gives you meaning.”

    Returning to the textural fluidity of acoustic instrumentation after the electric-guitar-heavy sound of 2023’s In Between Thoughts…A New World, OurHome serves as both a love letter to Japan and a meditation on the possibility of finding peace wherever you are. The album features collaborations with former Megadeth guitarist Marty Friedman, Japanese jazz pianist Hiromi, cellist Hiyori Okuda, and guitarist/composer Yukihiro Atsumi. Mixed by five-time GRAMMY winner Dave Sardy (The Who, Oasis, Red Hot Chili Peppers) and mastered by Stephen Marcussen (Nirvana, R.E.M., The Rolling Stones), the album draws from manga, mythology, migration, philosophy, nature, and personal transformation while remaining rooted in the expressive acoustic interplay that has defined Rodrigo y Gabriela’s career.

    Rodrigo y Gabriela will celebrate the release of OurHome with an extensive North American headline tour beginning September 30th in Dallas, including appearances at Austin City Limits, Washington, D.C.‘s The Anthem, New York’s Bowery Ballroom, San Francisco’s Castro Theatre, and major theater dates across the U.S. and Canada. The duo will then continue the tour across Ireland, the U.K., and Europe in spring 2027. For more information and to purchase tickets, please visit here.

    As they prepare to bring the album to audiences around the world, Rodrigo y Gabriela see OurHome as an invitation to reconnect with what grounds us amid an increasingly chaotic world.

    “Every day we face so many challenges, whether it’s economic crisis or ecological crisis or political crisis, so we need to protect what makes us feel safe and connected to our true essence,” says Quintero. “We made this album to celebrate what helps us to find that home within ourselves, and we hope it inspires everyone to figure out what home means to them. It’s a very powerful thing, because nobody can ever take it away from you.”

    OurHome is due September 18 via ATO Records and is available now for pre-order and pre-save here.

    The post RODRIGO Y GABRIELA Share Behind-the-Scenes Studio Video For The Making Of “Monster” appeared first on Sonic Perspectives.

  • DOGMA’S New Single “My Matricidal” Asks A Dangerous Question: Who Do You Trust?

    Following a breakout year that saw Dogma sell out every European headlining show, complete its largest Latin American tour to date, and continue its rapid international ascent, the band returns today with “My Matricidal,” the highly anticipated new single and music video.

    “My Matricidal” is a theatrical collision of aggressive guitars, ritualistic percussion, haunting cinematic soundscape, soaring vocal performances, and a relentless series of sonic blows that steadily escalate toward a towering climax. The result is a dark, emotionally charged composition that expands the band’s signature blend of hard rock, metal, and provocative storytelling.

    Accompanying the single is an ambitious new music video that expands the narrative introduced in “Fate Unblinds,” revealing another key piece of the puzzle while raising new questions about everything that came before.

    Regarding the new release, Lilith comments: “The themes explored in ‘My Matricidal’ are not really about betrayal. They are about recognition. There comes a moment in every person’s life when something they believed, trusted, or accepted can no longer withstand reality. Most people spend their energy focusing on the deception itself, but I think the more important question is what happens after the truth becomes impossible to ignore. Some people retreat into anger or denial. Others choose to learn from it and move forward with greater clarity. That moment of choice has always fascinated me because it ultimately shapes the direction of a person’s life. The truth reveals itself in time. What you do with it is your responsibility. You shape your fate.”

    The release arrives at a pivotal moment in Dogma‘s continued growth. During the first half of 2026, the band completed its largest European and Latin American touring cycle to date, performing for thousands of fans across both continents. Every European headlining show sold out, including appearances in London, Manchester, Wolverhampton, Bristol, Eindhoven, Hamburg, and Munich.

    The momentum continues this summer as Dogma returns to Europe for appearances at major festivals including Copenhell, Basinfire, Tuska, Rockharz, Rock Imperium, and Resurrection Fest, alongside a special headlining performance in Istanbul.

    With the release of “My Matricidal,” Dogma maintains a single position: The truth reveals itself in time.

    The post DOGMA’S New Single “My Matricidal” Asks A Dangerous Question: Who Do You Trust? appeared first on Sonic Perspectives.

  • Prog Rock Powerhouse LALU Shares New Single “I Am The One” From Upcoming Album “A Mythmaker’s Demise”

    French progressive rock powerhouse Lalu share today the new track “I Am The One”, the second single taken from the upcoming new album A Mythmaker’s Demise, out on July 31, 2026, via Frontiers Music Srl.

    Vivien Lalu commented: “I Am The One” is about the double life Martin LeMar (vocals) leads, a reality shared by many musicians today: a day job by day, and rock music / the stage at night. The video brings this to life by showing Martin at his desk, talking to the rockstar version of himself standing beside him. The song is the voice of that other self, the one in the shadows that keeps calling him back. As the lyric says: “I stood beside you, I am the one”.”

    Lalu returns with A Mythmaker’s Demise, a milestone release celebrating the 20th anniversary of Vivien Lalu’s progressive rock project. What began in 2005 with Oniric Metal now comes full circle – this is not just a new album, but a bold tribute to legacy, craftsmanship, and artistic brotherhood.

    To mark the occasion, Lalu reunites with vocalist Martin LeMar (Nachtgeschrei, Mekong Delta), whose voice first defined the project. LeMar contributes powerful performances and lyricism that bridge past and present. Also making a triumphant return is drumming legend Simon Phillips (ex-Toto, Protocol), the very first drummer to record the earliest Lalu track, “Paint the Sky”.

    Continuing the collaborative spirit ignited in 2023’s “The Fish Who Wanted To Be King”, Vivien Lalu teams up once again with longtime partner Joop Wolters on guitars and bass. The duo crafted the songs from the ground up, focusing on organic, dynamic arrangements with no overproduction – just raw, honest performances.

    “We wanted this record to feel alive. No drum samples, next to no EQ, just real performances captured in their natural state”, explained Vivien Lalu.

    Guitarist Joop Wolters added: “There has always been undeniable musical synergy between Viv and me. This album came together very naturally, and locking in with the real, unedited live drums by Simon Phillips in the final stages was the icing on the cake. It truly feels like a real band, just like back in the good old days”.

    The album was mixed to preserve a live, open sound, capturing the human energy of each take. A key guest appearance comes from keyboard virtuoso Jens Johansson (Stratovarius, Yngwie
    Malmsteen), who delivers explosive solos across three tracks. His presence carries particular
    significance, having been one of Vivien’s earliest influences and a contributor to both “Atomic Ark” and “Paint The Sky”.

    The evocative title A Mythmaker’s Demise reflects on the fading light of human imagination in the age of artificial intelligence. The striking artwork by Mattias Norén portrays a writer dying at his desk, while his creations struggle to escape into a world that no longer values them – a visual metaphor for the album’s deeper message.

    A Mythmaker’s Demise isn’t just an album – it’s a time capsule of progressive rock’s soul, 20 years in the making. It is available to pre-order here.

    Lalu Line Up:

    Vivien Lalu: Keyboards
    Joop Wolters: Guitars, bass
    Martin LeMar: Vocals
    Simon Phillips: Drums

    The post Prog Rock Powerhouse LALU Shares New Single “I Am The One” From Upcoming Album “A Mythmaker’s Demise” appeared first on Sonic Perspectives.

  • Italian Power Metallers FROZEN CROWN Delve Into Tolkien’s World With New Single “The One”

    Frozen Crown head out on their darkest journey yet with the first single from their upcoming album, The Legend of the Six Kings, coming out October 2 via Napalm Records. “The One” starts the band’s more narrative approach, wrapping them in mysterious darkness with sweeping melodies shining bright. Inspired by fantasy literature of the 20th century, namely J. R. R. Tolkien‘s The Lord of the Rings, the Italian six-piece is back in their strong form: Grand choruses, strong riffs, and pure heavy power metal. Here they are, servants of “The One”—and they’re bringing their listeners along on the grand adventure …

    Frozen Crown about “The One”: “‘The One’ marks a new beginning for Frozen Crown, showing the wicked, dark side of the band. Singer Giada ‘Jade’ Etro turns heel, claiming the throne and the literal ‘frozen crown’, leading the wraith kings to search for The One. Sounds familiar? Visionary and talented video-maker Raoul Noise and prop designer Daria Gislon join forces with the band, giving life to the vibrant and obscure Frozen Crown world, between J. R. R. Tolkien‘s harmonious and regal aesthetics and Robert E. Howard‘s brutality.”

    The legend starts: Frozen Crown head into their very own age of gold with their new album, The Legend of the Six Kings. Taking a more narrative approach than previous releases, their sixth album sends the Italian band on an epic quest. The ten brand-new heavy power metal tracks expand their dynamic repertoire into a slightly darker, but nevertheless illustrious, direction. With lead vocalist Giada “Jade” Etro changing her formerly cheerful approach to claim the sinister titular frozen crown, the band shows its true form with this straightforward punch of a record.

    The Legend of the Six Kings has Frozen Crown take the throne, deserving of their band name. A powerful work of rousing heavy power metal and massive vocal arrangements, the six-piece delivers a glorious performance filled with energetic melodies and catchy choruses. The Legend of the Six Kings matures the band’s trademark sound and makes sure that these six kings and queens will remain what the title states: legends. The album can be pre-order here.

    Frozen Crown about The Legend of the Six Kings: “With our sixth album—our second on Napalm Records—we continue our search for the quintessential Frozen Crown tune, distilling the key elements of our sound and style into increasingly concise and straightforward songs, stripping away all unnecessary frills.

    The Legend of the Six Kings draws directly from our debut album The Fallen King, continuing the saga of the Kings and the Tyrant, as we are—thanks to a brilliant newly extended team—finally able to do justice to what we had in mind with the original concept of the band. The visionary genius of Raoul Noise (the video maker behind all our new videos and band photos), the masterful craftsmanship of Daria Gislon (who designed and built the throne and the literal ‘frozen crown’) and of course the outstanding artistic talent of Sheila Franco (who hand painted our album cover art) gave life to the vibrant, obscure, frozen world we had in mind since the very beginning of the band, somewhere between J. R. R. Tolkien’s harmonious and regal aesthetics and Robert E. Howard‘s brutality.

    The Legend of the Six Kings brings not only new visuals, but also an empowered sound, with the young war hearts getting older on the battlefield and becoming an increasingly leading force of the Crown (with drummer and multi-instrumentalist Niso Tomasini becoming a more integral part of the songwriting together with singer Giada ‘Jade’ Etro and mastermind Federico Mondelli) and new warriors joining our ranks (Aleksandra Stamenkovic and her scorching, old school, abrasive guitar leads).

    This sixth album depicts the strength of our six band members, and our personal idea of Power Metal infused in ten catchy tracks touching the most varied nuances of the genre, from raw and uncompromising Speed ​​Metal, to the sumptuous magniloquence of Symphonic Metal, to the occasional linear chaos of Melodic Death Metal, but always sounding as Frozen Crown as ever!”

    The speedy opener “Lightning in the Sky” situates the band on a battlefield, swords shining bright and fire in their eyes, setting the theme for the rest of the album on which Frozen Crown deal blow after winning blow. “Who Wants to Burn in Heaven” determines the direction the band takes with their campaign: the choir-powered, groovy song illustrates Hell as the realm of their eternal rule, calling on their legions to join in on their chants live. The following epos, “Reborn,” is a powerful anthem of steadfastness as well as a bolstering tale about team spirit.”“The One” continues the theme of The Legend of the Six Kings being inspired by Tolkien’s masterpiece “The Lord of the Rings”, wrapping the band in mysterious darkness with sweeping songs shining bright. Here, Frozen Crown also show magnificent instrumental abilities through a majestic guitar solo where the three guitars intertwine, beautifully harmonizing together. Going extra catchy, the Italian band slides in a cover of “Iris”: originally by American alternative rock band Goo Goo Dolls, this 1998 track became an international superhit. Frozen Crown take its power and make it power metal, covering the entire spectrum from waltz-time ballad to high-speed drums and vocals full of pathos. “I just want you to know who I am” should be a given thing hereafter! “Winter Hearts” contrasts this venture into the mainstream instantly with easily recognizable heavy riffs to start, growls to hammer in the message, and a chantable chorus to close the deal—a grand track, reminiscent of the band’s classic songs from their 2018 debut, The Fallen King. The epic storytelling continues throughout melancholic “River of Time” and assertive “Through the Fire,” singalong potential included. “To the Stars” gifts The Legend of the Six Kings additional live character before the title track, “The Legend of the Six Kings,” rises to full glory. Nearing epic melodic death metal in its growled verses, the song is another duet between Jade and guitarist Federico Mondelli, who adds fierce growls and clean vocals.

    The Legend of the Six Kings will be available in the following formats:

    • Wooden Boxset, 1-CD Digipak, incl. Bonus CD, Flag, Guitar Picks, Autographed A5 Card– strictly limited to 300 copies (Napalm Mailorder exclusive)
    • 1-LP Gatefold Vinyl, Splatter, incl. LP-Sized Booklet – strictly limited to 300 copies (Napalm Mailorder exclusive)
    • 1-LP Gatefold Vinyl, Solid Baby Blue– strictly limited to 300 copies (Napalm Mailorder + Tour Edition)
    • 1-LP Gatefold Vinyl Black
    • 1-CD Digipak
    • Digital Album

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  • TYGERS OF PAN TANG Shares Music Video For Title Track “Electrifyed” Out In September

    Mighty Music is proud to announce the release of Electrifyed, the brand-new studio album from NWOBHM pioneers Tygers Of Pan Tang. The album finds the legendary British metal act returning to a heavier and more aggressive sound while retaining the melodic identity that has defined the band throughout its celebrated career.

    “The heavier, the better, that was our mantra throughout the writing and recording of Electrifyed”, singer Jack Meille comments about the writing process of the record. “We wanted to rediscover the pleasure of being driven by the powerful force of a heavy riff without losing that melodic touch all great Tygers songs have”.

    Written with a clear artistic vision from the outset, Electrifyed draws inspiration from the raw energy of the band’s early years, particularly their landmark debut album Wild Cat, while showcasing the chemistry and creativity of the current line-up. The result is a collection of songs built around powerful riffs, memorable melodies, and a renewed commitment to the heavy metal traditions the band helped establish.

    The album also introduces guitarist John Footitt on record for the first time. Joining founding member Robb Weir, Jack Meille, drummer Craig Ellis, and bassist Huw Holding, Footitts guitar skills fit the album’s muscular and contemporary sound.

    To achieve the sonic impact envisioned by the band, Tygers of Pan Tang worked closely with producer and musician Marco Angioni, a longtime friend and collaborator who helped translate the group’s ambitions into a cohesive and powerful final product. The album artwork was once again entrusted to Andy Pilkington of Very Metal Art, whose striking cover concept perfectly captures the spirit and energy of Electrifyed.

    Electrifyed will be released on LP (black vinyl, blue vinyl with white splatter, and orange vinyl with blue splatter, each limited to 500 copies), digipack CD, and digital formats on 11.09.2026, via Mighty Music. Pre-orders are available now here.

    The first two singles off the album, the title track and “Forevermore”, are out now on all streaming services.

    More than four decades after helping launch the New Wave of British Heavy Metal, Tygers of Pan Tang continue to demonstrate why they remain one of the movement’s most enduring and respected names. Electrifyed stands as both a tribute to the genre’s roots and a statement of intent for the present day.

    “It’s time to honour the musical movement that we helped to start – the ’New Wave of British Heavy Metal’. This is a brand new Heavy Metal album from us, steeped in the late 70’s, flavoured from the 80’s and ready for consumption right now!” says founder and guitarist Robb Weir.

    Tygers of Pan Tang Lineup:

    Robb Weir: Guitar
    Craig Ellis: Drums
    Jack Meille: Vocals
    Huw Holding: Bass
    John Foottit: Guitar

    The post TYGERS OF PAN TANG Shares Music Video For Title Track “Electrifyed” Out In September appeared first on Sonic Perspectives.

  • GREEN CARNATION Announces “A Dark Poem, Part III: The Messiah Complex” & Shares Video For “Unconditional Artificial Chemistry”

    At no point over the last 25 years has Green Carnation ever shied away from a challenge. Whether completing one of the most ambitious individual epics in metal’s historic archives or performing their acoustic verses under a mountain dam, the prog bards have always flashed a flare for the dramatic. However, from the very beginning, there was one tale – or three, to be exact – that eluded the Norwegians. That is, until now.

    Having reached crushing new peaks and delved into their deepest, darkest, and most personal depths during the first two parts of A Dark Poem, today, Green Carnation are bringing their critically-acclaimed album trilogy to a bold conclusion. With the announcement of A Dark Poem, Part III: The Messiah Complex, the band is putting the finishing touches on another masterpiece that stands as one of the defining statements in their storied career.

    A Dark Poem is by far our biggest achievement since Light of Day, Day of Darkness”, Green Carnation vocalist Kjetil Nordhus says: “Our new album trilogy returns to the epic storytelling that put us on the map back in 2001. While the reception to Part I and Part II has been overwhelmingly positive for us, we do believe that Part III saves the best for last. The Messiah Complex ties the whole story together with our most uncompromising statement to date”.

    “The intention behind A Dark Poem was to build a completely new musical universe”, Green Carnation bassist and primary lyricist Stein Roger Sordal says. “While the direction revealed itself as the creative journey unfolded, The Messiah Complex was carefully planned with a clear vision for where we wanted the story to end. Our goal was for all three parts to stand on their own, but Part III brings them all together into a unified whole”.

    A Dark Poem, Part III: The Messiah Complex comes out September 4, 2026, on Season of Mist, in the available formats:

    • CD Digipack
    • 12” Vinyl Gatefold (Black)
    • 12” Vinyl Deluxe Gatefold (Silver and green marbled)
    • 12” Vinyl Deluxe Gatefold (Transparent red and black marbled)
    • 12” Vinyl Deluxe Gatefold (White with black splatters)
    • 12” Vinyl Deluxe Gatefold (Turquoise and black marbled)
    • 12” Vinyl Deluxe Gatefold (Transparent orange and black marbled)
    • Limited-edition A Dark Poem, Part I-III Colored LP Box Set (includes demos and outtakes)

    Part I and Part II of A Dark Poem left fans and critics more than satisfied, but Part III arrives as the trilogy’s missing key. On The Shores of Melancholia, Green Carnation unfurled their ode to Arthur Rimbaud’s Ophelia amidst grand and gloomy peaks of crushing heaviness, while Sanguis took a deeply personal turn with the most raw and aching ballads that the band has ever penned. The Messiah Complex ties the whole story together with masterful strokes of prog.

    “The first two parts of the trilogy can stand on their own”, Nordhus says, “but in order to truly understand A Dark Poem, you have to hear Part III”.

    All the complexities of A Dark Poem won’t be revealed until the 16-minute orchestral suite that closes The Messiah Complex finally sees the light of day. But if the opening of Part III is any indicator, the ending won’t be happy. Lead single “Unconditional Artificial Chemistry” is powered by doomy riffs and a heavy groove. Just don’t get too lost in its pitch-perfect chorus.

    “With every byte and code I will comply”, Nordhus sings without missing a beat, though his cold hard stare into the video camera betrays a fatal flaw in the system. “But given time I won’t ask why”.

    While inspired by a Shakespearean tragedy, A Dark Poem addresses the rapidly failing relationship between our inner lives and the outside world. “We’ve lost faith in the world we once knew and that’s leading to a personal feeling of dystopia”, Nordhus says. The collective anxiety over encroaching technology, power-hungry leaders and social division that stirred below the surface of Parts I and II surges to a raging head on The Messiah Complex. In the video for “Unconditional Artificial Chemistry”, director Rikard Amodei uses artificial intelligence not as a cheat code but as a glitch that exposes its potential to destroy us.

    “The video for ‘Unconditional Artificial Chemistry’ tells a meta story about the danger of artificial intelligence”, Nordhus says. “We all know, if we are being honest with ourselves, that A.I. is going to take control of our lives. There are powerful people who stand to profit from it and that makes its takeover inevitable.

    “The video shows this happening before our eyes” Nordhus continues. As soon as the A.I. takes control, our likeness is corrupted. Before the song is even finished, we’re completely destroyed”.

    The video for “Unconditional Artificial Chemistry” was directed and edited by Rikard Amodei.

    Catch Green Carnation during their upcoming hometown shows and European summer festival dates.

    During their headlining show in September at the Kilden Performing Arts Centre, the band will perform A Dark Poem in its entirety for the first and final time. Already, fans from 18 different countries have purchased tickets for this once-in-a-lifetime event.

    The post GREEN CARNATION Announces “A Dark Poem, Part III: The Messiah Complex” & Shares Video For “Unconditional Artificial Chemistry” appeared first on Sonic Perspectives.

  • ROB ZOMBIE Unleashes New Music Video For “Tarantula” From Latest Album “The Great Satan”

    Rock and metal icon Rob Zombie has released the official music video for “Tarantula”, another standout track from his latest studio album, The Great Satan, available now via Nuclear Blast Records. The video arrives as fans continue to celebrate Zombie‘s acclaimed eighth solo album, which has earned widespread praise from critics and listeners alike.

    A favorite among fans since the album’s release, “Tarantula” now gets a fitting visual counterpart. Bathed in stark yellow light and shot with a gritty, stripped-down aesthetic, the performance-focused video captures Zombie and his band tearing through the track with relentless force and precision.

    Released earlier this year, The Great Satan marked Zombie‘s first studio album in five years and featured standout cuts including “Punks and Demons”, “Heathen Days”, “(I’m a) Rock ‘N’ Roller”, “F.T.W. 84”, “The Black Scorpion”, and “Tarantula”. The record further cemented his status as one of heavy music’s most distinctive creative voices, delivering another collection of memorable, larger-than-life anthems.

    Purchase or stream The Great Satan here.

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  • DEEP PURPLE Releases New Single & Video For “Guilt Trippin” From Upcoming Album “Splat!”

    Deep Purple has just released their new single “Guilt Trippin’”—just days ahead of the worldwide release of their highly anticipated new studio album Splat! out July 3 on earMUSIC.

    “Guilt Trippin’” begins with a deceptively gentle piano intro and soon bursts into one of Splat!’s most unpredictable and exhilarating moments—featuring one of Ian Gillan’s most memorable vocal performances on the album. Behind the music lies another one of Splat!’s wonderfully bizarre stories: “Guilt Trippin’” imagines God and Charles Darwin sharing a drink in a pub, reflecting on how things on earth have not exactly worked out according to plan. The accompanying video follows a fly and a sycamore-seed spaceship on a wild ride through the increasingly absurd and dreamlike world of Splat!

    “The song starts, and I’m in the studio. I don’t have any words for it yet,” Ian Gillan explains. “So I just started screaming. It was the pure joy of yelling it. I vowed when I was 40 that I’d stop screaming by the time I was 60. Now I’m looking back and thinking, ‘Whatever happened to that?’ So we’ll give it a go.”

    Deep Purple, Gillan, Roger Glover, Ian Paice, Don Airey, and Simon McBride, are currently on a major run of European summer dates before the Splat! World Tour heads to North America. Tickets are available via Deep Purple’s official website.

    Splat! has already received enthusiastic first fan and media reactions, with early press praising the album’s Deep Purple spirit. Uncut calls Splat! “distilled, high-octane Purple at its finest,” while Classic Rock praises the album for delivering “everything that makes Deep Purple one of the greatest acts in hard rock.”

    Splat! is available for pre-order in multiple formats including CD, vinyl, and limited editions. Further exclusive fan items are only available on the official Splat! shop.

    Splat! will be available July 3 in multiple formats:

    • Limited Box Set, containing: 2LP Gatefold (180g). 12-page vinyl-sized booklet. CD Digisleeve. 3 exclusive 10-inch vinyl records featuring live recordings from the DEEP PURPLE Tour 2024. Exclusive 7-inch single featuring the bonus track “GUINNESIS” (not included on the studio album and available exclusively in the box set!)
    • CD (Digisleeve)
    • 2LP Gatefold (black, 180g) + 12-page vinyl-sized booklet
    • Limited Purple 2LP Gatefold (180g) + 12-page vinyl-sized booklet
    • Limited Transparent Yellow 2LP (180g) + 12-page vinyl-sized booklet
    • All LP editions include a rich 12-page LP-sized booklet with illustrations and all song lyrics – available exclusively with the first pressing.

    Further exclusive items are available via the official artist store, including:

    • Limited 2LP Picture Disc + 12-page vinyl-sized booklet
    • Limited Cassette
    • A strictly limited canvas signed by all band members and limited to just 199 copies worldwide
    • Additional apparel and merchandise items

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  • AC/DC Launching “PWR/UP” Pop-Up Fan Experience in Every North American Tour City

    AC/DC has announced the AC/DC PWR/UP Pop Up, a free, open-to-all fan experience that will travel with the band’s 2026 North American stadium tour, opening in every city on the final leg of the “Power Up” (stylized “PWR/UP”) world tour. Each location will open the day before the show and on show day, giving fans a dedicated gathering place before the band plays.

    Each AC/DC PWR/UP Pop Up will feature exclusive merchandise and limited-edition fan collectibles — including premium apparel, accessories, posters and pieces created specifically for the pop-up. Fans attending each city’s stop will have early access to a limited quantity of the official city event shirt and poster, available at the pop-up one day before they go on sale online or at the stadium. Additional offerings include AC/DC-themed food and drink menus, iconic props, custom visuals, interactive photo moments, ticket giveaways and on-site chances to enter to win a guitar signed by guitarist Angus Young — the guitar will travel the full North American run and be signed by Young in Philadelphia before being awarded to one fan who entered in person.

    Fans attending AC/DC PWR/UP Pop Ups at U.S.-based stops will also have the chance to win an AC/DC-themed pinball machine created by Stern Pinball. Select locations will feature live performances from local School of Rock house bands and local radio broadcasts. Each pop-up will host a PWR/UP Fan Preview event — a special first-look gathering for press, media, partners and fans, with 100 fans selected by random draw given the opportunity to enter early alongside press and receive an exclusive gift created only for the preview event. Fans can register at pwruptour.acdc.com for the chance to be selected.

    Pop-up locations and dates:

    • July 10–11 — Charlotte, NC — Charlotte Beer Garden
    • July 14–15 — Columbus, OH — Newport Music Hall
    • July 18–19 — Madison, WI — The Annex
    • July 23–24 — San Antonio, TX — Hard Rock Cafe
    • July 27–28 — Denver, CO — BrewDog
    • July 31–Aug. 1 — Las Vegas, NV — Hard Rock Cafe
    • Aug. 4–5 — San Francisco, CA — Hard Rock Cafe
    • Aug. 8–9 — Edmonton, AB — Starlite
    • Aug. 12–13 — Vancouver, BC — Commodore Ballroom
    • Aug. 26–27 — Atlanta, GA — Hard Rock Cafe
    • Aug. 30–31 — Houston, TX — Heinke and Pilot
    • Sept. 3–4 — Notre Dame, IN — The Bend Lounge
    • Sept. 7–8 — St. Louis, MO — Ballpark Village
    • Sept. 11–12 — Montreal, QC — Foufounes Electriques
    • Sept. 15–16 — Toronto, ON — The Steam Whistle
    • Sept. 19–20 — Winnipeg, MB — The Pyramid
    • Sept. 24–25 — New York, NY — Hard Rock Cafe
    • Sept. 28–29 — Philadelphia, PA — Hard Rock Cafe

    The AC/DC PWR/UP Pop Up is overseen by Perryscope Productions, the band’s longtime merchandising partner. Full location details, hours, menus, giveaway schedules and PWR/UP Fan Preview registration are available at pwruptour.acdc.com. The “Power Up” world tour takes its name from AC/DC’s 2020 studio album, which debuted at No. 1 in 21 countries. The tour launched with the band’s long-awaited return to the stage at the Power Trip festival in California in 2023 and has since sold out dozens of stadiums across four continents. The 2026 North American run marks the final leg of the tour.

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