San Francisco Bay Area thrash metal veterans Testament have announced the upcoming remastered reissue of their coveted 1989 album Practice What You Preach, due on May 8 via Nuclear Blast Records.
The Practice What You Preach (2026 Remaster) reissue was remastered by Justin Shturtz at Sterling Sound. It will be available digitally and on 180-gram vinyl on yellow and orange swirl with black splatter (limited to 1250 worldwide) and is packaged with brand new artwork from Bill Benson (who also designed the original cover art), a 20-page booklet showcasing old photos and documents provided by Testament singer Chuck Billy and guitarist Eric Peterson, and newly provided liner notes.
Pre-order the album here, and listen to the remastered audio for “Envy Life” below.
Commenting on the reissue, Billy says: “I am stoked about the remastered ‘Practice What You Preach’ release with Nuclear Blast. With new artwork and bigger sound than the original. Drop the needle and bang your head!!”
Practice What You Preach achieved near-gold status in the United States upon its release in 1989 and became Testament‘s first album to enter the Top 100 on the Billboard 200 chart.
Testament‘s latest album, Para Bellum, came out in October 2025 via Nuclear Blast. The LP was recorded with Juan Urteaga and mixed for the first time by Jens Bogren. Eliran Kantor once again painted the cover art.
Record-breaking, multiplatinum rock band The Pretty Reckless have begun an explosive new era with the announcement of their forthcoming fifth studio album Dear God as well as a 2026 headlining world tour. Arriving alongside the announcement is their new single “When I Wake Up” out now via Fearless Records.
Marking the beginning of a new creative chapter, Dear God embraces vulnerability, intensity and artistic freedom, inviting listeners into one of the band’s most raw and uncompromising records yet. The band approached the album with a renewed commitment to authenticity, creating a record defined by honest performance and diaristic songwriting. The high-octane new single “When I Wake Up” explores a new sound for the band while also staying true to what has become their signature: searing guitar, thunderous drums and Momsen’s unmistakable powerhouse vocal.
Speaking about the song and new album, frontwoman Taylor Momsen said: “‘When I Wake Up’ is the story of a dream becoming a nightmare. When a life of excess leads you on a rollercoaster that is doomed to crash but you just can’t see it. It’s a good time…”
The Pretty Reckless will bring their electrifying stage performance to fans across the world with their all-new headlining Dear God Tour. The tour will kick off in North America, making stops in New Orleans, Dallas, Los Angeles, and New York before wrapping in Europe, see full tour routing below. This tour follows their incredible two-year long trek across the globe alongside AC/DC on the PWR UP Tour.
This upcoming marquee year follows a remarkable 12 months for the band, which included an acclaimed performance at the prestigious 2026 Musicares Person of the Year Gala, where Taylor honored the legendary Mariah Carey alongside the Foo Fighters, as well as a performance at the 2025 Rock & Roll Hall of Fame where Taylor performed with Soundgarden for their induction. Additionally, the band released their holiday EP Taylor Momsen’s Pretty Reckless Christmas, which reignited over two decades of global fandom and nostalgia.
Dear God Tour Routing:
U.S. Leg 1:
Fri, July 10th – Ritz Raleigh, Raleigh, NC Fri, July 17th – Riviera Theatre, Chicago, IL Tue, July 21st – Midland, Kansas City, MO Thu, July 23rd – ACL Live at the Moody Theater, Austin, TX Sat, July 25th – House of Blues, Dallas, TX Fri, July 31st – Wiltern, Los Angeles, CA Sun, Aug 2nd – Van Buren, Phoenix, AZ Fri, Aug 7th – Crystal Ballroom, Portland, OR Tue, Aug 11th – The Palace, Calgary, AB, CA Sat, Aug 15th – The Moore, Seattle, WA
U.S. Leg 2:
Fri, Aug 28th – Avondale Brewery, Birmingham, AL Sat, Aug 29th – House of Blues, New Orleans, LA Thu, Sep 3rd – The Ryman, Nashville, TN Wed, Sep 9th – Egyptian Room, Indianapolis, IN Thu, Sep 10th – House of Blues, Cleveland, OH Sun, Sep 13th – History, Ottawa, ON, CA Sat, Sep 19th – The Fillmore, Detroit, MI Tue, Sep 22nd – Hampton Beach Casino Ballroom, Hampton Beach, NH Thu, Sep 24th – House of Blues, Boston, MA Sat, Sep 26th – The Fillmore, Silver Spring, MD
EU/UK Leg:
Mon, Nov 9th – La Riviera, Madrid, ES Tue, Nov 10th – Razzmatazz, Barcelona, ES Sat, Nov 14th – Fabrique, Milan, IT Mon, Nov 16th – Forum Karlín, Prague, CZ Wed, Nov 18th – Huxleys, Berlin, DE Sat, Nov 21st – Carlswerk Victoria, Cologne, DE Mon, Nov 23rd – AFAS Live, Amsterdam, NL Tue, Nov 24th – Zénith, Paris, FR Thu, Nov 26th – The Prospect Building, Bristol, UK Fri, Nov 27th – Civic Hall, Wolverhampton, UK Sun, Nov 29th – O2 Victoria Warehouse, Manchester, UK Tue, Dec 1st – O2 Academy Brixton, London, UK Thu, Dec 3rd – Barrowland, Glasgow, UK
Making another major move and breaking down walls once again, the Swedish masters of heavy metal Sabaton have joined forces with leading historically accurate naval multiplayer game, World of Warships, and released a brand new single and music video entitled “Yamato” — available in-game and on all DSPs now. It is being released by Better Noise Music on the heels of 2025’s Legends, which marked Sabaton’s first album for the label. “Crossing The Rubicon” (Feat. NothingMore) from the album was also the band’s first-ever Top 10 single on the Billboard Rock Chart.
This song notably marks the second World of Warships collaboration between the band and developer Wargaming following the mega-popular “Bismarck.” For the first time, a Sabaton-branded Yamato is also available in World of Warships in addition to dialogue by vocalist JoakimBrodén and bassist PärSundström. Along with different bespoke items in game, JoakimBrodén can take the helm of the ship while the standard battle soundtrack replaced by “Yamato” or “Bismarck”, transforming every engagement into an epic metal experience.
As history will tell you, “Yamato” was the name of a massive Japanese battleship constructed in-secret and unveiled during 1941 as the most dominant vessel of its kind. Designed to win at naval warfare, it represented the ultimate floating symbol of strength. In 1945, it famously hit the high seas on a suicide mission to defend Okinawa. Despite ceaseless fire from aircraft above and an opposing fleet of a far greater number on the water, the “Yamato” and its crew never gave up. Instead, they literally battled until the bitter end when a huge explosion rendered a deathblow to the ship. It sank in a blaze of glory…
As part of the alliance with World of Warships and Wargaming, the band filmed the accompanying music video in Belgrade, Serbia last October. Quite fittingly, it depicts Sabaton aboard the titular ship during its last stand, descending into the unforgiving ocean as the band hangs on for dear life. Waves consume the deck, but each member keeps playing his instrument even as the chaos swallows the guys up one-by-one.
Testing their mettle in real-life, the musicians faced brutally frigid temperatures, weathering a continuous blast of ice-cold water for the duration of the shoot. The band remained submerged in freezing waters with the help of ventilators. Pushing it to the max, the guys even wore weights beneath their stage clothes to truly evoke the sensation of sinking. Maintaining the highest level of safety protocol, professional divers assisted Sabaton throughout.
About the track, vocalist Joakim Brodén said: “Battleships are interesting and naval stories have, from time to time, been part of the Sabaton lore. ‘Bismarck’ was an exciting story for us to share and a fan favorite, and ‘Yamato’ is sort of a follow-up to that song. Our former guitarist, Tommy, wrote this song while he was still in the band. We only ‘Thobbefied’ it after guitar duties were returned to Thobbe!”
Bassist Pär Sundström added: “‘Bismarck’ was such an exciting song but it was never part of an album, and it felt that it was missing something. We always wanted to follow up on that story. Over the years, countless fans have asked us to write a song about ‘Yamato,’ and we knew that that would be a natural continuation of what we started with ‘Bismarck.’ We knew we wanted this song to have a totally different sound, and when Tommy was writing the music for this, we felt we had the appropriate, powerful song for this story. Once again, we are collaborating with World of Warships, and since our worlds are so close, it just feels so natural to continue this great partnership. Together, we once again created a legendary music video!”
Today, legendary English rock supergroup Asia are thrilled to announce the release of their new live album Asia – Live In England, out now via Frontiers Music Srl and to celebrate, the band has also shared the official live video for “Wildest Dreams”.
Geoff Downes comments: “I had written a verse with the opening two lines: ‘They decorated all the generals, who fought the war behind the lines…’ It was, of course, a general observation of war inequalities between those in command and the rank-and-file servicemen. When I put it before John (Wetton), we started to extend this idea into more modern-day warfare, where technology plays an ever important role. Somewhat prophetic, I would say, bearing in mind recent events! The lyric continues along the lines of ‘who would believe this happening, no, not in my wildest dreams.
“The musical aspects of the song are a mixture of explosive beats and more poignant reflections – the juxtaposition of two contrasting moods. Kal Rudman, the founder of the famous ‘Friday Morning Quarterback,’ America’s radio bible and tipsheet at the time, hailed it as the greatest modern-day war lyric and song. Brian Lane, our then manager, thought we should leave it off the album by referring to it as ‘not much of a song, is it?’ You pick?!”, he added.
Asia are back and roaring in their new, exhilarating line-up! Recorded live on the first of three unforgettable nights at Trading Boundaries in Sussex in April 2025, this release captures the band performing their iconic 1982 debut album Asia in full, along with a selection of their greatest hits.
Featuring Geoff Downes on keys, Virgil Donati (ex-Planet X) on drums, John Mitchell (Arena, ItBites, etc.) on guitars, and the astonishing Harry Whitley on bass and vocals, this fresh incarnation of Asia brings both reverence for the classics and a thrilling new energy to the stage. The setlist includes fan favourites like “Heat Of The Moment,” “Only Time Will Tell,” “Sole Survivor,” “One Step Closer” and “Time Again,” alongside video-era and bonus tracks such as “Ride Easy,” “Video Killed The Radio Star,” “The Heat Goes On” and “Daylight” (video exclusive).
Geoff Downes shares: “Revisiting the entire first Asia album brought all the great memories flooding back from 43 years ago. In the studio with John, Steve, Carl, and, of course, the great Mike Stone at the production helm. I think at the time we knew we’d made a good album but could not have predicted the enormous success that followed, that made the band a household name across the world, and particularly in America. That said, it was a result of much hard work and effort from everyone involved. So, when I had the opportunity to put together the live album with the current and fantastic line-up of Asia and in collaboration with Frontiers Music, it was really a no-brainer.”
“I was reminded of what a collection of great songs and performances made up the album – variety and musical dynamics to the fore. When we recorded it again earlier this year, I was drawn to some of the less featured tracks and realized how much they played an important part of the overall album, in addition, of course, to the signature tracks such as ‘Heat Of The Moment,’ ‘Only Time Will Tell, ’ etc,” he continued. “We did this for you, the fans, and hope you really enjoy hearing these songs in the live setting performed in their entirety once again and enjoy it as much as we did creating and performing it”.
With Asia’s legacy spanning over 40 years – from multi-million selling albums like Asia, Alpha, and Astra to defining the sound of the MTV era – this new line-up is bringing those legendary songs to life for a whole new generation of fans.
This is just the first of three live releases from Trading Boundaries, each capturing a full classic album from their initial trilogy in concert in audio and video. Experience the magic of Asia, live, where past and present collide in a spectacular display of musicianship and passion.
Asia – Live In England is available to order here.
Elegant Weapons, the hard rock and heavy metal powerhouse led by Judas Priest guitarist Richie Faulkner, have released their new single “Bridges Burn,” the first track from the band’s forthcoming sophomore album Evolution, due April 24, 2026, on Exciter Records.
The album will be released digitally and on CD on April 24, 2026, with a special edition vinyl pressing to follow later in the year. The lead single “Bridges Burn” is available now, and you can watch the lyric video below.
Elegant Weapons features a formidable lineup: Richie Faulkner (Judas Priest), vocalist Ronnie Romero (Rainbow, MSG), bassist Dave Rimmer (Uriah Heep), and drummer Christopher Williams (Accept).
With Evolution, the band pushes its sound forward — combining razor-sharp riffing, arena-sized hooks, and technical precision with a chemistry forged through touring and collaboration. The album was co-produced by Faulkner alongside Andy Sneap (Judas Priest’s touring guitarist, who also produced Priest’s Invincible Shield), with the recording spanning Nashville, Europe, and France — a truly global effort reflecting the band’s international pedigree.
“This record represents growth in every sense,” said Richie Faulkner. “When the four of us come together, we sound like Elegant Weapons. We’ve spent time on the road, we’ve developed a chemistry, and you can hear that evolution in the performances. I’m proud of what we’ve built, and I’m excited to begin this next chapter with Exciter Records.”
For Exciter Records, the signing marks a strategic move into contemporary metal while reinforcing the label’s deep ties to the genre’s foundations. Exciter Records and its publishing affiliate Reach Music, recently acquired Judas Priest’s landmark early albums Rocka Rolla and Sad Wings of Destiny, making the partnership with Richie Faulkner and Elegant Weapons a natural continuation of that legacy into a new era.
“Richie Faulkner is not only one of the most respected guitarists as a member of Judas Priest, but he is also a leader in forming and developing Elegant Weapons,” said Michael Closter, Founder and President of Exciter Records. “Signing Elegant Weapons is a natural step for ExciterRecords as we continue to honor metal’s heritage while investing in its future.”
The album features standout tracks including the opener “Evil Eyes,” the groove-driven anthem “Generation Me,” and the lead single “Bridges Burn,” alongside the instrumental “Rupture,” an emotionally charged composition inspired in part by Faulkner’s life-threatening onstage medical emergency in 2021.
With Evolution, Elegant Weapons solidify their identity as a band defined not simply by pedigree, but by forward momentum.
Adrian Smith has seen the upcoming Iron Maiden documentary — and says fans are in for a few surprises.
Speaking to Brazil’s Kazagastão, the guitarist weighed in on Iron Maiden: Burning Ambition, which hits theaters for a limited run starting 05/07. “Yeah, I have [seen it]. And I really enjoyed it, which might sound funny, but when there’s something on a big screen about you, it can be a bit — you wanna hide behind the chairs,” he said. “But I think it’s a good document of the band, and I think fans will enjoy it. There are a few things in there that have never come to light before, and it goes into depth on a few things. So I think people are really gonna enjoy it,” Smith said (via Blabbermouth)
Smith also touched on Iron Maiden: Infinite Dreams – The Official Visual History, the hardcover book published globally in autumn 2025, covering the band’s first five decades. For Smith, the most compelling material is the mundane stuff — the kind that puts 100 million records sold into perspective.
“I love some of the old photos,” he said. “It’s almost like a different life back in the ’80s when I was in the band, a different person. But I love the stuff in it, like [Maiden founder] Steve Harris‘s diary, talking about getting just a couple of bucks to do a show and having to buy guitar strings and petrol and counting all the pennies. Stuff like that is priceless. It’s great that he’s kept that stuff.”
Asked whether he and Bruce Dickinson took the band to another level when they came on board, Smith deflected on his own behalf but was direct about Dickinson‘s impact. “I can’t really talk about myself, but Bruce definitely did, because as much as we love [former Iron Maiden singer] Paul [Di’Anno], I don’t think he had the same mindset as Bruce, the same determination to succeed, commitment,” he said.
“Bruce was all about commitment and professionalism, and he could sing night after night after night. And that’s what the band needed to do. They needed to go on the road — they needed to go on the road for six, eight months at a stretch. And that’s what rock bands have to do. No one’s gonna hand them success with, ‘Okay, we’ll play you on the radio. You’ll be stars.’ There’s none of that.”
On his own contributions, Smith pointed to his songwriting track record. “I’ve been a part of it. I think we all worked hard to get to another level. Maybe, hopefully, my contributions, writing-wise, helped,” he said. “A lot of the singles that we used, ‘Flight Of Icarus’ and ‘Wasted Years’ and stuff like that, were my ideas, my songs — ‘2 Minutes To Midnight’ — co-writes, really. So, I feel like I hopefully contributed in that way, or do contribute.”
Directed by Malcolm Venville (Churchill At War) and produced by Dominic Freeman (Spirits In The Forest – A Depeche Mode Film), Iron Maiden: Burning Ambition traces the band’s five-decade run and features on-camera appearances from Javier Bardem, Lars Ulrich, and Chuck D.
The film arrives as Iron Maiden continues its two-year “Run For Your Lives” world tour, with over 50 shows planned for 2026 — including EddFest, a one-off celebration at Knebworth Park, England on 07/11.
The Pusciverse continues to expand with the arrival of the new comic “Tales From The Pusciverse #2: The Briefcase”. The new installment follows the immediate sell-out of the series’ debut issue, which introduced the character Bellendia Black and quickly moved through two printings.
The second issue centers on one of the longest-running mysteries in the Pusciverse… The Briefcase. For years, the object has appeared in Puscifer‘s videos and photographs, prompting the recurring question among fans: “What’s in the briefcase?”
Written by Maynard James Keenan, the new issue features artwork by Marlin Shoop (“Captain Action”, “G.I. Joe”, “Unprepped”) with lettering by Jack Morelli (“Afterlife With Archie”, “Peter Parker Annual”, Marvel Comics).
“The Briefcase has been part of the Puscifer mythology for years,” Keenan notes. “Everyone wonders what exactly is inside. This issue doesn’t necessarily answer the question… but it moves the story forward.”
“Issue #2 pulls you deeper into the mystery of the briefcase, and illustrates that chaos was half the fun,” Shoop shares.
Issue #2 also marks the Pusciverse comics debut of Major Douché, one of the earliest and most recognizable figures in the Pusciverse. The character first appeared ahead of Puscifer‘s 2009 Las Vegas residency, the band’s live debut, and later appeared in the “V Is For Versatile” concert film.
“Tales From The Pusciverse” comics are available exclusively via this location.
Puscifer‘s new album, Normal Isn’t, is out now via Puscifer Entertainment/Alchemy Recordings/BMG. The band’s North American tour launches on March 20.
Nate Garrett is back with Spirit Adrift. Following his gothy 2024 side project Neon Nightmare, Garrett has returned to his main band with “Eternal Celestial Energy,” a new standalone single.
The track is a heavy, detuned dirge built around melodic low-end crush and Garrett‘s emotionally raw vocals — screaming and crooning through a storyline that cuts deep.
Garrett kept his comments on the song brief, but direct: “I can’t speak too much on this song, other than to say it’s probably the heaviest thing I’ve ever written, both sonically and emotionally. It was extremely difficult to make, but hopefully it will resonate with people who need some catharsis.”
He also confirmed that “Eternal Celestial Energy” is not tied to an upcoming album — but that one is coming.
Garrett added, “This is a standalone single. That said, the sixth and final Spirit Adrift album is approaching sooner than you realize. We will debut two brand new, never-before-heard songs at our upcoming show with Crowbar, Eyehategod, and Bl4ckm4gnet on 03/20. Thank you so much to all of you who made the show sell out. It will be Spirit Adrift‘s final performance. We look forward to the coolest possible farewell we could imagine, in one of the most metal cities in the world!”
Garrett closed with a nod to a recently lost legend: “In the words of our beloved Ozzy Osbourne… ✌🏻 ‘We love you all!’ ✌🏻”
Industrial metal veterans Fear Factory have announced a U.S. tour scheduled for November 2026. The run, titled the Cybernetic Domination tour, will feature support from Darkest Hour and Brotality. The shows will begin right after Fear Factory wraps up its upcoming co-headlining tour with Mushroomhead, the masked metal act from Cleveland, Ohio.
Guitarist Dino Cazares shared a short message about the upcoming dates: “We’re hitting places we haven’t played in a while, and we can’t wait to play with our friends in DarKest Hour and the newcomers Brotality.”
He continues: “The tour launches in Wichita, Kansas and ending in our hometown Los Angeles. To close it out, Fear Factory will perform TWO nights at the legendary Whisky A Go Go, two completely different albums in its entirety. First night Demanufacture, second night Obsolete (Los Angeles only).
“Pick up something at our merch table and we’ll gladly sign it and take photos with you after the show (wherever the venue allows it).”
The band also continues work around its next studio release. Fear Factory’s long-awaited new album is expected later this year through Nuclear Blast. The upcoming record will be the first to feature vocalist Milo Silvestro and drummer Pete Webber, both of whom have spent the past several years performing with the band on tour.
Cybernetic Domination Tour dates:
Nov. 13 – Wichita, KS @ Wave Nov. 14 – Denver, CO @ Oriental Theater Nov. 15 – Colorado Springs, CO @ Black Sheep Nov. 17 – Billings, MT @ Pub Station Nov. 18 – Great Falls, MT @ The Newberry Nov. 20 – Seattle, WA @ El Corazon Nov. 21 – Portland, OR @ The Hawthorne Theatre Nov. 22 – Boise, ID @ Shrine Social Club Nov. 24 – Fresno, CA @ Strummers Nov. 25 – San Diego, CA @ House of Blues Nov. 27 – Pomona, CA @ The Glass House Nov. 28 – Los Angeles, CA @ Whisky A Go Go Nov. 29 – Los Angeles, CA @ Whisky A Go Go
New York death metal legends Immolation are reaching a fever pitch as they prepare to unleash Descent. Their twelfth studio album arrives April 10th via Nuclear Blast Records, just as the band kicks off a North American tour alongside label mates Behemoth.
The band has release the second single, “Attrition”, a masterclass in tension. Defined by its crushing groove and volatile tempo shifts the track opens with a crawling, mid-paced groove that eventually gives way to stunning tempo shifts, culminating in a bone-shattering finale. This is dark death metal at its most cinematic—equal parts atmospheric depth and sheer, crushing brutality proving Immolation remains the gold standard of the genre.
Immolation comments: “We are excited to release, “Attrition”, another new track from our upcoming album, Decent. This song is a dark, powerful heavy track with plenty of intensity. “Attrition” has a dismal, hopeless atmosphere…as it focuses on the senseless wars and battles for territory that mankind seems to constantly repeat, no matter what the cost. The drum work by Steve Shalaty is a key component in this song as it emphasizes the overall emotion of the track, with not only a militant feel, but unique rhythmic cymbal work and other twists that bring the musical parts to life. “Attrition” is a good example of the diverse nature of Descent. A catchy, yet explosive track with all the Immolation elements. We hope you enjoy “Attrition””
Descent was captured across two locations: Justin Passamonte tracked guitars, bass, and vocals at Jpass Music, while drums were recorded at Mercinary Studios with Noah Buchanan. The production was a collaborative effort between the band and long-time engineer Zack Ohren, who also handled the mixing and mastering. The result is a muscular, high-fidelity production that captures the band’s most fiery and brooding moments with equal clarity. To call Descent “heavy” or “brutal” is an understatement; this is death metal with a unique, elevated voice that stands entirely alone.
Visually, the band has once again tapped Eliran Kantor to craft a haunting cover masterpiece—a true hallmark of the Immolation aesthetic— complemented by Santiago Jaramillo’s (Triple Seis Design) internal booklet illustrations. With this release, Immolation reinforces their status as one of the most enduring and vital forces in the genre.
Immolation will join headliners and label mates Behemoth on their The Godless IV 2026 Tour with Deicide and Rotting Christ.
04.14.2026 US San Diego, CA @ The Observatory North Park 04.15.2026 US San Francisco, CA @ The Regency Ballroom 04.17.2026 US Portland, OR @ Roseland Theater 04.18.2026 CAN Vancouver, BC @ The Vogue Theatre 04.19.2026 US Seattle, WA @ Showbox Sodo 04.21.2026 US Salt Lake City, UT @ Union Event Center 04.22.2026 US Denver, CO @ The Fillmore 04.24.2026 US Milwaukee, WI @ The Rave 04.25.2026 US Chicago, IL @ The Vic Theatre 04.26.2026 US St. Louis, MO @ The Pageant 04.28.2026 US Norfolk, VA @ The Norva 04.30.2026 US Silver Spring, MD @ The Fillmore ~ 05.01.2026 US Worcester, MA @ The Palladium ^ 05.02.2026 US New York City, NY @ The Palladium 05.04.2026 US Buffalo, NY @ Buffalo Riverworks 05.05.2026 US McKees Rock, PA @ The Roxian 05.09.2026 US Charlotte, NC @ The Fillmore 05.11.2026. CAN Toronto, ON @ History 05.12.2026 CAN Montreal, QC @ L’Olympia 05.14.2026 US Columbus, OH @ Sonic Temple* 05.15.2026 US Nashville, TN @ Brooklyn Bowl 05.16.2026 US Atlanta, GA @ The Masquerade 05.18.2026 US Dallas, TX @ The Bomb Factory 05.20.2026 US Phoenix, AZ @ The Van Buren 05.21.2026 US Los Angeles, CA @ Hollywood Palladium
