Category: news

  • Timeless Afternoon Self-Titled Album Review

    Timeless Afternoon Self-Titled Album Review

    From the incipit of the album, the opening track “The Wind Sighs” introduces listeners to a classic and intense rock experience with an engaging rhythm. The sound of the keys adds a psychedelic effect reminiscent of the 70s and 80s, enhancing the overall atmosphere of the song. This blend of nostalgic textures and vibrant energy sets a promising tone for the entire album.

    Timeless Afternoon Timeless Afternoon

    Following this, “Summer Rain” begins with an almost dreamlike introduction. It showcases the visionary creativity of the band. Drawing inspiration from past musical influences, the track emits bluesy vibes intertwined with a unique perspective. This song captures a spirit that could easily resonate with the audience at Woodstock, reinforcing the band’s dedication to timeless music.

    “Count the Days” unfolds with a kaleidoscopic synth introduction. This track allows listeners to appreciate beautiful harmonies that expand the sonic space. The layered vocals add depth to the overall composition, creating a rich audio experience. It reflects the band’s ability to blend modern sounds with retro influences effectively.

    Timeless Afternoon – Sound and Atmosphere

    Next is “Kanonikotita,” a track that evokes ancestral connections to the band’s Greek heritage. It possesses a progressive essence, delivering a fantastic exploration of rhythm changes and intensity that takes the listener’s breath away. The mastery displayed in this piece highlights an understanding of musical storytelling, connecting tradition with innovation.

    “The Night is Coming Soon” exemplifies the band’s technical capabilities, as it develops a syncopated rhythm drawing on progressive, jazz, and avant-garde influences. The cleverly constructed melodies demonstrate how the band possesses a clear vision, crafting high-quality music that resonates on multiple levels. This complexity adds layers to the listening experience.

    “Missing Worlds” emerges with an oracular quality, showcasing a unique development that keeps the listener engaged. Here, one can sense echoes of The Doors. The visionary essence of this song illustrates the band’s desire to transport its audience through imagination and sonic exploration.

    Timeless Afternoon – Performance and Production

    Overall, this album stands out as a fantastic collection of music. It offers an invigorating journey through time, demonstrating the band’s ability to merge the old with the new. Each track holds a distinct identity yet contributes to a cohesive listening experience. Fans of classic and progressive rock will find much to enjoy in this endeavor.

    The musicians show remarkable skill and creativity, as evidenced throughout the album. Their influences are diverse, and they honor those roots while forging their unique sound. This combination of homage and originality is refreshing and speaks to the growth and ambition of the band.

    “Timeless Afternoon” is a remarkable effort worthy of attention. It provides a blend of nostalgia and innovation that appeals to a wide audience. Each track invites listeners on a journey, making it an essential listen for any rock enthusiast. The passion and dedication inherent in this music shine brightly, marking the band as a noteworthy presence in contemporary rock.



    Visionary

    🔥 If you love this music: Discover More


    Find Timeless Afternoon here:
    Spotify | Instagram

    The post Timeless Afternoon Self-Titled Album Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Iconic – ‘Tears Keep On Falling’ Song Premieres

    US hard rockers Iconic have shared new single “Tears Keep On Falling”. The latter appears on the group’s upcoming album II, due out on July 31st, 2026 via Frontiers Music Srl.
    Read more…
  • EARTHSIDE Returns With New Single “A Dying Star” and Announces European Tour Dates

    Earthside has released a new single, “A Dying Star,” the first taste of new music from the band’s next chapter. An official visualizer for the track is out now.

    The band described the song in a statement: “‘A Dying Star” is yours. With chaotic intensity cranked to the max, “A Dying Star” bludgeons the senses with the fury of a meteor shower and the heart-wrench of a broken dream”.

    “A Dying Star” was written during a period of internal strife, with band members geographically separated for the first time in the group’s history. The unusual writing circumstances — only a drummer and piano player available at the initial stage — produced something deliberately chaotic and unconventional. The track was recorded at Luckchild Studio in Val-David, Québec, Canada, with vintage pedals and live-room percussion adding new textural elements to the mix. Keyboardist Frank Sacramone’s piano runs drive the track alongside drummer Benjamin Shanbrom’s force-of-nature playing.

    “A Dying Star” closes out the Let the Truth Speak era and marks the start of a new phase for the band. Earthside will be supported by cellist Raphaël Weinroth-Browne across all dates, plus local supports.

    Shanbrom said of the upcoming run: “It’s been far too long since Earthside has toured one of our favorite places in the world and our true home away from home — Europe. What was initially our plan for ushering in the new Let the Truth Speak era, unfortunately hit repeated roadblocks due to several difficult circumstances well beyond our control. But by hell or high water, we would not close the second chapter of Earthside’s career without a proper European run, and now we are thrilled to finally meet many of you and reunite with our countless friends on the continent. Expect a show-stopping set, brand new music, and some very exciting surprises. Don’t miss it! We’ll see you out there.”

    Earthside live dates:

    • 05/22 — 229 The Venue — London, UK
    • 05/23 — Glazart — Paris, France
    • 05/24 — Boerderij — Zoetermeer, Netherlands
    • 05/27 — MTC — Cologne, Germany
    • 05/29 — Betty — Hamburg, Germany
    • 05/30 — Stengade — Copenhagen, Denmark
    • 06/01 — Kollektivet Livet — Stockholm, Sweden
    • 06/04 — On The Rocks — Helsinki, Finland
    • 06/05 — Ankea Festival — Tampere, Finland

    The post EARTHSIDE Returns With New Single “A Dying Star” and Announces European Tour Dates appeared first on Sonic Perspectives.

  • Mark Wink Gimme Some Sugar Review

    Mark Wink Gimme Some Sugar Review

    Mark Wink’s album “Gimme Some Sugar” opens with “Sugar Sweet,” a track that carries a serene atmosphere. This song features a ska rhythm that elevates the listener’s mood. A female vocalist envelops the listener with her smooth tones, delivering a simple yet refined experience. The positivity of this track paves the way for what is to come in the album.

    Mark Wink Gimme Some Sugar

    Transitioning to “Sugar Ballad,” the tone shifts dramatically. This song begins with intense piano chords, accompanied by strings that evoke a cinematic and nostalgic environment. The arrangement creates a profound emotional backdrop, allowing the listener to feel the weight of nostalgia seep in. Wink demonstrates an understanding of music’s ability to conjure memories, making this track a centerpiece of the album.

    The next track, “Sugar Chicago Blues,” brings forth a stark contrast with its bluesy undertones. The male vocalist adopts a slightly hoarse delivery, enhancing the barroom ambiance typical of Chicago’s music scene. This gritty authenticity invites listeners into a world where you can almost picture yourself in a dimly lit bar, nursing a drink as the music plays in the background.

    Gimme Some Sugar – Sound and Atmosphere

    Following this is “Sugar Hawaii,” an upbeat track that conjures images of Honolulu’s sandy beaches. This song inspires a longing to dance to traditional Hawaiian rhythms. The spirit of summer permeates the melodies, making it impossible for the listener not to smile. Wink effectively transports listeners to a tropical paradise, showcasing his ability to vary moods and settings throughout the album.

    “Sugar Line Dance” is a track that lives up to its title by creating a lively dance atmosphere reminiscent of a Central American local celebration. The energy here is infectious, encouraging listeners to embrace the joy of movement. The imagery of moonshine and dancing boots on the floor is vivid, engaging the audience in a cultural experience that feels personal and inviting.

    Then, “Sugar Rock Concert” infuses the album with rock vibes while still incorporating elements of American music. The energetic arrangements and powerful instrumentation prompt listeners to raise their hands in appreciation of the hard rock influences. Wink effectively channels the spirit of rock concerts, offering an exhilarating experience that resets the album’s energy level.

    The album closes with “Sugar Special,” a catchy pop track that serves as a fitting conclusion. Its upbeat nature and memorable hooks encapsulate the themes explored throughout the previous songs. The cohesive use of “sugar” as a recurring ingredient ties the album together, unifying the diverse range of genres Wink employs.

    Gimme Some Sugar – Performance and Production

    Wink’s ability to navigate various musical styles highlights his artistic vision. Despite utilizing innovative technologies to create his music, there remains a solid foundation throughout the album. The blend of different genres showcases Wink’s creative range while keeping the listener entertained.

    Overall, “Gimme Some Sugar” emerges as a delightful collection of tracks that celebrate diversity in sound. Each song offers a unique experience, yet together they form a cohesive journey through different emotions and settings. This album is refreshing, inviting a wide array of listeners to indulge in Wink’s exceptional craftsmanship.

    The commitment to thematic consistency while exploring different genres is commendable. It is a project that entertains and encourages engagement with its various musical styles. Anyone looking for varied and enjoyable music should consider this album as a worthy addition to their collection.



    Joyful

    🔥 If you love this music: Discover More


    Find Mark Wink here:
    Spotify | Instagram

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    The post Mark Wink Gimme Some Sugar Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Laji George Alone Review

    Laji George Alone Review

    The song begins with an atmospheric introduction, reminiscent of smoke lingering in the air. This nocturnal opening sets a tone of introspection before the drums kick in, echoing the powerful march of “Like a Stone” by Audioslave. Laji George’s voice emerges, intense and filled with a sense of hidden secrets, drawing comparisons to iconic vocalist Chris Cornell.

    Laji George Alone

    As the song progresses, it brings forth the energy and essence of 1990s rock, resonating with the vibes of Staind. This is a track that envelops the listener with an authentic energy, rich in emotion and deep reflection. In a time when music is often overwhelmed by artificial emotions driven by technology, this song feels alive and truly speaks to the soul.

    The chorus develops beautifully, creating the right dynamics to engage the listener from the very first note to the last. It provides a sense of release, with every repetition reinforcing the song’s emotional core. The bridge further enhances the musical journey, introducing dystopian elements reminiscent of Soundgarden. This twist adds depth to the track and showcases Laji George’s ability to innovate within the rock genre.

    Alone – Sound and Atmosphere

    The instrumentation throughout “Alone” is striking. The arrangement strikes a fine balance, blending raw guitar riffs with steady percussion. This combination supports the vocal delivery effectively, allowing the lyrics to resonate without distraction. \

    Lyrically, “Alone” delves into themes of solitude and emotional struggle. The words portray an internal dialogue, exploring feelings of isolation while still striving for connection. This relatable content draws the audience into a personal journey, allowing them to reflect on their own experiences. The authenticity of the lyrics further cements the song’s impact, emphasizing the importance of genuine expression in music.

    Alone – Performance and Production

    Every element of this song, from the atmospheric start to the vibrant chorus, serves to enrich its narrative. The artistry displayed throughout “Alone” showcases Laji George’s understanding of rock music’s core values.

    The production quality is commendable. The mix is clear, emphasizing every instrumental layer and vocal nuance. This clarity allows the raw emotions conveyed in the song to shine through, ensuring the listener is fully engaged. It’s easy to appreciate the level of care that has gone into crafting each component of this single.

    “Alone” captures the spirit of an era while remaining relevant in today’s world. With its intense emotion, reflective lyrics, and powerful instrumentals, it offers a full-bodied experience that is increasingly rare. This track is highly recommended for anyone seeking authentic rock music that resonates deeply.



    Intense

    🔥 If you love this music: Discover More


    Find Laji George here:
    Spotify | Instagram

    For fans of:

    Audioslave • Soundgarden


    The post Laji George Alone Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • My Chemical Romance Announce Deluxe Edition Of ‘Danger Days’

    My Chemical Romance have given their 2010 album ‘Danger Days: The True Lives Of The Fabulous Killjoys’ the deluxe treatment, full of lots of lovely surprises.


    Set for release on July 10 via Reprise/Warner Records, the album will include the original tracklist fully remastered as well as nine bonus tracks. From ‘We Don’t Need Another Song About California’ to ‘Mastaa of Ravenkroft’, ‘Zero Percent’ to ‘F.T.W.W.W’, it’s the first time these tracks will be available on both streaming and vinyl.

    And speaking of vinyl, the release will be available in multiple 2LP configurations, including picture disc, zoetrope, and various colour variants, alongside CD and cassette.

    The full tracklisting looks like this:

    1. Na Na Na (Na Na Na Na Na Na Na Na Na)
    2. Bulletproof Heart
    3. SING
    4. Planetary (GO!)
    5. The Only Hope for Me Is You
    6. Party Poison
    7. Save Yourself, I’ll Hold Them Back
    8. S/C/A/R/E/C/R/O/W
    9. Summertime
    10. DESTROYA
    11. The Kids from Yesterday
    12. Vampire Money

    Bonus Tracks

    1. Zero Percent
    2. We Don’t Need Another Song About California
    3. F.T.W.W.W
    4. Mastaa of Ravenkroft
    5. Black Dragon Fighting Society
    6. Common People (Recorded For BBC Radio 1)
    7. SING (iTunes Festival ‘11)
    8. The Kids From Yesterday (iTunes Festival ‘11)
    9. Na Na Na (Na Na Na Na Na Na Na Na Na) (Recorded For BBC Radio 1)

    You can pre-order and pre-save the release right now from right here.

    Here is the new artwork:


    And as a little treat to tide you over, here is the band’s performance of ‘Na Na Na (Na Na Na Na Na Na Na Na Na)’ recorded for BBC Radio 1.

    The post My Chemical Romance Announce Deluxe Edition Of ‘Danger Days’ appeared first on Rock Sound.

  • Split Chain – “Scatterbrain”

    Right now, the world is absolutely awash in heavy shoegaze bands. They aren’t all worth your attention, but Bristol’s Split Chain at least deserve some credit for bringing some vigor and excitement to the task of kind of sounding like the Deftones. Split Chain’s full-length debut motionblur drops this summer, and we’ve already posted their…

    The post Split Chain – “Scatterbrain” appeared first on Stereogum.

  • SEPULTURA’s DERRICK GREEN: “We Were Lucky That We Were Able to Find Somebody to Fill Out the Farewell Tour at the Very Last Minute”

    Sepultura vocalist Derrick Green spoke with The Razor’s Edge about drummer Eloy Casagrande‘s abrupt February 2024 departure — an exit that landed barely a week before the start of Sepultura‘s farewell tour. Casagrande has since joined Slipknot, with Greyson Nekrutman, formerly of Suicidal Tendencies, stepping in to drum the remainder of the tour.

    Green told The Razor’s Edge (transcribed by Blabbermouth): “Yeah, in the moment [when Eloy told us he was leaving Sepultura], it was shocking because we had no idea [he had auditioned for Slipknot and eventually got the gig]. And it was also a week out, maybe a week and a half, before even starting the tour. I was literally packing my things to go to Brazil to start rehearsals that we had all set up and agreed upon. So, yeah, it sucked. It sucks when anyone decides to leave, and the way that it happened.”

    On Casagrande having since landed in Slipknot — a band Eloy had long called the one he always wanted to join — Green said: “I’m happy for him. I understand the opportunity. I think we all did. It was just the fact of how everything really rolled out was not the greatest. These things happen. Now looking back, it’s in the past. It’s, like, everything worked out the way that it was supposed to, honestly. And, of course, it was very difficult to see that at the time. It just seemed like, ‘Oh, man. Here’s another big surprise coming out of nowhere. How are we gonna be able to survive through this?’ We’ve had so many throughout the history of the band.

    So, we were able to really push forward quickly. And we’re very lucky and very fortunate, that Greyson was available to do it, and down to do it. And the fact that we got along is another thing, personality-wise. This is also an incredible factor that many people probably don’t think of when it comes to creating a band or keeping a band together — the communication and the ability to get along with another person. So, all those boxes were checked with Greyson, and we were very lucky that we were able to find somebody to fill out the farewell tour at the very last minute — literally. That day we were already searching [for a new drummer] when we found out [that Eloy was leaving]. So, yeah, I think everything worked out the way that it is. I hope Eloy‘s happy where he’s at. I’m sure he is. And we’re definitely happy with the way the tour has been going.”

    The post SEPULTURA’s DERRICK GREEN: “We Were Lucky That We Were Able to Find Somebody to Fill Out the Farewell Tour at the Very Last Minute” appeared first on Sonic Perspectives.

  • Weezer Album Inducted Into The Library Of Congress’ National Recording Registry

    Each year since 2002, the Library Of Congress has selected a handful of recordings to be archived in the National Recording Registry. The criteria are that the recordings “are culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States,” that the recording is at least 10 years old, and that a copy of the recording still exists. That means anything from Enter The Wu-Tang (36 Chambers) to Brian Eno’s “Microsoft Sound” is theoretically eligible. This year, Weezer are headed to Congress.

    The post Weezer Album Inducted Into The Library Of Congress’ National Recording Registry appeared first on Stereogum.