Category: news

  • “Under the applause he leaned in and said clearly: ‘Don’t you dare!’” Rick Wakeman’s label boss claimed to love Journey To The Centre Of The Earth, but he’d actually tried to have it shelved. When it became a hit, Rick’s award came with a warning

    The keyboard wizard recalls accepting a presentation disc from the suit who’d made his 1974 project difficult – and the advice from David Bowie that had kept him fighting for it
  • MAUNA SOL reveal new single and album release date

    After “A New Life“, Mauna Sol presents the second single taken from their upcoming debut album, set to be released in collaboration with Loud Rage Music on May 15, 2026. “Temptation” is now available as a lyric video created by Asif Haroon: https://youtu.be/yRC4kmQgouU Pre-order the album “The Calling” here:https://loudragemusic.bandcamp.com/…/mauna-sol-the-callinghttps://loudragemusic.limitedrun.com/products/875143-mauna-sol-the-calling Mauna Sol is a post-black metal band from Brașov, Romania, formed in 2019 […]

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  • HEILUNG Release New Podcast Episode for “Nesso”

    Join founding member Kai Uwe Faust on an immersive journey into Amplified History World-famous collective featured by The New York Times, Forbes, The Guardian & more On their new podcast, HEILUNG are inviting longtime converts and newcomers into their sacred realm, where history and spirit converge into a healing ritual. Hosted by founding member, singer and shamanic practitioner Kai Uwe Faust, […]

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  • Hrothgar – Tales of Valhöll

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  • MÖHRKVLTH stream new ANTIQ album at Black Metal Promotion

    Today, Breton black metallers Möhrkvlth stream the entirety of their highly anticipated second album, Gwenojennoù An Ankounac’h, at the Black Metal Promotion YouTube channel. Set for international release on May 5th via Antiq, hear Möhrkvlth‘s Gwenojennoù An Ankounac’h in its entirety exclusively HERE. Formed in 2014, Möhrkvlth is a Breton black metal band located in Finistère, France. With influences spanning Scandinavian black metal, French pagan / black, […]

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  • DESICCATION – Everything Is Noise Premieres “Legatum Mortuorum” Video/Single From Blackened Doom Metal Outfit

    “…a pallet of blackened doom with some other elements of death and post-metal set to foist itself on anyone unready to absorb its rousing malaise.” – Everything Is Noise  Blackened doom metal outfit DESICCATION is pleased to unveil their gorgeous video for “Legatum Mortuorum.” Now playing at Everything Is Noise, the track comes by way of the […]

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  • Canada’s COPROLITH set release date for ME SACO UN OJO / ROTTED LIFE debut album, reveal first track

    On July 3rd internationally, Me Saco Un Ojo Records is proud to present the highly anticipated debut album of Canada’s Coprolith, Putrescence, on vinyl LP format. Rotted Life will be handling the CD version. Hailing from Toronto, Coprolith formed in 2023 and promptly released their debut demo, which Me Saco Un Ojo released on vinyl early the next year. While that demo was undeniably a promising […]

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  • 80s L.A. Deathrock Scene: Origins of Gothic Rock

    80s L.A. Deathrock Scene: Origins of Gothic Rock

    Before the goth movement went global, it was forged in the shadows of the 80s L.A. deathrock scene. It was a time when the punk rock spirit collided with macabre theatricality, birthing a sound that was as dangerous as it was beautiful.

    Musicians embodying the iconic style of the 80s L.A. deathrock scene, a defining moment in gothic rock underground history.

    The 80s L.A. deathrock scene was more than music; it was a total rejection of traditional pop culture. Bands like Christian Death, 45 Grave, and Kommunity FK took the raw energy of punk and filtered it through a lens of dark, religious, and morbid imagery. They didn’t just play songs; they orchestrated atmospheres of dread and liberation.

    The Breeding Ground of Dark Aesthetics

    The L.A. underground of the early 80s was a volatile, creative pressure cooker. Venues like the Hong Kong Cafe provided the stage for this transformation. As we detailed in our exploration of Christian Death band history, the shift from aggressive punk to something more haunting was deliberate and revolutionary.

    Deathrock became a sanctuary for the outcasts. It combined the speed of punk with the atmospheric depth of what would eventually be classified as gothic rock. The visual style—heavy makeup, black lace, and fetishistic elements—became as integral to the 80s L.A. deathrock scene as the driving basslines and feedback-drenched guitars.

    Portrait of performers capturing the mood of the 80s L.A. deathrock scene and the visual origins of dark gothic rock.

    The Key Players and Their Legacy

    While Christian Death often takes center stage, the scene was diverse. 45 Grave brought a horror-punk edge, while Kommunity FK added an experimental, ritualistic layer. Together, they formed a collective underground identity that defied easy categorization.

    This era proved that music could be a form of high art. By embracing the taboo, these artists created a legacy that still resonates in the noir rock soundscapes of 2026. Their work reminds us that true originality often thrives in the periphery, away from the spotlight of mainstream trends.

    Preserving the Legacy

    Documenting the Christian Death band history is vital for the noir community. We are proud to support this history through the documentary Romeo’s Distress. You can read our detailed recap of the L.A. event here: Rozz Williams: Romeo’s Distress Documentary Recap.

    Before the film’s release, there was immense anticipation within the scene. Catch up on the initial buzz in our documentary premiere announcement.

    Carrying the Torch

    For the Edgar Allan Poets, the 80s L.A. deathrock scene is more than just history; it is a blueprint. We believe in the power of the dark, the cinematic, and the authentic. Just as those early pioneers broke boundaries, we continue to push our own, blending noir storytelling with modern, atmospheric rock.



    The dark never truly fades. It only waits.

    The post 80s L.A. Deathrock Scene: Origins of Gothic Rock appeared first on Edgar Allan Poets – Noir Rock Band.

  • Dissonant death metal band CARBON TOMB to unleash debut full length via Transcending Obscurity

    After the maddening dissonant death metal fury of the Danish band Dysgnostic, we have Carbon Tomb also from Denmark and they play dissonant death metal too but their version is quite accessible and coherent, and is very well structured with varied and memorable parts. Check out their music on Bandcamp AT THIS LINK. Carbon Tomb are a new band playing dissonant […]

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