You can catch a live video of “The Shooting Star That Destroyed Us” from that performance now.
The post A Static Lullaby To Release Live In-Studio Performance Of Their Debut Album “…And Don’t Forget To Breathe” appeared first on Theprp.com.
You can catch a live video of “The Shooting Star That Destroyed Us” from that performance now.
The post A Static Lullaby To Release Live In-Studio Performance Of Their Debut Album “…And Don’t Forget To Breathe” appeared first on Theprp.com.
Jacky Cadiou plays bass in the extremely sick French oi band Syndrome 81, and he’s also the man behind the solo project Prisonnier Du Temps. (It’s French of “Prisoner Of Time.”) With Prisonnier Du Temps, Cadiou messes around with the same oi tradition that Syndrome 81 uses as a starting point, adding in a stark,…
The post Prisonnier Du Temps Announces New Album <em>Prendre Le Pouvoir Par La Force</em>: Hear Two Songs appeared first on Stereogum.
Hollywood Undead return today with brand new single “All My Friends” featuring Jeris Johnson, a venomous new single that slams the band’s signature rap-rock attack into a world of monsters, spectacle, pressure, and consequence. Out now via Sumerian Records, the track is another major anthem built for the Undead Army and serves to further cement the band’s new, unstoppable era since signing with the globally renowned independent label.
“All My Friends” sees Hollywood Undead delivering the razor-sharp, combustible energy that has defined their most enduring anthems. The track pairs arena-conquering vocal hooks with rapid-fire vocal exchanges, lacing its huge chorus with images of monsters, holy water, choppers, bright lights, burning days, and the uneasy cost of chasing glory. There is a sinister, theatrical charge to the song, with Jeris Johnson adding his own edge and pushing Hollywood Undead’s collision of rap, rock, and heavy music into a darker lane.
“All My Friends” follows the band’s recent run of single releases since signing with Sumerian Records, including “Hollywood Forever,” “SAVIOR,” and “1×1.” Together, the tracks have marked a renewed chapter for Hollywood Undead, one that has reintroduced their iconic masks, further sharpened their creative identity, and carried the band into one of the most successful stretches of their career.
“Hollywood Forever,” the band’s October 2024 Sumerian Records debut, set the tone for this new era, cracking 20.3 million cross-platform streams and peaking at #18 at Active Rock radio. “SAVIOR” followed in June 2025, pulling the band in a more emotionally exposed direction, before “1×1” arrived in March 2026 with a sample of Slayer’s legendary “Raining Blood” riff and the sound of a band still dominating a genre, almost two decades into their career.
Hollywood Undead head into the release with over 3.8 billion all-time streams and a global fanbase that has followed them from their masked MySpace-era explosion to sold-out shows, festival stages, and a continually evolving catalogue that refuses to slow down or pull punches. Seventeen years after their debut album Swan Songs, the band are still finding new ways to sound dangerous and innovative.
“All My Friends” arrives as Hollywood Undead gear up to lay waste to the global summer festival circuit. The band will play Welcome To Rockville in Daytona, FL next weekend before heading to the UK and Europe to play a swathe of huge festivals including Download, Rock Am Ring, Rock Im Park, Nova Rock, and Graspop. They will then return to the US for Inkcarceration in Mansfield, OH, Rock Fest in Cadott, WI, Les Grandes Fêtes TELUS 2026 and Rock La Cauze in Quebec, CA and Rocklahoma in Pryor, OK.
The post Hollywood Undead Unleash New Single “All My Friends” Featuring Jeris Johnson appeared first on Mayhem Music Magazine.

Heavy music is undergoing a massive shift this week, from the long-awaited return of Liverpool’s Loathe to the crushing intensity of Cage Fight’s latest offering. As we enter May 2026, the landscape is defined by raw emotional vulnerability and sonic experimentation, with veteran acts like Sevendust and Haste The Day proving that their creative tanks are far from empty. These six tracks represent the absolute peak of the current heavy music zeitgeist.
After half a decade of silence, Loathe has finally returned with “Revenant,” a track that feels like a fever dream and a gut punch simultaneously. Featuring Jami Morgan and Eric “Shade” Balderose of Code Orange (NOWHERE2RUN), the song is a masterclass in atmospheric tension and sudden, violent release. It serves as the lead single for their newly announced album, A Stranger To You, set to drop July 17, 2026, via SharpTone Records.
Sevendust continues to defy aging with “Construct,” a standout track from their surprise-drop project ONE, released April 30, 2026. The song maintains Lajon Witherspoon’s iconic soulful delivery while leaning into a mechanical, almost industrial groove that feels fresh for the Atlanta veterans. It’s a reminder that even after three decades, this band can still find new ways to manipulate a riff.
The metalcore world stood still this week as Haste The Day officially unveiled “Grave” from their new album Dissenter, released via Solid State Records. This is the band’s first major statement since 2015, and it hits with the weight of a decade of pent-up energy. Produced by Stephen Keech, the track features the signature dual-vocal dynamic that defined the mid-2000s, proving they are far more than a nostalgia act.
Northlane continues to push the boundaries of “heavy” with “Evian,” a track that seamlessly blends euphoric trance synths with the seismic breakdowns they are known for. Frontman Marcus Bridge has noted that the lyrics explore the grueling process of self-improvement and healing from trauma. Released on April 27, 2026, the track arrives just as the band kicks off a massive North American tour with Dayseeker.
Jutes has taken a hard pivot into gritty, guitar-driven territory with “Icarus.” Released April 29, 2026, the track uses the Greek myth to explore the thin line between ambition and self-destruction. It’s a deeply personal song for the now-sober artist, reflecting on “invisible” younger years and the danger of romanticizing the “broken artist” trope. The riffs are thick, and the low end is designed to rattle teeth.
Ironically, “Oxygen” is one of the most suffocatingly heavy tracks of the year. Fronted by Rachel Aspe, Cage Fight dropped this single on April 29 ahead of their new album Exuvia. The song explores the crushing weight of anxiety, with a music video featuring the actual radiotherapy mask used by Aspe’s late grandmother. Mixed by Jim Pinder (Sleep Token), it is a raw, old-school hardcore anthem with a modern, high-fidelity sheen.
This week feels like a turning point. We aren’t just getting “good” songs; we’re getting career-defining statements from bands that have nothing left to prove but everything to say. The Loathe comeback is the obvious heavyweight here, but don’t sleep on Cage Fight—Rachel Aspe is currently the most terrifyingly talented vocalist in the UK. The “Candid Peer” verdict? If you aren’t feeling the shift in the air, you aren’t listening loud enough.
This week’s top tracks feature the massive return of Loathe with “Revenant” and Haste The Day with “Grave,” marking significant milestones for the metalcore genre. Northlane and Sevendust continue to innovate with electronic and industrial influences, while Jutes and Cage Fight deliver raw, emotionally charged anthems. Each song highlights a 2026 trend toward vulnerability and technical progression in heavy music.
STAY LOUD: Catch the latest heavy music interviews and news breakdowns on the Loaded Radio Podcast, or just crank the hard rock and heavy metal 24/7 on our digital stream.

The post THIS WEEK IN METAL: Is LOATHE’S Comeback A Masterpiece? Ranking New SEVENDUST, CAGE FIGHT, And More appeared first on Loaded Radio.
He was not familiar with the track prior.
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