Category: news

  • Exodus mainman Gary Holt on his singer situation, cartel violence, and what he listens to in the car

    “Most of what I listen to in my car is Adele. She’s the greatest vocalist of her generation.” Exodus are back, but don’t expect retro thrash
  • Edsel Dope Allegedly Attempted To Block Release Of Wayne Static Collaboration “Crash: Reborn,” According To Producer Mikel Johnston – @thebeast



    FOR IMMEDIATE RELEASE
    Edsel Dope Allegedly Attempted To Block Release Of Wayne Static Collaboration “Crash: Reborn,” According To Producer Mikel Johnston
    The explosive new version of “Crash: Reborn” by Mephisto Odyssey featuring the late Wayne Static has officially surpassed 1.3 million views on YouTube . However, according to producer Mikel Johnston, the track faced unexpected challenges prior to its release .
    Johnston alleges that Edsel Dope, acting manager of Static-X , opposed the collaboration after becoming aware of the project and attempted to have both the song and its accompanying video halted . Johnston further claims that outreach was made to licensing representatives at Rhino Entertainment Company in an effort to stop the release .
    A Billboard Top 40 producer whose credits include work with Jane’s Addiction and Blondie, Johnston expressed surprise at what he describes as resistance to newly released material featuring Wayne Static, noting the strong response from fans .
    While Johnston states he holds no personal animosity , he characterizes the situation as a broader discussion about how Wayne Static’s legacy is represented . He also shared his personal perspective regarding recent Static-X-related releases and imagery , emphasizing that his intention with “Crash: Reborn” was to celebrate Wayne’s original artistry, collaborations, and creative identity .
    With the track’s growing success , Johnston indicates he may continue revisiting and reimagining additional material connected to Wayne Static’s catalog.
    “I did multiple remixes for Static-X in addition to writing with Wayne. He trusted me and liked my approach to his style. I believe his legacy deserves to be represented in a way that reflects his original vision.”
    — Mikel Johnston
    Fans can watch “Crash: Reborn” now at the link below.


    For press inquiries, interviews, reviews, and all media requests, contact: zach@metaldevastationradio.com

    Connect:
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    https://www.instagram.com/mikaelwjohnston/
    Contact: mephistoodysseyofficial@gmail.com
  • Gene Simmons Announces 2026 Canadian Tour Dates

    The dates will take place after Kiss' second annual Las Vegas fan event. Continue reading…
  • Death Cab For Cutie Share New Single “Punching The Flowers”

    Indie rock titans and eight-time GRAMMY nominees Death Cab for Cutie, recently announced their 11th studio album. I Built You
  • Nas Helps Launch NYC’s First Full-Fledged Casino, Performs At Opening

    Up until now, degenerate gamblers in New York City had to travel down to Atlantic City or up to Mohegan Sun if they wanted the full casino gambling experience. No more! On Tuesday, Resorts World, a division of a Malaysian entertainment conglomerate, held the grand opening for Resorts World New York City, the city’s first full-fledged casino. One of the company’s partners in this venture is Queens rap legend Nas, who was right there for the casino opening. He was one of the first to roll dice at the casino’s craps table, and then he performed a quick set at the ceremony.

    The post Nas Helps Launch NYC’s First Full-Fledged Casino, Performs At Opening appeared first on Stereogum.

  • Track Premiere: 9 Dead – ‘Parasite’

    There’s a certain kind of anger that doesn’t just sit—it moves. It mutates. It finds a way out. On their latest single, ‘Parasite,’ New Jersey deathcore unit 9 Dead let it rip.

    Formed in 2020 in Gloucester City, the quartet has been steadily building a name for itself through a mix of modern slam brutality and early deathcore bite. That momentum has already carried them further than most bands at this stage—onto festival stages, into collaborations with heavy hitters like Eddie Hermida (Suicide SilenceAll Shall Perish) and Don Campan (Waking the Cadaver), and, increasingly, across the Atlantic. Now, they’re doubling down.

    “It’s our second time going over to Europe in under a year, and all of us still can’t believe it ourselves,” says vocalist Jonathan Stauffer. “First time we did seven countries, this time twelve. We absolutely love it over there and can’t wait to see our friends and fans again.”

    That same intensity fuels ‘Parasite,’ a track that feels less like a calculated release and more like a pressure valve finally blowing.

    “We were really angry as we were creating it,” Stauffer explains. “You might hear ‘the anger’ within the song itself. But what’s cool about music, especially this genre, it allows us to vent. Whether we had a bad day at work or this or that, the beauty in music is its magic power, freeing ourselves to escape within it, and forget about life for a while.”

    That balance—between chaos and catharsis—is exactly where 9 Dead thrives. There’s a rawness to ‘Parasite’ that doesn’t feel overly polished or overthought; it’s immediate, physical, and built for impact, whether that’s through earbuds or in the pit.

    And with a 12-country European run on deck, they’re about to test that impact the hard way. If ‘Parasite’ is any indication, the response won’t be subtle.

    The post Track Premiere: 9 Dead – ‘Parasite’ appeared first on Decibel Magazine.

  • CITIZEN To Release ‘Halcyon Blues’ On August 7th Via Run For Cover Records

    Citizen have returned! Today the Toledo, OH-based rock powerhouse have announced their new album, Halcyon Blues, due out August 7th
  • Beach Boys Set More Than 40 World Tour Dates for the Summer

    Their U.S. stops include a multi-night residency at Los Angeles' Hollywood Bowl to celebrate July 4th. Continue reading…
  • Shinichi Atobe Was Keeping Quiet Long Before Silent Way

    For decades, Shinichi Atobe was considered shadowy. Until last May, the 50-something Japanese artist had not been interviewed. He seldom performs, save for the occasional appearance at a space near his apartment in Saitama — such as WWW in Tokyo or the FFKT festival. “When I listen to great music, my own work can feel immature,” he tells me in an email, when questioned about his choice to stay private. “I still feel like I’m learning.” In spite of the humility and reclusiveness, Atobe’s discography is one of the most revered in deep house and techno.

    The post Shinichi Atobe Was Keeping Quiet Long Before <em>Silent Way</em> appeared first on Stereogum.