Category: news

  • JAY BUCHANAN On RIVAL SONS’ Next Album: “We Want To Bring Back A Small Club Sound, A Sweaty, Small Stage, Sort Of A High-Energy Sound””

    Rival Sons vocalist Jay Buchanan has been talking about where the band’s next album might be headed, and it sounds like a rawer, more stripped-back direction could be on the table.

    Speaking with the U.K.’s The Sound Lab (transcribed by Blabbermouth), Buchanan acknowledged that some material is already written, but made clear the studio environment will shape where things land: “Yes, I have. And some music has been written, songs have been written. But I think that once we get in there, seeing the type of energy that the music takes on and the songs take on, I think that getting everyone together in the same room and kind of hashing it out, I think, is going to be — that’s really gonna dictate.

    “Because the songs are one thing, but also the energy of the band, and when we become greater than the sum of its parts when we’re together, again, at its best,’ he added. “I think that letting that spirit and letting that energy be and do what it needs to do, I think that’s very important. So we’ll see that when we get into the studio. And we’ll do some writing in the studio as well.”

    He also addressed the contrast with their last two releases, pointing toward a possible course correction: “In some ways, with the last two records that we put out, [2023’s] Darkfighter and Lightbringer, creatively they were a real stretch. And I’m very proud of those records, because we made some music that doesn’t sound remotely like anybody else. But I think at the same time, I think maybe we might be looking at a little bit of a return to form, like bring it back to a small club sound, a sweaty, small stage, sort of a high-energy sound. So I know I’m definitely gonna be looking to do that on at least a number of songs. But we’ll see about the entire collection. That remains to be seen.”

    Back in March, Buchanan — who put out his debut solo album Weapons Of Beauty in February — was asked by SPIN Presents Lipps Service With Scott Lipps whether the next Rival Sons record would go heavier after his quieter solo detour. Jay was direct about it.

    “That’s a fair question, because I’ve thought that same thing. I don’t have to just live within the — whatever one ballad we’re gonna have on this next record or whatever. I have a renewed sense of duty in so many ways. I don’t have anything to prove. I wanna have fun with my friends. And it’s crossed my mind many times — I just wanna make a fucking black T-shirt record. That’s it. Something really, really rough, really unrefined, and as close to the bone as possible.

    “[Something like The Black Crowes‘ second album, 1992’s] [The] Southern [Harmony And Musical] Companion, like these ones where it’s, like, it’s so raw, it’s almost like toothache raw. Like, ‘Oh.’ I think I would like to do something like that. But at the same time, Scott [Holiday, Rival Sons guitarist] and I — it’s a collaboration. So once we put things together, it’s gonna be that way.”

    The post JAY BUCHANAN On RIVAL SONS’ Next Album: “We Want To Bring Back A Small Club Sound, A Sweaty, Small Stage, Sort Of A High-Energy Sound”” appeared first on Sonic Perspectives.

  • YNGWIE MALMSTEEN Wraps Recording On New Solo Album: It’s Gonna Be Very Neoclassical — Everything You Expect And Then Some”

    Yngwie Malmsteen has wrapped up recording on his new solo album, the follow-up to 2021’s Parabellum. The Swedish guitar legend spoke with Eddie Trunk at the 2026 Monsters Of Rock festival in São Paulo, Brazil, in early April, giving an update on where things stand.

    “I just finished recording a new album,” he said (transcribed by Blabbermouth). “I’ve been in the studio almost five months straight.”

    The record will be a mix of vocal and instrumental tracks, and Malmsteen has designed it with vinyl specifically in mind. “I sing about four songs. And then [the rest of it is] instrumental. It’s a mix. But it’s made especially for the vinyl. So it’s exactly 46 minutes [long]. I made it especially so it’s gonna be a vinyl record. It’s gonna come out on everything, but it’s made to fit perfectly on a vinyl LP.”

    As for the sound, he kept it straightforward: “It’s very Malmsteen-esque. It will be everything you expect and then some.”

    Yngwie talked about his approach to making records — one that favors instinct over deliberate calculation. “I have the luxury of owning my own [recording studio], so I go in when I’m inspired. And I decided a long time ago, I’m not gonna try to do something special, either what other people think I should do or decide [ahead of time which direction to go] — except sometimes [I say], ‘Okay, I’m gonna make a blues album,’ or, ‘I’m gonna make an acoustic album,’ which has happened.

    “But when I make the records that are, let’s say, a Yngwie Malmsteen album, I just let it flow. And I come up with maybe a hundred ideas, and I use nine or 10. So I take the best of what I think is the best, the most dramatic stuff, most interesting stuff — not necessarily a decided direction or whatever. It’s just natural, whatever comes out. And this particular album is gonna be very neoclassical.”

    On the question of what makes instrumental music connect with audiences, Malmsteen invoked a familiar name. “I decided a long time ago to make honest music. Not to try to do something that’s fashionable or follow a trend or do what other people say. But what I’ve always done is [made] passionate music. As [Italian violinist and composer] Niccolò Paganini said, one must feel strongly to make others feel strongly. So I feel very strongly about the music, and apparently that translates out. So it seems to work.”

    Touring-wise, Malmsteen has a busy stretch ahead. “We go to Europe in June, and then we go home a little bit, and then we go back to Europe in July. And then in September, I think we’re in Asia. Then October, November, United States.”

    The new album will be his first studio release since Parabellum, which — like the new record — featured vocals on only four tracks. That album’s title is Latin for “Prepare For War.” Yngwie currently handles lead vocals in addition to guitar, backed by keyboardist Nick Marino, bassist Emilio Martinez, and drummer Kevin Klingenschmid.

    In April 2025, Malmsteen released Tokyo Live through Music Theories Recordings, capturing a performance at Zepp DiverCity, Tokyo on 05/11/2024, recorded during his 40th-anniversary world tour.

    The post YNGWIE MALMSTEEN Wraps Recording On New Solo Album: It’s Gonna Be Very Neoclassical — Everything You Expect And Then Some” appeared first on Sonic Perspectives.

  • August Burns Red Share ‘Sonic Salvation’ (Feat. Jamie Hails Of Polaris) Video

    Twice Grammy-nominated band August Burns Red — Jake Luhrs (vocals); JB Brubaker (guitar); Brent Rambler (guitar); Dustin Davidson (bass); and Matt Grenier (drums) — will drop their new album SEASON OF SURRENDER, on June 5 via Fearless Records, the label to which they recently returned.

    Now, they share the video for Sonic Salvation, featuring Jamie Hails of Polaris.

    With pit-stirring breakdowns, fist-in-the-air, “Hey! Hey! Hey!” singalong choruses, and chunky riffs, it’s a cathartic anthem that speaks directly and forthrightly to the frustrated and disaffected, and serves as the powerful connective tissue between the band and its fans.

    “Sonic Salvation was the first song I wrote for Season of Surrender,” says Brubaker. “I set out to write a song that created more space for Jake vocally and leaned a little more into our hardcore influences. I love how this song came out and Jamie’s guest vocal really takes it over the top for me.”

    Luhrs says, “Sonic Salvation is about finding power and strength in music. The fact that music can bring us back to a memory, help us decompress from the outside world and how music is what has created our world that is the metal scene.”

    The video also features fans singing and playing along to the song — a tip of the cap to ABR’s loyal and dedicated fanbase and the unifying nature of music in general.

    Season of Surrender features additional guest appearances from The Devil Wears Prada‘s Mike Hranica and Make Them Suffer.

    ABR are currently on a co-headline run with The Amity Affliction in North America, and will return to Australia and New Zealand this September and October for a headline run, supported by Bloom and I Promised The World.

    SONIC SALVATION FEAT. JAMIE HAILS – OUT NOW
    https://agstbrnsrd.ffm.to/sonic_salvation

    SEASON OF SURRENDER – OUT JUNE 5
    http://seasonofsurrender.net/

    The post August Burns Red Share ‘Sonic Salvation’ (Feat. Jamie Hails Of Polaris) Video appeared first on The Rockpit.

  • BACHELOR GIRL Unveil Hypnotic New Single ‘BLIND’ Feat. DARREN HAYES, Second Taste of ‘WAITING FOR THE DAY: ARTIST SESSIONS’

    Photo: Jess Macc

    Australian pop icons Bachelor Girl return with the second taste of their forthcoming redux album, Waiting For The Day: Artist Sessions, today unveiling a hypnotic reimagining of Blind, featuring the unmistakable vocals of internationally celebrated Australian artist, Darren Hayes.

    Following the acclaimed release of Treat Me Good with Jessica Mauboy, Blind takes a bold sonic turn, transforming the original into brooding, atmospheric electro pop; layered with tension, restraint and emotional depth.

    “Blind might just be the most transformed tune from its original big sister on Waiting for the Day,” shares Tania Doko. “I just love the haunting electro vibe James has produced, and it inspired what we coined ‘the girl in the cupboard’ out of me… I’m restrained, a bit tormented and sing/whisper deep betrayal almost through my teeth. It’s all about space and minimalism. Perhaps it’s a metaphor for not needing to shout to be heard (anymore), sometimes saying less, with conviction, is powerful enough.

    A deeply personal and long-awaited collaboration, the track unites Bachelor Girl with Hayes, a friendship forged over decades of shared experiences in music.

    We were hell bent on including our fellow artist buddy Darren Hayes onto the ‘Artist Sessions’ album – our history and friendship spanning decades through shared experiences of being in duos, and our touring together,” Doko continues. “When I sent the new Blind to Darren with just my vocals, he called me immediately, enamoured with it. He recorded his parts in his LA studio, and his MJ-esque adlibs are in my top 3 moments of this entire record!”

    Hayes says the decision to join the project was instant and rare. “I get invitations to collaborate with other artists and most of the time, whether it’s timing or simply that I don’t feel like I can bring anything to the project, I politely decline,” says Hayes. “When Tania sent through the demo of their re-imagined version of ‘Blind’, I called her up immediately. And I’m not a phone person. The song was so exciting and inspiring I had to be a part of it. I think the track is incredibly modern and meticulously produced. As a genuine fan of the band, it’s surreal to be a part of this recording.”

    Doko adds that Hayes’ contribution elevates the track far beyond a reinterpretation. “His fresh interpretation is unmistakably Darren, where he doesn’t just sing existing parts, but also creates ‘insatiable’ new hooks people won’t be able to forget. More evidence of why Darren is the internationally acclaimed artist and songwriter he is. Lucky us.”

    Set for release this June, Waiting For The Day: Artist Sessions is a bold reimagining of Bachelor Girl’s double Platinum debut, featuring an all-star lineup of collaborators across its 15 tracks.

    We (somewhat audaciously!) began to ask some of our favourite Aussie artists and friends if they would lend their voices and/or instrument to our bucket list project,” says Doko. “What started with one, became 14 artists on this 15 track Redux album, and we could not be more chuffed they enthusiastically said yes.”

    With Blind, Bachelor Girl continue to push their legacy forward, reinterpreting beloved songs through a contemporary lens while deepening their emotional impact for both longtime fans and a whole new generation.

    The duo will be hitting the road for their Waiting For The Day Redux tour which will kick off in their home town of Melbourne at Brunswick Ballroom on August 8, before moving through Brisbane, Adelaide and finishing off in Sydney at The Factory Theatre on October 18. Tickets are on sale now from www.bachelorgirl.com.

    Blind featuring Darren Hayes is out now.
    Waiting For The Day: Artist Sessions is set for release in June.

    STREAM: BLIND FEATURING DARREN HAYES

    The post BACHELOR GIRL Unveil Hypnotic New Single ‘BLIND’ Feat. DARREN HAYES, Second Taste of ‘WAITING FOR THE DAY: ARTIST SESSIONS’ appeared first on The Rockpit.

  • Necronomicon Return Metal Fest returns to Murcia on June 6 with a top-tier lineup

    The Necronomicon Return Metal Fest will take place on June 6 at the renowned Garaje Beat Club in Murcia, bringing together a strong selection of bands for a night dedicated to heavy metal.

    The festival features a high-level lineup led by Injector, one of the most prominent bands in the Spanish thrash metal scene, who will deliver a special set focused on Metallica covers from the iconic album “Kill ’Em All”.

    The event will also mark the celebration of the 20th anniversary of Cain’s Dinasty, who will perform a special set reviewing their musical career. Completing the lineup are Acronica and Bukera, adding further intensity and variety to the bill.

    In addition, the festival will include a special guest appearance by Mogo, a renowned illustrator who has worked for Marvel and DC, contributing a cultural and artistic dimension to the event.

    The spirit of Necronomicon originated in New York, where its first edition brought together several local and national metal bands, laying the foundations for what would later evolve into an international project.

    The festival later arrived in Spain with an edition held at Sala Gamma in Murcia, featuring seven bands and establishing its presence within the national metal scene. Now, 13 years later, it returns under the name Necronomicon Return Metal Fest, reaffirming its place within the underground metal circuit.

    Doors will open at 7:30 PM, with tickets available at www.rockingticket.com.

    The post Necronomicon Return Metal Fest returns to Murcia on June 6 with a top-tier lineup first appeared on FemMetal – Goddesses of Metal.

  • Black Veil Brides Release ‘Revenger’ Feat Machine Head From Their Upcoming Album ‘VINDICATE’ Available Worldwide On May 8

    With their seventh studio album VINDICATE available in two weeks, Black Veil Brides are back with a collaboration the metal world never saw coming.

    Revenger featuring Machine Head is the latest song (the seventh if you are keeping score) from the Spinefarm debut out on May 8th. The track frames vengeance as fantasy and delusion, following a self-styled avenger convinced that retribution could deliver justice. Revenger featuring Machine Head further showcases the versatility of the band comprised of vocalist Andy Biersack, guitarists Jake Pitts and Jinxx, bassist Lonny Eagleton, and drummer Christian Coma.

    “I have always been interested in the sort of ethical dilemma that we have culturally of cheering for justice. I thought it would be an interesting exercise to write lyrics from the perspective of someone who is trying to seek out the ultimate form of justice. Because I was writing from someone else’s voice, this felt like the kind of song that would be best served by having someone else’s voice on the song. So, we brought in Robb Flynn of Machine Head. The reason he came to mind first was of course his voice, tonality and style I thought was perfect for this. He is also someone who was one of the first real defenders of Black Veil Brides. In the early days when we were getting absolutely shit on by every other metal band, Robb Flynn and Machine Head stood up for us and said positive things about us and has maintained that for years and years. I think it’s one of my favorite songs on the record.”

    The band recently made headlines when the track Woe & Pain from VINDICATE was used in the hype package between Cody Rhodes vs. Randy Orton for Wrestlemania 42.

    The official hype video can be seen here: https://youtu.be/Jn-jzX-wejk?si=SNi4LiRBroxZUJF3.

    With anticipation building at every turn, Black Veil Brides have announced their highly anticipated seventh studio album, Vindicate. The record will be released worldwide on May 8 via Spinefarm. From the opening organ introduction and dramatic soliloquy of Invocation To The Muse to the emotive finale of Eschaton, the band deliver one of the most ambitious chapters of their career. Previously released singles including Bleeders, Hallelujah, Certainty and Vindicate have already showcased the band’s continued musical evolution while maintaining the theatrical intensity that has defined their sound.

    In support of the new album, Black Veil Brides will embark on their first North American headline tour of 2026. The 24-city run kicks off April 25 in Riverside and concludes May 30 in Worcester. Along the way, the tour will make stops in Seattle (April 28), Houston (May 5), Detroit (May 17), and New York (May 28), among others.

    Support on the tour will come from From Ashes To NewTX2, and As December Falls.

    VINDICATE – OUT MAY 8
    https://BlackVeilBrides.lnk.to/vindicatepreorder

    The post Black Veil Brides Release ‘Revenger’ Feat Machine Head From Their Upcoming Album ‘VINDICATE’ Available Worldwide On May 8 appeared first on The Rockpit.

  • Reactive Elements In Music With FABIAN JOCHUM From THE NARRATOR

    Interview by Kris Peters THE NARRATOR were founded in 2017 in Essen, Germany and have since established themselves in the German metalcore scene with energetic songwriting and electrifying live performances. After successful tours and festival appearances, THE NARRATOR released their highly anticipated debut album, Lore, in September 2024, which has now accumulated over 11 million […]
  • Now & Then: Vincent Neil Emerson’s Blue Stars and the reach of Old No. 1

    Some records announce themselves with a bang. Vincent Neil Emerson’s Blue Stars does something tougher. It settles in, tells the truth, and lets the weight of the songs do the heavy lifting. That makes it a natural fit beside Guy Clark’s Old No. 1, a record that helped define how Texas songwriting could be plain, precise, and quietly devastating. Beyond sound or geography, the connection is a shared belief that the smallest details often carry the biggest truths.
  • Mortuary – Great Black Earth (2026)

    Almost no one understands what made speed metal great, looking from the outside-in as any time after the era tends to do, nor what made those transitional bands like Slayer, Rigor Mortis, and Destruction so powerful.

    These bands used the tremolo strum like death metal instead of the palm-muted percussive riffing that Metallica and Exodus made famous, and this technique requires different song structures to support it, something that Mortuary understood on their first album and carry through to the present.

    These songs incorporate more of the bounce from Destruction and Testament, but all of the Slayer and Morbid Angel speed thrills in fast featherstrum riffs that soar above the trudging rhythms of speed metal and give these songs a quality like a darkened angel soaring over a burning Earth.

  • SOULS OF DIOTIMA Reveal “ARCADE”: A New Era Begins With The Upcoming Single “Run Away”

    Souls of Diotima are officially back, signaling the start of a mysterious and bold new chapter. The band is thrilled to announce the release of their brand-new single, “Run Away,” arriving on Friday, June 5th. The single serves as the first glimpse into “Arcade,” the band’s upcoming fifth studio album, set for worldwide release on October 2nd, 2026, via Diotima Records.

    As previously hinted by the band, “Arcade” marks the beginning of a “new era.” Souls of Diotima have undergone a significant directional change, a bold evolution that the members have chosen to keep under wraps. The true nature of this sonic transformation will remain a secret until the first single officially drops.

    To capture this new vision, the band headed to Sweden to record at the legendary Studio Bohus in Kungälv. The album was fully produced by Oscar Nilsson, Thomas “Plec” Johansson, and Mikko Viitala.

    The visual identity of “Arcade” is just as striking, featuring cover art by Rhett Padersoo, which is being unveiled today alongside the official tracklist.

    ArcadeTrack-list:

    1. Warning!
    2. Revenge
    3. Deadline
    4. Black Rose
    5. Run Away
    6. Time is a Flame
    7. A Child
    8. Senza Rancore
    9. Head Up, Guard Up
    10. Cage
    11. Nocturnal Vibe

    https://linktr.ee/soulsofdiotimaofficial

    Source: Diotima Records Music Management Ltd.