Kyle Zinenko delivers a heartfelt and authentic blues performance on When I Sing The Blues, rooted in tradition and driven by genuine feeling. With expressive guitar work at its core, the track unfolds with a classic, unpolished charm that lets every note breathe. The collaboration with seasoned bluesman Herman Kelley adds depth and soul, reinforcing the song’s timeless character. There’s an honesty in both the playing and delivery that avoids excess, focusing instead on mood and storytelling.
When I Sing The Blues is a sincere tribute to the genre, carried by passion, restraint, and respect for its roots.
Black Forest’s melodic power rock band KINGSMASH has released a new music video for the song ‘I Don’t Know Where To Go‘, taken from the band’s upcoming album ‘The Heart Remains At Home‘ out on May 1st via Fetzner Death Records. This time the band entered the Iguana Studios in March (Germany), where KINGSMASH worked with […]
Conscious Pilot sharpen their edge with Internet Support, a punchy, high-energy post-punk cut that thrives on tension, wit, and controlled chaos. Built on tight, driving rhythms and angular guitars, the track balances urgency with a darkly comic perspective, reflecting the absurdities of modern life through a distinctly sardonic lens. There’s a precision in its arrangement that keeps everything locked in while still feeling unpredictable, echoing the band’s knack for blending humor with unease.
Internet Support stands as a clever, restless statement—equal parts sharp commentary and infectious, off-kilter groove.
Extreme Sports Club return with Silly Me, a charming and off-kilter indie pop gem that leans into their signature playful yet introspective style. Built on jangly guitars, breezy rhythms, and a slightly lo-fi warmth, the track carries an effortless sense of movement while reflecting on self-awareness and quiet missteps. There’s a subtle emotional undercurrent beneath its lighthearted surface, giving the song depth without losing its infectious appeal. With its catchy hooks and understated wit, Silly Me feels both intimate and instantly relatable—another strong glimpse into the band’s colorful sonic world.
Lukka taps into vibrant duality on Tomboi, a synth-driven indie cut that blurs the lines between psychedelic rock and modern alt-pop. Built around a hypnotic riff born on synth, the track unfolds with a fluid, almost instinctive energy, letting melody and emotion lead the way. There’s a playful yet empowering core at its heart, celebrating identity, contrast, and self-acceptance with effortless cool. As shimmering synths and layered textures build—especially in its standout later moments—Tomboi becomes a bold, self-assured statement that embraces both sides of the spectrum without compromise.
Unpeople are making a ferocious return ahead of a huge summer of festival appearances, unleashing thundering single ‘Clouds’.
Photo Credit: Bridie Cummings
Out now via SharpTone Records, it’s a whirlwind track with the kind of hooks that will get lodged in your head for days after your first listen.
Speaking on the message behind ‘Clouds’, frontman Jake Crawford has shared:
“clouds is essentially about not letting yourself be influenced by what other people think you should be doing to get ahead artistically, and trusting your own vision and process. I could feel myself being pulled in lots of directions when we started the band and I’m glad we stuck to our guns. I feel like this song is an excellent representation of us doing just that: ‘not buying it’ – i.e. quick fixes or hopping on trends – be it musically or the way we present ourselves as a unit.”
This summer, you’ll be able to catch Unpeople at plenty of festivals across the UK and Europe.
With a string of appearances including Slam Dunk and a massive main stage opening slot at Download, take a look at their full list of upcoming shows below:
MAY
23: HATFIELD Slam Dunk Festival 24: LEEDS Slam Dunk Festival
JUNE
3–6: SÖLVESBORG Sweden Rock Festival 10–14: HRADEC KRÁLOVÉ Rock For People 11–13: INTERLAKEN Greenfield Festival 14: DONINGTON Download Festival 19–21: SCHEESSEL Hurricane Festival 19–21: NEUHAUSEN OB ECK Southside Festival 25–27: YSSELSTEYN Jera On Air 27: COPENHAGEN Copenhell
JULY
17–18: JOENSUU Ilosaarirock 31–AUG 2: MANCHESTER Radar Festival
YOUniverse deliver a sleek and infectious club cut with Paradise Lost, a tech house treat full of style and groove. Built on a punchy low-end and crisp percussion, the track flows effortlessly, balancing hypnotic rhythms with subtle melodic touches that keep the energy locked in. There’s a refined sense of movement throughout, making it equally effective for late-night sets and peak-time moments. With its polished production and undeniable dancefloor appeal, Paradise Lost showcases YOUniverse’s ability to craft modern tech house with both flair and precision.
Honey I’m Home step into a heavier, more expansive sonic territory with Hyperspace Mountain, a dense and emotionally charged shoegaze cut that balances intensity with introspection. Driven by layered guitars and subtle electronic textures, the track surges forward with confidence while exploring themes of self-erasure and the frustration of constantly taking a back seat. There’s a compelling contrast between its powerful, almost overwhelming sound and its inward-looking subject matter, giving it a raw emotional edge. Hyperspace Mountain captures a band evolving fast, blending energy, vulnerability, and modern shoegaze aesthetics into something strikingly immediate.
