Category: news

The shadow of cruel mortality has fallen across two of the year’s biggest metal releases, both unavoidably steeped in grief for much-loved creative talents taken far too soon. After processing Tomas Lindberg’s final At The Gates record, The Ghost Of A Future Dead, we’re confronted with the first Mastodon album without the unique voice and guitar wizardry of Brent Hinds, who quit the band last March and died five months later.

Mastodon’s previous LP, 2021’s double platter Hushed And Grim, was itself born of sorrow following the death of their long-time manager, Nick John. It was ambitious, audacious and liberally sprinkled with Mastodon’s patent genius, but attention couldn’t help flagging on a few mid-tier tunes. Nothing about Marrow Deep is mid-tier; every song pulls its considerable weight, maintaining an artisanal consistency across its comparatively concise 63 minutes.

More than once Brent declared to the press his dislike of heavy metal, bringing more of the psychedelic, progressive and punk influences to bear on the band’s sound. So perhaps it’s no surprise that this is the heaviest and most devotedly metallic Mastodon have sounded for 20 years.

After spending decades broadening their sonic palette and refining their melodic nous, many of the Atlanta outfit’s fans have long yearned for a return to the brute-force riffing and volatile aggression of their early work. The opening song’s vivid title, Barbarian’s Blood, confirms that the time is now, and the tune marauds with pugilistic intensity through Neurosis-damaged sludge chops, d-beats and exuberant guitar harmonies.

Tense, heaving chords and hammering drums continue to dominate Poisonous Weapons, but perhaps out of respectful restraint, there’s no guitar solo until the fifth song, Out Like A Lamb. When it finally arrives it makes up for the wait, new boy Nick Johnston bringing his Satriani-schooled precision to a full minute of cosmic heroism, flamboyant but maintaining a melodic melancholy.

There are still shades of 70s prog, but they’re fleeting moments of light relief among the head-caving metal. Witness the quirky notes soothing the jittery dynamics of Your Ghost Again, the intergalactic Moog in Snakes For Dinner, which features Queens Of The Stone Age frontman Josh Homme, or the burbling electric piano and dogfighting Hammond over closing epic The Three Fates, enhanced by a slavering vocal from Clutch’s Neil Fallon. The record’s most prestigious guest star – only Geezer bloody Butler – provides a bass intro to The Vanishing, the closest Marrow Deep gets to a chill-out zone, with bluesy guitars and spacey vocals building to a tumultuous crescendo.

Mastodon fans will always nitpick over this or that LP, but the band have never really put a foot wrong in 25 years, maturing from the ravenous young bucks of the early millennium to the grizzled gateway legends of today. Their development has been a thrill to behold, as has the prog-sludge scene that flourished in their wake. Marrow Deep may not shepherd us into bold new pastures, but after the first tragic breach of their line-up, it makes sense to revisit old stomping grounds with newfound purpose and profundity. Not for the first time, Mastodon have snatched joy from the jaws of heartbreak.

Marrow Deep is out August 28 via Loma Vista Recordings.

Black Sabbath guitarist Tony Iommi has opened up about collaborating with Queen’s Brian May on his upcoming solo album, From The Dark.

Talking to Loudwire, Iommi, 78, calls May, 79, his best friend, having known him for “56, 58” years. “And of course, Eddie Van Halen was,” he adds. “We always stayed in touch a lot. They were the only two I really did stay in touch with.”

He goes on to describe the process of getting May to contribute to Death Wake, the sixth song on the From The Dark tracklisting. He details a very casual process where May “came to my house, and we always have a little fiddle about”.

“He brings a guitar or I’ve got one here and he’ll use that,” he continues. “I said, ‘Oh, bring your guitar when you come,’ he brought his guitar and I said, ‘You’re going to be playing on this track here.’ He’s great.”

He reveals that he wanted May to play on more From The Dark songs, but that the guitarist politely declined: “I said to him, ‘Play on some other tracks,’ but he went, ‘Oh no, it’s your album.’ That’s the relationship we’ve had with each other for all these years. We’ve played a lot together. He is a great friend.”

Elsewhere in the interview, Iommi looks back at Black Sabbath’s final show, Back To The Beginning, which took place at Villa Park stadium in their hometown of Birmingham on July 2, 2025. The guitarist calls the show a “great honour” but “unusual” due to singer Ozzy Osbourne’s declining health at the time. Ozzy died of a heart attack 17 days later, aged 76.

“For me, it was difficult because seeing Ozzy sitting in a throne is not the way I see him,” says Iommi. “Always [when] we’ve been onstage, he’s been running around and he’d run up to Geezer [Butler, bass] and pull a face jokingly and come over to me and pull a face or the drummer or whatever.

“We always had a little laugh onstage and enjoy when he’d run about. But at Back To The Beginning, of course, he’s in a throne and I couldn’t see him, which felt very unusual.”

From The Dark is set to drop on October 23 and will be Iommi’s first solo album since 2005. Joining the pioneering heavy metal axeman on every song will be singer Jørn Lande (Masterplan, Avantasia, etc.), bassist Becky Baldwin (Mercyful Fate) and drummer Karl Brazil (Robbie Williams). Iommi and his longtime collaborator Mike Exeter co-produce.

Iommi unveiled the album’s details and screened the music video for its lead single, World Alone, at a Birmingham launch event on July 29, where he took part in a Q&A with stand-up comedian Frank Skinner. The guitarist commented: “It’s an album we’ve really enjoyed making. We’re not trying to prove anything – it’s a great album, it rocks!”

Iommi isn’t the only Sabbath member to continue a solo career following the band’s retirement. Drummer Bill Ward said in June last year that he has two new solo albums in the works. He revealed last month that he now needs a wheelchair to get about, but defiantly added, “I’m still a drummer.”

The great Stevie Nicks has returned to Jimmy Kimmel Live to sing her 1983 single Stand Back. The Fleetwood Mac star was last on the show in late 2024, when she performed her protest anthem The Lighthouse.

Nicks, who was introduced on the show by guest host, country musician rapper Jelly Roll, performed Stand Back just days ahead of her appearance at the Olivia Rodrigo-curated Daisy Chain Fields event at Great Park in Irvine, California, this Saturday.

Stand Back, which appeared on Nicks’ Wild Heart album, originally featured the late Prince on synthesisers, who guested on the track after Nicks revealed it was derived from his own Little Red Corvette.

“I actually wrote the lyric on my wedding day, Nicks told Classic Rock. “Me and my husband [Kim Anderson] were driving up to San Ysidro Ranch in Santa Barbara on our honeymoon when Little Red Corvette came on the radio, and I started humming a new melody to it.

“My husband said, ‘That’s great!’ Then we pulled over to buy a portable cassette player to record my idea. Kim actually knew Prince because he worked at Warner Brothers, but I was able to get Prince’s number myself. I am Stevie Nicks, after all.”

Artists performing alongside Nicks at Daisy Chain Fields include Bikini Kill, Die Spitz, Doechii, KATSEYE, Garbage, Chappell Roan, The Breeders and more.

Nicks has also paid tribute to the late Dolly Parton, describing the week she spent in Nashville contributing to Parton’s Rockstar album as the “best week ever.”

“A week with Dolly was like a master class for me,” says Nicks. “I tried to be a sponge – and learn everything I could learn from her – in a very few days. Learning from her was easy because she was a really good teacher. I think she saw me as a really good student; I just tried to listen.

“She said she could become a rock star – and I watched her do it.”