Category: news

 

Jenna Paulette Expands ‘Back In The Saddle Tour’ with 16 Additional Date

For Tickets, Visit JennaPaulette.com

 

 

After marking her return to touring in January 2026 with her Back In The Saddle Tour, Leo33 rising country artist Jenna Paulette is expanding her run with 16 new dates added through Fall 2026.

“I am so excited to continue this tour this year and for the band and I to perform at some bucket list Honky Tonks,” an enthusiastic Paulette shares. “I love getting to meet so many people that also love country music and hearing which songs of mine they relate to most and making sure we work them into the set. There’s something so special about this time musically and when we’re playing live for you all, and I can’t wait to see you at a show.”

Kicking off on June 26 at Coupland Dancehall in Coupland, Texas, the tour includes stops at the legendary Grand Ole Opry, Gruene Hall, Schoepf’s BBQ and more.

The Back In The Saddle Tour was aptly named to mark Paulette’s return to the road, after spending 2025 navigating the ropes as a new mom. “At the end of 2025, I finally felt like I was finding my footing again after becoming a mom and getting through the first year of parenthood,” Paulette shared earlier this year. “A lot of last year was spent figuring out how to get back in the saddle in every area of my life. I can’t wait to be on the road again and a lot more in 2026.”

After releasing her 20-track Horseback (Deluxe) album earlier this year, Paulette continues to tease new music, most recently releasing “High Noon,” which she debuted live at “The Academy of Country Music Presents: Whiskey Jam Welcome Party” in May in Las Vegas ahead of the 61st ACM Awards.

“High Noon” arrived on the heels of Paulette earning her first No. 1 at Texas radio with “Steady” – which she credits her husband, Ross, for inspiring. Together, when she’s not on tour, they ranch in south west Texas.

To learn more, visit JennaPaulette.com and follow Paulette on social media @JennaPaulette across social platforms.

Back In The Saddle Tour Dates:
June 26 // Coupland, Texas // Coupland Dancehall w/ Hayden Baker
July 10 // Lebanon, Ohio // Bicentennial Park
July 11 // Woodland Park, Colo. // America’s Mountain Festival
July 17 // Belton, Texas // Schoepf’s BBQ w/ Sammy Arriaga
July 25 // Alpine, Texas // Viva Big Bend Pachanga
July 29 // Nashville, Tenn. // Grand Ole Opry
Aug 1 // Covington, Ga. // GA FFA Camp
Aug 8 // Meeker, Colo. // High Country Social
Aug 13 // San Angelo, Texas // House of FiFi Du Bois
Aug 14 // Tyler, Texas // Rick’s On the Square
Aug 15 // New Caney, Texas // Bull Sallas Park Showdown w/ Sundance Head & Jason Cassidy
Aug 23 // Denton, Texas // North Texas Fair & Rodeo
Aug 28 // New Braunfels, Texas // Gruene Hall w/ Jesse Raub Jr.
Aug 29 // Plano, Texas // Love & War in Texas
Oct 1 // Mt Pleasant, Texas // Titus County Fair
Nov 21 // Pittsburg, Kan. // Kansas Crossing Casino

 

 

 

 

The post Jenna Paulette Expands ‘Back In The Saddle Tour’ appeared first on Mayhem Music Magazine.

Buckcherry .

The post Buckcherry drop live video for track “Blackout” first appeared on Sleaze Roxx.

Once again featuring co-production from Spineshank’s Jonny Santos.

The post Amerakin Overdose Unveil Their “Oxygen” Music Video appeared first on Theprp.com.

In 2024, Morrissey complained that he was being erased from the Smiths’ origin story, and now he’s angry about it again. In a since-deleted Morrissey Central post titled “The Art Of Forgery,” the singer said he was not invited to take part in the process of a forthcoming BBC Smiths documentary, and that it’s critical of him while painting Johnny Marr, his longtime foe, as an “angel.” In the lengthy screed, he says that Marr “has intentionally divided the Smiths audience into Marr or Morrissey factions.”

The post Morrissey Attacks Johnny Marr In Lengthy Screed Over New Smiths Documentary appeared first on Stereogum.

https://www.metalourgio.com/wp-content/uploads/2026/06/Fuming-Mouth-band-lineup-2026-768×509.jpg

Riley! and wakelee will open that trek.

The post One Step Closer To Open Hot Mulligan’s Fall North American Tour appeared first on Theprp.com.

End It vocalist Akil Godsey has spoken out about the 'Banana Man' suit-shredding incident for the first time since the June 5 show in Toronto. Continue reading…

Ex-Slipknot percussionist Chris Fehn shares his reflections on what it was like to work with the talent of drummer Joey Jordison. Continue reading…

And they feature the grandson of Led Zeppelin’s John Bonham among their numbers.

The post Hollow Pact Sign With Sumerian Records, Launch “Tear” Music Video appeared first on Theprp.com.

EP Review: Haggus – The Mincecore Manifesto

Reviewed by Dan Barnes

Formed in 2014 in Oakland, California, as a tribute to Belgian grind gods, Agathocles, Mincecore mob, Haggus, have been made busy releasing an endless number of EPs and splits with the likes of Pyosis, Golem of Gore and Bowel Erosion to name but a few of the very many.

Debut full length, Gore Gore… and More Gore arrived in 2017, Plausibility of Putridity a year later; just in case you were struggling to get a handle of what constitutes Mincecore, know that the third album, Nauseating Polyphasia for the Inharmonious Enthusiast came out in 2019, followed by Straight from the Slaughterhaus in mid-2020. Last year’s fifth and final full-length so far, Destination Extinction, received largely positive reviews.

Seemingly unable to keep themselves out of a recording studio for too long, Haggus is about to release EP number fourteen, The Mincecore Manifesto, through Tankcrimes, which should finally put to bed the question: “What the f… is Mincecore?”

Positioned somewhere between anarcho-punk and dripping goregrind, The Mincecore Manifesto is politically charged from the outset. Decease the Police, for all its catchy riffs, has a punishing low end and an anti-establishment attitude. Fucked Up Future takes its swings at the inequality of wealth, through a fat bass sound and flailing, grinding guitars that, somehow, manage to convey a sense of fun. Welcome to the Mincecore Jungle can otherwise be found on Nauseating Polyphasia… record, lands with blistering speed, brutal barks and froggy croaking vocals.

Three songs down and we’ve barely had five-minutes, which have whipped by in a flash. The punk vibes of Tyranny and Cruelty lean in a Celtic direction through unmissably danceable sections; those frog vocals are back, accompanied by a throbbing bass and grinding blasts during Mincecore Provocateur, while its sibling, Mincecore Gratitude, plays around with an easy riff and some classic thrash metal guitar. Closing tune, Head Infection, bolts together the choppy riffs, the blasting grind and the infectious grooves to give this manifesto a memorable conclusion.

The outlier on this EP sits in its centre: the almost four-minute Ain’t Life Grand, which occupies around a quarter of the run-time. It takes those choppy guitars, adds some groove to the mix, a sprinkle of noise and a few hardcore elements to create a ripping, charging wall of noise, underscored with thrashing, whiplash riffs and shows Haggus aren’t mere wham-bam merchants.

At a touch over fifteen-and-a-half minutes, The Mincecore Manifesto is raw, hostile and bubbling with ire; every tune is a punch to the gut of mediocrity, replacing it instead with the fast, filthy and downright unhinged. It’s a statement of intent from a band not willing to accept the world as it’s become.

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The post EP Review: Haggus – The Mincecore Manifesto appeared first on The Razor's Edge.