Category: news

  • Live Review: Hellripper – Nottingham

    Live Review: Hellripper – Saltbox Bar, Nottingham

    3rd April 2026
    Support: Schizophrenia, Devastator

    Words: Cat Finch
    Photos: Tim Finch

    The underground was alive and kicking to start April as Saltbox Bar in Nottingham played host to a ferocious night of blackened thrash mayhem. With Scotland’s Hellripper headlining, and support from Belgian rising force Schizophrenia alongside the UK’s own Devastator, this was a bill stacked with aggression and old-school spirit.

    Devastator wasted no time in igniting the night, launching into ‘Conjurers of Cruelty’ with a savage urgency that immediately grabbed the crowd by the throat. Their blend of blackened thrash hit hard in the compact room, with razor-sharp riffs and a filthy, snarling vocal delivery. There was no easing into things this was full throttle from the outset.

    Songs like ‘Black Witchery’ and ‘Liar In Wait’ locking into tight rhythms while still maintaining that chaotic edge. The crowd responded in kind, with the first signs of movement as heads began to bang in unison and the circle pits form. Devastator’s confidence on stage was undeniable, commanding attention without unnecessary theatrics.

    By the time ‘Worship the Goat’ rolled around, the room was fully warmed up. Closing with ‘Death Forever’ and ‘Baptised in Blasphemy’, they left the stage having set a high bar for the rest of the evening.

    Photo Credit: Tim Finch Photography

    Belgium’s Schizophrenia took things in a more technical direction, without sacrificing any of the night’s intensity. From the moment they kicked in, their tight, intricate riffing and rapid-fire drumming created a wall of sound that demanded attention, think erly Sepultura and you are not far off; you can see where the inspiration of the bands name came from.

    There was a palpable energy driving every track, with the band feeding off the crowd’s growing enthusiasm. The interplay between guitars was particularly impressive, weaving leads and rhythms together seamlessly while maintaining relentless pace.

    Despite the technicality, Schizophrenia never lost sight of what makes live metal work, the sheer weight of its impact. Each breakdown hit hard, each acceleration hit with purpose, and by the end of their set the crowd was fully locked in.

    Photo Credit: Tim Finch Photography

    The evening had started with rumours and worry, Hellripper’s tour bus had broken down (again!) although unlike Bloodstock Winter Gathering the expectation was they would still make the show. That worry dissipated shortly after Schizophrenia’s set as Hellrippers merch started getting set up, the queue went out the door, and it was assumed James and his cohort were in the building at last.

    When Hellripper finally hit the stage, the atmosphere shifted from intense to outright explosive. Opening with ‘All Hail the Goat’, they immediately unleashed their signature black ‘n’ roll fury, with frontman James McBain commanding the room effortlessly. The sound was raw, every riff cutting through as the crowd surged forward.

    Photo Credit: Tim Finch Photography

    ‘Hell’s Rock ‘n’ Roll’ and ‘Goat Vomit Nightmare’ kept the momentum surging, delivering the kind of breakneck speed that has made Hellripper such a standout in the modern scene. There’s a punk-like energy to their performance, unpolished in the best way, driven by attitude as much as musicianship.

    Mid-set highlights like ‘The Hanging Tree’ and ‘The Affair of the Poisons’ showcased a darker side, adding depth without losing intensity. ‘Kinchyle (Goatkraft and Granite)’ in particular felt massive in the small venue, its riffs echoing off the walls as the crowd roared along.

    Photo Credit: Tim Finch Photography

    The latter half of the set was relentless. ‘Hunderprest’ and ‘The Nuckelavee’ hit with ferocity, while ‘Bastard of Hades’ pushed the energy levels even higher. There was no let-up, no chance to catch a breath, just a continuous barrage of blackened speed metal a fans in a whirlwind of circle pits in Nottingham’s small Saltbox venue.

    Closing with ‘Demdike (In League with the Devil)’, Hellripper brought the night to a triumphant, chaotic end. It was the perfect closing number; anthemic, aggressive, and utterly commanding.

    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography

    Photo Credits: Tim Finch Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Review: Hellripper – Nottingham appeared first on The Razor's Edge.

  • Live Gallery: Hellripper – Nottingham

    Live Gallery: Hellripper – Saltbox Bar, Nottingham

    3rd April 2026
    Support: Schizophrenia, Devastator

    Photos: Tim Finch

    We look back at the epic Hellripper show, through the eyes of our photographer Tim Finch!

    Hellripper

    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography

    Schizophrenia

    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography

    Devastator

    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography

    Fans

    Photo Credit: Tim Finch Photography
    Photo Credit: Tim Finch Photography

    All photo credits: Tim Finch Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: Hellripper – Nottingham appeared first on The Razor's Edge.

  • Karnivool Announce Huge Headline Tour

    Perth’s national treasures Karnivool are celebrating their new #1 album with a massive headlining Australian tour.

    It’s the biggest headlining shows they’ve played in their home country, and both Tesseract and Car Bomb will be coming along to help out.

    Tickets go on sale on April 15 for what will certainly be one of the best tours of this year.

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  • Gig review: THE GUILTY MEN – The Stables, Milton Keynes, 1 April 2026

    gig5The origins of the Guilty Men lie back in 2021, when guitarists and old pals Clive Gregson (Any Trouble, Richard Thompson, Christine Collister) and Neil Cossar (The Cheaters) finally got around to writing a few songs together. Which one of … Continue reading

    The post Gig review: THE GUILTY MEN – The Stables, Milton Keynes, 1 April 2026 appeared first on Get Ready to ROCK!.

  • A DAY TO REMEMBER, PAPA ROACH, LANDMVRKS: Adelaide Entertainment Centre, Adelaide, 06/04/2026

    Photos by: Missy Smiley Words by: Belinda Quick Special thanks to Destroy All Lines “Tonight you’ve got fire in your bloodstream, your frail human heart is still pumping; Then make this one night you remember… It is time for the Evening Prayer” – Ezra Furman The opening weekend of the Australia-New Zealand Big Rock Tour […]
  • Album Review: Bodysnatcher – Hell Is Here, Hell Is Home

    Album Review: Bodysnatcher – Hell Is Here, Hell Is Home

    Reviewed by Dan Barnes

    Whether by design or the result of the incomprehensibly complex logistics of going out on tour, Floridan deathcore / beatdown mob, Bodysnatcher, have been and gone from these shores about a month before their new album is scheduled to hit the UK’s record stores. I had been fortunate enough to have been able to hear Hell Is Here, Hell Is Home, the band’s fourth full length record, before going to the Manchester show, and the sheer brutality of their performance that night, including three new songs found here, convinced me that it was only a matter of time until Bodysnatcher’s brand of confrontational deathcore would find a wider audience.

    Coming four years on from the last record, Bleed-Abide, and with only the 2024 EP Vile Conduct to slake the fans’ thirst, Hell Is Here… opens it’s unrelenting assault with The Maker; hard-hitting straight out of the gate, there’s no foreplay, no chance to talk it out on offer, just instant aggression through a devastatingly heavy bottom-end and some of the most slamming, slow and dirtiest riffs imaginable. Violent Obsession seems designed to be an atmospheric pit filler – certainly was in Manchester – having a higher tempo and, strange as it may sound, more commercial appeal in its punchy presentation. On the other side, the third track from that setlist, Blade Between the Teeth, takes a different approach in its edgy and unsettling attack, and some of the record’s most explosive breakdown moments.

    Album Review: Bodysnatcher - Hell Is Here, Hell Is Home

    Hell Is Here, Hell Is Home plays largely to a formula in which songs establish themselves and in the latter half introduce the slamming, beatdown elements. Writhe and Coil ups the tempo after The Maker’s more brooding reflection, Plague of Flies finds vocalist Kyle Medina snarling and barking as the musical element begin to introduce delicate underscored elements, secreted within the song. Plague… may well be one of the record’s punchiest moments, with percussion that could signal the end of life as we know it, but May Your Memory Rot feels as though the subject matter alone takes this to dark and scary places. A more traditional metalcore anthem, but the vitriol spat by Kyle is palpable.

    As the record starts into its second half, No Savior’s anti-religious rant opens with a drawn out, sludgy intro, before heading off into cosmic realms fashioned by guitarist Kyle Carter; Two Empty Caskets is one of Hell Is Here…’s more understated moments, Chris Whited’s drums and Kyle Shope’s bass locking down a bouncing beat; Terror’s Scott Vogel lends his pipes to the heavy hardcore of the more traditional, Survive or Die, and the closest the album come to a title track, Hell Is Home, brings everything together through fast tempos, gang vocals and even a little bit of groove in the mid-section. Resisting the urge to go out on a bang, Bodysnatcher conclude the song, and record, with an unexpected ambient moment

    Clocking in at a little over half-an-hour, Hell Is Here, Hell Is Home is a feast for those willing to go on a musical exploration. Those not, and just wanting to have your face ripped-off by the utter inhuman musical brutality of three lads called Kyle and one called Chris, are in for an equally good time.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Album Review: Bodysnatcher – Hell Is Here, Hell Is Home appeared first on The Razor's Edge.

  • LARRY FLEET Announces Australian Tour

    Praised as one of country music’s “powerhouse male vocalists”, the dynamic LARRY FLEET will be bringing his acclaimed catalogue to Australia in 2026 for a trio of headline shows to accompany his appearance at this year’s Gympie Music Muster.

    “On my first trip to Australia last year, I honestly didn’t know what to expect or how everyone would react to my music, but before I was even off the stage I was already planning on coming back as soon as I could. The Australian people made me feel at home with how engaged and a part of the show they were. Singing every lyric, it’s almost like they did their homework to not only make sure that they had a good time, but that we did as well. And if there’s one thing I learned it’s that Australian’s know how to have a damn good time”
    Larry Fleet

    Fleet’s Australian tour stands as one of the most anticipated ones this side of 2026, with his latest album ANOTHER YEAR OLDER firmly redefining the artist as one of the best voices to come out of the US country scene. Across his career, Fleet has amassed over 800 million global streams, built a loyal international fanbase, and delivered sold-out headline shows across the US and beyond.

    For the Tennessee-born performer, the release of this album put Fleet on more radars around the globe; his soulful voice proving its versatility via thought-provoking songs that marry striking lyricism with captivating arrangements. As both an artist and songwriter, including co-writing Morgan Wallen and Eric Church’s #1 hit ‘Man Made A Bar’ – Fleet continues to expand his influence across the country music landscape.

    As part of this current wave of country artists taking the genre forward, bringing it to new audiences around the world, Fleet’s impact in recent years cannot be understated. With over 800 million streams to his name, as well as countless sold out shows across multiple territories, Fleet has been eyeing up Australia for some time and in August, both artist and fans alike are set to explore this special connection through music.

    LARRY FLEET AUSTRALIAN TOUR DATES

    Tickets available via destroyalllines.com

    Destroy All Lines Pre-Sale: 9am local time, Monday 13 April
    General On-Sale: 9am local time, Tuesday 14 April

    LARRY FLEET: Official Website | Facebook | X | Instagram | TikTok | YouTube

    The post LARRY FLEET Announces Australian Tour appeared first on The Rockpit.

  • Intracranial Purulency Premiere New Guitar Playthrough For “Entropy Hums, Uninterrupted”

    Italian slamming brutal death metal band Intracranial Purulency premiere a guitar playthrough for "Entropy Hums, Uninterrupted", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com
  • KARNIVOOL Announce Biggest Headline Shows of Their Career

    Perth icons Karnivool are thrilled to announce they are taking their number one album, In Verses, on the road for the first time, delivering the biggest headline shows of their career. To celebrate, Karnivool will be joined by special guests TesseracT (UK) and Car Bomb (USA) for an unmissable night of heavy excellence.

    Kicking off with a hometown show at the Ice Cream Factory in Perth on July 18, Karnivool will deliver a career spanning set across five capital cities, winding up at Riverstage in Brisbane on July 25.

    Landing 13 years after its predecessor, In Verses is a heavy prog masterpiece that stunned critics and fans who were both quick to forgive the band for the agonisingly long wait. A meticulously crafted, richly layered yet welcoming journey, the album is a rare chart-topper that wasn’t built for algorithms or respectable release cycles, yet it soared straight to #1 on the ARIA Chart, becoming the first local album to do so in 2026.

    Behind the album’s success is a deeper story about resilience and perseverance. When the bagpipes swell on the album closer Salva, it’s a real triumphant celebration (and quite the tear jerker online) for the band and fans who have waited 13 years for this moment. Karnivool’s next challenge: learning how to deliver live the songs they’ve spent the better part of a decade wrangling into existence.

    Joining Karnivool are fellow masters of their craft TesseracT. The UK metal titans are widely regarded as pioneers, expanding metal’s vocabulary beyond all measure with off-kilter riffs, soaring melodies, bending grooves and disorientating atmospherics. Over the course of their career, the band have built a formidable reputation for powerful, mind-altering live shows and Australian legions came out in force to experience their landmark record, War of Being, in 2024.

    Rounding out this outstanding line-up is New York innovators Car Bomb, bringing their elite chops and maniacal arrangements to Australia for the very first time! 25 years in with a discography almost as lean as Karnivool’s, Car Bomb mines the depths of extreme metal to create a signature sound that is as confounding as it is cathartic with evolving polyrhythms, shifting tempos and deconstructive guitars designed to pulverise all senses live.

    It’s been over a decade since Karnivool have toured a new album and they’ve assembled an elite suite of boundary shattering virtuosos to mark the occasion. Don’t miss this very rare and extraordinary event.


    Presale begins Tuesday 14 April 9am local time. Sign up for access here
    Tickets on sale: Thursday 16 April 9am local time

    More info from destroyalllines.com

    The post KARNIVOOL Announce Biggest Headline Shows of Their Career appeared first on The Rockpit.