The band name, Diles Que No Me Maten, translates to “Tell them not to kill me.” That alone should perk up your ears before you even hear a note. When you press play on Escrito En Agua, the Mexico City band’s new album released this month, you may then be further intrigued by the funereal New Orleans jazz dirge that greets you. And when that song, “Las noches que dormimos en sillas,” leads you to “Hiriku,” you may wonder how you ended up traversing space and time to a Can show in Cologne in 1971. Any lingering confusion will soon give way to excitement about this wholly unique ensemble.
Black stars are shining from the deep I hide from But this road may carry me home
Some songs begin with a map in their pocket and spend their running time trying to decide whether to follow it. Giant Crow’s beautiful ballad Home, the second single from the upcoming studio album Neodemon, carries that restless feeling from its first breath. Following their 2024 debut album In the Cut and the folk-influenced single Wildfire from the forthcoming album, the band shifts focus to the expansive realm of post-rock on Home. Here, emotion builds gradually and patiently before finally gaining the courage to take flight.
Home has the dusky grandeur of Richard Hawley, the aching romantic voltage of Roy Orbison, and the lonely highway glow of Chris Isaak, all filtered through a band more interested in atmosphere than theatrics. The vocal performance carries a deep, handsome ache, with enough restraint to let the words breathe and enough drama to make each phrase feel carved from private experience. Around it, the guitars widen by degrees, the rhythm section holds its nerve, and the arrangement echoes how grief often moves in circles before it ever moves forward.
Lyrically, Home follows a figure walking through darkness in search of purpose, surrender, and some possible return to belonging. Black stars, firelit fields, trees, family, and buried violence pass through the song like images seen from a moving car at dawn. There is memory here, but also inheritance; the sense that pain can travel through bloodlines, through silence, through the roads people take when staying put becomes impossible. The refrain’s hope feels hard-earned, less like comfort than a wager placed against despair.
The video deepens that idea with a rocket launch, turning departure into a strange act of healing. Earth, the most precious home we have, falls away beneath fire and vapour, while the song stretches into its expansive shoegaze outro. The image is bittersweet without being heavy-handed: to move past grief, the clip suggests, one may have to leave the known world behind for a while. As the rocket speeds away from the planet and into the great unknown, Home finds its most ecstatic contradiction, making exile feel briefly weightless.
Watch the video for Home below:
By the end, Giant Crow have made a song about return that keeps looking outward. “Home” understands that the road back may pass through fire, silence, family memory, and even the heavens before it bends toward peace. It is grand without losing tenderness, wounded without begging for sympathy, and spacious enough to let the listener bring their own ghosts along for the ride.
Bring Me The Horizon have released a brand-new single, entitled “Dehumanized”. The track is presented as part of the band’s ongoing re-recording project of their 2006 debut album Count Your Blessings, titled Count Your Blessings | Repented. You can watch the music video below. Read more…
Paris-based deathcore outfit Hurakan have released a new single, called “Parasite”. You can check out the music video below. The track serves as the first preview of their upcoming album Eternal Scars, due for release on 30 October 2026. Read more…
