Category: news

Vihilija is a Belarusian post-black metal band from Minsk, formed in late 2023. Their music blends elements of post-metal, shoegaze, and black metal. The band’s lyrics are written in Belarusian, adding a unique cultural depth to their sound. Inspired by bands such as Alcest, Møl, Deafheaven, as well as Cult of Luna and Neurosis, Vihilija […]

In the waning light of 2024, a new force emerged from the Swedish frostbitten soil – Odjur. Like the northern winds whisper forgotten tales, this melodic death metal band channels the raw, untamed spirit of the Nordic wilds. Forged by a brotherhood, Hati (Gustaf, guitar/bass) and Garm (Peter, vocals) were drawn together by a shared […]

Buckcherry‘s tour bus was involved in a fatal accident today (Friday, August 21) in South Carolina, USA.

The band and all of their road crew are safe and unharmed, they have confirmed in a statement.

The statement reads: “At approximately 2am Friday morning, Buckcherry’s tour bus was involved in a multi-vehicle accident on I-26 in Spartanburg County, South Carolina.

“We are extremely grateful to report that all members of Buckcherry and our touring crew are safe and unharmed.

“Tragically, authorities have confirmed that the collision that occurred ahead of our bus resulted in a fatality. Our thoughts and deepest condolences are with the family and loved ones of the person who lost their life.

“Buckcherry’s scheduled performance tomorrow at the Culture Room in Fort Lauderdale, Florida, is expected to proceed as planned.

“We sincerely appreciate everyone who has reached out with concern and support.”

A statement from South Carolina Highway Patrol says that the person who was killed had exited their vehicle after a crash and was struck by another car.

The tour bus was seemingly involved in the aftermath, when a number of vehicles collided.

Buckcherry are on the road in support of their latest album, 2025’s Roar Like Thunder, which Classic Rock described as full of catchy “bottle-rocket earworms”.

Buckcherry Tour Dates 2026

Aug 22: Fort Lauderdale Culture Room, FL
Aug 23: Key West Theater, FL
Aug 25: Fort Myers Ranch Concert Hall & Saloon, FL
Aug 26: St. Petersburg The Landing at Jannus, FL
Aug 27: Destin Club LA, FL
Aug 29: Kalamazoo Michigan Mac & Cheese Fest, MI
Aug 31: San Antonio Aztec Theatre, TX
Sep 01: Houston House of Blues, TX
Sep 03: Dallas House of Blues, TX
Sep 06: Orlando The Vanguard, FL
Sep 17: Las Vegas PH Live, NV *
Sep 19: Las Vegas PH Live, NV *
Sep 22: Las Vegas PH Live, NV *
Sep 24: Las Vegas PH Live, NV *
Sep 26: Las Vegas PH Live, NV *
Sep 29: Las Vegas PH Live, NV *
Oct 01: Las Vegas PH Live, NV *
Oct 03: Las Vegas PH Live, NV *
Nov 21: Chandler Dial Up Festival, AZ
Dec 12: Forth Worth Dial Up Festival, TX

*with Scorpions

Necrosonic Festival here and HEAVY has put together a special digimag introducing you to the major players and bringing you up to speed with everything from set times to tickets to transport. Check it out HERE 𝟑𝟏 𝐁𝐀𝐍𝐃𝐒 💥 𝟑 𝐒𝐓𝐀𝐆𝐄𝐒 💥 𝟏𝟐+ 𝐇𝐎𝐔𝐑𝐒 Rivers of Nihil (USA)Psycroptic (TAS)The Berzerker (1st Show in 17 Years)Gravemind […]

All members of Buckcherry and their touring crew were unharmed

Source

Nightwish singer Floor Jansen has announced her second solo album, Hytress, due Jan. 15, 2027 via REVAMP Music/Warner Music. Concurrently with the announcement, Jansen has released the album’s first single and music video, “Bring Me Silence,” and confirmed the “Hytress” Tour 2027, bringing her and her full live band to club stages across Europe and South America.

Jansen explains the inspiration behind the single: “The world is constantly demanding your attention. Sometimes it becomes so overwhelming that you can barely hear yourself anymore. “Bring Me Silence” is about that longing for space in your head and system. For clarity, a moment where all is quiet, and you can breathe all the way to your belly again and feel satisfied and at peace.”

On how the song fits within her artistic identity, Jansen adds: “This song is one of the first ones we wrote for the new album. Musically, it feels very natural to me. Metal has always been an important part of who I am. Its power, directness, and intensity are deeply rooted in me as an artist.

“At the same time, my solo work has allowed me to discover more openness and vulnerability. In ‘Bring Me Silence,’ those sides come together in a very organic way.”

Hytress builds on the foundation of Jansen’s debut solo record, Paragon, taking the power and intensity of her metal roots and fusing them with emotional depth and vulnerability. The 12-track album features down-tuned guitars, layered vocal arrangements and Jansen’s signature commanding vocal range. Moving between the fierce energy of her festival shows and the intimacy of her recent sold-out theatre tour, the “Hytress” Tour 2027 will capture the full spectrum of her musical identity.

Jansen confirmed she was cancer-free in November 2022 following surgery to remove a tumor after a breast cancer diagnosis. Born in the Netherlands, she joined her first band, pioneering symphonic metal group After Forever, at age 16; the band released five albums from 2000 to 2007 before disbanding in 2009. Her next band, ReVamp, released two albums in 2010 and 2013. Jansen joined Nightwish as a full-time member in 2013; the band’s first album with her as lead singer, Endless Forms Most Beautiful (2015), landed in the Top 10 in multiple countries. Nightwish’s most recent studio album, Yesterwynde, was released in September 2024.

The post NIGHTWISH’s FLOOR JANSEN Announces ‘Hytress’ Solo Album; Shares Music Video For New Single “Bring Me Silence” appeared first on Sonic Perspectives.

There comes a point, after enough headlines, alerts, feeds, clips, corrections, denials, cropped videos, expert panels, anonymous sources, and professional faces staring gravely into cameras, when information begins to resemble an industrial solvent poured directly onto the brain. Reality remains somewhere underneath, presumably, but reaching it requires digging through so many layers of interpretation that certainty starts feeling less like knowledge than another product somebody is trying to sell. Baltimore electro-industrial duo Pygmy Children, brothers Pete and Brian Roper, plant Proof in Lies directly inside that psychic mess.

The track leads their forthcoming fifth studio album, Into The Silence. The music carries the physical force of industrial rock without turning itself into machinery: drums strike with hard, deliberate weight, guitars grind against serrated electronics, and Pete Roper delivers his vocals from somewhere between accusation, exhaustion, and the suspicion that everyone in the room has already agreed upon the wrong version of events. Nine Inch Nails, Ministry, Christian Death, and the severe electronic rock of later Gary Numan all come to mind, although Pygmy Children funnel those affinities through their own Baltimore-bred sense of unease.

“I rediscovered some old lyrics in a notebook for a track that had never fully materialized,” says Pete Roper. “I still remembered the original chord progression, so I rewrote the lyrics, recorded the initial drum tracks, and the project began to take shape.”

That resurrection feels appropriate for a song preoccupied with evidence, memory, and the slippery authority of whatever appears before our eyes. Proof in Lies examines a culture in which perception competes continuously with experience, while repetition can make the grotesque seem ordinary and the ridiculous seem plausible. Once violence becomes entertainment, catastrophe becomes content, and human suffering becomes another image between advertisements, the ability to distinguish participation from spectatorship begins to rot.

Roper ultimately locates his remaining point of orientation in music, describing it as a place of clarity, peace, and honest expression. That conviction gives the track an emotional center beneath its metal-edged pressure: somewhere behind all the competing signals remains the stubborn belief that expression can still communicate something uncorrupted.

The accompanying video pushes the idea further through live performance footage, original visual effects, and public-domain animation produced during the 1940s, recombined into an uneasy collision of obedience, fantasy, violence, and entertainment.

“The imagery in the video challenges our blurred perception of the boundary between reality and fantasy as we move through life increasingly disconnected from one another, following established paths without question and becoming desensitized to experiences beyond ourselves. The social acceptance of violence as a form of entertainment also emerges as a recurring theme. Finally, the unanswered question of what the recurring mysterious character possesses invites deeper interpretation.”

Watch below:

By the end, Proof in Lies leaves certainty battered beyond recognition, which may be the most accurate portrait possible of an age where everybody has access to everything and somehow nobody can agree on what they have seen.

Listen to Proof In Lies below and order the single here, out now via Re:Mission Entertainment.

Follow Pygmy Children:

The post Baltimore Electro-Industrial Duo Pygmy Children Blur the Lines Between Reality and Fantasy in Video for “Proof in Lies” appeared first on Post-Punk.com.

Paul .

The post Paul Di’Anno’s Battlezone’s remastered album ‘Children of Madness’ getting released on vinyl first appeared on Sleaze Roxx.

The members of hard rock band Buckcherry were involved in a multi-vehicle crash while on tour in the U.S.

The post Buckcherry Announces Involvement in Tragic Bus Crash appeared first on Audio Ink Radio.

The Sword – Red Fang – August 18, 2026

In 2018 I had no idea who The Sword was.  I was in Washington DC working on a movie, and a co-worker with informed musical taste dragged me out to their show after a 14-hour day, claiming they were his favorite band.  Well, I couldn’t turn that down – it isn’t every day that you get to experience a trusted friend’s favorite band live, especially when you haven’t even heard of them.  We went down the stairs of the now defunct 400-cap Rock & Roll Hotel, and I was immediately hit by the smell of stale beer and a wall of sound that exploded from the stage.  The Sword was the real deal, and from the first note I was a fan.

The Sword

A lot has happened in the eight years since I’d first seen The Sword.  They took a break in 2022, something guitarist/vocalist JD Cronise described as a “dissolution”, and their sound underwent a gradual evolution, from doom metal to a modern-day reimagining of old-school rock.  JD described that progression in SPIN Magazine as “Our tastes have changed and evolved and matured over the years, and to me, everything we’ve done feels totally natural.”

What hadn’t changed was their show, and their ability to unite an audience with great music.  On this night, it was coming from a 100-year-old Hollywood stage looking out over 1200 excited people, instead of a cramped basement, but the music and vibe was exactly the same.  People had turned out in droves to have a great time, and that’s exactly the vibe The Sword provided. 

The Austin Texas band was there to throw down, and as song after song played, the audience got wilder and wilder.  It was exactly the show people had paid for and come to expect from this band over the years – from sharing the stage with Metallica to logging millions of miles on the road, The Sword are a fine-tuned touring machine, and exactly what you’d hope for in a night of rock & roll mayhem.

The Sword is:

• John D. Cronise – Vocals, Guitar
• Kyle Shutt – Guitar
• Bryan Richie – Bass, Keyboards
• Santiago "Jimmy" Vela – Drums

Setlist:

1) Celestial Crown

2) Barael's Blade

3) Maiden, Mother & Crone

4) Tres Brujas

5) Hammer of Heaven

6) Freya

7) Empty Temples

8) Mist & Shadow

9) Sea of Green

10) Necron

11) The Horned Goddess

12) To Take the Black

13) Cloak of Feathers

14) Winter's Wolves

Red Fang

Portland Oregon’s co-headliner Red Fang came prepared to blow away the Hollywood crowd with their trademark dual guitar attack and massive sound.  Their music has been described as stoner rock with a sped-up punk beat – I dislike putting bands in predetermined descriptive boxes.  All I know is the audience was hooked from the first song, and the vibe grew in intensity as songs were checked off the setlist.  From the audience participating and clapping along to “Wires”, to a killer mosh pit, to one solo guy pogoing, there was something for everyone in attendance – but mostly great music and vibes.

I’d seen Red Fang previously, and was super-excited to catch another show.  They have a thickness to their sound that is unique, while at the same time having a clean sound that allows each instrument to be distinctly heard without bleeding into one another – not an easy feat for this style of music in a theater of this size.  Throughout the night Aaron Beam beat the living shit out of his bass while singing, while Bryan Giles sang and traded off screaming guitar solos with David Sullivan.  Not to be outdone was John Sherman behind the kit, driving the relentless locomotive beat with ease. 

Red Fang is a top-notch live band and well worth catching if you get the chance – it’s impossible not to have a good time at their show.

Red Fang is:

• Bryan Giles – Guitar, Vocals
• Aaron Beam – Bass, Vocals
• David Sullivan – Guitar
• John Sherman – Drums

Setlist:

1) Blood Like Cream

2) Malverde

3) Crows in Swine

4) Arrows

5) Night Destroyer

6) Antidote

7) Into the Eye

8) Wires

9) Good to Die

10) Dirt Wizard

11) Bird on Fire

12) Sharks

13) Prehistoric Dog

14) Hank Is Dead

15) Throw Up

Spoon Benders

On paper, the Portland Oregon trio Spoon Benders seemed to be a little out of place in the evening’s lineup.  Would their psychedelic punk flavored brand of music translate to the stoner rock crowd in attendance?  The answer was a resounding yes.  The audience was ready to celebrate a great line-up and everyone on it, and despite being a different type of band than Red Fang or The Sword, the seven-song set the Spoon Benders played was the perfect way to kick off an exceptional night of great music.

The Spoon Benders are:

• Katy Black: Vocals, Bass
• Leo Pastor: Guitar
• AJ Herald: Drums

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