Category: news

  • HALF ME Premiere New Single & Music Video “Built On Your Blood”

    German metalcore band HALF ME have premiered a music video for their new single, “Built On Your Blood.” The video was directed by Chris Hesse and is now available for streaming. The band were also announced as the opening act for an upcoming U.S. tour alongside thrown, Norma Jean, and BOLTCUTTER. The trek is set to begin on October… Read More/Discuss on Metal Underground.com
  • Saliva Premiere New Single & Music Video “Edge Of A Knife” From Upcoming New Album “Breaking Through”

    Saliva have released their new single “Edge Of A Knife,” which arrives as the fifth preview from the platinum-certified hard rock/nü-metal band’s upcoming album, “Breaking Through.” The new record is scheduled for release on August 14th through Judge And Jury Records. For the accompanying video, the band once again teamed up with director To… Read More/Discuss on Metal Underground.com
  • Loathe Premiere New Single “Fangs” From Upcoming New Album “A Stranger To You”

    British alternative metal band Loathe have released another new track, “Fangs.” The song is the latest preview of the group’s long-awaited follow-up to their acclaimed 2020 album, “I Let It In And It Took Everything.” Back in April, the band officially announced the new record, “A Stranger To You,” which is set for release on July 17th throu… Read More/Discuss on Metal Underground.com
  • Remembering that time Rush’s Alex Lifeson trolled the Rock And Roll Hall Of Fame with the most ridiculous awards speech ever

    Awards shows can be a tiresome old thing. We sit for hours on end, watching celebrities be wheeled out one after the other to give carefully scripted introductory speeches, before handing awards to their celebrity mates, who give carefully planned, endlessly long speeches of their own, thanking everyone they’ve ever met in their decades of existence, before finally walking off with a gong that’ll inevitably end up in a draw or on a toilet shelf somewhere.

    Alright, maybe that’s a little over the top – when done right, awards shows can be a legitimate and emotional way to pay tribute to our heroes – but whether it’s an overly sanitised Brit Awards or a Rock And Roll Hall Of Fame that can’t seem to go a year without pissing off a fanbase or two, it certainly feels like, for the most part, when it comes to awards, we’ve just seen it all before.

    It’s perhaps why legendary Rush guitarist Alex Lifeson decided to take matters into his own hands when Rush were inducted into the Rock And Roll Hall Of Fame in 2013. The induction was widely accepted in the rock community as a huge victory for prog music, and a moment of vindication for a band who had often been treated snidely by certain corners of the rock media and fanbase.

    This didn’t stop Lifeson, however, deciding to undermine the whole shindig in the most hilarious way possible. Following warm, eloquent and heartfelt speeches by his Rush bandmates, bassist/vocalist Geddy Lee and drummer Neil Peart, the guitarist proceeded to spend no less than two and a half minutes ‘blah blah blah’-ing into the microphone.

    We’re not being facetious. He literally spends his entire speech saying ‘blah’ in more ways that we ever thought possible, from imitating instruments to pretending to have a phone call and, most brilliantly of all, mocking the teary-eyed acceptance speeches of many an awards show gone by.

    As it dawns on the star-filled audience that this isn’t merely an opening gag, Lifeson’s bandmates look on in amusement, and a ludicrous moment of Rock And Roll Hall Of Fame history is born.

    Years later, Lifeson would comment on the speech, telling Rolling Stone: “Well, it just seemed like a good idea at the time. I had a speech written and I was trying to memorize it and I couldn’t remember it. And I thought I might as well just [go] ‘blah blah blah.’ And I thought, ‘Well, that’s a good idea.’ And so I thought it would tell the story of our history and how we got to that stage without using any words. And the interesting thing is that everybody remembers my speech.”

    Watch the iconic moment below.

  • Listening Now : N.A.N – Not A Number – Monolith

    N.A.N – Not A Number’s Monolith is a captivating blend of shoegaze, atmospherick rock, and cold wave, wrapped in a cinematic atmosphere that mirrors its exploration of technological alienation. Lush guitar layers, shimmering synths, and understated vocals create a melancholic yet immersive sound, while the gradual rise from introspective verses to a driving bridge gives the track a compelling sense of movement. Inspired by the enigmatic symbolism of 2001: A Space Odyssey, Monolith balances emotional subtlety with sonic ambition, offering a thoughtful and richly textured introduction to the band’s forthcoming album.

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  • AC/DC Gives Fans More Than a Concert With PWR/UP Pop-Up Experience

    AC/DC is bringing exclusive PWR/UP Pop-Up experiences to every stop of its North American tour, featuring limited-edition merch, photo ops, giveaways, collectibles, and more for fans before the show.

    The post AC/DC Gives Fans More Than a Concert With PWR/UP Pop-Up Experience appeared first on Audio Ink Radio.

  • Saliva Release “Edge Of A Knife” Music Video

    Their new album “Breaking Through” is due in August.

    The post Saliva Release “Edge Of A Knife” Music Video appeared first on Theprp.com.

  • Album Review: Vmbra – Polylith

    Album Review: Vmbra – Polylith

    Reviewed by Dan Barnes

    Manchester Progressives, Vmbra (pronounced Umbra) have been making serious waves since their inception in 2021, the 2022 release of debut EP, RESVRGAM and the solidification of the band as a four-piece. Since that time, the band have released a sophomore EP, DELAPSVS, in 2024 and had a wow of a year in 2025 with appearances at RADAR festival in their hometown, and winning the Manchester heat of Metal 2 the Masses, leading to a spectacular slot on Bloodstock’s New Blood Stage, where they captivated hearts and bamboozled minds with their performance.

    This month sees the release of Vmbra’s full-length debut record, Polylith, where the band get the chance to show they can capture the emotional depth of the EPs and the explosive energy of their live performances into forty-seven minutes.

    Early tasters have dripped out in the shape of A Man Walks In and Wyrm, both of which demonstrate a slightly different aspect of Vmbra. …Walks In opens Polylith with a host of punchy beats, enticing guitars played over a robust low end, and with Ai Sánchez’s hypnotic vocals, it all adds to create an atmosphere that permeates throughout the album. Slow building, with seamless combinations of the musical harshness and the lushly melodic, A Man Walks In feels like the fatalistic consideration of individual existence that it is.

    Wyrm continues those ideas, extending the exotic combinations and the Eastern vibes to offer a different perspective on the band’s aesthetic. Short musical moment, Reside on High is something of a firebreak, leading into the spastic rhythms and angular riffs of Coldest Heights. They give way, through a moment of electronics, to a simple drumbeat and a fragile guitar, all held together by a pulsing bass. The combinations enmesh perfectly and the deep resonance at the mid-section gives a warning that all is not bright and breezy.

    Pariah feels thematically linked to A Man Walks In, even thought it begins with a swing and a piano, the distance between the unmoving bottom end and the delicate vocal reflects those themes admirably. The largely acoustic Fooled Me Once finds Ai giving a masterclass in how vocals can act as an instrument in one of Polylith’s most emotive moments. You Are the Sun starts like you’ve somehow switched to Zeppelin’s debut and Good Times, Bad Times opening section. Even more bizarre is, although this features the most aggressive moments from Ai across the whole record, the pre-choruses could have been lifted out of a Take That track; how do I know such things?… How indeed!

    For me, good as Vmbra have been so far on Polylith, it’s the two, seven-minute-plus compositions that really show the band’s chops. Dark Sheperd and You Leader use every arrow in their not inconsiderable quiver, to expose the two areas it is generally not advised to discuss: Politics and Religion. Both tracks have a conversational style, with the domineering vocal standing as the status quo, arguing for more control because it’s good for us; Ai represents the individual, the soul whose beauty comes from the autonomy of free-thought and expression without interference.

    Vmbra’s musical palette is well-used in this exploration, combining hard-edge, dissonant riffs of the oppressive and the lush, lilting lines of the unbridled. It’s Urban vs Rural, Will vs Grace and – at the risk of being controversial – Male vs Female. You Leader, in particular has the feeling of being musical theatre and is a fine way for the band to close out their debut.

    I think we can safely conclude Vmbra have shown beyond any reasonable doubt that they are capable of producing a full-length record which match their talents for EPs and in a live environment. I was at Manchester’s Metal 2 the Masses final a couple of weeks ago and they continued to wow, showing both Wyrm and A Man Walks In are killer live tracks too. If there is any justice in this world, Vmbra would be on the fast train to the big-time, stat. But, knowing how the industry treats talent, let’s just hope that isn’t the Train to Busan.

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    The post Album Review: Vmbra – Polylith appeared first on The Razor's Edge.