Category: news

Amigo The Devil has also been added.

The post Agalloch Playing “Ashes Against The Grain” & A Live Performance Of I’s “Between Two Worlds” Among Latest ‘Fire In The Mountains’ Festival Additions appeared first on Theprp.com.

Have you ever dreamed about getting karate lessons from ultra-consistent rap presence Freddie Gibbs? Well, now that can be a reality. As part of the VIP experience for his upcoming Last Rabbit tour, you can get a pre-show dojo session that is a 45-minute karate masterclass under the guidance of professional instructors.

The post Freddie Gibbs Is Selling VIP Pre-Show Karate Lessons appeared first on Stereogum.

FOR IMMEDIATE RELEASE
Friday Dies Returns with New Single “I’d Rather Trust a Stranger” – A Tease from Upcoming Album The Sky is the Ocean
Wisconsin, USA – After tearing through the East Coast with their “Protect Your Temple” tour, veteran thrash powerhouse Friday Dies is back with brand-new blood for the metal masses. The band has just unleashed “I’d Rather Trust a Stranger,” the first taste of their forthcoming full-length, The Sky is the Ocean .
Featuring the dynamic vocals of Shay Hazlewood , the track fuses Friday Dies’ signature thrash ferocity with modern melodic twists, demonstrating that the band’s razor-sharp riffs and relentless drive are as potent today as in their heyday. The song is already generating buzz among longtime fans and a new generation discovering the raw power of true underground metal.
“I’ve been dying to get new material out there that really bridges where we came from and where we’re going,” says the band. “Shay brought something fresh and dangerous to the mix, and this track is just the beginning of what’s coming.”
The Sky is the Ocean promises a full-scale assault of classic thrash energy and intricate songwriting, currently in production and set for a release later this year. Fans who caught the band live on their recent East Coast dates know Friday Dies doesn’t hold back in the studio or on stage, and this single is a sharp reminder of why their cult status endures.
Listen to “I’d Rather Trust a Stranger” now: https://open.spotify.com/track/7kOGWzbER426y5IXwgaREs
For press inquiries, interviews, guest list, or promotional materials: zach@metaldevastationradio.com

  Follow the band at these links:
 fridaydies.com 
https://www.facebook.com/profile.php?id=100092313967396
https://www.instagram.com/friday_dies/profilecard/
https://x.com/fridaydies
https://open.spotify.com/artist/0zMJrzC2Dcc3ziuAl4JtAf
https://www.youtube.com/@FridayDies
Contact: hailkingfriday@gmail.com

It’s Sound And Fury lineup day, baby! The great festival, dedicated to hardcore and to stuff that isn’t hardcore but works in the same circles, returns to LA’s Exposition Park Aug. 15-16. I’ve never been, but it’s the festival that I really, really want to get there one year. Maybe this will be the year. The full Sound And Fury lineup isn’t out yet, but a good chunk of it is, and the big news is that this year’s festival will feature Rival Mob and Carry On reunions.

The post Sound And Fury 2026 Lineup Has Rival Mob & Carry On Reunions, Saves The Day, Obituary, More appeared first on Stereogum.

Subtext, a U.S. independent film production and distribution company launched in January 2026 by industry veterans Danielle DiGiacomo, Brian Levy, and Teddy Liouliakis, has acquired the North American rights to the upcoming documentary Gregg Allman: The Music of My Soul. The film marks the company’s first release and is scheduled for a theatrical debut this summer.

Directed by GRAMMY and Golden Globe Award-winning filmmaker James Keach and produced by Michael Lehman, the full-length documentary examines the life and career of Gregg Allman, co-founder and frontman of the Allman Brothers Band and a central figure in Southern rock. The film draws on previously unseen interviews and rare performance footage to explore Allman’s musical legacy and personal journey.

“Gregg Allman’s music is woven into the fabric of American culture, and this film captures both the artistry and the humanity behind the legend,” said Brian Levy of Subtext. “We’re proud to bring the film to American audiences, offering devoted fans rare insight and archival material while introducing Gregg’s legacy to a new generation.”

Gregg Allman: The Music of My Soul follows Allman’s life through periods of personal tragedy and recovery, including the death of his brother and bandmate Duane Allman, his struggles with addiction, and his search for redemption. The documentary features rarely seen concert footage of the Allman Brothers Band at their creative peak, offering an in-depth look at the group’s live performances.

The film also examines the band’s cultural impact, highlighting its commitment to artistic freedom, collaboration, and racial integration during a time when integrated rock groups were uncommon. It explores Allman’s relationship with fame, including his highly publicized marriage to Cher, and the tension between public life and his pursuit of authenticity.

Keach’s previous work includes Walk the Line (2005), Glen Campbell: I’ll Be Me (2014), David Crosby: Remember My Name (2019), and Linda Ronstadt: The Sound of My Voice. He directed and produced the new documentary alongside Lehman and Alex Komisaruk of PCH Films. Executive producers include Justin Falvey and Darryl Frank of Amblin Documentaries, Douglas Banker of Five All in the Fifth, Michael Hughes and Greg C. Lake of DLP Media Group, Robert Stein, and Brian Levy and Theodore Liouliakis of Subtext. The film was made in association with Rolling Stone Films and executive produced by Alexandra Dale. The acquisition deal was negotiated by Danielle DiGiacomo for Subtext, with Josh Braun, Dan Braun, and Matt Burke representing the filmmakers.

“I am honored to have worked with Gregg and to have called him my dear friend,” says Michael Lehman. “This film captures his true essence, and it’s profoundly meaningful to be able to share his remarkable story with the world. Gregg’s music has outlived him and will bring joy to many generations in the future.”

“I personally connected to Gregg Allman in his close relationship to his brother and his battles with addiction,” says James Keach. “For me, Gregg’s incredible voice resonates not just in his music but in his humanity, in overcoming the murder of his father, the early death of his brother Duane, and his personal demons. His soulful voice and brilliant songs reflect a life of redemption and hopefully will inspire all who witness his journey.”

“Few bands have shaped the sound and mythology of American music like the Allman Brothers Band, and Rolling Stone has long been honored to chronicle their rise, reinvention, and resilience,” adds Alex Dale. “We’re proud to help bring Gregg Allman’s story to the screen in a way that captures the depth, complexity, and soul of his legacy.”

Gregg Allman: The Music of My Soul will be released theatrically in North America this summer.

The post New Gregg Allman documentary set for release appeared first on Blues Rock Review.

Whoever said you can’t go home never told August Burns Red, because they’re back with Fearless Records. And after their time away, they’re dropping their new single “Behemoth” to get folks hyped.

After two decades in the metalcore scene, these guys are back with even more energy to show how it’s done. Speaking of the new track and how it was written, guitarist JB Brubaker said “Behemoth” is the product of relentless iteration.

“‘Behemoth’ is a song that probably went through more revisions and changes than any song we’ve ever written. While frustrating at times, the conversations and re-writes were worth the effort as we collectively feel very proud of how this song turned out. I believe it’s one of the heaviest and most raw songs we’ve ever delivered.”

As for the song’s lyrical content, vocalist Jake Luhrs explained where he came up with the themes behind the track.

“Lyrically, ‘Behemoth’ speaks about the realization of past pains living through present actions in life. With the determination to face this reality, a process of healing and breaking old ways leads to a rebirth. It’s about cutting the ties to your past, giving it no space to live in the present, and inevitably, changing the course of your life.” 

Later this year, August Burns Red will head out on tour with The Amity Affliction, Boundaries, and Heavensgate. You can check out the full list of tour dates below and get your tickets today.

4/10 Worcester, MA The Palladium (w/ Dreamwake, no Heavensgate)
4/11 New Haven, CT College Street Music Hall (w/ Dreamwake, no Heavensgate)
4/12 Pittsburgh, PA Stage AE
4/14 Charlotte, NC The Fillmore
4/15 Atlanta, GA Tabernacle
4/16 Orlando, FL House of Blues
4/18 New Orleans, LA The Fillmore
4/19 Dallas, TX The Bomb Factory
4/21 Houston, TX House of Blues
4/22 San Antonio, TX Vibes Event Center Outdoors
4/24 Phoenix, AZ The Marquee
4/25 San Diego, CA Soma
4/26 Anaheim, CA House of Blues
4/28 Sacramento, CA Channel 24
4/29 Garden City, ID Revolution Concert House
5/1 Salt Lake City, UT The Union Event Center
5/2 Denver, CO The Fillmore
5/3 Omaha, NE The Astro Theater
5/5 Minneapolis, MN The Fillmore
5/6 Milwaukee, WI The Rave
5/8 Chicago, IL Riviera Theatre
5/9 Royal Oak, MI Royal Oak Music Theatre
5/10 Toronto, ON History
5/12 Montreal, QC Mtelus
5/13 Brooklyn, NY Brooklyn Paramount
5/15 Baltimore, MD Nevermore Hall
5/16 Columbus, OH Sonic Temple
5/17 Philadelphia, PA The Fillmore

The post August Burns Red Release “Behemoth” as They Go Back to Fearless Records appeared first on MetalSucks.

Plus Merauder, No Cure, Guilt Trip and many more.

The post Angel Du$t, Obituary, Incendiary, Etc. Announced For 2026 ‘Sound And Fury’ Festival appeared first on Theprp.com.

FOR IMMEDIATE RELEASE
Element of Fate Unleashes Dark Gothic Visualizer “Warhorse” Ahead of Debut Album Dreamfall
Washington, DC / Portland, OR – Element of Fate, the US-based melodic heavy metal duo known for blending classic heavy metal with symphonic, gothic, and progressive elements, has released a striking official visualizer for their new track Warhorse on YouTube. The video arrives as a bold prelude to their debut full-length album, Dreamfall , set to launch July 27, 2026 via Bravemusic.
“If not now, when?” asks Element of Fate, channeling the unstoppable momentum of 2026, the Year of the Fire Horse. Warhorse is a dark, gothic-heavy metal reminder to move forward—through hesitation, uncertainty, and the challenges life throws our way. With lyrics like ‘Blessed. I fear nothing. With the gods at my side. I step into the fire,’ the track embodies the fearlessness at the heart of the band’s cinematic storytelling.
Produced and mastered by John Mario of JBG Records, the track—and the upcoming album—showcases soaring vocals, intricate guitar work, and cinematic arrangements that fans of Nightwish, Judas Priest, Seven Spires, Lacuna Coil, and Dio will instantly recognize, yet Element of Fate carves a unique sonic lane. One listener described their sound as “if Iron Maiden and Nightwish had a baby.”
Formed in the Washington, DC area and operating between DC and Portland, Oregon, Element of Fate is made up of vocalist and visual artist Carol Phillips (Madame Crol) and guitarist/multi-instrumentalist Scott Loose. Through fantasy, mystical, and sci-fi-inspired themes, the duo creates immersive metal experiences that push beyond genre boundaries.
To celebrate the release of Dreamfall, Element of Fate will launch a Kickstarter campaign on April 17, 2026, featuring exclusive rewards, behind-the-scenes content, and the first full music video from the album. Fans can preview and support the album here: https://www.kickstarter.com/projects/carolphillipsart/dreamfall.
The Warhorse visualizer is streaming now on YouTube:
.
Dreamfall will be available for streaming and purchase on July 27, 2026, via Bandcamp: https://elementoffate.bandcamp.com/.


Connect with the band: 
https://linktr.ee/element.of.fate
Contact: element.of.fate@gmail.com

Do you like heavy metal? Do you like craft beer? Have you ever seen a print magazine before? If so, you’re in luck because Decibel magazine is looking for someone to assist in advertising and sponsorship sales and account maintenance for the magazine, our Metal & Beer Fests and our annual Tour.

Attributes & Personality

• The candidate should have sales skills and/or experience. Do your friends tell you that you talk a lot? Good!
• A passion for metal music and its extreme subgenres.
• An interest in craft beer and brewing is a plus
• Strong interest and/or experience in live events. You’ll need earplugs

Skills

• Ability to write clearly
• Self-motivated
• Must be responsive to emails and texts in a timely and professional manner
• Comfortable working under deadlines
• Comfortable talking on the phone and with face-to-face interactions
• Social media skills (TikTok, especially) a plus

Metal & Beer Fest + Decibel Tour Responsibilities

• Secure commitment forms for both sponsors and breweries
• Confirm beer styles appearing at event from each brewery
• Keep track of pricing info, kegs or cans, ABV, etc.
• Acquire high-resolution logos and confirm links
• Send announcement assets to partners, and coordinate date and time of announcements
• Coordinate collaborative announcements on social media
• Coordinate passes, tables and any other needs sponsors may have for event dates
• Confirm working guest lists in advance of fests

Magazine and Digital Ad Responsibilities

• Send ad art reminders
• Collect assets for digital campaigns (links, images, text, etc)
• Traffic ads
• Send insertion orders
• Gather addresses for mailouts to new advertisers
• Communicate regularly with accounts receivable about delinquent accounts

Ideally, the candidate lives in the Philadelphia area and can do in-person work as needed.

The position is:

• Part-time, 25 to 30 hours a week
• Work Location: Hybrid remote in Philadelphia, PA 19107

Please send your resume, as well as a cover letter to jobs@decibelmagazine.com telling us why you would be the perfect addition to the Decibel team.

The post Job Posting: Decibel Sales and Marketing Assistant (Part Time) appeared first on Decibel Magazine.

Which Songs Are Defining This Week In Metal?

Sylosis, August Burns Red, ERRA, Ice Nine Kills, Arch Enemy and Exodus deliver a lineup that spans technical mastery, cinematic tension and crushing sonic weight.

TL;DR:

This week’s metal releases showcase the genre at full spectrum intensity. Sylosis sharpen their modern thrash attack, August Burns Red unleash controlled chaos, ERRA dive into progressive atmosphere, Ice Nine Kills weaponize theatrical tension, Arch Enemy cement a new vocal era with Lauren Hart, and Exodus prove that slower tempos can feel absolutely catastrophic.

Sylosis – Spared From The Guillotine

Sylosis Continue Their Precision Riff Assault

Sylosis have long mastered the art of combining thrash aggression with modern metallic density, and “Spared From The Guillotine” feels like another calculated strike rather than a simple single release.

The guitars arrive sharp, surgical, and relentless. There’s an unmistakable sense of forward momentum throughout the track — riffs cascading into tightly coiled rhythmic punches while Josh Middleton’s vocal delivery slices through the mix with controlled fury.

Why This Song Feels So Dangerous

What Sylosis do exceptionally well is tension through discipline. Nothing sprawls unnecessarily. Every section feels engineered to drive impact.

The title itself evokes imagery of narrowly escaping judgment or annihilation, and musically, the band mirrors that unease with riff patterns that feel like a blade perpetually hovering overhead.

The Bigger Picture

Sylosis remain one of modern metal’s most technically reliable yet emotionally aggressive acts. Tracks like this reinforce why they’re often mentioned alongside the most respected names in contemporary thrash-leaning metal.

Loaded Radio Recommends – Linkin Park Albums Ranked: The Definitive 2026 Countdown from ‘Hybrid Theory’ to ‘From Zero’

August Burns Red – Behemoth

Technical Metalcore At Its Most Explosive

“Behemoth” lands with the unmistakable DNA of August Burns Red: hyper-precise instrumentation, volatile structural shifts, and crushing breakdown architecture.

The band thrives on complexity without sacrificing physical impact. Rapid tempo pivots, layered melodic leads, and punishing rhythmic syncopation create a track that feels constantly in motion.

Official StubHub August Burns Red tickets — click here!

Where The Power Comes From

ABR’s brilliance lies in their balance of intellect and aggression. The musicianship is dizzyingly tight, yet the emotional energy never feels sterile.

“Behemoth” lives up to its name — massive, imposing, and designed to hit live audiences like a collapsing structure.

ERRA – I. The Many Names Of God

Progressive Atmosphere Meets Crushing Heaviness

ERRA lean deeper into their progressive metalcore identity with “I. The Many Names Of God,” delivering a track that feels expansive, layered, and hauntingly immersive.

Floating melodic passages weave through dense rhythmic frameworks, while the guitars oscillate between shimmering clarity and razor-sharp attack.

Why ERRA Stand Apart

Few bands navigate atmosphere and technicality this fluidly. The song breathes, expands, contracts, then detonates.

It’s not simply heavy — it’s architectural.

Ice Nine Kills – Twisting The Knife

Theatrical Metal With Razor-Sharp Hooks

Ice Nine Kills continue refining their cinematic horror-metal formula. “Twisting The Knife” thrives on sinister groove, tension-building dynamics, and infectious vocal phrasing.

Why This Track Grabs Attention

INK understand replay value. Beneath the aggression sits undeniable catchiness.

The song feels like a psychological escalation — each section tightening the grip before delivering impact.

Arch Enemy – To The Last Breath

Lauren Hart’s Arrival Becomes A Defining Moment

“To The Last Breath” represents more than a new Arch Enemy single. It marks a critical turning point — Lauren Hart’s first major statement as the band’s new vocalist.

Transitions like this can destabilize even legendary acts. Instead, Arch Enemy sound revitalized.

Vocal Impact

Hart delivers a performance that respects Arch Enemy’s legacy while injecting fresh venom. Her vocal attack feels fierce, commanding, and seamlessly integrated into the band’s melodic death metal assault.

Instrumental Foundation

Michael Amott’s riffing remains razor-sharp. Daniel Erlandsson’s drumming drives relentless propulsion. The leads soar, cut, and burn.

Why This Matters Now

New vocalist eras define careers. This one launches with authority.

Check This Out – Arch Enemy Albums Ranked: Loaded Radio’s Definitive Ranking of All 13 Studio LPs

Exodus – Goliath

Slower, Heavier, And Utterly Monolithic

Exodus deliberately shift expectations with “Goliath.” Instead of speed, they weaponize weight.

The slower tempo amplifies menace. Each riff lands like a structural collapse. The atmosphere feels oppressive, suffocating, colossal.

Unexpected Dimension

Atmospheric string layers introduce eerie tension without diluting thrash brutality.

Why This Track Stands Out

Because it proves heaviness isn’t measured in BPM.

It’s measured in impact.

Why This Week In Metal Hits So Hard

Because of its range.

We’re seeing:

• Thrash precision
• Metalcore complexity
• Progressive atmosphere
• Cinematic theatrics
• Melodic death metal rebirth
• Doom-weighted riff devastation

That diversity keeps metal unpredictable.

Loaded Radio Take

This week didn’t deliver “new songs.”

It delivered sonic events.

And Exodus just reminded everyone that slow can feel absolutely lethal.

FAQ

Heaviest track of the week?
Exodus – “Goliath”

Most technically complex?
August Burns Red – “Behemoth”

Most atmospheric?
ERRA – “I. The Many Names Of God”

Biggest conversation starter?
Arch Enemy – “To The Last Breath”

The post This Week In Metal: Sylosis, Arch Enemy And Exodus Lead A Week Of Absolute Destruction appeared first on Loaded Radio.