The recording carries deep significance for the band, who acquired both the electric guitar and bass guitar once owned by AMEN frontman Casey Chaos following his passing in 2024.
Those instruments were used on the recording, which was tracked DIY in the band’s home studio, deliberately paying homage to AMEN’s fiercely independent punk roots.
Having already road-tested the song on their recent national tour supporting Combichrist to an overwhelming crowd response, Our Last Enemy decided to capture that energy and release a studio
version in the lead-up to their headline appearance at the Wacken Open Air 35 Year Anniversary Show in Sydney, Australia on the 18th April 2026.
The result is a visceral, heartfelt salute that adds the band’s signature industrial edge to an already blistering track, with lyrical themes that are once again uncomfortably current in today’s world.
As part of a worldwide celebration marking 35 years of Wacken, 35 official Warm Up shows will take place across the globe on the same day, stretching from Europe and the UK through Asia, the Americas and Australia.
Sydney will host one of only a handful of events in the southern hemisphere, bringing a piece of the Wacken experience to local soil while connecting with a truly international metal community.
Taking place at Sydney’s Crowbar, the night will be co-headlined by Our Last Enemy and Witchgrinder and rounded out by Küntsquäd, Shatterface and Age of Emergence.
HollywoodPkr-VAMPits just hit a major milestone — 76 reposts on a single RepostExchange campaign, breaking personal records and launching multiple tracks into the Top 40, Pop-Rock, and Re-Ex combined charts. Stayin Alive ReVampd recently climbed to #16 (Pop-Rock), while earlier releases hit simultaneous #1 and #2 positions across multiple charts. HollywoodPkr is now expanding the […]
Stamford, Connecticut alternative grunge band soft spot have been out touring ahead of the May 22nd release of their new EP, 1-800-soft-spot, which features new single “Temporary Bliss.” The video for the new single can be viewed here . The band will be playing a release show on the 22nd at Cafe Nine in New Haven, Connecticut. Last week, Rock Life spoke with soft spot vocalist Gianni Carpanzano who talked about the tour, the E.P. and the new single. In addition to Carpanzano, soft spot is…
Stanford, Connecticut alternative grunge band Soft Spot have been out touring ahead of the May 22nd release of their new EP, 1-800-soft-spot, which features new single “Temporary Bliss.” The video for the new single can be viewed here . The band will be playing a release show on the 22nd at Cafe Nine in New Haven, Connecticut. Last week, Rock Life spoke with Soft Spot vocalist Gianni Carpanzano who talked about the tour, the E.P. and the new single.
Obskuros, a post-punk trio from Northeast Los Angeles, makes music that seems to arrive like a half-remembered dream, as though it had been playing somewhere behind a wall long before you stepped into the room bathed in wistful romance. What began as Erick Lobo’s solo project has, with the addition of Yanely Milanes and Chris Lemus, become something fuller and more finely balanced: a band with a gift for turning inward feeling into shared atmosphere.
Their song Tu Tiempo moves with that particular grace, finding a point where dreampop drift, darkwave romance, and post-punk tension can coexist without jostling one another for prominence. The group’s Spanish-language delivery softens and blurs at the edges, threading themselves through the haze of synth and guitar in a way that deepens the song’s sense of suspended emotion. Restraint can be more persuasive than display, so rather than pushing toward catharsis, Tu Tiempo lingers in a state of longing, allowing its feeling to gather slowly until the whole track seems lit from within.
The arrangement is rich without becoming cluttered. Saturated guitars glow at the periphery, atmospheric synths hover like weather, and the rhythm section keeps the song moving with a patient, nocturnal pulse. Above it all, the harmonies are especially lovely: close, intimate, and slightly blurred, as if sung from two sides of the same dream. The mood is closer to wistfulness touched by wonder, a recognition that desire can be both ache and shelter at once.
Tu Tiempo is built around a simple but resonant impulse: the wish to spend one’s time entirely in the company of another person, and in doing so to escape the blunt weight of the ordinary world. Time, in the song, is not merely a measure but an offering, something that can be given, shared, and transformed. That idea gives the track its emotional core. The yearning is unmistakable, yet so is the hope.
The video extends the song’s atmosphere with a quietly uncanny charm. Obskuros performs in the subway as if busking in another dimension, suspended between the familiar grit of public transit and something more spectral, more private. It is a striking image for a band whose music occupies a similar threshold: grounded in the physical textures of post-punk, but always reaching toward somewhere more elusive. On Tu Tiempo, Obskuros makes longing feel almost luminous.
Watch Tu Tiempo below:
Obskuros’ new album, La Puerta, is out now, arriving like a starlit confession pressed into song and opening onto a place where the band’s wistful longing and dreamy ache can fully bloom.
Across 13 tracks, the trio refines its momentum, emotional pull, and Spanish-language yearning into something focused and cohesive, with Yanely Milanes and Erick H. Miranda sharing vocal duties to deepen the record’s emotional range. On tracks like the opener “Paralysis,” Erick’s vocals arrive in a dreampop-caliber deluge of reverb, giving the song a submerged, yearning pull carried forward by swift post-punk bass and chiming guitar. Elsewhere, songs like “Beso Fatal,” with Yanely on vocals, drift in with a spellbound, otherworldly grace, gliding over angular guitar bounce and synth churn, while English-language tracks such as “Drive,” once again featuring Erick on vocals, bring those same textures into closer conversation while still retaining the timbre of Spanish romance. For all its shifts in voice and language, La Puerta remains remarkably unified, holding fast to its ache, atmosphere, and sense of escape with quiet assurance.
Obskuros will also be promoting La Puerta live this spring and summer, with live dates scheduled at Sangriento in Mexico City on April 11th, Los Angeles’ El Rey Theatre on May 15th, and Soda Bar in San Diego on June 14th.
Australian metal outfit Our Last Enemy have surprise dropped a studio cover of Coma America, originally by punk-metal agitators AMEN. The recording carries deep significance for the band, who acquired both the electric guitar and bass guitar once owned by AMEN frontman Casey Chaos following his passing in 2024. Those instruments were used on the […]
Limberlost returns with Babylon (Redux), a powerful reimagining of their 2017 track Babylon, rebuilt with the band’s current lineup and evolved modern rock sound. The new version captures everything Limberlost has become—bigger guitars, cinematic energy, and emotionally charged vocals, while revisiting a song that feels more relevant now than ever. Babylon (Redux) dives straight into […]
Melbourne alternative rock outfit divedown share their reflective new single All For What, out today via Ninth Life Records. All For What places itself in the aftermath of a breakup, exploring the in-between phase of trying to move on while feelings still linger but acceptance has set in. The song embodies late night thought spirals […]