After a decade‑long hiatus, the band behind Teletoon’s cult animated series is officially back in the butcher shop with their most polished, unhinged, and radio‑ready material to […]

The post Canada’s Raunchiest Rock n’ Roll Carnivores SONS OF BUTCHER Release New EP “Skids” + Video ‘Denim Dreamin’” appeared first on Metal-Rules.com.

Can they interest you in an Oterobotics presents: Phrygian Dominator?

The post Archspire Get Into ‘Autonomous Music Production’ Tech With “The Vessel” Music Video appeared first on Theprp.com.

Just off Spain’s Mediterranean coast lie the Balearic Islands. Among the approximately 1.2 million island residents is a cadre of musicians who appear to have played together in a variety of projects for some time.¹ SolNegre comprises four of these musicians along with a handful of guest contributors. Based on the photos of the beautiful sandy beaches and clear blue water, you might think these guys would play a cheerful genre like Beach Boys-core. Yet, even the beach life must have its woes because what SolNegre deliver is a slab of melancholic doom that has more in common with My Dying Bride or Saturnus than any band playing songs about Piña coladas. Just the sight of their apocalyptic album title, Anthems for the Grand Collapse, makes me want to soak in one of those lovely beaches to rinse off the bleakness. Let’s dive in and see how well these island dwellers do the sadboi.

While the intro for opener, “The Axiom – Song for the Inert Part II,”² reveals SolNegre’s flair for using synths to create atmosphere, the meat of the song establishes their mix of crushing My Dying Bride riffs and growls with the more energetic death/doom of Novembers Doom. A hooky melodic lead wends its way throughout, culminating in an ambitious solo that takes the lead to new levels. The incredibly catchy follow-up, “The Hollow Inside,” includes a chorus that potentially has appeal for a mainstream audience, even if the track goes off in decidedly non-mainstream directions. The flip side to the death/doom is an Ennui-level funeral doom tune that casts a pall over the already dour mood (“For All that Could Have Been”). SolNegre play sorrowful tunes in an impressively varied number of ways.

The band members’ strong chemistry shows in their talent and cohesiveness. Ûkh lays down a powerful vocal performance with some muscular death growls. He adds heft and punch alongside an impressively bass-heavy guitar attack. Gebre proves to be the glue that adheres the record together. His deep, chugging bass features on nearly every track, and he also gets to play a nifty jazz solo midway through “The Hollow Within.” Guest contributors add some varied character throughout, such as a solo from Mike Le Rosetti that comprises almost the entire back half of “The Axiom” and some cleans from Pedro Inglés during the jazzy segue on “The Hollow Within.” SolNegre hands the reins over to recurring guest singer Gadea es Ineseta³ and violinist Núria Luis on the remarkably lovely “In the Stillness of the Womb.” Though it skews more soft rock than extreme metal, it features such poignant and affecting performances from Ineseta and Luis that it feels right at home among these anthems to a grand collapse.

A few iffy songwriting decisions do keep Anthems for the Grand Collapse from greatness, however. For one, SolNegre struggle with coherent lyrics on some tracks. This is especially problematic on “The Hollow Within,” where an awkward attempt at a metaphor combining loneliness, water, and drowning leads to the laughably bad line, “A room without doors or windows / Knowing how to swim is wise.” It’s a sore part of an otherwise terrific song. Further, the hot and cold pacing creates a stuttering feel throughout the record, with a few tunes creeping too slowly and others creeping on a bit too long. “For All That Could Have Been” in particular sags in the middle of the album. Individually, the songs are good to great, but transitions between them can be jarring.

Next time you want to balance out your bright and cheery beach vacation with some downer music, you should pack SolNegre’s Anthems for the Grand Collapse. It’s sure to have you and your family looking to drown out your loneliness and sorrows in the warm, beautiful waters lapping at your toes. This has proven to be a solid sophomore effort from the Balearic Islands. I love to hear the passion on display, and even where the band shows some warts, it only makes the record all the more endearing. I hope those island beaches don’t keep these guys happy and occupied for too long so they can put out another record sooner rather than later.

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Rating: 3.5/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Meuse Music
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 3rd, 2026

The post SolNegre – Anthems for the Grand Collapse Review appeared first on Angry Metal Guy.

Vocalist Kyle Thornton, bassist Ryan Mortell, guitarist Eoin Keigher, and drummer Adam Nealon are Nerves, a Dublin-based post-hardcore group. This week they returned with their first music of the year, a single titled “N26.” It was produced by Gilla Band’s Daniel Fox, who’s worked with the band on previous releases. “N26” is relentless distortion. The…

The post Nerves – “N26” appeared first on Stereogum.

Well look what we have here: the long-awaited fifth studio album from the man himself, Mr. Brad Marino! Out today on Spaghetty Town Records, Ghost Highway Recordings, and Beluga Records, Agent of Chaos will disappoint absolutely no one. If you’re looking for a Brad Marino album that sounds like a Brad Marino album, this will hit the mark and then some. There’s really nobody better at doing this sort of driving rock ‘n’ roll with a punk influence and pop hooks. Marino, backed by Gene Champagne, Bobby Davis, Zack Sprague, Ron Mullens, Dave Strong, James Cap Nunn, and Caity Marino, has delivered an album that may very well be his best yet. As always, his choruses are catchy, his guitar licks are tasty, and his lyrics are sneaky clever. Agent of Chaos comes through with a little something for everyone. From the classic ’60s pop of “Dissin’ and Dismissin'” to the straight Ramones energy of “Sick of You” to the country vibes of “Devil May Care” to the timeless rock ‘n’ roll of “I Don’t Want You Anymore” to the Jesus and Mary Chain inspired dark-pop of “Murder and Violence” to the straight-forward power pop of “Voodoo” to the butt-kicking fury of “Calling Your Bluff” to the pure pop majesty of “Lost Without You” and “Make This Last,” Marino hits all the sweet spots. The man sure can write a song, and he can always be counted on to sing and perform it with gusto. 

Given that it has been nearly two-and-half years since Grin and Bear It came out, fans have certainly been waiting a while for a new Brad Marino LP. And Agent of Chaos has turned out to be every bit worth the wait. It’s hard to find a sub-par or even less-than-stellar track in the bunch. A Brad Marino LP is always a lock to be way up there on my end-of-the-year top albums list. Even in a year that’s as insanely stacked as this one promises to be, Agent of Chaos will certainly end up near the top of the heap when I publish my final rankings. As consistent as Marino has been as a recording artist, it would be easy to overlook what a great run he’s been on over the last several years. But that kind of dependability ought to be appreciated and enjoyed. Flavors of the month come and go, but tried-and-true, high-quality rock ‘n’ roll never goes out of style. Agent of Chaos is a monster of a record, and I can name three premier record labels that are literally vouching for that!

And they’re back! Rich Ragany, Simon Maxwell, and Sammi Yaffa are The Sideshows, who debuted last year with their extraordinary single “Brand New.” Luckily for all of us, the instant magic these three captured in one session in Yaffa’s home studio in the Spanish countryside has blossomed into a full-blown band, and now a full album awaits us. In advance of that, we get a little taste of what’s to come. The band’s new single “We’re Such A Shame” will get you properly fired up for what promises to be one of 2026’s finest albums. The title track is a powerful glam-punk influenced rocker and a total anthem. From the first notes, you know you’re getting hit with something special. Guitars jangle while drums hit with authority, and Rags is in top form on lead vocals. There are so many times when Rags reminds me of a young John Easdale with his tone and phrasing, and that can never be a bad thing. I love how this song builds to a rousing chorus. This, my friends, is a hit! On the virtual flip side, “This Could Be Everything” is more in ballad territory — a perfect counterpart to the A-side. The tempo is more laid back, but the heart and soul of the song are undeniable. And once that chorus works its way into your head, it will be stuck there for weeks. These are two amazing songs that sound absolutely incredible. Rags’ own review of this single is “you’re gonna wanna blast these,” and that’s far more eloquent than I could ever be. The album releases in just one week, so be prepared to be fully rocked!

A lot of Ricky Rochelle’s songs have been pretty intense lately, and I can totally roll with that. But I can also appreciate him lightening things up a little with his new single “Beetles on High.” This track finds Ricky going back to a more straight-forward pop-punk style. On a surface level, the song pokes fun at The Beatles for taking an obscene amount of drugs in the later 1960s. But at a deeper level, the song expresses tremendous admiration for the remarkable music that The Fab Four created under the influence. “At a higher consciousness than they even understood,” sings Ricky, “their worst songs were symphonic; even ‘Blue Jay Way’ was good.” This song reminds me of this old bit Bill Hicks bit:

And if you don’t believe drugs have done good things for us, do me a favor. Go home tonight. Take all your albums, all your tapes, and all your CDs and burn them. ‘Cause you know what, the musicians that made all that great music that’s enhanced your lives throughout the years were real fucking high on drugs. The Beatles were so fucking high they let Ringo sing a few tunes!

The fact that we’re still talking and writing songs about the stoned Beatles 60 years later seems to reinforce the whole point of “Beetles on High.” Yeah, those guys were really high, but their music was world-altering and next-level brilliant. There’s always that one person with the hot take that The Beatles sucked after Help!, but that’s just crazy talk. “Beetles on High” manages to be both hilarious and affectionate, and it’s obvious it was written by someone who’s a true music lover. It’s streaming now at all the usual places!

Southern California’s rising modern‑metal force Reign of Echos has released their highly anticipated second single and lyric video, “Static Vein,” recently released on March 13, 2026. The track follows […]

The post California Modern Metal REIGN OF ECHOS’ New Single “Static Vein” Dives Deep In The Struggle of Our Inner Demons appeared first on Metal-Rules.com.

Greetings, Decibel readers!

It’s a great week for fans of heavy riffs of all sorts: groovy, deadly, or just burning like a thousand fires. We’ve got the latest from a couple legends, modern punk-rock heroes, and a couple act that more people should listen to.

Enjoy!

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Anasarca – Achlys

Wow, these guys are awesome! The riffs are gigantic and the songwriting is exciting, effective, and infectious! Lots of bands from the 90s got buried by the sands and gore of time, but Anasarca is definitely a band that deserves wider recognition.

Stream: Apple Music

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Corrosion of Conformity – Good God / Baad Man

Heavy, groovy, blistering work from one of the longest-running masters of the craft. Pepper and Woody deliver the goods with (relative) newcomers Bobby and Nick — bluesy as always, but still with the faintest hints at the ancient days of the band’s punk origins.

Stream: Apple Music

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Exhumation / Funeral Chant – Sacred Oath: Temple of Death

Excellently dark black and death metal split, featuring Exhumation (the one from Indonesia) and Funeral Chant (the one from Oakland).

Stream: Apple Music

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Green Carnation – A Dark Poem, Part II: Sanguis

The other half of the In the Woods… family tree, Green Carnation is essential listening for fans of Paradise Lost and Amorphis — or for anyone who longs for soaring melodies and a cinematic atmosphere backed by heavy rhythms and wandering guitars.

Stream: Apple Music

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Poison Ruïn – Hymns From The Hills

For metalheads with a soft spot for punk rock, Poison Ruïn carries the proud banner of fast-and-loud into the future. The band’s latest album is a definitive answer to the question: “Where can punk possibly go in 2026?”

Stream: Apple Music

The post Five For Friday: April 3, 2026 appeared first on Decibel Magazine.

The post Gothic Gifts That Feel Truly Dark (Not Mass Produced) appeared first on Edgar Allan Poets – Noir Rock Band.