Category: news

  • O.N.I.’s Jake Olde Opens Up About Personal Journey — Interview

    Jake Olde discusses the journey he's been on from his previous band, Oni, to his latest project, O.N.I., in this new interview. Continue reading…
  • 11 Forgotten ‘90s Bands Formed by ’80s Hair Metal Legends

    As hair metal fizzled and lineups splintered, many '80s stars attempted to start over. Most projects, however, have been forgotten decades later. Continue reading…
  • David Ellefson Discusses Kings of Thrash, Back to the Beginning

    David Ellefson chats about Kings of Thrash, Metal Church, performing at Back to the Beginning and more in this exclusive interview. Continue reading…
  • Alex Terrible Deletes Posts After Comment Makes Him Think Twice

    The Slaughter to Prevail singer initially pushed back on calls to apologize to the trans community, but later realized some of his responses were only encouraging more cyber-bullying. Continue reading…
  • AC/DC’s Highway To Hell made Hollywood superstar Javier Bardem a metalhead for life

    Hollywood superstar Javier Bardem credits AC/DC‘s 1979 album Highway To Hell as the album that changed his life.

    The Spanish actor, currently starring as Max Cady in Apple TV’s remake of Cape Fear, revealed his gateway into the world of rock and metal during an appearance on popular online series Subway Takes. Bardem’s ‘hot take’ is ‘Hard rock and metal are the best music genres, with the best fans and the best audiences!’, which host Kareem Rahma was “100 per cent” in agreement with.

    “That’s sick!,” Rahma responds. “Unexpected and great!”

    Bardem, 57, tells the host that he’s been a “headbanger” since the ’80s, and says that there’s a “brotherhood” when you’re a metal fan, with mutual respect and admiration shared.

    “It’s a really great energizing music that puts you… puts me in my place, like helps me also to relax, whether you believe it or not.”

    “The first album that I remember was Highway To Hell,” he reveals. “I was 10. And the moment that I heard – sings the title track’s main riff – my life changed. That moment, I was like, this is what I want to listen to for the rest of my life.”

    Bardem goes on to namecheck Metallica, Bad Omens, and Falling In Reverse as bands he’s currently listening to, and gives a shout out to Linkin Park’s Emily Armstrong as an “amazing singer”.

    Back In June, Bardem revealed that listening to Slipknot, Linkin Park,Falling In Reverse and Bad Omens helped inspire his frighteningly intense performance as vengeance-seeking psychopath Max Cady in the new Cape Fear.

    “We absolutely went for a metal look, I loved that,” the star told Kerrang!

    “I listened to five songs especially,” he says. “Two from Linkin Park, Given Up, with the great Chester [Bennington], and Up From The Bottom from the last album, From Zero. I think [Emily Armstrong] is an amazing singer.

    “She really brought it back,” he continues. “Those two songs really express frustration and the fight for raising up from [one’s] own ashes that [resonates] with Max. And songs by Slipknot, Falling In Reverse, and Bad Omens. I’m so bad with the names of songs, but they were in my head all day long before doing anything and helped put me in the mood.”

  • A Project Called Love Chicago Review

    A Project Called Love Chicago Review

    “Chicago” by A Project Called Love impresses with its bright morning energy. The song hits like a refreshing breeze, charging the listener with its infectious rhythm. It captures the essence of a transformative encounter that can radically alter one’s day. The story revolves around a chance meeting with a remarkable girl that leads to a fantastic adventure in Chicago.

    A Project Called Love Chicago

    The track’s energy is intense and fast-paced. This is not merely a song; it’s an experience that immerses you in an exhilarating narrative. The upbeat nature of “Chicago” resonates deeply, evoking a sense of youth and spontaneity.

    The incorporation of brass instruments adds a distinct layer to the music. This choice enhances the overall vibrancy and infuses the track with positive vibes. Each note played by the brass section feels like a celebration of joy and excitement. The dynamic brass arrangements complement the rhythm, intensifying the song’s energetic surge.

    Chicago – Sound and Atmosphere

    The message of the song is clear: sometimes, a chance meeting can change everything. The intensity of the music mirrors this revelation, creating a palpable sense of urgency.

    “Chicago” is as effervescent as a bottle of champagne.  It quickly captivates you, inspiring visions of late-night adventures and romantic possibilities. The high-energy vibe of the song evokes feelings of freedom and adventure, encouraging listeners to embrace not only the moment but also the unpredictability of life.

    The fast and invigorating tempo feels like a wild race, leaving you breathless and exhilarated.  It’s a track that inspires energy and passion, making it perfect for any fun-filled day or night.

    Chicago – Performance and Production

    “Chicago” by A Project Called Love is a triumph of infectious energy and exhilarating narrative. This is a song that not only invites you to listen but encourages overall participation. With its fast-paced rhythm and brilliant instrumentation, “Chicago” offers a delightful experience that leaves a lasting impression.

    The song encapsulates the thrill of unexpected encounters and joyful spontaneity, delivering a refreshing message. It compels you to reminisce about your adventures and be open to new experiences.



    Excitement

    🔥 If you love this music: Discover More


    Find A Project Called Love here:
    Spotify | Instagram

    The post A Project Called Love Chicago Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Devil metal quartet NUNSLAUGHTER unleashes new single “Listen To The Lies” from the new album ‘Satanic Chaos Legions’ out now via BLKIIBLK

    Today, Cleveland’s unholy denizens of the underground, NUNSLAUGHTER, unleash their new single “Listen to the Lies,” taken from the recently released album ‘Satanic Chaos Legions,’ out now via BLKIIBLK. The new track arrives alongside an official video, available to view below.  On “Listen to the Lies,” vocalist Don of the Dead shares: “Religion is the […]

    Source

  • Festival Review: Blackbird Festival 2026

    Pretty much since the release of AB III and their third-top slot at Download 2011, Alter Bridge have been in the conversation of headlining said festival. Their 2014 slot before Aerosmith was them saying “We’re ready,” whilst that 2017 performance was headline-worthy of itself and, frankly, blew Aerosmith off the stage that year. So their … Continue reading Festival Review: Blackbird Festival 2026
  • Track Premiere: Street Tombs – “Upset the Grave”

    Proto-metalists Blue Cheer put forth the suggestion that there ain’t no cure for the summertime blues, but we’d like to rebut that assertion with a fistful of old school New Mexico death metal courtesy of Santa Fe ragers Street Tombs and their new single, “Upset the Grave.” Consider your summertime blues cured. And by cured we mean stomped on, ravaged and set on fire. This five-minute cranium walloper, from their upcoming second full-length, Existence Is Corruption, relies on simple feral savagery to deliver blow after blow. These dudes—Damian Jacoby (vocals/guitar), David McMaster (guitar/backing vox), Ben Brodsky (drums), Galen Baudhuin (bass)—offer up basic blood and guts DM with glee. Bye bye blues.

    Existence Is Corruption was was recorded, mixed, and mastered by Greg Wilkinson at Engine 70 Studios in Santa Fe, New Mexico and Earhammer Studio in Oakland, California, with additional recording by bassist Galen Baudhuin. It’s set for release on CD, vinyl, cassette and digitally via Carbonized Records on August 21. You can place North American preorders here, European here, other international orders here and digital orders here.

    Here’s guitarist/vocalist Jacoby had to say about the new single:

    “‘Upset the Grave’ plays into themes of human entrapment and addiction. It culminates at the point in which humans choose to remain complacent in their self destruction. The nature of our pain and suffering differ, but ‘Upset the Grave’ thrashes to something universal, as consuming destructive thoughts collectively contaminate and rip apart our apathetic minds.”

    The post Track Premiere: Street Tombs – “Upset the Grave” appeared first on Decibel Magazine.

  • GAWD American Closet Review

    GAWD American Closet Review

    The album opens with “American Closet,” a song that exudes dystopian and intense industrial vibes. This track envelops the listener in a thick atmosphere, paving the way for the rest of the project.

    GAWD American Closet

    Next is “American Faggot,” which begins with a guitar riff reminiscent of Tom Morello’s style. The song continues the dystopian theme, incorporating intense and futuristic elements that deepen the overall sonic experience.

    “Mister Masculine” follows, showcasing a heightened intensity with pronounced distortions. The influences of Nine Inch Nails are clearly heard, alongside hints of Korn. The vocal expression within these tracks at times evokes the style of Marilyn Manson.

    American Closet – Sound and Atmosphere

    “Bow to the Burn” injects chaos into the album, elevating adrenaline levels. This song feels like it could serve as the soundtrack for an action-packed film such as Mad Max. Its frantic energy and frenetic pace keep the listener engaged, urging them to dive deeper into the concept of the album.

    “All Hail the Normal Guy” starts with a voice that hisses like a serpent. The sound once again envelops the listener, growing within them like an unstoppable force. The song builds an intensity that captures attention, pushing boundaries with its lyrical content.

    The heavy ballad “March of the Masculine” emerges next. It encapsulates epic themes and evokes dark industrial vibes reminiscent of films like Blade Runner. The song feels monumental, capturing a raw and visceral emotion that resonates deeply.

    American Closet – Performance and Production

    “Abomination” follows, unleashing vibes akin to Rammstein through its aggressive rhythm and powerful beats. The pulsating tempo resembles a tank charging forward, creating an overwhelming presence that sounds both formidable and intense.

    The final track, “Outed Now,” slightly shifts to a more alternative vibe while retaining the dystopian atmosphere established earlier. This conclusion of the album ties together the overarching narrative, exploring themes of authenticity within the constraints of American masculine culture.

    Overall, “American Closet” serves as a diverse exploration of societal themes seldom seen in heavy music. It ventures into the down-low relationship dynamics and the social toll of authenticity. This subject matter hits home, resonating with listeners far beyond its geographical origins.

    “American Closet” is a 19-track concept album that presents a defined narrative arc. Each song contributes to a larger story, exploring deep emotional landscapes and intricate themes through a mix of genres. This unique approach sets it apart, making it an essential listen for fans of innovative heavy music.

    It is an album I highly recommend to anyone looking to explore deep and intense themes in a musical context.



    Dystopian

    🔥 If you love this music: Discover More


    Find GAWD here:
    Spotify

    The post GAWD American Closet Review appeared first on Edgar Allan Poets – Noir Rock Band.