Taking place ahead of their previously announced UK leg of shows.

The post Bury Tomorrow, Stick To Your Guns, Elwood Stray & Windwaker Announce Early 2027 European Tour appeared first on Theprp.com.

FOR IMMEDIATE RELEASE
POST DEATH SOUNDTRACK ANNOUNCES NEW DOUBLE ALBUM

BARREN MOTHER OF ALL ARRIVING JULY 14, 2026

Canadian experimental heavy music force Post Death Soundtrack returns with a massive new statement in the form of a double album, BARREN MOTHER OF ALL , releasing July 14, 2026. The record continues the project’s reputation for pushing far beyond genre lines while digging deeper into themes that are as heavy as the sound itself.
This release marks the third chapter in a trilogy of 30-song works, following GRIST and IN ALL MY NIGHTMARES I AM ALONE . Across all three records, the project has carved out a distinct space where industrial noise, post-punk tension, darkwave atmosphere, doom weight, and dystopian psychedelia all collide without asking permission.
A DESCENT INTO THE VOID

BARREN MOTHER OF ALL does not play it safe. It leans hard into uncomfortable territory, exploring collapse, addiction, trauma, spiritual crisis, and the uneasy condition of modern existence. The album title itself draws from philosophical inspiration tied to Nisargadatta Maharaj, whose concept of existence as “the child of a barren woman” helped shape the record’s central identity.
This is music built for confrontation, not comfort.
Sonically, the album pulls from industrial grit, witch house haze, gothic rock drama, post-punk edge, noise abrasion, 80s horror soundtrack tension, and a distorted sense of melody that keeps everything just barely balanced on the edge of chaos.
As creator Stephen James Moore puts it in spirit, this is not a filtered version of reality. It is the raw feed.
TRACKLIST HIGHLIGHTS AND COVER VARIETY

Spanning 35 tracks, the album moves through short shocks, sprawling cuts, and reinterpretations of iconic material, including covers of Beastie Boys – Looking Down the Barrel of a Gun , Tom Waits – The Ocean Doesn’t Want Me Today , PJ Harvey – Long Snake Moan , and Rage Against the Machine – Settle For Nothing , all filtered through the project’s bleak and experimental lens.
Original cuts like “Queen Bee,” “No Loss,” “Red Robin,” “Chaos, My Love,” and “Truth is in Demand” sit alongside live recordings, bonus tracks, and fragmented pieces that feel intentionally unstable, like transmissions from a collapsing signal.
COMMUNITY REACTION

Early listener responses across the music community have already started forming a split conversation, ranging from praise for its darkwave authenticity and 2000s underground atmosphere to debate around lyrical content and intensity.
Some listeners are calling it a return to true underground dark aesthetics, while others admit the record is intentionally difficult to fully decode on first listen. That tension seems to be exactly the point.
A PROJECT BUILT ON CONSTANT EVOLUTION

Post Death Soundtrack continues to operate as a constantly shifting outlet for heavy ideas and heavier sound design. The project blends philosophy, emotional extremity, and experimental production into a catalog that refuses to sit still long enough to be categorized cleanly.
This new double album pushes that identity even further, embracing discomfort, distortion, and artistic risk as core principles rather than side effects.
RELEASE INFO

BARREN MOTHER OF ALL
Release Date: July 14, 2026
Format: Digital double album
All music and lyrics by Stephen James Moore
This is not background music. This is confrontation music. Built loud, built strange, and built to linger long after it stops playing.
Stream and purchase here: https://postdeathsoundtrack.bandcamp.com/album/barren-mother-of-all

 Follow Post Death Soundtrack:
https://www.postdeathsoundtrack.com/
https://www.facebook.com/postdeathsoundtrack/
https://postdeathsoundtrack.bandcamp.com/album/grist
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https://open.spotify.com/artist/3WuFxAh2kZnM6bux1shAv8
Contact: unravellingband@hotmail.com

Earlier this year, Nikki Nair collaborated with the Avalanches on the single “Together.” Now he’s back with new music of his own. Yesterday, he announced that he had joined George Daniel’s dance-focused Dirty Hit sublabel, dh2, and said he attempted to make house music but failed. Still, he “ended up with four mistakes that I will package as an EP,” he deadpanned in a funny social post.

The post Nikki Nair Signs To dh2, Announces New EP <em>The Sick Dimension</em> appeared first on Stereogum.

Hard rock icon and founding Skid Row bassist Rachel Bolan has issued a definitive, final blow to decades of persistent classic-era reunion rumors. Appearing on SiriusXM‘s “Trunk Nation With Eddie Trunk”, the multi-platinum musician confirmed that a reconciliation with former frontman Sebastian Bach is completely off the table. Bolan directly targeted online keyboard warriors demanding a classic-lineup return, confirming that the multi-platinum outfit is instead forged ahead with an extensive, global live audition process to select a permanent new lead vocalist.

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Want the unfiltered inside scoop on what the breaking stories are in hard rock and metal? Find out on today’s episode of the Metal Breakdown Daily! Lock into every breaking rock development by streaming directly inside the free Loaded Radio App available on Apple iOS and Google Play.

SKID ROW: THE FRONTMAN TIMELINE

Overwhelming Response: Narrowing Down the Sweetwater Search

The foundational update emerged during Bolan’s June 17, 2026 appearance on SiriusXM’s Trunk Nation With Eddie Trunk. Bolan detailed the current operational tracking parameters of the band’s groundbreaking corporate alliance with Sweetwater, the world’s leading online musical instrument and pro-audio retailer. The joint global initiative invited aspiring rock singers from every corner of the planet to submit video auditions performing the band’s multi-platinum masterpieces, “18 and Life” and “Monkey Business.”

The digital open-call completely flooded the camp’s intake vectors, presenting a massive technical screening process for the veteran rock group.

“Well, the campaign we did with Sweetwater Music was overwhelming, to say the least,” Bolan shared transparently. “We’ve gone through the video submissions, about close to 400. And there’s a lot of really talented people out there, a lot of great singers. We’ve also been outside of that — friends from bands may have seen someone while they were on the road or whatnot, and we check everybody out.”

Rather than relying strictly on polished, heavily edited digital studio tracks, Bolan revealed that the selection process has officially transitioned into a rigorous, face-to-face live audition phase inside their native home state.

“What we do is once we see or hear — we get a batch together, like four or five people, and we’ll bring them into New Jersey, and we’ll get in a rehearsal room and check ’em out live,” Bolan explained. “Because it’s cool when you hear them in a studio situation, but it’s a studio situation, so everything is nice and got a lot of takes and stuff. We’ve done that three or four times so far, so we’re at that point right now again where we’re gonna bring a few guys into Jersey, get into a room and see what they got.”

“Keyboard Warriors”: Bolan Addresses the Bach Demands

Inevitably, the dialogue shifted toward the relentless contingent of rock purists who consistently flood social media platforms demanding the reinstatement of original singer Sebastian Bach. Bach originally fronted the group through their commercial zenith before his highly publicized firing in 1996, and fans have continually weaponized the band’s recent vocalist vacancies to pressure the core members into a legacy stadium tour.

Bolan made it aggressively clear that the online pressure has zero influence over the band’s executive decision-making parameters.

“It is what it is. People could like us or they could not like us. I really don’t give a shit. I want people to be at our shows. We’ve been doing fine. We’ve been doing great,” Bolan stated flatly. “I don’t really get it, the reunion thing much more, unless we have to look for a singer, and then some people, like the keyboard warriors, tell me exactly what I should be doing. And then, ‘One tour and then call it a day and quit because you suck.’ [Laughs] It’s just, like, yeah, but I wake up and I’m still in Skid Row. What do you do? You know what I mean? So it’s just like a non-issue for us anymore.”

When Trunk pressed further on whether any scenario exists that could spark a nostalgic reunion campaign with Bach, Bolan’s conclusion was total: “It’s not gonna happen.”

Check This Out – W.A.S.P. Band Facts, Members, History And What They’re Known For

Luxury of Time: Preparing the Next Musical Chapter

The current singer search marks the band’s first major transitional phase since the amicable departure of Swedish powerhouse Erik Grönwall in March 2024. Grönwall, who achieved massive critical acclaim fronting the band on their The Gang’s All Here studio cycle, made the difficult choice to step aside to protect his immune system following an intense battle with acute lymphoblastic leukemia. Following his departure, Halestorm frontwoman Lzzy Hale briefly captained the ship, delivering a celebrated four-show run as guest vocalist.

Unlike previous eras where the band was forced to hastily find a replacement due to rigid routing constraints, Bolan emphasized that the core writing lineup—including guitarists Dave “Snake” Sabo and Scotti Hill, alongside drummer Rob Hammersmith—are intentionally taking an extraordinarily slow approach.

“We have the luxury of time,” Bolan concluded. “The four of us promised each other, okay, we’re going to take our time. Now, for Skid Row, two years for me personally — two years is a long time for anybody, but for Skid Row, we put out albums every eight years. We’re just taking our time, and we’re going through every single person that submits something, and we’re listening to it… We have time, and we’re not in any rush.”

FAQ: Skid Row’s Singer Search & Sebastian Bach Reunion Status

Why won’t Skid Row reunite with Sebastian Bach? Bassist Rachel Bolan explicitly confirmed that a reunion will never happen, noting that the band wants to do things their own way and views the reunion demands from internet commentators as a non-issue that has no bearing on their current operations.

How is Skid Row currently looking for a new singer? Skid Row launched an official worldwide talent search in collaboration with Sweetwater. The campaign generated nearly 400 video submissions of singers covering “18 and Life” and “Monkey Business.” The band is currently bringing the top candidates to a rehearsal room in New Jersey for live auditions.

Why did the previous singer Erik Grönwall leave the band? Grönwall stepped down in March 2024 because the demands of international touring made it increasingly difficult to prioritize his health, full physical recovery, and overall well-being following his 2021 battle with acute lymphoblastic leukemia.

Also – The 13 Cringiest 80s Hair Metal Videos Ever Made

TL;DR

• The Final Answer: Skid Row co-founder Rachel Bolan has officially and permanently ruled out any possibility of a classic lineup reunion with former lead singer Sebastian Bach.
• The Sweetwater Campaign: The band’s massive global audition platform generated close to 400 video entries from vocalists vying to become the next voice of the legendary hard rock band.
• The Audition Phase: Promising vocalists are actively being flown directly to a private rehearsal space in New Jersey to audition live with the band to test their real-world vocal power and group chemistry.
• No Rushing Allowed: Coming off the celebrated guest run by Halestorm’s Lzzy Hale and the departure of Erik Grönwall, the band is taking a prolonged, calculated hiatus to ensure they find the absolute perfect permanent fit.

Recommended – Beyond the Big Hair: 13 Obscure Hair Metal Bands That Actually Ripped

The classic era belongs strictly to history books. As Skid Row slowly filters through hundreds of international voices inside their New Jersey rehearsal room, they are proving that their gaze is locked strictly on the future rather than looking backward.

Are you completely on board with Rachel Bolan and the band taking their time to find fresh, new blood through the Sweetwater auditions, or do you think they are making a massive mistake by permanently slamming the door on a stadium-level reunion with Sebastian Bach? Fire off your vocalist predictions, favorite classic era memories, and thoughts in the comments section below!

 

The post Skid Row Co-Founder Rachel Bolan Issues Definitive Decision on Potential Sebastian Bach Reunion appeared first on Loaded Radio.

Dancing into the new year.

The post Electric Callboy Add UK & European Stops To Their Early 2027 Touring Plans appeared first on Theprp.com.

No Clean Singing is now hosting the exclusive premiere of “I Felt Nothing”, the new album from Italian post-hardcore outfit IF I DIE TODAY, out on June 19, 2026. The record marks a new chapter for the band, delivering their most intense and heaviest material to date, where huge riffs and emotionally charged vocals merge into a focused and […]

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FOR IMMEDIATE RELEASE
Funeral Doom Architects Aphonic Threnody Announce New Album Grace My Heart

Release Date: August 7th, 2026
Genre: Funeral Doom / Death Doom Metal
For Fans Of: My Dying Bride , Ennui , Pantheist
International funeral doom collective Aphonic Threnody return with their most focused and emotionally devastating statement to date, Grace My Heart , arriving August 7th, 2026 via self-release.
Forged from members of the global extreme metal underground, Aphonic Threnody have long been known for crafting massive, slow-burning compositions that feel less like songs and more like collapsing cathedrals of sound. Across previous releases such as When Death Comes and The Great Hatred , the band built a reputation for blending crushing funeral doom weight with mournful melody, distant choirs, and an overwhelming sense of spiritual decay and transcendence.
With Grace My Heart , that vision is refined into something even more intentional.
This is doom stripped of decoration and left in its purest emotional form.
The album moves through themes of endurance, loss, and spiritual fracture. Each composition unfolds with patience and restraint, allowing heaviness and silence to coexist in equal measure. Moments of crushing distortion are balanced by fragile passages that feel almost suspended in time.
The band comment on the record:
“This album isn’t about despair. It’s about endurance. How grief becomes grace when you allow it to remain.”
Following When Death Comes and The Great Hatred , this new chapter stands as Aphonic Threnody’s most unified and deliberate work to date, a record that leans fully into atmosphere, weight, and emotional truth.


Production Credits

Mixing and Mastering: Riccardo Veronese


Listen / Stream / Purchase

Official streaming and updates: https://aphonicthrenody.hearnow.com
Bandcamp: https://aphonicthrenody.bandcamp.com


For press, interviews, or further information: zach@metaldevastationradio.com

Connect: 
https://www.facebook.com/pages/Aphonic-Threnody/527080693991442
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Contact:
aphonicthrenody@gmail.com

The post Last Night‘s Keepsake Self-Titled Album Review appeared first on Edgar Allan Poets – Noir Rock Band.

‘Hellfest’ sets from Papa Roach, Sepultura, Rotting Christ and more will also be livestreaming throughout the weekend.

The post Bring Me The Horizon’s Headlining 2026 ‘Hellfest Open Air’ Set To Livestream On YouTube Today appeared first on Theprp.com.

When one pictures Rio de Janeiro, Brazil, post-metal is probably not among the imagery that readily springs to mind. But the more I think about it, the more the birthplace of Loneshore makes sense. Just as post-metal is often defined by striking contrasts, so is Rio, a city where mountains and beaches coexist alongside favelas and wealthy communities. This diversity is mirrored in Loneshore’s sophomore record, Nothing Left to Deconstruct, which arrives nearly eight years after their 2018 debut, From Presence to Silence. How have the members of Loneshore matured as musicians during this time?

It turns out that Loneshore wasn’t always primarily a post-metal group. From Presence to Silence blended somber, doomy melodeath similar to Eternal Storm with Opethian melodies. Nothing Left to Deconstruct, however, squarely straddles the line between post-metal and Explosions in the Sky-esque post-rock, while adopting Amenra’s silvery-smooth buildups and releases. Loneshore retains some progressive metal, although this time it’s closer to The Ocean, especially during some of the clean-sung passages in “To Stride the Black Earth.” In fact, Luiz Felipe Netto’s clean and harsh vocal styles both cover a wide array of registers. Nothing Left to Deconstruct is no less lush from an instrumental perspective, making it an enjoyable listen from front to back.

Nothing Left to Deconstruct flows like a river, though don’t expect many whitewater rapids. Intro track “Self Oscillations” is like a gentle tributary, its dreamy vocal harmonies, mild guitar notes, and mesmerizing tom drum percussion rolling fluidly into “Straylight.” Loneshore makes good use of three guitarists and a bassist by overlapping their lines together sumptuously (“Parhelion,” “Of Lost Waters”). The 10-minute centerpiece “Birth of a Mountain” features a laid-back recurring melody that rises and falls like a sea of sand dunes. That said, there are sometimes surges of vehemence in the form of blackened snarls and forceful riffs (“Straylight,” “To Stride the Black Earth,” “Parhelion”). Because Loneshore doesn’t overly favor hooks or heaviness, Nothing Left to Deconstruct is a bit of a slow burn, requiring a few complete spins to sink in for me.

As relaxing as Nothing Left to Deconstruct is overall, most of its individual songs last longer than their contents can support. The majority hover around the 8-minute mark, and all of these have lengthy outros that don’t add much. “Of Lost Waters” begins with a pristine and serene post-rock tune, which is diminished by the minute-and-a-half meandering conclusion of “Birth of a Mountain” that came before. Likewise, concluding track “With Nothing We Part” is the most languid and least memorable despite a momentary injection of vitality at the halfway point. On the other hand, “To Stride the Black Earth” is the punchiest and has no noticeable fluff. While the total runtime sits at a fairly reasonable 52 minutes, there is a stronger 40 to 45-minute record lurking within.

It’s not uncommon for artists’ priorities to shift during a lengthy absence; in this case, Loneshore is the better for it. The post/prog metal hybrid Nothing Left to Deconstruct passes by like a pleasant ocean breeze in Rio de Janeiro. It took some time for me to fully appreciate it, but I’m glad I did. The main deficiencies holding back Nothing Left to Deconstruct are a lack of decisive conclusions and a bit of bloat. Nevertheless, if Loneshore continues to develop in this manner, I anticipate great things from album number three.

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Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Willowtip Records
Websites: loneshore.bandcamp.com | facebook.com/Loneshore
Releases Worldwide: June 19th, 2026

The post Loneshore – Nothing Left to Deconstruct Review appeared first on Angry Metal Guy.