Category: news

  • RIBS Announce New Album COLD RIBS: Hear “Not A Boogie”

    As heard on their new track out today, the Raleigh post-punk band RIBS are like a harder, meaner, spacier Hold Steady, mixing classic rock riffs with Mike Wallace’s spoken and shouted narration. After a long and accomplished tenure as a live act, RIBS released their debut album Junk Dynasty Leaderboard last year. They’re putting out their second, COLD RIBS, this summer via the great North Carolina indie institution Three Lobed, whose Cory Rayborn seemed to have a lot of fun describing the band in a note to Bandcamp followers today:

    The post RIBS Announce New Album <em>COLD RIBS</em>: Hear “Not A Boogie” appeared first on Stereogum.

  • Motionless In White announce new album ‘Decades’ and share single/video “R.I.P.”

    Scranton, PA heavy metal powerhouse Motionless In White have officially announced the release of their highly anticipated new studio album, Decades, arriving on 17th July via Roadrunner Records (pre-order / pre-save now). To celebrate the milestone, the band has unleashed their brand-new single, “R.I.P.”, featuring a guest vocal appearance from alternative pop singer Skylar Grey. … Continue reading Motionless In White announce new album ‘Decades’ and share single/video “R.I.P.”
  • Gig report: Sarcofago, Bezdan, Buzzsaw (Zagreb, CRO 16.06.2026.)

    First heat wave in the venue of Močvara was marked by another of those bands (or better mentioned) music that you did not have in your wildest dreams that you would hear: Sarcofago.

    Well, better said a tribute to Sarcofago by the band The Laws featuring Gerald Incubus, one of the longest-standing members of the band, and he was pretty much included in every other tribute to the aforementioned band. You work with what you got and we got plenty to work with: a triple solid dose of blackened thrash metal bands for tonight which means we are gonna see a lot of guys in skintight black jeans down to the chromosome level, which included Croatian bands Buzzsaw and Bezdan. Not bad for a Tuesday.

    Since it was Tuesday at exactly 19:00, the first band started. I know this because the damn organizer showed me on his wristwatch and it was 18:59 and 58 seconds moments before that riff came in, fucking psycho.

    Before I start about Buzzsaw, I must highlight how the atmosphere was different than few days ago with Possessed. For starters, there were many more people in numbers even before the first band was on the stage and to my surprise, a shitload of young attendees along with older ones. Such generational thing is always awesome to see.

    Buzzsaw had their premiere to the audience in Zagreb that night, a quite young band formed in 2022 with one EP Lead to the Head behind them. Right from the get-go, I must mention despite the band being a bunch of 20-something-year-olds, this is a very promising act. Wearing their early Sodom influence like it’s their personal pledge of allegiance. Even their bass player wore the red executioner hood during the whole performance, but to be perfectly honest, that idea maybe seemed cool only on paper, especially if you got reading glasses on them. Despite this fashion hiccup, Buzzsaw took the crown of moshpits for that night as this genre of metal is made for this. They even had a wall of death, which I think is the first time I saw it in this venue. Their vocalist, although a bit green at times, stood his ground and had excellent audience interaction. For the last song, they did Sacrifice by Bathory, which is always a winner in my book. In 45 minutes, Buzzsaw showed that they are a band you should look out for in the coming years.

    Next were a bit of the veterans in this genre: Bezdan. I think this is my third time seeing them in this venue, so it’s business as usual. Musically speaking, they are one of the tightest Croatian metal bands I have ever seen. As far as I’m concerned, they are our version of Sarcofago with bits of early Slayer and Venom, despite my minor grievance about their arrogance on stage which happens sometimes.

    That being said, this performance was different; gone are the messy eyeliners and antics from the bass player, which are down to a minimum. Although the band was a bit late because the drummer needed to take a piss, I bet the organizer was very thrilled about that. Joke aside, this must be their most mature performance and I might add the best one. A real contrast to the previous band, although beign are on right path they are still finding their footing. Bezdan, in that case, had done a marathon on the path and then some. This is their tightest performance layered with confidence and great sound in the mix. Although the crowd was less animated and did not have the novelty factor, Bezdan did another great live performance and is one of the few local bands I had no issue seeing again. This is old school black/thrash metal on a high level.

    Around 21:45, Bezdan finished their round and now it’s time for the main event: The Laws performing Sarcofago. Pretty much the grandfathers of this subgenre, visually and sonically speaking. Personally, I was never a huge fan of the band; I totally did understand their significance and how the ’90s black metal bands from Scandinavia could not shut the fuck up about them. It just never clicked with me that sound from South America. But last night it did.

    Despite being a cover band with one original member, to be brutally honest, they did Sarcofago justice. It is a tribute done right in front of a full venue of Močvara. The setlist was spot on, combining the best tracks of their discography but mostly was picks from their first two albums I.N.R.I. and Laws of Scourge.

    Midnight Queen live was majestic and was accompanied with keyboards, which 50% of their performance was awkwardl just standing there, but just for this song it was worth it. It’s odd to have such an instrument in this kind of genre; in this case, I cannot imagine the song without it. The audience was fully immersed and joined the band during the choruses; it was a sight to see.

    The whole performance was a great presentation of the enduring legacy of Sarcofago. The Laws did them justice last night.

     

    Photo soul capture by Noa Moskaljov.

  • Full Album Stream: Gold Spire –Steps Into Shadow

    It’s not often you hear death growls juxtaposed next to smooth saxophone lines, but Swedish avant-garde/progressive death metal outfit Gold Spire navigate this musical territory quite nimbly on their second full-length, Steps Into Shadow. This quintet—Arvid Sjödin (vocals), Erik Sundström (drums/keyboards/backing vocals), Påhl Sundström (guitars), Magnus Kjellstrand (saxophone/flute), Petter Broman (bass)—are impossible to pigeonhole musically but they manage to range from jazzy to brutal on tracks that frequently have a cinematic feel, often evoking post-metal soundscapes. Whatever you want to call it, it’s unique and well crafted.

    Steps Into Shadow was recorded by Erik Sundström in Studio Siborator from 2023 to 2026. It was mixed and mastered by Lawrence Mackrory. It’s set for release on CD and digitally via Awakening Records on June 19. Place your preorder here.

    The band offered this insight into Steps Into Shadow:

    “Steps into Shadow is dedicated to the Swedish working class and to the struggle for emancipation in times of eroding democracy and the resurgence of fascism. The album reflects on the societal and personal decay inflicted on the downtrodden as the ruling class tries to make unity and solidarity an impossible option. It also has personal sentiments embedded, exploring our complicated love for our childhood hometown in northern Sweden.”

    The post Full Album Stream: Gold Spire –<em>Steps Into Shadow</em> appeared first on Decibel Magazine.

  • Wednesday 13 Launches “Look What The Bats Dragged In” Live Video

    From the upcoming live release “Un-Alive from Pol’and’Rock 2025”.

    The post Wednesday 13 Launches “Look What The Bats Dragged In” Live Video appeared first on Theprp.com.

  • NOTHING SACRED RETURN WITH TWO NEW 2026 RELEASES – @thebeast

    FOR IMMEDIATE RELEASE

    NOTHING SACRED RETURN WITH TWO NEW 2026 RELEASES

    Old School Speed Metal veterans unleash “Am I Going Insane” and “Your Time Will Come” — both available now
    Nothing Sacred are back in full force, carrying the torch of raw, fast, no-nonsense heavy metal straight out of the early wave that helped shape Australia’s underground scene.
    The band’s explosive take on “Am I Going Insane” (Black Sabbath cover) was released on April 3rd, 2026. Their new original single “Your Time Will Come” followed on May 28th, 2026 — both releases are now available worldwide.


    OLD SCHOOL METAL WITH BLOOD, SWEAT, AND HISTORY

    Formed in the early 1980s, Nothing Sacred emerged from Australia’s hard rock dominated landscape, pushing hard against the “pub rock” norm with a sharper, faster, NWOBHM-influenced edge. While bands like AC/DC and Rose Tattoo ruled the bars, Nothing Sacred helped carve out something heavier, faster, and more aggressive for the underground.
    By 1986, their relentless live reputation landed them headlining the Metal for Melbourne festival, pulling over 1,400 fans and cementing their place in Aussie metal history.
    Through the 80s, the band self-released cult favorites including the Deathwish EP and the Let Us Prey album, both recorded in just four days and now regarded as underground classics. The band’s story later intersected with members contributing to early Hobbs Angel of Death recordings, while the shifting 90s scene saw the group fade into semi-dormancy.
    Fast forward to the 2000s and beyond, Nothing Sacred returned to active duty, reigniting interest through documentaries, international festival appearances, and a new wave of global recognition. Recent years have seen them share stages with heavyweights like Udo Dirkschneider, Metal Church, and Paul Di’Anno, plus tours across Europe and Japan.


    2026: A NEW CHAPTER WITH TEETH

    Their 2026 output shows a band that refuses to slow down.
    The Black Sabbath cover, originally recorded for an Ozzy tribute compilation benefiting Fight Parkinson’s, is a raw and crushing reinterpretation of a classic.
    A statement from Sham explains it best:


    “We picked this track as there’s not much you can do to the classic Black Sabbath tracks that could make them better than the original. This was the one track that could be open to interpretation and turned into just about anything which is exactly what we did.”


    The result is a thunderous, heavy-as-hell tribute that stays true to the spirit of Sabbath while dragging it through the fire of Nothing Sacred’s speed metal identity.
    Meanwhile, “Your Time Will Come” delivers something darker and more narrative driven. The track tells the story of a condemned man facing execution without fear or regret, transforming his suffering into legacy and defiance. It is a song about conviction, sacrifice, and the idea that belief does not die with the body.


    SOUND AND STYLE

    Genre: Old School Speed Metal
    FFO: NWOBHM, Motörhead, early Iron Maiden, Angel Witch, Tokyo Blade


    PRODUCTION

    All recording, mixing, mastering, and production handled by Sham.


    LABEL STATUS

    Recent releases have been handled independently following prior partnerships with Rockshots Records, Dies Irae (South America), and Rue Morgue Records. The band plans to reassess label support after completing their next recording cycle.


    BAND STATEMENT ON “YOUR TIME WILL COME”

    The song is built around defiance in the face of judgment, turning execution into transformation. The character at its center refuses silence, refuses regret, and frames death as the beginning of something that outlives the body.

    Check them out on Spotify! https://open.spotify.com/artist/68L540i5tc7wLsj4cz2NrI

    Check out the video and share:


    LINKS
    https://linktr.ee/NothingSacred
    https://nothingsacred.com.au/wp/epk/
    CONTACT
    shamadelic@gmail.com
    Nothing Sacred are not here to reinvent the wheel. They are here to run it over at full speed, the same way they always have.
  • Mesh Announce Debut Album No Fun At All: Hear “Violent Peasant”

    If you enjoy the playful, gritty greatness of acts like Smirk or Snõõper, you may already be familiar with Mesh, whose 2001 eponymous EP is a beloved, scrappy gem. We haven’t heard from them since, until today. The Philly band is finally announcing their debut LP misleadingly titled No Fun At All, which is out next month.

    The post Mesh Announce Debut Album <em>No Fun At All</em>: Hear “Violent Peasant” appeared first on Stereogum.

  • Maxo Kream Announces New JPEGMAFIA-Produced Album O.Y.N Feat. Denzel Curry, Isaiah Falls, & More

    During the rollout to his recent album Experimental Rap, JPEGMAFIA definitely got on some of his rap peers’ nerves, but he didn’t piss all of them off. Case in point: JPEGMAFIA is the sole producer of O.Y.N, a new album from the great Houston underground mainstay Maxo Kream.

    The post Maxo Kream Announces New JPEGMAFIA-Produced Album <em>O.Y.N</em> Feat. Denzel Curry, Isaiah Falls, & More appeared first on Stereogum.