Category: news

  • “Waiting For The Break of Dawn” by Isa Nielsen, Madre Goth, and Kebras

     

    Isa Nielsen, renowned for her stage performances with Steve Vai and Detonator, teams up with Madre Goth and Kebras to release the new single “Waiting For The Break of Dawn“. Released under DMG (EU), this collaboration showcases Isa’s powerful vocals, Madre Goth’s songwriting, and Kebras’s exceptional guitar and production skills.

    Isa Nielsen, known as the “Musa do Metal” from her time with Detonator, has been making significant strides in her solo career. Her previous single, “High Gain“, secured a spot in a Spotify editorial playlist, expanding her fan base significantly. As an official artist for the acclaimed guitar brand “SOLAR,” Isa continues to push the boundaries in the rock and metal scene.

    “Waiting For The Break of Dawn” marks another milestone in Isa’s career, highlighting her evolution as an artist. The single features intense guitar solos, a compelling vocal performance, and top-notch production. The song’s lyrics and music video, which includes dramatic visuals, encapsulate the raw energy and emotion that Isa, Madre Goth, and Kebras bring to the table.

    Line-up:

    • Isa Nielsen: Vocals
    • Madre Goth: Songwriter
    • Kebras: Guitar and Production

    Recording Info:

    • Recorded, Mixed, and Mastered by: Kebras at DMG

    Artist: Isa Nielsen, Madre Goth, and Kebras
    Single Title: Waiting For The Break of Dawn
    Label: DMG
    Release Date: May 10, 2024
    Format: Digital
    Genre: Rock, Hard Rock
    Country: Denmark

    Social Links:
    https://sptfy.com/isanielsen
    https://sptfy.com/kebras
    https://sptfy.com/Madregoth

    https://www.youtube.com/@isanielsenofficial
    https://www.youtube.com/@kebras_pato
    https://www.youtube.com/@DYMOOB-MADRE

    https://www.tiktok.com/@nielsenisa
    https://www.tiktok.com/@kebras_pato
    https://www.tiktok.com/@dymoob_madregoth

  • EXILIA to Release 20th Anniversary Deluxe Edition of Debut Album "UNLEASHED" on May 24th 2024



    [Milano- Italy] – EXILIA, the groundbreaking alternative rock metal act from Italy, is set to mark the 20th anniversary of their debut album, “UNLEASHED,” with a special deluxe edition release including brand new single “LIKE AN AVALANCHE”!

    The remastered and expanded album will include two brand new tracks and a special performance of one of the album’s most significant tracks + bonus material.

     Available exclusively via Exiliamusic.com, the deluxe edition will be launched on May 24th, 2024, with pre-orders starting on April 10th, 2024.

     

    In 2004, amidst a rock scene dominated by male nü-metal and post-grunge acts, EXILIA emerged as a beacon of intensity and power, offering a unique and compelling sound. Led by frontwoman Masha Mysmane, the band’s cinematic blend of metal and rock attitude, combined with deep melodies, garnered a dedicated fanbase across Europe. With their debut album, “UNLEASHED,” EXILIA left an indelible mark on the alternative rock landscape.

    The new single accompanying the release, titled “Like An Avalanche,” embodies the band’s evolution. EXILIA has already prepared a powerful live set to celebrate the anniversary, with their tour kicking off in Milano on May 10th.

    “We’re thrilled to share ‘Like An Avalanche’ with our fans,” says Masha Mysmane. “This song represents a milestone for us… I felt the need to bring some great melodies and a real song back into my voice, we can’t wait to be on stage and celebrate with all our fans and friends!”


    For more information and updates, visit https://exiliamusic.com/

    https://www.youtube.com/@EXILIATV

    https://open.spotify.com/intl-it/artist/2z4sCOgOa3P8KCteJW56X1

    www.instagram.com/exiliamusic



  • EXILIA to Release 20th Anniversary Deluxe Edition of Debut Album "UNLEASHED" on May 24th 2024



    [Milano- Italy] – EXILIA, the groundbreaking alternative rock metal act from Italy, is set to mark the 20th anniversary of their debut album, “UNLEASHED,” with a special deluxe edition release including brand new single “LIKE AN AVALANCHE”!

    The remastered and expanded album will include two brand new tracks and a special performance of one of the album’s most significant tracks + bonus material.

     Available exclusively via Exiliamusic.com, the deluxe edition will be launched on May 24th, 2024, with pre-orders starting on April 10th, 2024.

     

    In 2004, amidst a rock scene dominated by male nü-metal and post-grunge acts, EXILIA emerged as a beacon of intensity and power, offering a unique and compelling sound. Led by frontwoman Masha Mysmane, the band’s cinematic blend of metal and rock attitude, combined with deep melodies, garnered a dedicated fanbase across Europe. With their debut album, “UNLEASHED,” EXILIA left an indelible mark on the alternative rock landscape.

    The new single accompanying the release, titled “Like An Avalanche,” embodies the band’s evolution. EXILIA has already prepared a powerful live set to celebrate the anniversary, with their tour kicking off in Milano on May 10th.

    “We’re thrilled to share ‘Like An Avalanche’ with our fans,” says Masha Mysmane. “This song represents a milestone for us… I felt the need to bring some great melodies and a real song back into my voice, we can’t wait to be on stage and celebrate with all our fans and friends!”


    For more information and updates, visit https://exiliamusic.com/

    https://www.youtube.com/@EXILIATV

    https://open.spotify.com/intl-it/artist/2z4sCOgOa3P8KCteJW56X1

    www.instagram.com/exiliamusic



  • Joseph Rowland (Pallbearer) on Mind Burns Alive

    I got to speak to Joseph Rowland of Progressive Rock / Metal act Pallbearer about the band’s latest album Mind Burns Alive. Joseph sheds light on the album’s exploration of fate, mental duress, and the poignant impact of loneliness. With a backdrop of the pandemic, the album’s vignettes offer a deep, emotional resonance that most listeners can connect with. Discover the unique recording process behind the album, how having their own studio space shaped its sound, and get a sneak peek into the band’s tour plans.

    The solo album from Kerry King (Slayer), From Hell I Rise is really impressive, I played the single, Toxic at the start of the episode.

    Track list

    Kerry King – Toxic

    Pallbearer – Signals

  • Goro – Emperor Prophet – Song Review – Sludge Metal from Quito, Ecuador

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador

    Another afternoon with a bright clear sky that warms hearts and blesses with vital energy here in my surreal reality in Helsinki. Today, I am writing about a project that inspired me as a guitar player; Goro, hailing from Quito, Ecuador. I discovered them with the song called "Emperor Prophet," from the band's debut studio EP titled "Last Wave of Summer," released on April 19, 2024.

    Goro – Emperor Prophet. Animation by Zulfajri MB.

    It was one of those rare occasions that I experienced listening to Goro for the first time with "Emperor Prophet," and their mastery of guitar tones urged me to write about this special project of Jose Romero, the guitarist and vocalist. Musically, I found many similarities in Goro with my personal appreciation of heavy music. Even further, I have discovered many fantastic talents during the last decade, yet no one has come this close to the type of guitar sound I prefer, together with the necessary action.

    First and foremost, "Emperor Prophet" stands out for its concept that incorporates analog sounds, even though well produced, with the Metallica drive in guitars, Mastodon’s understanding of sludge music, and a pinch of alternative metal influences that I felt during my listenings. Although it has safe boundaries in terms of regular progressive compositions, the essence showcased in this song leaves you wanting to hear more from Goro.

    Technically, the band shows promise with their ability to explore strong personalities, along with their capability to establish industry standards in their sound production. "Emperor Prophet" does not only sound promising, but more importantly, it marks the exciting beginning of an interesting sonic journey. This song sounds as badass as possible in my understanding, being only the fifth official single release in Goro’s catalog.

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro, band photo. Credit: Unknown.

    On the other hand, I don’t have much to add since I appreciate the band’s personal direction. However, at the same time, I can’t help but expect to hear them exploring deeper musical languages in the future, unlike their approach to "Emperor Prophet," just because I feel like they are capable of such a demanding task. They reminded me of one of Mastodon’s classics; "Sleeping Giant."

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro, band photo. Credit: Unknown.

    In conclusion, I am delighted with my discovery of such a talented collective, Goro from Ecuador. An irresistible concept that incorporates Metallica’s drive with Mastodon’s understanding of sludge/prog metal, accompanied by masterfully crafted iconic guitar tones and analog soundscapes. Strongly recommended metal. Thank you for reading.

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro, Last Wave Of Summer EP Album front cover artwork.
    Goro, Last Wave of Summer EP
    Released April 19, 2024
    José Romero – Guitars / Vocals
    Guillermo Bolaños – Bass
    Jaime Molina – Drums
    Produced by José Romero
    Mixed by Derek Mattin
    Mastered by Juan Pablo Rivas
    Cover illustration by Haryo Awonggo
    Guest vocals on 'Wage Slave' by Diego Rojas
    Drums, bass and guitar tracks recorded at Xerbero studios in Quito, Ecuador
    Additional guitar tracks recorded by Omar Miranda at La Bulla studios in Quito, Ecuador
    Vocal tracks recorded by Diego Rojas in Ascazubi, Ecuador
    Edited by José Romero
    Music and lyrics by José Romero

    Goro on the Web:

    Goro
    Artist · 297 monthly listeners.
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro | Quito
    Goro, Quito. 686 vind-ik-leuks · 6 personen praten hierover. Where riffs roar, creativity thrives, and soul-stirring resonance unfolds.
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro
    Last Wave of Summer EP Out Now!!!
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Emperor Prophet, by Goro
    from the album Last Wave Of Summer
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador

    Don't stop here. There's more to discover in the metal universe with our 'Monsters of Metal Underground' Spotify playlist, featuring the finest selection of emerging artists.

  • Goro – Emperor Prophet – Song Review – Sludge Metal from Quito, Ecuador

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador

    Another afternoon with a bright clear sky that warms hearts and blesses with vital energy here in my surreal reality in Helsinki. Today, I am writing about a project that inspired me as a guitar player; Goro, hailing from Quito, Ecuador. I discovered them with the song called "Emperor Prophet," from the band's debut studio EP titled "Last Wave of Summer," released on April 19, 2024.

    Goro – Emperor Prophet. Animation by Zulfajri MB.

    It was one of those rare occasions that I experienced listening to Goro for the first time with "Emperor Prophet," and their mastery of guitar tones urged me to write about this special project of Jose Romero, the guitarist and vocalist. Musically, I found many similarities in Goro with my personal appreciation of heavy music. Even further, I have discovered many fantastic talents during the last decade, yet no one has come this close to the type of guitar sound I prefer, together with the necessary action.

    First and foremost, "Emperor Prophet" stands out for its concept that incorporates analog sounds, even though well produced, with the Metallica drive in guitars, Mastodon’s understanding of sludge music, and a pinch of alternative metal influences that I felt during my listenings. Although it has safe boundaries in terms of regular progressive compositions, the essence showcased in this song leaves you wanting to hear more from Goro.

    Technically, the band shows promise with their ability to explore strong personalities, along with their capability to establish industry standards in their sound production. "Emperor Prophet" does not only sound promising, but more importantly, it marks the exciting beginning of an interesting sonic journey. This song sounds as badass as possible in my understanding, being only the fifth official single release in Goro’s catalog.

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro, band photo. Credit: Unknown.

    On the other hand, I don’t have much to add since I appreciate the band’s personal direction. However, at the same time, I can’t help but expect to hear them exploring deeper musical languages in the future, unlike their approach to "Emperor Prophet," just because I feel like they are capable of such a demanding task. They reminded me of one of Mastodon’s classics; "Sleeping Giant."

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro, band photo. Credit: Unknown.

    In conclusion, I am delighted with my discovery of such a talented collective, Goro from Ecuador. An irresistible concept that incorporates Metallica’s drive with Mastodon’s understanding of sludge/prog metal, accompanied by masterfully crafted iconic guitar tones and analog soundscapes. Strongly recommended metal. Thank you for reading.

    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro, Last Wave Of Summer EP Album front cover artwork.
    Goro, Last Wave of Summer EP
    Released April 19, 2024
    José Romero – Guitars / Vocals
    Guillermo Bolaños – Bass
    Jaime Molina – Drums
    Produced by José Romero
    Mixed by Derek Mattin
    Mastered by Juan Pablo Rivas
    Cover illustration by Haryo Awonggo
    Guest vocals on 'Wage Slave' by Diego Rojas
    Drums, bass and guitar tracks recorded at Xerbero studios in Quito, Ecuador
    Additional guitar tracks recorded by Omar Miranda at La Bulla studios in Quito, Ecuador
    Vocal tracks recorded by Diego Rojas in Ascazubi, Ecuador
    Edited by José Romero
    Music and lyrics by José Romero

    Goro on the Web:

    Goro
    Artist · 297 monthly listeners.
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro | Quito
    Goro, Quito. 686 vind-ik-leuks · 6 personen praten hierover. Where riffs roar, creativity thrives, and soul-stirring resonance unfolds.
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Goro
    Last Wave of Summer EP Out Now!!!
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador
    Emperor Prophet, by Goro
    from the album Last Wave Of Summer
    Goro - Emperor Prophet - Song Review - Sludge Metal from Quito, Ecuador

    Don't stop here. There's more to discover in the metal universe with our 'Monsters of Metal Underground' Spotify playlist, featuring the finest selection of emerging artists.

  • Dream Theater Welcomes Back Mike Portnoy

    Wow… so, this happened! On October 25, 2023, Dream Theater announced that founding member and drummer Mike Portnoy had returned to the band! I don’t know about you, but I didn’t see that coming. Yes, there were signs of warming relationships, but you always had to take them with a grain of salt because of the somewhat contradictory remarks you heard from the band. Regardless of whether I saw it coming or not, I am thrilled! I have absolutely nothing against Mike Mangini, but how could I not be excited about the original drummer returning home to where he belongs?

    Let’s not dwell too much on the past grievances that led to Mike’s departure. Suffice it to say, there were tensions between the two camps for a while after he left. A quick Google search will reveal numerous sources and fan theories based on old interviews and statements. The truth is that both sides needed time to heal their wounds and it looks like they had that time!

    A few years after Mike’s departure, fans learned that Portnoy and John Petrucci maintained contact and seemed on friendly terms. They shared photos of them hanging out even before collaborating on musical projects. It helped that their families were friends with each other, too. In fact, the families were so close that I believe Mike and John’s daughters were roommates at one point. When you combine these with the fact that Petrucci and Portnoy already had a significant history together and achieved so much, the reconciliation of their relationships wasn’t that surprising. There were also signs that Mike was communicating with Jordan and John Myung. So, if all these were happening, why was the reunion still so surprising?

    Well, it’s because the band was fairly careful about not getting anybody’s hopes up. It’s hard to tell when exactly the idea of a reunion was discussed between the two camps. Still, I don’t think it was their intention when Mike Portnoy started musically collaborating with John Petrucci on Terminal Velocity. For those who may not know, Portnoy was asked to play on John’s second solo album, recorded during the pandemic’s lockdown days. While the two guys were already on speaking terms by then, this was the first time they had played together since Mike had left Dream Theater. The two would later collaborate on a new Liquid Tension Experiment album as well. But I vividly remember Petrucci’s interviews during the press tour for the album. He emphasized that Mike Mangini would stay in Dream Theater. He even said, and I’m only paraphrasing, that he had the best of both worlds as he got to play with both Mikes, depending on what band he was playing with. That suggested that a musical collaboration with Mike Portnoy did not mean he was returning to Dream Theater. It did, however, signal that the personal and professional relationships were on their way to becoming what they once were.

    Of course, Dream Theater is more than Petrucci, Myung, and Rudess. Despite all the musical collaborations and the mending of the ties with the other members, it seems Mike Portnoy had one last person to make amends with: James LaBrie. The reasons for the decline in their relationship are multi-faceted, but if you google the topic, you’ll get the picture. (Side Note: This is why Portnoy used the word “renewed friendship” when he shared his happy birthday message to LaBrie on May 5). It’s pretty complicated, but the truth is James’ heart needed to be won.

    The final sign that Mike Portnoy was at least on speaking terms with everyone in Dream Theater came when he attended Dream Theater’s concert (with Mangini on drums) in March, 2022. I’m sure it felt a bit awkward for him to watch the band he had co-founded from the audience, but as a fan I was so happy to see that update. LaBrie even gave him a shout out during the show and made more people aware that Portnoy was in attendance. Of course, Mike’s attendance drew media attention. Yes, a part of the reason was seeing a former member watching the band with their new drummer. That alone would get people talking. But metal news outlets also rightly highlighted Portnoy sharing a picture with LaBrie from backstage. Mike had either already mended relationships with everyone else or never had a falling out to begin with. LaBrie was the exception. There were no public indications that the two were on speaking terms. (They were quite honest about that when the band was interviewed by Rolling Stone.) But then it happened… I don’t know if they had any contact before this show, but it looks like this was the catalyst to the two of them reconnecting. James shared a pic a day later and captioned it “onward and upward” … Still, there was no news of them reuniting in Dream Theater. After all, Mike Mangini had just played the drums at that very show!

    And we finally got the news! On October 25, 2023, Dream Theater went public with the update that Mike Portnoy was back in the band! As you would expect, everyone had very professional and positive things to say in the news release. That includes Mike Mangini, who had played drums in the band for 13 years at that point. He said he understood the band’s decision, thanked them for the time he had and wished them the best. Like I said at the beginning, I do feel a bit bad for him. It sounds like he would have gladly stayed in the band if Portnoy wasn’t returning. But I’m sure I’m not alone in being so excited with Portnoy’s return.

    I will add this. I loved Mangini’s energy in the drummer audition videos the band put out around the time he joined the band. But watching some of the live footage, I couldn’t see the same level of energy. Did anyone else feel that way? The notes were there; he was always as solid as you would expect. He was always a professional. But I’ve seen Mike Portnoy live with DT twice and watched a lot of videos of him over the years. His energy is quite something! When I saw him live on stage with the band, I couldn’t take my eyes off him! He had all those technically demanding songs to play but that never stopped him from having fun! The energy was contagious. I love DT, but the guys in the band don’t really run around and do too much moving. It’s just not their style. Portnoy’s energy was missing. I believe his return will be a great boost to audience engagement. I look forward to seeing that on a Dream Theater stage again.

    Sometimes, it’s not one thing that leads to a conclusion, but rather a combination of events that sets an inevitable end into motion. That’s what we got here. The Portnoy family being close to families of other members, Petrucci and then Rudess playing with him on musical projects, Portnoy finally mending his relationship with LaBrie… With the benefit of hindsight, we can see these all brought us here. I still don’t buy it when anyone says they “knew” this was going to happen, though. I think the surprise elements was very much there when we all got the announcement.

    As I’m writing this, the band has finished tracking drums and guitars for their new album. There’s not much to talk about yet as we don’t really know anything about the musical direction or how Portnoy’s presence has changed the songwriting, if at all. The band has also announced a massive tour starting later this year. More dates will surely be added. There’s so much going on in the Dream Theater camp and it doesn’t look like they’ll slow down any time soon.

    Sources & Additional Reading:

    1. DREAM THEATER ANNOUNCE THE RETURN OF DRUMMER MIKE PORTNOY
    2. MIKE PORTNOY Attended A DREAM THEATER Show, Got A Shout Out From The Stage
    3. Dream Theater on Emotional Mike Portnoy Reunion, First 40th Anniversary Tour Dates

    The post Dream Theater Welcomes Back Mike Portnoy appeared first on Mega-Depth.

  • Shane Jost (Cognitive) on Abhorrence

    Shane Jost from technical death metal act Cognitive discusses their latest album, Abhorrence with Peter ‘Trendcrusher’ K. Shane shares the joys and challenges of the band’s seven-year touring streak, the creative alchemy behind their evolving sound, and the nostalgic influence of MySpace-era bands.

    Tune in to hear how Cognitive‘s latest work promises to be the soundtrack to your heaviest workouts and the wildest mosh pits!

    Track list

    Fuming Mouth – Daylight Again

    Cognitive – Savor The Suffering

    American Hollow – Cremation