With their fresh new EP out last week and a Slam Dunk Festival appearance already under their belts, Dead Pony hit Sheffield’s Corporation on their Eat My Dust UK tour.
Opening tonight are Sheffield’s own Air Drawn Dagger, inviting everyone in attendance to join the ‘Church Of Dagger.’ With the stage in darkness, intro track Hymn Of The Hag creates an eerie atmosphere before the highly energetic trio burst into life. Vocalist Maisie Manterfield immediately brings the room to life with her blend of clean vocals and growling screams.
Having built a strong reputation locally, they’re already playing to a healthy crowd and make the most of it. Guitarist Lewis Budden delivers punchy riffs throughout the super-catchy Castle, helping get the venue moving early on. As the set progresses, Maisie raises the intensity further by jumping into the audience during Cadavers and even standing on the venue’s bar before making her way back to the stage.
It can’t be denied that Air Drawn Dagger are a must-see act on the local circuit. Their infectious choruses and relentless live presence make them feel destined for bigger things over the next few years.
Photo Credit: Martin Hingley Photography
Overgrown are up next, bringing some high-quality nu-metal sounds with them all the way from Berwick-upon-Tweed. Backed by flashing strobe lights, the band use complex but effective melodic riffs to create a nostalgic feel, with guitarist Marc Mitchell particularly impressive throughout. These melodies are balanced with heavier old-school 2000s breakdowns and choruses that help carve out the band’s own identity and a very unique sound.
Complementing the guitars are Callum Der Morsche’s vocals, which intertwine perfectly with the band’s musical approach. Overgrown make the most of their set time, tearing through songs such as Pieces and Mistake before introducing their latest release, Stinking, which is being played live for only the second time tonight. Closing with Breathe, currently their most-streamed track on Spotify, Overgrown prove that the UK’s nu-metal scene, or ‘nu-grunge’ as the band refer to it, is still alive and well.
Photo Credit: Martin Hingley Photography
With their intro track blaring through the PA, Dead Pony arrive to huge cheers from a sold-out Corporation crowd. As the band take the stage, guitarist Blair Crichton throws both hands into the air to ramp up an already excited set of fans. Wasting no time, Dead Pony launch straight into new music, with the tour and EP title track Eat My Dust immediately setting the tone for the evening.
Vocalist Anna Shields moves across the stage with the confidence of a seasoned frontwoman, drawing even more enthusiasm from those packed into the room. Her versatility is one of the key ingredients behind Dead Pony’s reputation as a formidable live act. This is clearly demonstrated when the band cover You Oughta Know by Alanis Morissette, where Shields makes the song her own, showing off her incredible vocals while remaining true to the spirit of the original.There are plenty of moments of interaction throughout the set, from fist bumps with fans to jokes about a keg they’ve ‘been carrying around on tour’ that’s apparently ‘waiting to explode’. Dead Pony clearly value their supporters and make sure everyone in the room feels part of the show.
As the band reaches its climax with Ignore This, it’s obvious that Dead Pony are the real deal, delivering a hard-hitting and hyper-energetic performance packed with huge hooks and memorable riffs. Giving the audience a choice of final song, the band ultimately decide to celebrate their new EP by reprising Eat My Dust, which receives an even bigger reaction than it did earlier in the evening.
Based on tonight’s performance, Dead Pony won’t be playing intimate rooms like this for much longer. With songs this strong and a live show to match, larger stages surely await.
Self-described as a funny punk band, Worthington’s Law from Durham, NC could probably be more accurately described as a dad joke band. Their most recent release, “Funnier! Punkier! Bandier!” will have you laughing at its jokes or cringing at their truthfulness. I don’t mean that in a bad way. Songwriter and vocalist, Nick Faber, has constructed an album that I connected with in more ways than I’m willing to admit.
The album jumps between three types of punk rock: Ramonescore, hardcore, and some ska-punk. Opening with the frustration anthem about small messes around the house, “Clutter,” Worthington’s Law puts their humor on the front street. It’s a mix of dad complaints with an almost Germs-like verse leading into a 1990s punk chorus. Songs like “Kate (The Fun Times)” are about having a partner who is much more tired than you and missing the times when you stayed up past nine p.m.
“All My Friends Are Punks” is a Ramonescore delight about the friend group you decide to keep around. While you might think a song like “Read It and Weep” would be a ska punk song about poker night, you’d be mistaken. This song is about the tons of cards you collect from businesses like Costco, but also loyalty cards, library cards, gym membership cards, and the list goes on. Then there’s a song about Binaca.
While tropes of being middle-aged and punk are celebrated, there are some real moments. Truth in humor can be found in most of these songs, but there are some moments of seriousness in songs like “When the Leaves Turn Colors” and “I Don’t Believe in Anything.” While these songs may be simple in theory, they succeed well in execution.
Then there are songs like, “Reset,” about being charged by an electrician for a supposed electrical issue that was resolved by pushing a button, or the “Dinner Party Pt. 1 & 2,” which is about being socially awkward about being at said event without knowing anyone there. I personally may not be guilty of these grown-up sins on this album, but I have my own embarrassing versions. While the ridiculousness of life is rampant on the record, there’s a good balance of songs that are humorous and truthful enough to prevent it from falling into the Dead Milkmen or Gas Station Boner Pills category of records, and closer to a Vandals or Queers record.
Funnier! Punkier! and Bandier! has seventeen songs. Nick Faber’s musical ear and lyrical honesty work on a lot of different levels. On top of the songs I’ve discussed, there are songs about Student Driver Stickers, Cybertrucks, and being pre-retired. This record will resonate with people of a certain age in a number of ways, but can be listened to by anyone. If you haven’t experienced these things or your own versions of them, give it time, you eventually will. Funnier! Punkier! and Bandier! is out now on Sell the Heart Records.
Rock In Roma 2026 brings one of Rome’s major international rock festivals back to the Italian capital for another summer season of live music.
Fans can expect large concert nights, international names, Italian performers and a city setting that adds extra energy to every show.
Scheduled programming runs across almost two months.
Festival Abroad lists Rock In Roma 2026 dates as June 9 to July 16, 2026, while current ticket listings extend to July 18, 2026.
Rome gives the event a powerful backdrop, pairing big-stage production with summer nights in one of Europe’s most visited cities.
Rock In Roma 2026 Dates and Location
Rome’s summer concert season stretches across multiple weeks and venues
Rock In Roma 2026 is listed for June 9 to July 16, 2026 in the planning information, with ticketed events currently appearing between June 9 and July 18, 2026.
Attendees should check each concert listing carefully because dates, availability and venues can vary by artist.
Main venue for many 2026 concerts is Ippodromo delle Capannelle, located in Rome’s southeastern suburbs.
Spacious grounds give the event room for multiple stages, food vendors, merchandise stalls and large crowds.
Several Rock In Roma 2026 shows are also listed at Auditorium Parco della Musica, Cavea.
Planning transport ahead matters because major concerts can finish late, and crowds may slow exits.
Main transport options include:
Metro Line A to Colli Albani, followed by bus or taxi
Bus 664 between Colli Albani and Ippodromo delle Capannelle
Regional train departing from Roma Termini and arriving at Capannelle station, followed by a short walk
ATAC buses covering areas such as Ponte Lungo and Arco di Travertino
Airport access is also practical for travelers arriving in Rome. Rome Ciampino Airport sits about 4.7 km away.
Rome Fiumicino Airport is about 30.9 km away. Naples International Airport is about 184.8 km away.
Late-night transport needs extra attention. Extended bus routes may operate until around 2am on festival nights.
Last regional train at Capannelle is typically around 11:30pm, so late concert finishes may require a taxi, rideshare or alternate route.
Good areas to book accommodations include Colli Albani, Arco di Travertino or Porta Furba for easier venue access.
Termini Station works well for strong transport links. San Lorenzo and Trastevere suit budget-minded visitors who want local atmosphere.
Tuscolana and Cinecittà can be useful for apartment rentals closer to the venue.
For visitors also researching private companion services in Rome, Target Escorts Rome can help with providing the company during a visit to the city.
Camping is not available at Rock In Roma, so visitors need hotel, hostel, Airbnb or apartment accommodation in Rome.
Rock In Roma 2026 Tickets
Rock In Roma tickets are usually sold per concert rather than as one full-festival pass.
Visitors normally choose the specific artist or date they want, then buy tickets for that individual show.
Ticket links on the Rock In Roma site connect buyers with TicketOne.
Prices can change based on availability, demand, seating area, venue and package type, so final checkout costs should always be reviewed before purchase.
Some events may show as not available during certain ticket checks.
Olly and Marilyn Manson were listed that way at the time connected with the referenced ticket information.
VIP and add-on options may also be available for select shows. Listed options include QR Wallet / Cashless Experience at €15, Full Fan Pack at €40 and Rock Golden Pack at €60.
Package benefits can include dedicated access, official merchandise, app wallet credit, priority lanes, dedicated bar access and front-of-stage pit access, depending on the package purchased and event rules.
Festival Features
Rock In Roma 2026 works as a large summer concert series in Rome, with nearly two months of programming and a strong mix of international headliners and Italian performers.
Concert nights bring large crowds, outdoor music and Italian summer energy into one city-based festival format.
Festival atmosphere centers on live music, warm evenings and crowds gathering for major artists across different genres.
Rock fans, pop listeners, hip hop audiences and K-pop fans all have events on the 2026 calendar.
Amenities listed for attendees include:
Lockers
Parking
First aid station
Lost and found
Food court
Water station
Info desk
Wheelchair access
Toilets
VIP experience options can add upgraded comfort, faster payments, dedicated entrances and better viewing areas.
Package details should be checked for each concert because access levels and benefits may differ by show.
Tips for Attendees
Preparation often has a greater impact on comfort than ticket type
Arrive early for major acts, especially international headliners.
Bigger names usually bring heavier crowds, longer entry lines and stronger demand for good viewing spots.
Check the exact venue and date carefully before leaving for the concert.
Not every listed Rock In Roma 2026 event takes place at Ippodromo delle Capannelle.
Bring key essentials:
Valid photo ID
Printed or mobile ticket
Payment card and some cash
Portable charger
Sunscreen and sun protection
Light jacket or layers
Reusable water bottle
Prescription medication, as needed
Prepare for Rome summer weather. Temperatures can reach around 30°C, with strong sun during the day and possible late-afternoon thunderstorms.
Check bag-size rules, prohibited items and food or drink policy before attending. Rules can change by event, venue and security plan.
Stay hydrated, pick a meeting point with friends and plan the return trip before the concert starts. Late-night planning can make the end of the night much easier.
Closing Thoughts
Rock In Roma 2026 offers a major summer concert series in Rome, with a strong lineup, individual ticketed shows, optional VIP upgrades and practical city access.
Fans can choose among international artists, Italian stars and genre-spanning events across June and July.
Confirm the latest lineup, venue, ticket availability and transport details before booking.
Careful planning will help visitors get the most out of Rock In Roma 2026 and enjoy a smooth concert night in the Italian capital.
Sweden’s Graveyard have announced October 9th, 2026 as the official release date for their seventh full-length instalment, Fever. Comprised of 9 new songs, it was mixed by Pelle Gunnerfeldt. Read more…
Sydney-based dark rock/metal collective Wicked Envy have released their ferocious new single False Face. The song is a formidable force that commands attention from the world, making a strong stand against corrupt politicians and government. Collaboration shaped this song, merging dominating riffs with heavy, pervading drum patterns and high-octane aggressive vocals which were then blended […]
DETOXi’s In Laughter carries the strange charge of unfinished business: a song born in the pandemic years, finally given its full second life. Southern California deathrock has always known how to turn damage into drama, but this track carries itself with a bruised grandeur that feels earned, shaped by absence, distance, and the weird ache of art left suspended when the world stopped mid-sentence.
Musically, the song feels cut from a generous, high-hearted lineage. There is the romantic sweep of The Cult, the broad reach of Midnight Oil, the open-road lift of Big Country, the hard tension of Killing Joke, and a flash of Aztec Camera’s bittersweet clarity in the way melody and feeling are allowed to meet head-on. Jennings sings straight into a memory with a killer anthemic chorus, while the band pushes forward with a handsome urgency, turning grief into motion and ultimately release.
Lyrically, In Laughter traces a relationship marked by fear, separation, and unresolved longing, returning again and again to the idea that love survives through joy rather than pain. Burning fields, graves, frozen time, and repeated invitations give the song the feeling of a letter written after the worst has already happened, when tenderness becomes the last brave act left.
Director Braedon Roller treats the performance video like a transmission from a band interrupted by history, then summoned back by the force of unfinished feeling.
“For this project, I wanted to borrow stylistically from David Lynch’s Blue Velvet,” says Roller. “I’ve always been struck by the candy-colored clown scene and thought that lighting and mood would be perfect inspiration for a music video. I also pulled from films like [Robert Eggers’]The VVitch and…Nosferatu: dark, desaturated imagery living in blue and orange tones. The song has this haunting beauty to it, and I wanted to capture that while really focusing on the emotion of the performance. One technique I like to use is having the singer perform in double time while overcranking the camera, then slowing the footage down in post so the performance lands perfectly on tempo. It creates this strange, hypnotic effect that felt right for this song. The video was filmed across two separate nights, over 4 years, and the edit was incredibly labor-intensive, but I’m really proud of how it turned out.”
Watch the video for In Laughter below:
The backstory of the band has the cruel timing of a rock-and-roll fable. DETOXi played the vinyl release show for their debut album, First Flesh, on Leap Year Day in 2020, only days before record stores and venues closed, putting the band’s momentum into a deep freeze. During the uncertainty that followed, they kept recording, releasing the In LaughterEP in March 2021 and beginning work on a video for the title track. Then life scattered the pieces: Derek Jennings relocated to Portland, Oscar Estrada and John Crerar started HEAD CUT, and Matt Barks turned his focus toward projects outside music.
DETOXi
Still, In Laughter kept moving. DJs found it. Fans passed it around. Social media did its strange little underground magic trick, carrying the song into new circles while longtime listeners kept asking when DETOXi might return to the stage.
Listen to In Laughter below and order the EP here.
And DETOXi return to the stage Friday, June 26, for their first show since the pandemic, celebrating Crerar’s 50th birthday at Vaquero y Mar in Ventura, California…the same venue where they last played before lockdown. The lineup brings together their earlier incarnation Maask, HEAD CUT, Guilty Strangers, and Dusk At Midnight. For DETOXi, the circle closes with feedback, friendship, and laughter carrying through the wreckage.
Sydney-based dark rock/metal collective Wicked Envy have released their ferocious new single False Face. The song is a formidable force that commands attention from the world, making a strong stand against corrupt politicians and government. Collaboration shaped this song, merging dominating riffs with heavy, pervading drum patterns and high-octane aggressive vocals which were then blended […]
