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The post Pete Evick explains that his son Gavin Evick would love to get the Skid Row gig and could pull it off first appeared on Sleaze Roxx.

The story behind the biggest song of 1982

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Vinyl Maxi-Single To Be Released May 1st On 20 Buck Spin + Decibel Magazine Tour Nears

Stream FULCI’s Risorsero Dalla Tomba E Fu… L’apocalisse! HERE.

Coming on the heels of the band’s most successful LP, 2024’s Duck Face Killings, FULCI return with a special 12” maxi-single serving as the soundtrack to the short film Risorsero dalla Tomba e Fu… L’Apocalisse! (“They Rose From the Tomb and It Was… The Apocalypse!”).

Created in collaboration with director Domenico Montixi, the 30-minute film merges paranormal horror with Spaghetti Western atmosphere, drawing direct inspiration from Lucio Fulci’s City Of The Living Dead and Four Of The Apocalypse. The film is set to begin its international festival run soon, with a trailer premiering at FULCICON 2 in Milan, the event organized by the band FULCI to celebrate Lucio Fulci and Italian genre cinema.

The maxi-single features a suite of new FULCI compositions that drift between eerie, cinematic soundscapes evoking the Lovecraftian aura of Fulci’s films, and the band’s signature gore-giallo death metal.

It also includes a special cover of Fabio Frizzi’s “Apoteosi Del Mistero” from City Of The Living Dead. Risorsero dalla Tomba e Fu… L’Apocalisse! further expands the band’s cinematic universe where extreme music and cult horror collide, serving as a uniquely atmospheric release bridging Duck Face Killings, the band’s relentless touring schedule, and the eventual arrival of their fifth full-length album.

Produced by FULCI, recorded at Spvn, mixed and mastered by Stefano Santi, and completed with cover art by Lucas Ruggieri, title card by Caterina Solinas, and layout/design by ascionemagro, the record features guest vocals on “Apoteosi Del Mistero” by Nate Garrett (Spirit Adrift, Neon Nightmare). This is a must-hear release for fans of Cannibal Corpse, Obituary, Merauder, Suffocation, Madball, Goblin, Fabio Frizzi, and Slayer.

FULCI’s Risorsero dalla Tomba e Fu… L’Apocalisse! is now streaming everywhere including YouTube HERE and Bandcamp HERE.

Risorsero dalla Tomba e Fu… L’Apocalisse! will be released as a one-sided 12” vinyl maxi-single on May 1st. Preorder options can be found at the 20 Buck Spin webshop HERE and Bandcamp HERE.

Risorsero Dalla Tomba E Fu… L’apocalisse! Track Listing:

1. Risorsero dDlla Tomba e Fu… L’apocalisse!
2. Paura che Uccide
3. Apoteosi Del Mistero

FULCI is also preparing to return to North America as part of this year’s Decibel Magazine Tour, joining Necrot, Blood Monolith, and headliners Cryptopsy performing their seminal None So Vile album in its entirety. The tour runs from April 30th to May 28th.

FULCI Live:

The Decibel Magazine Tour 2026 w/ Cryptopsy, Necrot, Blood Monolith [tickets/info]:

4/30/2026 Palladium Upstairs – Worcester, MA
5/01/2026 Brooklyn Monarch – Brooklyn, NY
5/02/2026 Baltimore Soundstage – Baltimore, MD
5/03/2026 Decibel Magazine Metal & Beer Fest – Philadelphia, PA
5/05/2026 Masquerade (Hell) – Atlanta, GA
5/07/2026 White Oak Music Hall – Houston, TX
5/08/2026 The Studio – Dallas, TX
5/09/2026 Come And Take It Live – Austin, TX
5/12/2026 The Regent – Los Angeles, CA
5/13/2026 Brick By Brick – San Diego, CA
5/14/2026 Cornerstone – Berkeley, CA
5/16/2026 Hawthorne Theater – Portland, OR
5/17/2026 El Corazon – Seattle, WA
5/20/2026 Oriental Theater – Denver, CO
5/22/2026 Fine Line Music Café – Minneapolis, MN
5/23/2026 Bottom Lounge – Chicago, IL
5/24/2026 Crofoot Ballroom – Detroit, MI
5/25/2026 The Grog Shop – Cleveland, OH
5/26/2026 Preserving Underground – Pittsburgh, PA
5/27/2026 Lee’s Place – Toronto, ON
5/28/2026 Fairmount Theatre – Montreal, QC

FULCI:
Jason Dahlke – vocals
Fiore Stravino – vocals
Klem Diglio – bass
Edo Nicoloso – drums
Dom Diego – lead guitar, synth
Ando Ferraiuolo – acoustic and rhythm guitar

https://www.instagram.com/fulcicult

https://fulcicult.bandcamp.com

https://twitter.com/fulcicult

https://www.facebook.com/fulciband

https://www.20buckspin.com

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Source: EARSPLIT PR

The Accessory singles have been good. “Calcium“? One of the best songs of the week. “Safeword“? Didn’t make the list, but still great. Now we have “This Is Not Your Life (Static),” a song that somehow feels small and big at the same time. “I wanted to capture that feeling of that moment in love…

The post Accessory – “This Is Not Your Life (Static)” appeared first on Stereogum.

Interview by Kris Peters Formed in Sydney by Jon Stevens (formerly of Noiseworks, INXS) and David Lowy (formerly from Mink) in 2012, The Dead Daisies started life with a view to being a platform for musicians to traverse at will. While always intended to be a permanent, fully functioning band, it was also set in […]

Post-punk bands sure do love listing things. On Telehealth’s new single “Things I’ve Killed,” the Seattle group is listing off — yes, you guessed it — things they’ve killed. Golf course? Killed. Credit score? Killed. Botox? Killed. OK, it makes a lot more sense with Telehealth’s explanation: The title of the song came after we…

The post Telehealth – “Things I’ve Killed” appeared first on Stereogum.

Chip Taylor, the songwriter best known for “Wild Thing” and “Angel Of The Morning,” has died. According to TMZ, the musician passed away yesterday (March 23) in hospice care, and the official cause of death is unclear. He was 86.

The post “Wild Thing” And “Angel Of The Morning” Songwriter Chip Taylor Dead At 86 appeared first on Stereogum.

Introduction written by Joe Bonamassa

Hawthorne Heights brought their Lonely World Tour to the Belasco in Los Angeles on Sunday, March 22, to celebrate the 20th anniversary of their 2006 gold-certified If Only You Were Lonely, the follow-up to their breakthrough debut The Silence in Black and White.

UK glamvamp rockers Creeper opened the set. Judging by the makeup and merch in the crowd, they were fan favorites of a decent portion of the crowd. Serving as the mistress of death from 2025’s Sanguivore II: Mistress of Death release, keyboardist/vocalist Hannah Greenwood was out from behind the keys and sharing fronting duties with Will Gould more than past LA Creeper shows. After this run, Creeper returns to tour Europe. They’ll be back in the States in October to hop back on the Lonely World Tour.

Shortly after playing their final farewell shows last year, letlive. announced on socials, “We’ve wrapped this chapter of letlive. You’ve all shown us ll.ove and a reason to continue. Thank you, we will see you next year,” before announcing they’d open this tour. They played a blistering set of “whatever the fuck this is,” as said by singer Jason Butler on stage. He shouted out Los Angeles punk, Los Angeles hardcore, Los Angeles hip-hop, and Los Angeles metal, and that’s a pretty accurate description of the elements of a letlive. set. It must be daunting to follow letlive., but as Butler also pointed out, Hawthorne Heights is grade-A emo. After this run, the band tours Europe and then returns for 3 North American Warped Tour dates before rejoining Hawthorne Heights on the Lonely World Tour: Part II in October.

In honor of the 20th anniversary of If Only You Were Lonely, the setlist included a playthrough of the album, changing up a typical Hawthorne Heights set. Popular set opener “This is Who We Are” and fan-favorites “Pens and Needles” and “Saying Sorry” make a lot of HH sets, but it was a cool experience to hear the rest of the album live. The album is the band’s most commercially successful album to date. It hit #3 on the Billboard 200 chart and #1 on the Top Independent Albums chart. Nevertheless, the ultimate HH fan-favorite is undoubtedly “Ohio is for Lovers” from the gold-certified debut album The Silence in Black and White, which the band played as an encore to give the fans the best of both worlds. They also played their new single “Like a Cardinal” and promoted the song on the huge LED screens leading up to their headlining set. The band continues touring all year, hitting Australia, Europe, Asia, and back to North America. Catch them on the festival circuit or almost anywhere in the world this year.

PAM WHISENHUNT | Go Venue Magazine

It was a chilly spring night outside The Midland Theatre on Monday, March 23, 2026 but that didn’t stop fans from lining up around the block ahead of what turned out to be a heavy night headlined by Slaughter to Prevail, with support from Whitechapel and Attila. The line moved fast and the theatre filled quickly, packed with fans from all corners and all walks of life ready to get hit hard.

Attila opened the night and wasted no time earning the room. The crowd was clearly there for them, loud, locked in, and ready to move. The Atlanta outfit delivered their signature blend of aggressive riffs and hip-hop-flavored vocals, and the engagement between band and audience was immediate. The pit was alive and the energy in the room made it clear this wouldn’t be a passive night for anyone.

Whitechapel followed and brought an entirely different weight to the stage. The deathcore veterans delivered a punishing set, though somewhere mid-show they paused long enough that more than a few people thought it was over. It wasn’t. They returned, and before diving back in, took a moment to tell the crowd how much they appreciated everyone coming out to support heavy music. Whether you knew every song or not, the sheer force of their performance was hard to walk away from.

Then came Slaughter to Prevail.

Frontman Alex Terrible made it clear early on what the night meant to him. He told the crowd this had been his dream since he was 14 years old. The vibe, the energy, the full room at The Midland was everything he had imagined.

The set was relentless. Alex called for a wall of death that didn’t quite come together, but the circle pit answered the call without hesitation. He had the crowd waving hands in unison at one point and at another had everyone sitting on the floor before telling them they were all about to jump. He took a moment to speak about the idea that if you want to change something in your life, you have to start with yourself. He stated he did just that, he started small and kept going.

Their drummer, Evgeny Novikov delivered a standout solo that drew a strong reaction from the floor, and toward the end of the set Alex brought some friends onstage to hype the upcoming Blood4Blood bare knuckle fighting and concert event coming May 6th. He closed by expressing genuine gratitude for everyone he’s brought along on this run, noting what a challenge it has been to build what he has built.

This was not a show that left anything on the table. Three bands, three very different flavors of heavy, and a headliner who performs like every night is the one he spent his whole life working toward. If you missed it, keep an eye out, Slaughter to Prevail is not slowing down.

Slaughter to Prevail

[See image gallery at www.govenuemagazine.com]

Whitechapel

[See image gallery at www.govenuemagazine.com]

Attila

[See image gallery at www.govenuemagazine.com] All images © Pam Whisenhunt

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The post Slaughter to Prevail Bring the Pain to The Midland Theatre in Kansas City appeared first on Go Venue Magazine.