Category: news

  • Dysemblem – ‘Descent’ Track Unveiled

    “Descent”, the newest preview tune from Dysemblem‘s forthcoming Buried By The Weight Of Light album, has surfaced online. The new outing comes out on April 27 via Memento Mori.
    Read more…
  • NIGHTS OF MALICE – New Jersey Deathcore Outfit To Unleash Chaos Exordium Full-Length June 4th On Bleeding Art Collective/Blood Blast

    New Jersey deathcore outfit NIGHTS OF MALICE will unleash their Chaos Exordium full-length on June 4th through Bleeding Art Collective and Blood Blast Distribution (Nuclear Blast Records/Believe). With a sound that is synonymous with razor sharp technical death metal riffing, monolithic groove, and rapid-fire vocal phrasing, as is signature with acts such as Psycroptic, Whitechapel, Aborted, and Archspire, NIGHTS OF […]

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  • Canada’s IRON KINGDOM Unveils First Single “Defenders” From Sixth Album “Shadows and Dust” Out June 2026 + Cross Canada Tour!

    Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest Vancouver, Canada’s traditional heavy metal torchbearers IRON KINGDOM proudly announce the release of â€œDefenders,” the first single and music video from their upcoming sixth studio album, “Shadows and Dust,” due out June 6, 2026. The album is also being released in partnership […]

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  • Emi – Paradisus (2026)


    Paradisus is Emi‘s debut album, created in collaboration with his good friend and vocalist røseji. This concept album is his personal retelling of the Garden of Eden, and it took two years to make.

    The album spans a wide range of soundscapes and genres, shifting from heavy rock influenced by Alter Bridge and Evanescence to Opeth‑ and Dream Theater‑style ballads, high‑energy alt‑rock, and even 8‑string riff‑driven tracks. Emi draws inspiration from many corners of music, especially pieces that create immersive, atmospheric experiences, and aims to honour those influences while bringing a distinct personal voice to the project.

    He chose to collaborate with røseji, an electronic dance‑pop artist who also draws from alternative music and culture. Emi wanted to fully embrace her vocal style and musicianship. As the album took shape, røseji crafted all vocal melodies and lyrics, with Emi providing the story and occasional guidance on harmonies or specific lines.

    Paradisus comprises 7 songs for 45 minutes of music. Where the Water Gleams opens with a tasty bass riff followed by inspired drums. The track explodes with a high-gain guitar. I love the contrast between the calm vocals and the heavy music, very 90s, with a fantastic chorus. This is probably my favourite track on the album, if I have to choose one. Beautiful Stranger is more relaxed in his intro, before the electric guitar comes in. I can hear a Mark Tremonti influence on this one; the riffs could be coming from his guitar. Another very cool song. 

    So Divine is a ballad, and I find it difficult to put it in a box as it’s got 90s vibes but also prog elements and pop vocals. A very interesting one, definitely. Speaking of prog bits, I love the drumming and the energy of the following Evermine (check out the break at 2.30, followed by a great solo). 

    Great chorus and classy arrangement on Born Again (In Bloom) before the two long songs at the end of the album. Carry Me, I surrender is 9 minutes long and the title track is almost 12! The first one has a slow start before a high-octane riff. The vocals are extremely captivating and I love the general atmosphere of the song, which connects with Paradisus, with a pure prog metal start. The song reminds me of Fates Warning, and it’s got lots of tasty details and memorable moments (I love the chorus, and the solo is fantastic, to mention two of them).

    Paradisus is a very interesting album, enjoyable from start to finish, and amazingly performed, arranged, and produced. If you are into alternative metal (with gentle vocals) and you like prog bits, this is the album for you. I really enjoyed the listening, give it a go and follow the two artists as well.

    Emi’s Instagram page
    røseji’s Instagram page

  • Emi – Paradisus (2026)


    Paradisus is Emi‘s debut album, created in collaboration with his good friend and vocalist røseji. This concept album is his personal retelling of the Garden of Eden, and it took two years to make.

    The album spans a wide range of soundscapes and genres, shifting from heavy rock influenced by Alter Bridge and Evanescence to Opeth‑ and Dream Theater‑style ballads, high‑energy alt‑rock, and even 8‑string riff‑driven tracks. Emi draws inspiration from many corners of music, especially pieces that create immersive, atmospheric experiences, and aims to honour those influences while bringing a distinct personal voice to the project.

    He chose to collaborate with røseji, an electronic dance‑pop artist who also draws from alternative music and culture. Emi wanted to fully embrace her vocal style and musicianship. As the album took shape, røseji crafted all vocal melodies and lyrics, with Emi providing the story and occasional guidance on harmonies or specific lines.

    Paradisus comprises 7 songs for 45 minutes of music. Where the Water Gleams opens with a tasty bass riff followed by inspired drums. The track explodes with a high-gain guitar. I love the contrast between the calm vocals and the heavy music, very 90s, with a fantastic chorus. This is probably my favourite track on the album, if I have to choose one. Beautiful Stranger is more relaxed in his intro, before the electric guitar comes in. I can hear a Mark Tremonti influence on this one; the riffs could be coming from his guitar. Another very cool song. 

    So Divine is a ballad, and I find it difficult to put it in a box as it’s got 90s vibes but also prog elements and pop vocals. A very interesting one, definitely. Speaking of prog bits, I love the drumming and the energy of the following Evermine (check out the break at 2.30, followed by a great solo). 

    Great chorus and classy arrangement on Born Again (In Bloom) before the two long songs at the end of the album. Carry Me, I surrender is 9 minutes long and the title track is almost 12! The first one has a slow start before a high-octane riff. The vocals are extremely captivating and I love the general atmosphere of the song, which connects with Paradisus, with a pure prog metal start. The song reminds me of Fates Warning, and it’s got lots of tasty details and memorable moments (I love the chorus, and the solo is fantastic, to mention two of them).

    Paradisus is a very interesting album, enjoyable from start to finish, and amazingly performed, arranged, and produced. If you are into alternative metal (with gentle vocals) and you like prog bits, this is the album for you. I really enjoyed the listening, give it a go and follow the two artists as well.

    Emi’s Instagram page
    røseji’s Instagram page

  • Haste The Day Premiere New Single & Music Video “Oblivion” From Upcoming New Album “Dissenter”

    Haste The Day have returned with a third single from their comeback album, “Dissenter.” The record — their first since 2015 — is set to arrive May 1st via Solid State Records. Following last month’s release of “Liminal,” which featured Garrett Russell of Silent Planet, the band have now unveiled “Oblivion.” The track arrives with a music video … Read More/Discuss on Metal Underground.com
  • GUTVOID – Liminal Shrines, The Second LP By Toronto Progressive Death Metal Quartet, Is Now Streaming In Its Engulfing Entirety

    All devotees to progressive, technical, and melodic death metal, tune in. Liminal Shrines, the second LP from Toronto-based quartet GUTVOID, is now streaming in its entirety, preceding its release on Profound Lore Records this Friday. GUTVOID was formed by guitarist Daniel Bonofiglio and guitarist/vocalist Brendan Dean, followed shortly thereafter by bassist Justin Boehm and drummer D. W. Lee. […]

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  • “Bringing the bass and drums down so you can’t hear them makes the lead guitar sound fantastic. Jack White made a career out of it.” The story of the ferocious classic that was inspired by Vietnam and set a template for punk

    The Stooges’ Search And Destroy began with James Williamson “goofing around making machine-gun sounds” but countless others adopted its combination of pounding rhythm and aggressive guitar
  • The HU Premiere New Tracks “The Men” & “Warrior Chant”

    The HU have released a pair of new songs online. The gold-certified group have debuted a Dashka-directed music video for “The Men,” while also sharing a stream of “Warrior Chant.” Frontman Galbadrakh 'Gala' Tsendbaatar offered some insight into both tracks, stating of “The Men”: Read More/Discuss on Metal Underground.com
  • VIA DOLORIS Streams Debut Album “Guerre et Paix”

    Seven Compositions Shaped by Solitude, Melody, and the Weight of the Human Psyche Featuring Gildas le Pape (ex-Satyricon) & Frost (1349, Satyricon) VIA DOLORIS, the solo project of Oslo-based musician Gildas Le Pape, streams their debut album “Guerre et Paix” today through Black Metal Promotion. Across seven expansive compositions and a runtime of 48 minutes, the album […]

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