Originally recorded live in-studio for BBC Radio 1.
The post My Chemical Romance’s Cover Of Pulp’s “Common People” Now Officially Streaming appeared first on Theprp.com.
Category: news
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Five Finger Death Punch’s Chris Kael Tells Banana Man Of End It Incident: “To See Something Like That Happen To Someone In Our Community, I Was Outraged”
Kael and Craig Gass recently spoke with banana man on their podcast.
The post Five Finger Death Punch’s Chris Kael Tells Banana Man Of End It Incident: “To See Something Like That Happen To Someone In Our Community, I Was Outraged” appeared first on Theprp.com.
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Khemmis release new self-titled album, premiere “Gilded Chambers” video
Headline ‘Forsake The Light’ North American tour starts next week -
Kontusion kick off ‘Insatiable Lust For Death’ North American tour
In support of their debut album released last year -
La Sécurité’s Bingo! Is The Art-Punk Party Record Your Weekend Needs
When our pal Ryan Leas covered Pop Montréal for us a few years back, he brought back word of La Sécurité, who he described as a brooding and shadowy art-punk band with a dash of Devo’s playfulness. That francophone combo is back today with Bingo!, their second LP, and I didn’t want to head into the weekend without recommending it.
The post La Sécurité’s <em>Bingo!</em> Is The Art-Punk Party Record Your Weekend Needs appeared first on Stereogum.
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MARILYN MANSON Announces New Album “One Assassination Under God – Chapter 2” & Shares Latest Single “Exit Wound”
Marilyn Manson returns with the next entry in his ongoing creative resurgence, announcing the forthcoming new album One Assassination Under God – Chapter 2, co-produced and co-written with Tyler Bates, set for release on August 14 via Nuclear Blast Records.
To mark the announcement, Manson has unveiled the album’s first single, “Exit Wound”, available now on all streaming platforms.
Dark, cinematic, and unrelentingly visceral, “Exit Wound” continues the evolution of the sound found on Chapter 1 while pushing deeper into unsettling atmosphere, crushing industrial textures, and haunting melodic tension. The track serves as the first glimpse into a record that further expands the conceptual and sonic world established by its predecessor.
One Assassination Under God – Chapter 2 will arrive days before the start of his late summer co-headline tour with Rob Zombie. Visit here for a complete list of Manson’s 2026 worldwide tour dates.
Pre-Order One Assassination Under God – Chapter 2 here.
The post MARILYN MANSON Announces New Album “One Assassination Under God – Chapter 2” & Shares Latest Single “Exit Wound” appeared first on Sonic Perspectives.
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The Warning announce new album ‘Everything’s Falling,’ debut “Ritual” video
The new record releases late August -
Bitter Blue: Levity EP Review
Image Courtesy of Bitter Blue Serbian Indie Pop band, Bitter Blue, brings a new 5 song EP titled Levity that is instantly a head bopping good time. The first track, “Someone Better,” displays layers of […]The post Bitter Blue: Levity EP Review appeared first on INFRARED MAGAZINE.
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Sydney’s Aleesha Dibbs Asks Existential Questions With “Waiting Game,” The First Single From Forthcoming Album “Big Mood”
Aleesha Dibbs has spent enough time inside other people’s music to know the difference between presence and ornament. As a keys player, vocalist, and session musician, she has moved through large stages and strange rooms alike, working with Karen O, Angus & Julia Stone, Lisa Mitchell, MT Warning, Prudence, Lorelei, All Sparks Burn Out, and her own earlier projects Dive Bell and Double Vision. On Big Mood, her debut solo album, that accumulated fluency becomes a private language, one built from post-punk pressure, alternative-pop immediacy, and the kind of low-lit physicality that suggests Fontaines D.C., Kim Gordon, and Warpaint passing through the same locked corridor without agreeing on the exit.
The first single, Waiting Game, sets the tone with unusual patience, taking an existential premise and keeping it close to the body: postponement, delayed consequence, the strange private arithmetic of choosing one door while imagining the life behind another. Dibbs sings as though she is measuring the distance between instinct and action, holding herself in the charged interval before a decision hardens into fate.
The track gathers force by degrees, refusing any cheap revelation; its tension comes from pressure carefully held, from the sense that hesitation can become its own kind of habitat. Around her, the guitars scrape and flare, bringing to mind the slackened bite of Liz Phair, the bruised melodic force of The Breeders, and the serrated pop logic of Pixies. Dibbs bends those references toward her own temperament, allowing the song’s hook to feel less like a slogan than a communal exhale, a chant formed at the edge of recognition.
Waiting Game treats pause as an active state, full of consequence, appetite, and risk. The song understands that waiting can be a form of paralysis, but also a form of preparation: the breath before speech, the hand before the handle, the life one imagines before stepping into the one that remains. That credo could sound inflated in lesser hands. Dibbs makes it lived-in, tensile, and exact. Waiting Game is the sound of an artist ready to step into the limelight.
Listen below, and order the single here.
Across Big Mood, Dibbs writes against emotional compression, against the tidy self one is expected to maintain while screens multiply, attention fragments, and feeling becomes another inconvenience to be managed. The record’s title has a wry bluntness, yet the songs are finely calibrated, turning large states of mind into taut arrangements and charged vocal lines.
Produced, engineered, and mixed over three years by longtime collaborator Tom Crandles, whose credits include Au.Ra, Prudence, and DMA’s, the album carries the mark of careful construction without losing its nerve. The mastering, completed at Black Knoll Studios in New York City, gives the record a clean edge that suits its conflict between control and release.
Dibbs’s own description remains the best key to the album’s ethic: “For the most part, Big Mood is about fighting back,” she says. “It’s about saying, unapologetically, yes to big feelings. It’s about uncovering and embracing self-agency, taking up as much or as little space as you need. And ultimately, it’s about remembering we’re human, submitting to whatever needs to pass through, without guilt and without apology.”
Follow Aleesha Dibbs:
The post Sydney’s Aleesha Dibbs Asks Existential Questions With “Waiting Game,” The First Single From Forthcoming Album “Big Mood” appeared first on Post-Punk.com.
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Iron Maiden legend Nicko McBrain announces autumn 2026 spoken word tour
Legendary Iron Maiden drummer Nicko McBrain has officially announced a comprehensive UK and European spoken word tour for autumn 2026. Titled An Evening With Nicko McBrain: In Conversation, the massive theatrical run arrives in celebration of his highly anticipated, deeply personal autobiography, Hello Boys And Girls!, which is scheduled for publication on 22nd October 2026 … Continue reading Iron Maiden legend Nicko McBrain announces autumn 2026 spoken word tour