Yes, it is open-hole.

The post Rammstein To Host Exhibition Of Items Given Them To By Fans, Including A Custom Penis Flute, Crocheted Dolls & More appeared first on Theprp.com.

VIAMAER is a project behind which stands Krystian Jurkiewicz and did not emerge from the need to create music, but from the need to express something that cannot be spoken in words. It is a way of capturing states a person goes through; a method of giving shape to the intangible yet deeply real. Sound became a natural […]

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Danish progressive power metal veterans Manticora have officially completed the songwriting process for their next studio album, which will be released via Mighty Music in March 2027. The band will enter the studio over the coming months to begin recording the highly-anticipated follow-up to their 2024 album “Mycelium”, marking the next chapter in the group’s long-running […]

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Good news for lovers of low end metallic grooves

Good Day Noir Family,
A cool rhythm paves the way for “I Want It More Than You” by Mick J. Clark, supported by a subtly hypnotic arpeggio that draws the listener inward.

I Want It More Than You is Mick J. Clark’s Single Out Now

The groove locks in early, steady and inviting, and it immediately encourages that instinctive foot tap. Then the voice enters with a vintage warmth that feels familiar and assured.

There’s a hint of Dire Straits in the phrasing and relaxed control, especially in the way the vocal rides the groove rather than dominating it.

The track never settles into nostalgia alone. The production feels clean and current, giving the song a contemporary sheen. The melodic structure stands out. The chorus carries an infectious quality, simple enough to sing along with yet layered enough to remain interesting on repeated listens. That balance is not easy to achieve, and Clark handles it with compositional confidence.

As the song progresses, it maintains momentum without rushing. The dynamic build feels natural. Verses hold the groove tightly, while the chorus opens up just enough to provide lift. In addition, the guitar solo adds a refined touch, enriching the melodic line rather than interrupting it. The phrasing feels thoughtful, enhancing the song’s emotional arc.

The arrangement demonstrates restraint. Even though the energy remains consistent from beginning to end, the track avoids excess. Each instrument has space, and the interplay between rhythm and melody remains clear. This clarity allows the hook to shine without overwhelming the listener.

The overall effect is engaging and uplifting. The groove envelops you gently, and the melody lingers long after the final note fades. Clark proves that strong songwriting and solid structure can carry a track far. “I Want It More Than You” is a polished and vibrant single that reveals musical maturity and instinct.

I Want It More Than You is Mick J. Clark’s Single Out Now!

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Infectious!

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Mick J. Clark, hailing from Croydon, United Kingdom, is a prolific artist who not only wrote the song, music, and lyrics for his Original EP, I Want It More Than You, but also played a significant role in its production. With a unique creative process that draws inspiration from his passion for football, Mick J. Clark showcases his unwavering commitment to his craft. His EP is set to be released on 12th Mar 2026, offering a diverse musical experience that stands out for its individuality and significance in the music industry.

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The post I Want It More Than You is Mick J. Clark’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

On March 13th, Signal Rex will release Dødmoon‘s highly anticipated debut demo, Demo MMXXV, on CD and cassette tape formats. And today, the No Gleaming Light YouTube channel streams the demo in its entirety. Hear Dødmoon‘s Demo MMXXV in its entirety HERE. Dødmoon are a brand-new entity from Finland. However, one listen to their debut Demo MMXXV and you’ll surely know they’re old souls. To summarize them as “just” Finnish […]

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Good Day Noir Family,
Seßler/Zeeb’s “Soul Free” caught my attention immediately through its bold sonic choices.

Soul Free is Seßler/Zeeb’s Single Out Now

The opening feels almost playful, as if the arrangement is teasing the listener with bouncing tones that poke at your neurons.

There’s a sly sense of humor embedded in the production. However, beneath that surface lies careful construction.

When the vocal enters, it carries a slightly sly cadence, understated yet full of personality. The delivery is original, and that originality becomes the track’s defining trait. This duo clearly refuses to chase trends. They carve out an experimental path shaped by subtle shades of Bowie, Brian Eno, and even Peter Gabriel. Yet their music never collapses into imitation. Those influences serve only as distant reference points within a sound that feels distinctly their own.

The rhythm moves with urgency, steady and driving. At the same time, harmonic variations constantly shift the ground beneath your feet. The arrangements are rich, layered with progressions that brush against avant-garde and progressive territory. Even so, the complexity never overwhelms. The duo shows uncommon compositional control, ensuring that intricacy enhances rather than distracts. That balance is not easy to achieve.

The track carries a strange duality. At moments, it evokes the neon glow of an ’80s arcade, full of quirky electronic charm. Then, almost without warning, it leans forward into something futuristic and forward-thinking. This tension between retro and future gives “Soul Free” its pulse. The production feels detailed but never excessive, and each sonic twist adds momentum rather than confusion.

As the song unfolds, the interplay between structure and experimentation becomes clearer. Seßler/Zeeb understand dynamics; they know when to stretch a phrase and when to snap it back into rhythm. The harmonic turns keep the listener alert, making each section feel fresh.

“Soul Free” stands as a daring and intelligent single. Seßler/Zeeb deliver a track that bridges eras while maintaining a unique artistic identity. I strongly recommend giving this duo your attention.

Soul Free is Seßler/Zeeb’s Single Out Now!

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Inventive!

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Seßler/Zeeb is a pop/rock duo from southern Germany featuring songwriter and vocalist Kurt Seßler and multi-instrumentalist/producer Werner Zeeb. Collaborating since 2021, they blend melodic songwriting with progressive structures and energetic arrangements.

They have released 19 tracks, including a full-length album and five singles. Their music has received international blog coverage, radio airplay, and chart placements on platforms such as Glacier FM, the European Indie Charts, and the SoundCloud Repost Exchange charts.

 

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The post Soul Free is Seßler/Zeeb’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

https://www.metalourgio.com/wp-content/uploads/2026/02/CRIMSON-GLORY-2026-band-lineup-768×410.jpg

A harpsichord line and a voice full of ache changed everything for the Left Banke in 1966. Out of New York City came a band that carved out a very specific place in pop history by blending rock instrumentation with string arrangements and classical influences, a sound that later became closely associated with the phrase baroque pop. The group was formed by keyboard player Michael Brown and bassist Tom Finn, who had previously worked together in the group the Speakers, and the original lineup also included singer Steve Martin Caro, guitarist Jeff Winfield, and drummer George Cameron. Brown’s songwriting and

The post Top 10 Songs By The Left Banke appeared first on ClassicRockHistory.com.

Good Day Noir Family,
Andy Smythe’s Quiet Revolution unfolds with the confidence of a songwriter who understands structure, tension, and emotional weight.

Quiet Revolution is Andy Smythe’s Album Out Now

The album opens with “Life of a Man,” a track I had already encountered before, yet within the album’s frame, it gains a new dimension.

The arrangement is refined, almost elegant, and the chord progression immediately signals strong compositional instincts. The lyrics cut deep; they are sharp without being forced, reflective without slipping into cliché. Smythe writes with clarity, and as a result, the song stands tall as an introduction.

Then comes “Emergency,” which begins with a brief solo that instantly evokes an Americana flavor. The rhythm pushes forward with urgency, and yet there is something vintage in its DNA, recalling the great songwriters of the past. Smythe reshapes those echoes into something personal. The production supports the narrative drive, allowing the melody to breathe while the instrumentation keeps the pulse alive.

“Exodus” emerges as one of the album’s pillars. The lyrics are deep and deliberate, and there’s undeniably something of Dylan in the phrasing and storytelling. That comparison is not made lightly. It highlights Smythe’s ability to craft lines that feel timeless. The song is refined and distinctive, balancing poetic imagery with grounded emotion.

With “Rage in Me,” the tone shifts. The track carries an intense, slightly nostalgic energy that reaches straight into the listener. Its rhythm suggests the sweep of a Bond film theme, cinematic yet restrained. The drama builds steadily, and Smythe’s vocal delivery adds gravity without tipping into excess.

For “Sake of a Song,” the mood turns theatrical. This ballad struck me deeply; its words function almost like standalone poems. Furthermore, the vocal interpretation feels genuine and heartfelt, enhancing the emotional resonance. The arrangement remains focused, ensuring that the lyrics remain central.

“Leviathan” brings an uplifting turn, and here subtle shades of Bowie surface, though those Americana vibes persist throughout. The trumpets add a festive, almost circus-like arrival, as if a traveling show has rolled into town. That blend of English compositional sensibility and American roots music defines Smythe’s artistic identity.

“Fallen Angel” closes the record like a caravan of wanderers moving through twilight streets. There’s a Tim Burton-like noir elegance to it, dark yet refined. Quiet Revolution reveals an artist who bridges traditions while shaping his own path. I strongly recommend it.

Quiet Revolution is Andy Smythe’s Album Out Now!

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Timeless!

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Andy Smythe is a London-based songwriter who has released eight independent albums over the past 20 years and performed more than 1,000 shows across the UK. A respected figure on the grassroots folk and singer-songwriter scene, he has earned praise from artists including Mike Scott of The Waterboys.

Influenced by Nick Drake, Leonard Cohen, Bob Dylan, and Lennon/McCartney, Andy combines classic songwriting with a distinctive melodic voice. A multi-instrumentalist, he plays guitars, piano, organ, bass, and blues harp. Following his 2024 album Poetry in Exile, he continues his momentum with the single “Life of a Man” and the upcoming 2026 album Quiet Revolution, performing both solo and with The Andy Smythe Band.

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