Category: news

  • BLOODSTOCK’S WINTER GATHERING returns in December 2026

    BLOODSTOCK’S WINTER GATHERING RETURNS FOR 2026! GET TICKETS HERE After an unforgettable debut last year, BLOODSTOCK’S WINTER GATHERING storms back this winter, bringing the spirit of the UK’s […]

    The post BLOODSTOCK’S WINTER GATHERING returns in December 2026 appeared first on Metal-Rules.com.

  • Boston Singer Dies at Age 60 After Battle With Brain Cancer

    He passed away on the same date as the legendary frontman he'd originally replaced. Continue reading…
  • ANASARCA presents “In Memoriam” video; pre-orders open now

    Renowed German death metal force ANASARCA unveils In Memoriam, the first single and video from upcoming, long awaited full-length album, ACHLYS. The album will descend upon the world in April through Selfmadegod Records.  Mike Dormann comments on the track: In Memoriam lyric is based on In Memoriam A.H.H. (Part XIII) by Alfred, Lord Tennyson and was written in response to the sudden death of […]

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  • MÖHRKVLTH set release date for new ANTIQ album, reveal first track

    On May 5th internationally, Antiq is proud to present Möhrkvlth‘s highly anticipated second album, Gwenojennoù An Ankounac’h. Formed in 2014, Möhrkvlth is a Breton black metal band located in Finistère, France. With influences spanning Scandinavian black metal, French pagan / black, and Metal Noir Québécois, the band released a demo in January 2016, a split with Garhelenth in December […]

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  • Randy Blythe Has Words for Those That Say Art Shouldn’t Be Political: “Go F*ck Yourself”

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    If there’s one thing that political discourse over the last decade or so has proven, it’s that nuance is fucking dead. Those in power aren’t even hiding their disdain for the general public and people are getting more frustrated by the day. And you know who’s got things to say about all that? Lamb of God‘s Randy Blythe, that’s who.

    And though that’s a completely unsurprising thing to know about the Richmond, Virginia native, there will undoubtedly be some smooth-brained MAGA chuds that parrot the same tired old criticisms whenever an artist shares a political thought. “Shut up and play,” they all cry. “I don’t want politics in my metal music,” they’ll belly-ache. But none of that matters to Randy — in fact, in an interview with Kerrang!‘s Sam Law, he put his thoughts out there.

    “To those people, I say ‘Go fuck yourself.’ I’m an American citizen and a world traveler. More than that, I’m a human being. I’m not some dancing monkey put here for your entertainment. If you have any sort of moral compass at all, it’s irresponsible to not exercise your right to speak up.

    “If people are willing to compartmentalize something like a child sex trafficking ring because they think it might better their bank account, they’ve lost a component of their humanity. They’ve lost an integral part of what it is to be a righteous human being. At that point, it’s time to stop and reassess and reevaluate. You’re not going to be able to carry your money into the grave, motherfucker, but you will be able to carry the memories of silently going along with people that enabled child sex predators. How are you going to feel about that on your deathbed?”

    He’s 1,000% correct, too. Musicians, actors, and artists of all kinds can speak their mind just as much as the next person. It’s also impossible to make non-political metal. It’s baked into its genes thanks to the works of Judas Priest and Black Sabbath. All art is political, even when its trying desperately not to be.

    In recent months, Blythe has garnered some of the right’s ire with things like his Substack, Randonesia, where he once published a post titled All The Horrors Happening Around Us. In that post, he highlights all the ways the Trump administration has put America on the slippery slope toward authoritarianism and fascism. Looking at how MAGA handles reality by often ignoring the truth and just following whatever Trump and his cronies say, Blythe told Law that his own political thoughts have caused people to become absolute fucking assholes online.

    “How do I rationalise that? I don’t. It’s a fucking cult. Cognitive dissonance is a motherfucker. It’s disheartening to see that for a lot of people it isn’t the point where they will draw the line, but I do believe that a lot of other people do see how truly fucked up all of this is. Also, it’s exposing the levers of power that are being pulled. Once again, those are things I can’t believe are sustainable.”

    Ultimately, Blythe said he knows his music and lyrics often talk about the dismal side of the world. After all, a lot of the band’s early work dealt with criticizing the Bush administration’s wars in Iraq and Afghanistan. It’s that need to use his voice that he thinks more Americans need to embrace these days. If you don’t and become apathetic to everything, you’re ultimately giving the ultra rich and powerful exactly what they want.

    “It’s okay to pay attention to what’s going on and be worried, but you need to do your best to change it. Everyday citizens in a functional democracy have a right to vote and they need to not become apathetic. I have a lot of problems with our American system. There are things that are archaic such as the electoral college, which should be abolished. But that is the only system we have right now. And if I do not engage in it and do my best to be a force for positive change, then I am abdicating responsibility and handing what little bit of control I have — my agency — over to someone else.

    “In general, I see that fatalist, defeatist attitude in people and it bums me out. Like, ‘Oh, it doesn’t make a difference…’ Well, you’re right, because if you don’t do anything, then that won’t make any difference at all. So please carry yourself to the voting booth and do what you can. I don’t understand politics in the U.K., but I do know that you need to vote. Don’t just be an apathetic slug and complain when everything turns to shit.”

    The post Randy Blythe Has Words for Those That Say Art Shouldn’t Be Political: “Go F*ck Yourself” appeared first on MetalSucks.

  • BLOODSTOCK teams up with Stowford Press for Metal 2 The Masses

    BLOODSTOCK is raising a glass to a brand new partnership for 2026, as Westons Stowford Press comes on board as the official sponsor of the […]

    The post BLOODSTOCK teams up with Stowford Press for Metal 2 The Masses appeared first on Metal-Rules.com.

  • Midnight is Richard Green’s Single Out Now

    Good Day Noir Family,
    Richard Green’s “Midnight” paints a nocturnal scene that feels alive rather than nostalgic.

    Midnight is Richard Green’s Single Out Now

     Instead of dwelling on memory, the composition suggests a city that refuses to sleep, a place where strange adventures unfold in quiet corners and neon-lit streets.

    The music evokes the mood of an Edward Hopper painting: you glance through illuminated windows, you notice silhouettes interacting inside late-night cafés, and for a fleeting moment you wonder about their hidden stories.

    The track unfolds entirely through instrumental language, yet it speaks clearly. Strings and piano engage in a dialogue that feels almost baroque in character. Their harmonic variations carry a subtle tension, slightly plucked and articulated in a way that gives the piece a bright, almost playful undertone. At the same time, the nocturnal theme remains central. There’s a pulse beneath the surface, suggesting movement—cars passing by, lights flickering on in distant apartments, conversations happening just beyond your reach.

    Green demonstrates careful compositional control. The piano introduces motifs that the strings later reinterpret, creating continuity without repetition. This interplay generates depth while maintaining clarity. The harmonic shifts feel deliberate, and they guide the listener through a sequence of emotional colors. The piece never becomes heavy. It balances introspection with curiosity.

    As the music progresses, the atmosphere expands gently. One moment feels intimate, like standing alone on a sidewalk; the next opens into a broader urban panorama. The absence of lyrics allows the imagination to roam freely. Each listener can project their own narrative onto the unfolding musical canvas.

    The classical foundation remains evident throughout. The arrangement avoids stiffness, embracing fluidity and warmth. The joy embedded in the harmonic phrasing adds lightness to the otherwise shadowed setting. This duality gives “Midnight” its distinct personality.

    Richard Green crafts an instrumental work that guides the listener through a living, breathing cityscape after dark. It’s a refined and imaginative composition.

    Midnight is Richard Green’s Single Out Now!


    Nocturnal!


    Midnight is Richard Green’s Single Out Now

    Richard Green is an Italian guitarist, composer, and musician based in London since 2012. After moving to the city, he earned a higher diploma in guitar and a musician’s degree, further shaping his artistic direction. His debut track, Dark Horses (2020), introduced an experimental approach with a dark tone. He later released the EP A Journey, a collaboration with pianist Irene Veneziano and the Archimia Strings Quartet, blending classical elements with modern influences such as jazz and blues. This project marked the beginning of his trilogy, completed with The Circle Closes (2023) and First Light (2024). Green’s music explores a wide spectrum of styles, ranging from electro and indie to funk-pop, chillout, and neoclassical.




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    The post Midnight is Richard Green’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • File under: Dadrock is Dominik Wrana’s EP Out Now

    Good Day Noir Family,
    Dominik Wrana & States of Matter introduce their EP File under: Dadrock with a breeze of desert air and open-road freedom.

    File under: Dadrock is Dominik Wrana’s EP Out Now

    The opening track, “On the Road,” carries a renegade spirit that evokes Easy Rider.

    There’s a spacious, dusty quality to the arrangement; subtle hints of Dire Straits emerge in the guitar phrasing and relaxed confidence. The song invites movement, physical and emotional, and it sets the tone for what follows.

    “Looking Back,” which continues to explore American rock textures. Here, Dominik Wrana’s vocal interpretation stands out. As the architect of this project, he delivers each line with conviction and credibility. His tone feels lived-in and direct. Moreover, the guitar solo adds a burst of melodic clarity, reinforcing the track’s reflective edge without overwhelming its structure.

    Then “Mofuday” shifts the atmosphere slightly. The opening solo carries echoes of Santana, not through imitation but through warmth and fluidity. The rhythm unfolds with a gentle sway that evokes a seaside sunset. The instrumentation feels balanced and organic. The interplay between guitar and rhythm section highlights the band’s cohesion.

    One of the EP’s strongest moments arrives with “Midlife Crisis.” This alternative ballad reveals Wrana’s compositional depth. The arrangement slows down, allowing space for introspection. His voice takes on an almost oracular quality, warm yet slightly mysterious. As the melody develops, it draws the listener inward rather than outward. The dynamics feel controlled and purposeful.

    Finally, “Opus#1” closes the EP with an enigmatic tone. The atmosphere turns misty and nocturnal, encouraging contemplation. The band leans into subtle textures and measured pacing. The track lingers long after it ends.

    Overall, File under: Dadrock presents refined, intense songwriting delivered by skilled musicians. Dominik Wrana & States of Matter balance nostalgia with originality, crafting a cohesive and thoughtful EP that resonates beyond its runtime.

    File under: Dadrock is Dominik Wrana’s EP Out Now!


    Reflective!


    File under: Dadrock is Dominik Wrana’s EP Out Now

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    Dominik Wrana & States of Matter is a Mannheim-based five-piece band crafting intentional, handmade rock rooted in strong musicianship and authentic performance. Their sound draws inspiration from the warm grooves of ’70s West Coast rock and the dynamic energy of ’90s alternative, blending loud-quiet contrasts with rhythmic touches of funk and Latin-influenced grooves. With a style that feels both classic and contemporary, the band delivers music that connects with rock purists, alternative listeners, and anyone who appreciates honest, groove-driven songwriting.




    Find Dominik Wrana Here:

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    The post File under: Dadrock is Dominik Wrana’s EP Out Now appeared first on Edgar Allan Poets – Noir Rock Band.