I have said it before whenever it shows up in what I review; I just love when bands incorporate organ into their music. It could be on a one off song or a band like Mount Atlas who have Hammond as a lead instrument. That is one of the main reasons I loved the Norwegian band Gjenferd’s self-titled debt record from 2024.
It was one of the surprises of the year for me, landing at number 18 on my AOTY list. It was not just the organ, it was the overall vibe of the record and how they leveraged 70s rock with some more modern stoner to bring forth six killer tracks. The band is now back with album number two, titled Black Smoke Rising, where they continue down the same organ-fuelled path with an even stronger record than the debut, which is saying a lot.
A few things overall about Black Smoke Rising that takes it to the next level. The production and overall sound is a step up. Not much, but just enough to make a difference. The songwriting is even better than the first record. This album has ten tracks compared to six from the first, none of which are skips. There is a step up lyrically as well.
Mostly though, this guy is happy because we get more organ. Right off the bat on Crimson Rain the organ/guitar partnership is on full display, along with the band’s solid understanding of melody, with some harmonized vocals to go with it. Oh, and an organ solo, so, you know, the song is perfect. I don’t want to understate the killer guitar work here on this one either, brought to us by Vegard Bachmann Strand.
Bound To Fail starts from a psych point of view, with some synths, a cool bass line, and swirling guitars. Once it kicks in and Jakob Særvoll hammers that organ, you know this is going to be killer. The rhythm section of Samuel Robson Gardner on bass and Sivert Kleiven Larsen really shine here as well. Gjenferd continues to be catchy as hell, and the vocals really make a difference compared to other bands out there today.
Black Smoke is a perfect example of all of this. There is this like 60s psych thing going on with the slow burn Calling Your Name, which executes quiet-loud-quiet flawlessly. The organ and the guitar meld on this one is so wonderful and the underlying psych bits make this one of my favourite tracks on a record full of them. I love the frantic ending with the ooooohs to go along with it. I love it.
A brief dirge interlude brings us to The Thrill, which is like Leslie West playing in Deep Purple doing a Zeppelin song. This track is hypnotic, dark, heavy, and just killer. Stillferd is an acoustic interlude that breaks up the heavy just for a bit until the guitar/organ attack of The Silence kicks in, and does nothing to live up to its name but does everything to be awesome.
The slow burn shows off the vocal range and when everything kicks in it’s like a tidal wave hitting you, until the sea calms down again, but you know something else is coming. The last two tracks on Black Smoke Rising are the longest, with Ride On being the best song from the 70s that didn’t exist in that time period, and Like Wildfire, driven by keys but incorporating all that makes Gjenferd special.
Gjenferd is a band that seems built for what I love. Deep 70s vibes but brought into the present. A band that understands melody and has all sorts of pop sensibilities while leveraging harmonized vocals. A musically gifted group, especially with the killer guitar work, all driven by organ. Black Smoke Rising has all this plus a darker more enhanced level of songwriting and a band that seems to be operating at the next level. Black Smoke Rising is Gjenferd’s perfect sophomore release. 10/10
British blues-rock artist Joanne Shaw Taylor returns today with a stirring new single, ‘What Good Is My Love?‘, featuring acclaimed Australian guitarist and singer-songwriter Orianthi. Out now via Journeyman Records, the emotionally charged track pairs two of modern blues rock’s most formidable guitarists for a dynamic and deeply personal collaboration. Stream – here Driven by […]
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British blues rock guitarist and singer Joanne Shaw Taylor has released a new single, “What Good Is My Love?,” featuring Australian guitarist and singer-songwriter Orianthi. The track is available now via Journeyman Records and serves as the latest preview of Taylor’s forthcoming studio album, which is expected later this year.
Driven by a slow-burning groove and expressive guitar work, “What Good Is My Love?” explores the emotional uncertainty that arises when love is no longer returned. Taylor’s soulful vocals lead the track while Orianthi delivers a powerful guitar solo that reinforces the song’s central theme.
“We’ve probably all been in the position at some point in life when the love we had and give isn’t returned,” Joanne shares. “Whether it’s unrequited or simply fades. I wanted to write a song for those of us who have had to question, “What good is my love if it’s not enough?”
The single follows the recent release of “Hell Or High Water,” a blues gospel-inspired song about perseverance and inner struggle. Both tracks will appear on Taylor’s upcoming album, which builds on the success of her previous release Black & Gold, which was voted to Blues Rock Review’s Top 20 Albums of 2025.
Taylor will also support the new material with an extensive Spring 2026 U.S. tour beginning March 18 in Skokie, Illinois. The run will take the British blues-rock standout across the Midwest, Northeast, Southeast, and Florida before wrapping with a sold-out appearance at Sound Wave Beach Weekend in Miramar Beach.
2026 Spring U.S. Tour
March 18 – Skokie, IL – North Shore Center for the Performing Arts March 20 – Kent, OH – The Kent Stage March 21 – Pittsford, NY – Beston Hall March 22 – Homer, NY – Center for the Arts of Homer March 24 – Red Bank, NJ – The Vogel March 25 – Sellersville, PA – Sellersville Theater March 27 – State College, PA – The State Theatre March 28 – Annapolis, MD – Rams Head On Stage March 29 – Oakmont, PA – The Oaks Theater March 31 – Hobart, IN – The Hobart Art Theater April 2 – Franklin, TN – The Franklin Theatre April 3 – Greenville, SC – Peace Center April 4 – Cornelius, NC – Cain Center for the Arts April 7 – Orlando, FL – The Plaza Live April 9 – West Palm Beach, FL – Kravis Center for the Performing Arts April 10 – Ponte Vedra, FL – Ponte Vedra Concert Hall April 10–12 – Miramar Beach, FL – Sound Wave Beach Weekend (Sold Out)
Europe Summer Dates
May 23 – Peer, BE – Deusterstraat 78 May 24 – Schöppingen, DE – Schöppingen Blues Festival May 25 – Raalte, NL – Ribs & Blues Festival May 27 – Hanover, DE – Pavillon May 28 – Nuremberg, DE – Lowensaal May 29 – Eindhoven, NL – Muziekgebouw Eindhoven
More information and tickets are available through Taylor’s official website.
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(written by Islander) The French black metal duo Iffernet released their self-titled debut album in 2019 and followed that with their second full-length Silences in 2022 and a split with Dolpo in 2024. Now they have completed work on a third album, Life at Heart, that’s set for release in different formats on March 20th […]