Screencapped comments said to be from Worsnop outline his current role in the band.
The post Danny Worsnop Has Seemingly Spoken About His Lack Of Involvement With Asking Alexandria’s Business Aspects appeared first on Theprp.com.
Screencapped comments said to be from Worsnop outline his current role in the band.
The post Danny Worsnop Has Seemingly Spoken About His Lack Of Involvement With Asking Alexandria’s Business Aspects appeared first on Theprp.com.

Sleep Token’s third album, 2023’s Take Me Back To Eden, has been officially certified platinum by the RIAA — and it arrives with a footnote that says more about the band than the plaque does. It’s the first platinum album in the long history of Spinefarm Records, the label that has been putting out heavy music since 1990. The masked, anonymous London collective also picked up a gold certification for The Summoning on the same day, capping a record that has now passed two billion global streams.
STREAM THE METAL BREAKDOWN DAILY NOW:A faceless band from London just handed a decades-old metal label its first ever platinum record — Scott Penfold unpacks the Sleep Token platinum milestone and what it says about where heavy music is heading on tomorrow’s Metal Breakdown Daily. Download the free Loaded Radio App on Apple iOS and Google Play and stream the broadcast now.
Take Me Back To Eden was released on May 19, 2023 via Spinefarm, closing out the trilogy Sleep Token built on the label alongside 2019’s Sundowning and 2021’s This Place Will Become Your Tomb. Those three records established the whole apparatus — the mystique, the lore, the fanbase that treats a release like scripture — and Eden is where it detonated.
Two billion global streams later, the RIAA has made it official. The Summoning, the track that became the band’s crossover moment and the entry point for a huge slice of the current fanbase, is now certified gold alongside it.
For Spinefarm, a label with a catalogue stretching back more than three decades of heavy music, this is the first release to reach platinum status. That’s a genuinely remarkable line item — and it belongs to a band whose members have never shown their faces.
Here’s the thing worth sitting with. Take Me Back To Eden came out over three years ago. In the time since, Sleep Token have gone from a cult concern to arena headliners with two sold-out U.S. tours, released a chart-topping follow-up, and picked up Grammy nominations. The platinum plaque is arriving well after the cultural moment it’s measuring.
That’s how RIAA certification works in heavy music. Sales and streaming thresholds accumulate quietly while the band’s actual trajectory moves at a completely different speed, and a certification announcement is often the first time the industry formally acknowledges something the audience settled two years earlier. Anyone who watched the Sleep Token phenomenon build in real time knew Eden had crossed over long before a certification body said so.
Which makes today’s news less a surprise and more a receipt.

The band’s fourth album, Even In Arcadia, landed May 9, 2025 via RCA Records, debuted at No. 1 on the Billboard 200, and stayed on the chart for 36 consecutive weeks. It was certified gold by the RIAA in January 2026.
It also delivered the band’s first Grammy nominations at the 68th Grammy Awards — Best Metal Performance for Emergence and Best Rock Song for Caramel. Drummer II picked up his first Grammy outright for his featured performance on Yungblud’s Changes (Live From Villa Park).
The Even In Arcadia campaign was backed by Sleep Token’s first-ever sold-out U.S. arena tour, a run that would have seemed absurd to predict when Sundowning came out in 2019.
None of this should work. Sleep Token formed in London in 2016 and perform entirely in cloaks and masks. Only two members — singer and multi-instrumentalist Vessel and drummer II — are credited with playing or writing anything across all four albums. The band barely does press. There is no frontman doing morning radio, no viral interview clips, no personality-driven promo cycle.
And they just gave a three-decade-old metal label its first platinum album.
That’s the part worth chewing on. In an era where artist identity is supposedly the whole product, the biggest crossover success modern heavy music has produced belongs to a group nobody can identify. If you want the full backstory on the lore, the masks, and how the Cult of Sleep actually functions, our complete Sleep Token breakdown goes deep on all of it.

Yes. The RIAA has officially certified Take Me Back To Eden platinum. The single The Summoning has been certified gold.
Take Me Back To Eden was released on May 19, 2023 through Spinefarm Records. It is Sleep Token’s third studio album and has since passed two billion global streams.
According to the label, it is the first album in Spinefarm Records’ long history to reach platinum certification in the United States.
Sleep Token received their first Grammy nominations at the 68th Grammy Awards for Emergence in Best Metal Performance and Caramel in Best Rock Song. Drummer II won a Grammy for his featured performance on Yungblud’s Changes (Live From Villa Park).
Sleep Token formed in London in 2016 and perform anonymously in masks and cloaks. Only two pseudonymous members, Vessel and II, are credited with playing or writing on the band’s four albums.
A faceless band just handed a 35-year-old metal label its first platinum record — say what you want about Sleep Token, that is a genuinely historic thing to pull off. Where does Take Me Back To Eden rank for you against Even In Arcadia? Let us know in the comments, and follow Loaded Radio for daily rock and metal news.
The post Sleep Token’s Take Me Back To Eden Goes Platinum, Becoming The First Platinum Album In Spinefarm Records’ Entire History appeared first on Loaded Radio.
M. Shawn Crahan, aka Slipknot percussionist and founding father Clown, has launched an intriguing new side project, O’ Day Monster, sharing the AI-created video for debut single Un Life.
At present, there are no more details about the project, but Crahan explains its origins by stating, “I wanted to create the spaceship I could drive with my words.”
As with previous Crahan side projects, O’ Day Monster share precious little musical DNA with Slipknot.
The 56-year-old Iowa-born musician’s latest musical venture has emerged in tandem with the launch of a new one-stop online portal, theclown.com, featuring links to Crahan’s various side-projects, his podcast The Electric Theater, and his whiskey brand lipknot No. 9 Iowa Whiskey.
In an introduction to the website posted in a section labelled Thoughts, Crahan explains why he has launched the site, and says, “I can’t wait to go down this wormhole and share thoughts with you about vision and one’s self, concentrated on output.”
His introduction in full reads:
“Welcome everyone, to the new home of all my artistic endeavors. If you’ve been following me for a while, you know it’s been a challenge to get the .com to a place where I feel I can contemplate, and present, all my creative memories caught with one brush – or several brushes combined. And yes, sometimes there’s no brush that can express the deep inner self.
“It’s been difficult for me to share all these expressions of mine, mainly because of time. With that said, I believe I’m at a crossing where my heart is telling me to share the life I have lived. It’s been an incredible journey so far, and I need to utilize some time and get busy now, to reveal all that has been hidden behind the curtain. Forms and brushes, like fingerpainting when I was young.
“My mother and I shared the love of writing; she encouraged me to write exactly how I truly felt. And to revise, revise, revise so the work could be it’s truest self. Then there’s painting, drawing, performing, directing, producing, single frames, moving frames, Polaroids, scans, 3-D animation, AI images, coding, level creation for video games, recording my songs in Pro Tools, using plugins to expand my experience, exploring gear, connecting dots, and my newest path – modular synths controlled voltage, frequency, vibration and circuitry. There’s much, much more to find and explore in the lane known as my life. It’s time to grab it all, and move it to it’s new home, here at the .com.
“This is where you get the unedited me. The no-filtered me. The no-paraphrasing me; you’ll get no lies from me. Just the racing thoughts of imagination that make their way to some sort of canvas or canvases, time-stamped and put here, in it’s resting place.
“As always, it’s going to be a great while before it’ll all be up, if indeed it can be put up. It takes a lot of work, but that’s what’s next – the time to explore all this together. I can’t wait to go down this wormhole and share thoughts with you about vision and one’s self, concentrated on output.
“I was told once I was like a Renaissance artist, meaning I would do a little bit of all of it, and that’s exactly what I’ve done with my life. Make the love I have for art be the introduction to creating further interests. This has been my personal hobby to create, calculate, and then demand output. You can use all methods, old and new. I’ve come to learn to utilize fear and misunderstanding to dig so deep within my own ability to conjure the scratch. To dream about shedding a tear because of the depth of the subconscious, and the ultimate need to then bring it to life – to feed the knowledge and hopefully set forth a possible understanding that brings lives together, or apart.
“One last thing before I am done here. Check out my new project called O’ Day Monster on the feature page here. I’ve entered a time in my life where I wanted to create something I could conduct and drive, with words. I wanted to create the spaceship I could drive with my words. I’ve always wanted to have someone sing my words with the conviction that the subject matter demanded. Many close friends and I came together to help bring the battle of “me against me” to life. This has been my suffering, and salvation, my entire life. You know, the “I’m my own worst enemy” kind of situation. I am very blessed to have several friends who believe in me, the music, and my words enough to bring all this new color to life to taste and smell. To hold and connect with.
“Either way, the choice is yours. I just know I’ve never had a choice – in the end, it just simply is me. And I want it to find those to whom it speaks, those who take something from it. I hope you enjoy this world I’ve created. Maybe the feeling you get when you arrive is an internal feeling. One that feels like you’ve been here before. Familiarity would be nice. So explore, and hopefully I’ll see you somewhere here beneath all the shadows.
“To all that helped bring my art, my vision, and my scratch to life: Thank you with all my heart. I hope you all enjoy what we have put together for you. It’s not much yet, but it will keep expanding outwards – until it is no more.
“Until then, ‘Enjoy, thank you, and live your life’.”
Watch the video for Un Life below.
When Waxahatchee and MJ Lenderman kicked off their co-headlining tour back in April, Katie Crutchfield had a surprise: She was pregnant. Crutchfield reportedly introduced her final song of the night by saying, “This is a song about having a baby. This one’s going to hit a little different for me now.” That baby is here now, so it’ll hit even more different in the future.
The post Kevin Morby & Waxahatchee Announce New Coolest Baby appeared first on Stereogum.

Chris Garza is back. The founding guitarist of Suicide Silence has confirmed his return to the deathcore pioneers roughly seven months after stepping away, and he’ll be onstage for the band’s full Reminders Of Hell Tour this fall with Emmure, AngelMaker, and Synestia. The announcement, posted July 21, contained no statement, no explanation, and no drama — just two words and a couple of emojis. After nearly 25 years without a break, that’s about as fitting a comeback as it gets.
STREAM THE METAL BREAKDOWN DAILY NOW:A founding member walks back through the door with a two-word post — Scott Penfold breaks down Chris Garza’s return to Suicide Silence and what it means for the Reminders Of Hell run on today’s Metal Breakdown Daily. Download the free Loaded Radio App on Apple iOS and Google Play and stream the broadcast now.
Garza had been absent from several recent Suicide Silence tours, and when the Reminders Of Hell dates were unveiled earlier this week, his status was still an open question. That question got answered on July 21 with a post that could not have been more Garza about it: “Okay. I’m back!
”
That’s the entire statement. No lengthy note about the time away, no thank-yous to the fanbase, no vague hints about what comes next. Just confirmation, delivered the way a guy who has been in the same band since 2002 confirms things.
Rewind to December 8, 2025. That’s when Garza announced he was going on hiatus to press the reset button, explaining that after an unbroken run of touring and band duties stretching back to the band’s formation in 2002, he needed to step back from live activity and clear his head before making decisions about his future.
He was clear at the time that the break was temporary. Still, when a co-founder steps away from a band he built — and stays away long enough that a major tour gets announced without him — the fanbase starts doing math. Yesterday’s post ended that speculation cold.
Worth remembering how much of Suicide Silence’s history runs through this one guy. Garza has been present for every era of the band: the Riverside garage days, the genre-defining run of The Cleansing, the loss of original vocalist Mitch Lucker in 2012, the arrival of Eddie Hermida, the divisive self-titled record, and the return to form that followed. He’s the constant. That’s what makes his return more than a lineup footnote.

Garza will be onstage for the entire run, which pairs Suicide Silence with fellow deathcore heavyweights Emmure alongside Canadian melodic deathcore act AngelMaker and symphonic deathcore risers Synestia. It’s a genuinely stacked package, and it’s the band’s biggest headlining North American statement in years — one they’ll now make with their founding guitarist back in the fold.
Tickets go on general sale Friday, July 24 at 10 a.m. local time.
11/06 Riverside, CA @ Riverside Muncipal Auditorium
11/07 Mesa, AZ @ The Nile Theater
11/09 Houston, TX @ Warehouse Live
11/10 Dallas, TX @ South Side Music Hall
11/11 San Antonio, TX @ Vibes Event Center
11/13 Atlanta, GA @ The Masquerade
11/14 Orlandlo FL @ Vans Warped Tour
11/15 Greenville, SC @ Radio Room
11/17 Greensboro, NC @ The Pyrle
11/18 Baltimore, MD @ Soundstage
11/20 Philadelphia, PA @ TLA
11/21 Worcester, MA @ Palladium
11/22 Brooklyn, NY @ The Brooklyn Monarch
11/24 Montreal, QC @ Club Soda
11/25 Toronto, ON @ The Concert Hall
11/27 Pittsburgh, PA @ Preserving
11/28 Cleveland, OH @ Globe Iron
11/29 Detroit, MI @ St. Andrews Hall
12/01 Chicago, IL @ House Of Blues
12/02 Minneapolis, MN @ Myth
12/04 Denver, CO @ Summit Music Hall
12/05 Salt Lake City, UT @ The Complex
12/06 Boise, ID @ Treefort Music Hall
12/08 Seattle, WA @ The Showbox
12/09 Portland, OR @ The Hawthorne Theater
12/10 Sacramento, CA @ Ace Of Spades
12/11 Reno, NV @ Cargo Concert Hall
12/12 San Jose, CA @ The Ritz
Canadian fans get two shots at this one, with Montreal’s Club Soda on November 24 and Toronto’s Concert Hall the following night — the band’s first Canadian headline dates since the 2023 co-headlining run with Chelsea Grin.
Yes. Garza confirmed his return in a post shared on July 21, 2026, and he will perform with the band on the full Reminders Of Hell Tour this fall.
Garza announced a hiatus in December 2025, saying he needed to step away from live activity to press the reset button after committing to the band without a real break since its formation in 2002.
The tour launches November 6, 2026 in Riverside, California and runs through mid-December, wrapping in Los Angeles. Tickets go on general sale Friday, July 24 at 10 a.m. local time.
Support comes from Emmure, AngelMaker, and Synestia across the entire run.
Yes. The tour stops at Club Soda in Montreal on November 24 and The Concert Hall in Toronto on November 25.
Founding member walks back in, says two words, and picks up his guitar — that’s exactly how it should go. Which Suicide Silence era are you hoping the setlist leans into? Let us know in the comments, and follow Loaded Radio for daily rock and metal news.
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The group will also be celebrating that anniversary on the road this fall.
The post Staind Release “Fade” Video From Their Upcoming “Break The Cycle (25th Anniversary Live)” Album appeared first on Theprp.com.
Madball’s new album “Not Your Kingdom” arrives tomorrow, July 24th.
The post Madball Announce Fall European Tour With Desolated, Combust & Expectations appeared first on Theprp.com.