Category: news

  • Empress Of Rebuilds “Dream House” After Fire

    Empress Of, the electronic musician, layered themes of instability and renewal on “Dream House,” a new album threaded with her mother’s stories about their Altadena home lost in the 2025 wildfire.
  • Nightwish got blamed for ugly Tarja Turunen split “for good reason”, Tuomas Holopainen admits: “It was like we were these evil neanderthals who’d hurt our wonderful ex-singer”

    Nightwish keyboardist, co-founder and songwriter Tuomas Holopainen admits that the band were blamed “for good reason” for how they handled the dismissal of original lead singer Tarja Turunen.

    Turunen, who fronted Nightwish from their 1996 founding until 2005, was let go via a scathing public letter from her bandmates. It alleged that “business” and “money” had become more important to her than the emotion behind the band’s music, and that her “attitude and behaviour” had changed due to the influence of her husband/manager Marcelo Cabuli. The couple denied the allegations.

    Looking back in an exclusive interview with Metal Hammer, Holopainen says that Nightwish “get blamed for what happened, for good reason” but insists that “there was no future” for the band with Turunen: “We were just operating in survival mode and plagued by these dark thoughts.”

    He adds that the remaining members “got completely butchered in the media” after the open letter was published. The split became such a hot-button topic that Finland’s then-prime minister, Matti Vanhanen, was asked to comment on it in parliament.

    “It was like we were these evil neanderthals who’d hurt our wonderful ex-singer,” Holopainen recalls. “I got some really interesting letters, let’s put it that way.”

    The keyboardist now has a civil but distant relationship with Turunen: the pair have exchanged a handful of emails over the years but not had any further interactions. He dismisses the possibility of reuniting with his ex-singer.

    “It was a divorce, and an ugly one at that,” he explains, “so I think we have our own lives now. Someone did say to me if we got Tarja and Marko [Hietala, bassist/vocalist who left in 2020] back in, we could tour just South America for a year straight. That’s not gonna happen.”

    Now fronted by Dutch singer Floor Jansen, Nightwish put out their latest album, Yesterwynde, in 2024. Holopainen revealed to Hammer last month that he has six songs written for the follow-up release.

    “I feel more inspired than ever – proof of that is that I’ve already got six new Nightwish songs done,” he said. “Every time I sit in front of my keyboard, I’m like, ‘Ah yeah, this is great! Just wait till everyone hears this.’ It’s exhilarating.”

    He added that the band have “reserved things” for 2027, hinting that they’ve booked studio time. He also suggested that 2028 will be the year that they end their ongoing hiatus from live shows, which started in summer 2023.

    “Next year is too early to be going back on tour. The year after, possibly? I want to do another album before any live shows, and that’s definitely happening. We’ve already reserved things for that next year.”

    Following her Nightwish exit, Turnen launched a solo career. Her latest album, Frisson Noir, came out in June. She will perform a special show with an orchestra at the Ancient Theater in Plovdiv, Bulgaria on September 18, then tour Europe from September 30 to October 25.

  • Reviews: Ricky Warwick, Tygers Of Pan Tang, KingCrown, Aethoria (Matt Bladen)

    Ricky Warwick – Fire & Vengeance (Earache)

    You may think that Ricky Warwick has enough on his plate fronting Black Star Riders and the reactivated The Almighty, but he’s still got time to write, record, and tour solo records, alongside his band The Fighting Hearts.

    Warwick’s solo output has always leaned on his Northern Irish roots, honest blue collar rock n roll, Celtic balladry and emotions that are worn on the sleeve as he uses that brilliant voice to tell stories of resilience.

    This new album sees Warwick in a fighting mood, he’s says it’s about rock n roll “its power to bring people together, to make us dance and connect with one another.” The Fire & Vengeance alluding to the conflict and division that seems ever present, but with this record Ricky just wants unity and some rebellion through big riffs, bigger vocals and maybe some help from his friends.

    Of course these aren’t just ordinary friends but some high profile members of the rockeratti as Fire & Vengeance features Phil Collen (Def Leppard), Doug Aldrich (Whitesnake / The Dead Daisies), Charlie Starr (Blackberry Smoke) and Darren Holden (The High Kings), dropping in across these ten tracks.

    The tracks do what you want them to. From some Rolling Stones balladry on When The King Falls, choppy funk on Seek Zen Destroy and country in Sweet County Down. While The Angels’ Share takes from the Celtic history as Last Chance To Dance brings the apocalypse party to Fire & Vengeance, which stands as another quality record from this rock n roll troubadour. 8/10

    Tygers Of Pan Tang – Electrifyed (Mighty Music)

    One of the original founders of the NWOBHM scene Tygers Of Pan Tang founder Robb Weir (guitar) is still the cornerstone of his band long after their 80’s heyday.

    Over the years they, like many bands from those early days, have shifted more towards melodic rock, in Tygers case into some glam rock due to the vocals of Jack Meille but always retain the riffs of their early years.

    With Electrifyed, their 14th album they have the mantra of “the heavier, the better” paying stylistic homage to their beginnings when the NWOBHM was raw, rabid and loud, taking a lot of inspiration from their debut album Wild Cat.

    It’s a record turns up the aggression, the guitars of Weir and new boy John Foottit are more distorted and a bit meatier when doling out those classic heavy metal riffs from the scene they were such a big part of, with the injection of new blood letting the classic merge with the contemporary.

    Bassist Huw Holding and drummer Craig Ellis guide the grooves, from mid-pace rockers, through glam struts and faster workouts Electrifyed is Tygers Of Pan Tang, throwing it back but with the creative intelligence of a band that have been doing it for a long time but haven’t really let up since reforming in 1999.

    Electrifyed is the sound of these Tygers with a nastier bite, having built a scene, they are cementing their reputation. 8/10

    KingCrown – Moonfall (Rockshots Records)

    Formed by Nightmare men and brothers Jo (vocals) and David (drums) Amore, KingCrown are more indebted to the European power metal scene rather than NWOBHM/thrash sound of Nightmare.

    Obviously as they share a drummer and a vocalist there are comparisons to be made but KingCrown is more melodic and progressive, with sci-fi lyrics, based on the dystopian futures where A.I, machine dominance and isolation leads to the fall of mankind, sung with emotional depth by Jo Amore’s gritty delivery.

    Driven by the harmonic guitarwork of Ced Legger and Bob Sailba, on All United, while the changing momentum comes from Seb Chabot’s bass and David Amore’s drumming on Rise Of The Machines. The ambitious songwriting led two a three month recording process that makes this record feel organic and direct but the use of electronics and industrial atmospheres lend themselves to this dystopian world building.

    Produced by the band and mixed/mastered by Simone Mularoni, this record hits hard and with pace from the triumphant Priestisms of We Are KingCrown as Lost Horizons must be inspired by the band of the same name, as it brings cinematic epic metal while Back To The 80’s shows a lighter less serious side of the band while giving broader appeal.

    On Moonfall, KingCrown continue to deliver high quality melodic metal. 7/10

    Aethoria – Fool’s Gold (Self Released)

    Suffolk alternative rockers Aethoria have been making waves on the UK rock scene for a while.

    Recently they opened Stonedead festival and showed off their skill and talent as band, so I was expecting a debut record that was bursting with experience and I can say Fool’s Gold doesn’t sound like an album made by a band formed very recently, May 2025 to be factually correct.

    It’s got all the power and hooks of a band with a lot of experience and by a lot, I mean on Quiet Ground Aethoria channel the riff alt rock of the early 2000’s. Huge riffs/solos, strong drums and excellent vocals are all part of what Aethoria do on their debut album, combining previously released singles with new material.

    As I said Aethoria have a that 2000’s style with a lot of the anthemic choruses from Flyleaf on More Time and the title track, the punch of Paramore punk on Popcorn and they take on the darker atmospheres of Evanescence on Eden.

    Fool’s Gold brings a lot of glittering with dense rock beneath it, just like it’s namesake. Watch out for Aethoria. 7/10
  • Kurt Baker – Got It Covered LP (Oglio Entertainment)

    For decades, Kurt Baker has been a staple of the power pop and rock ‘n’ roll scene, with
  • Iron Maiden / Inside Yu Shimada’s Astonishing Collection In Tokyo

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    If you happened to be in Tokyo this past weekend and like Iron Maiden, there was a rare opportunity to see an astonishing collection of Maiden memorabilia accumulated by Yu Shimada. Shimada is widely acknowledged, even by the band, as Iron Maiden’s No.1 fan, so MetalTalk Japan popped along for a visit and a chat.

    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    Yu has seen the band so many times in so many different countries that he has difficulty remembering them all. But the gigs run well into the hundreds, and he has seen them multiple times in almost every country they have played in.

    Every concert he goes to, he buys every piece of merch and scours the local shops for anything else he can get his hands on. His collection is so big that he has to store it in two houses, his and his mum’s.

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    He graciously took the time to show me around. Quite by chance, Gil Weston, Girlschool’s bass player from 1982 to 1987, happened to be in town, so we took her along as well.

    Almost everything at the exhibition belongs to Yu Shimada. “Only a few things like a guitar and a few empty bottles over there are not mine,” Yu told MetalTalk Japan.

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    Yu does not spend much time on the internet sourcing items for his collection. He collects mainly when travelling. “I’ve been to many countries,” he said, “so I visit a lot of shops, record stores where I found these point-of-purchase displays. Lots from the merchandise tents as well.”

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    All these programmes and all the records are all from around the world.

    “I keep each country from A, Argentina, Australia, and Brazil, Bolivia, then Canada, Croatia, all the way to Yugoslavia. Of course, I don’t have all the countries, but I try. “

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    The rarest in his collection is the famous Soundhouse Tapes, and he has three copies. “Two are bootlegs,” he says. “The original has the opening at the top, but the others open at the side.”

    The jackets are official merchandise and the football was used in an Iron Maiden football match. “It was in Oslo, Norway,” Yu says. “2006 or maybe 2008. There were not so many fans there, only our friends and maybe 20 people watching.

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    “Iron Maiden lost, I think. The ball was played for 90 minutes, and then when the game ended, I saw this ball coming to me. Nobody cared about this ball. So I took it, and then I asked Steve to sign it.”

    If the football is one of the rarest, or unique things in the exhibition, the most unusual is the Eddie. “This was from the No Prayer On The Road Tour,” Yu says. “Only used in Europe. They played in Japan but didn’t take him, and neither in America.”

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk

    This really is an amazing collection. “About half is stored at my original house where my mum is living,” Yu says, “and the rest are from my present house with my wife.”

    The scale of this project is extraordinary and for any Iron Maiden fan, this collection will keep you engrossed for hours.

    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo. Photo: Glenn Williams/MetalTalk
    Yu Shimada - Iron Maiden Exhibition 2026 - Sugamo, Tokyo.
    Yu Shimada – Iron Maiden Exhibition 2026 – Sugamo, Tokyo.
    The post Iron Maiden / Inside Yu Shimada’s Astonishing Collection In Tokyo first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Symphonic Metal Band ANA Release ‘Following the Wind’ Music Video

    As couture symphonic metal band ANA storms across the United States on tour with Danzig, Twin Temple and Burning Witches, they drop this electrifying new music video for ‘Following the Wind‘. Directed by Aaron Mak and filmed during their recent Japan Tour, this music video captures the visceral energy of a band hitting their stride […]

    The post Symphonic Metal Band ANA Release ‘Following the Wind’ Music Video appeared first on ROCKPOSER DOT COM.

  • “Jason and I have committed ourselves to creating a final Enid recording.” The Enid announce their retirement from touring and one final album

    The Enid have announced they will no longer perform as a live band, and that Robert John Godfrey and fellow Enid musician Jason Ducker are currently working on a farewell album from the band

    In a statement on the band’s social media pages, Robert John Godfrey stated, “The Enid cannot continue as a functioning live band, and there are no plans for any future events/concerts.

    As such, we cannot, in good conscience, continue to take money from our fans via a subscription. We have decided to close the Enidi bank and PayPal accounts.

    For my part, I continue to compose. This morning, Jason and I have committed ourselves to creating a final Enid recording.

    Many thanks for giving me the life I hope I have deserved and the one which has suited me best.

    My love to you all.

    Robert et al at The Enid.”

    The band’s last studio album, U, was released in 2019, and the band have only performed sporadically in recent years, performing their last live show at The Stables in Milton Keyens last May.

    Robert John Godfrey was diagnosed with Alzheimer’s Disease in 2012, and announced he was retiring from touring with the band in 2016, saying, “The time has come for me to cross the footlights and devote myself to building our wonderful fan club, The Enidi, into a force to be reckoned with. I still have a few things up my sleeve before the sun sets upon my life’s work.”

    In 2018, he announced that a brain scan had shown no presence of Alzheimer’s and he subsequently returned to performing with the band.

  • Interview: DaN McKee (Hardcore Horror, Anarchist Atheist Punk Rock Teacher)

    We spoke with DaN McKee, author, educator, contributor to Earth Island Books’ Hardcore Horror anthology, and creator of
  • Why Must the Future Sound Futuristic?

    Why Must the Future Sound Futuristic? Oasis have long been attacked for looking backwards. But why is borrowing from The Beatles considered retro while borrowing from Kraftwerk, Can or Neu! can signify the future? Perhaps the real question is who gets to decide what the future sounds like. The argument about the disappearance of the […]

    The post Why Must the Future Sound Futuristic? appeared first on Louder Than War.