Category: news

And the live debut of Ameonna at that.

The post Crown Magnetar & To The Grave Announce Fall Co-Headlining Tour, Face Yourself, I Declare War, Ameonna & More To Open appeared first on Theprp.com.

Triple Pop 2026 Giving a new lease of life to their pièce de résistance, Californian new wavers invite the hermit of mink hollow to come forward and help them look back. There are period pieces and there are those reverberating … Continue reading →

The post THE CALL & TODD RUNDGREN – The Walls Came Down appeared first on DMME.net.

The world is a beautiful place. Hopefully, we can all agree on that, whether or not we continue to fear the cold embrace of death. But when a couple of brands feel free to completely bite the instantly recognizable artwork from a much-beloved underground album, the world feels that much less beautiful.

The post It Sure Looks Like Salomon & The Broken Arm Ripped Off A TWIABP Album Cover appeared first on Stereogum.

A new study shows that musicians are starting to view storage rental spaces as viable options for rehearsal spaces. Continue reading…

You can catch that meaty bill out in September.

The post Eyehategod, Whores. & No/Más Fall U.S. Tour Unveiled appeared first on Theprp.com.

Not many bands can craft as characteristic an aura as Fires in the Distance. Their dreamy melodicism yet grounded weight lend their music an instantly recognizable and powerfully uplifting tone. Debut Echoes from Deep November already shimmered with the promise of something special, and 2023 sophomore Air Not Meant for Us more than made good on this promise, gliding effortlessly into my top 5 for that year. At this point in a band’s career, one might start to fear a slip in quality—a complacent settling into an easy and familiar groove—where the magic fades a little. One might, but in my case, this was somewhat eclipsed by the glittering stars that filled my eyes when Circadian Promise appeared on the horizon. Returning to the paradigm of mental health, rendered through the imagery of flight and freedom, Fires in the Distance console even the most timorous of hearts and deliver once again.

Everything uniquely great about Fires in the Distance is back on full display in Circadian Promise, and more besides. The sparkling arias of keyboards gain strength on the backs of soaring lead guitars and the steadfast heft of bass and drum. Synths subtly decorate the soundscape with just a touch of drama. Dynamic, steady tempos propel you forward. But Fires in the Distance don’t rest in the surety of this admittedly winning formula. New vocalist Brendan Hayter¹ uses his savage screams to inject a new intensity to the heaviness and amplifies already stirring passages with hearty cleans—first of their kind for the band. The keyboards also see a renaissance of sorts with extended moments in the spotlight (“Lightless Days of a Songless Bird,” “Once the Silence Takes Your Place”), and solos stretch further towards the epic (“By this Time Tomorrow”). This evolution remains entirely natural. Whatever fierceness seizes the percussion or harsh vocals, the music remains easily compelling and distinctively rousing. Similarly, the singing never pushes songs even close to the saccharine boundary; their emotionality is perfectly pitched.

Fires in the Distance set a high bar with their previous work, but somehow Circadian Promise clears it. The music demonstrates a mature exploration of tension and contrast, shifting slightly away from doom and back towards melodeath, playing with the duality of clean and harsh vocals, folding the fragile and the fierce into potent progressions. Songs might use an ardently sung bridge to allow a melancholic theme to provide tangible closure (“Of Radiance and Levitation,” “To You, the Author of my Fade”), or show vulnerability beside a heavier counterpart to the rhythm and melody (“Once the Silence…”). Just as much emotion comes from the ardent screams that ring over turbulent drums (“Once the Silence…”) or rise in tandem with tremolo-picked or swiftly arpeggio-ing riffs (“Lightless Days…,” “Agonal Dreaming”). Every refrain is just as deceptively simple, memorable, and lovely as ever, but with the increased dynamism, they shine still brighter. Layered transitions through synths and piano (“Lightless Days…,” “By This Time Tomorrow,” “Once the Silence…”) seamlessly weave movements together. Fluid, energetic drumming shapes the soundscape with bolstering fills and assertive rolls into steady, sweeping ascents (“Of Radiance…,” ), rocky climbs (“Once the Silence…” “Agonal Dreaming”), and endless onward glides (“By this Time Tomorrow”), metaphorically embodying their themes. As a result, they hit harder and stick longer.

Circadian Promise is also made more compelling by its structure. Almost the same length to the second as Air Not Meant for Us, it uses its time better, eschewing instrumental interludes and long intros and crafting long songs with assured builds (“Of Radiance…”, “Lightless Days…”), moving reprises (“To You,…” “Agonal Dreaming”), and thrillingly layered evolutions (“To You…,” “Once the Silence…”).² “Lightless Days…” is possibly the only candidate for a trim, weakened slightly by its itineracy. Whilst being in many ways more dramatic and heavy than prior releases, it’s simultaneously more reflective thanks to a slight lilt in the tunes and openness in the cleans, and some fantastic keyboard-centred passages, integrated beautifully into the metal (“Of Radiance…,” “By this Time Tomorrow”). This heightened reflectiveness also shows up through Fires in the Distance’s substitution for pithy Christopher Hitchens with the rather more introspective Alan Watts (“By this Time Tomorrow”) in the role of sampled British intellectual.

To those who previously felt Fires in the Distance’s brand of melodeath too airy to be impactful, Circadian Promise may be the album that shows you the light. Bolstered and tempered with a more striking heaviness and passionate cleans, the characteristically stirring beauty of the melodies sings louder and warmer than before. Circadian Promise fully becomes its concept as its powerful pieces coalesce into a fortifying tonic you surely can’t resist, lifting your spirits, and Fire in the Distance themselves, up into the stratosphere.

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Rating: Excellent
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prosthetic Records
Websites: Bandcamp | Facebook
Releases Worldwide: June 12th, 2026

The post Fires in the Distance – Circadian Promise Review appeared first on Angry Metal Guy.

Will the setlist mirror their previous tour?

The post Volumes, Until I Wake & Catsclaw Booked For September U.S. Tour appeared first on Theprp.com.

Running through October and November.

The post Wage War, We Came As Romans, Varials & Cane Hill Set For Fall ‘Emergency Broadcast Tour’ appeared first on Theprp.com.

Way back in 2019, we put Penelope Isles, the Brighton-based indie rock duo of Lily and Jack Wolter, on our list of the year’s best new bands. Penelope Isles released their sophomore album Which Way To Happy in 2021, and then the Wolters went off and did other things. Lily spent an extended sojourn surfing in Sri Lanka and Indonesia, while Jack toured as CMAT’s guitarist. Also, both of them put out their own solo music — Lily as My Precious Bunny, Jack as Cubzoa. But now the Wolters are back together, with a new Penelope Isles album on the way.

The post Penelope Isles Announce New Album <em>3</em>: Hear “Thinking Seat” appeared first on Stereogum.

Old school death metal veterans Jungle Rot are asking fans for support after a sudden travel disaster left the band stranded and hit with unexpected expenses while on tour. The group has launched a GoFundMe campaign titled Help Us Get Back on the Road to recover the financial losses and keep their current touring cycle moving forward.
Fans can contribute to the fundraiser here: https://www.gofundme.com/f/support-jungle-rots-tour-recovery
Travel chaos triggers major financial setback

According to the band, the situation began when a flight was canceled without warning during their current tour. That single disruption created a chain reaction of costs, forcing the group to cover emergency lodging, transportation, driver fees, and last minute travel rebooking.
In their statement, Jungle Rot explained that independent touring acts operate on extremely tight margins, where one major delay or cancellation can erase profits from multiple shows. What might look like a simple travel issue on the surface quickly becomes a serious financial burden when multiplied across an entire tour schedule.
The band emphasized that every part of their touring operation is budgeted in advance, meaning unexpected disruptions can put pressure on both the musicians and the crew working behind the scenes to keep the run alive.
“Any contribution helps keep us on the road”

Jungle Rot addressed fans directly, stressing that the goal of the GoFundMe is simply to recover from the unexpected losses and continue the tour as planned.
They noted that any donation, no matter the size, goes directly toward covering travel related expenses. For fans unable to contribute financially, the band said that sharing the fundraiser is just as valuable in helping spread the word and ease the burden.
The message reflects a familiar reality for long running underground bands, where community support often plays a critical role in keeping tours viable when setbacks hit.
Still on the road with a packed 2026 tour schedule

Despite the setback, Jungle Rot continue their extensive “Back to the Old School Tour,” which includes club shows and major European festival appearances throughout summer 2026.
The tour features support from acts including KHNVM and Rats Of Gomorrah on select legs, alongside appearances at major festivals across Europe.
Stops include cities across the Baltics, Scandinavia, Central and Eastern Europe, and major festival dates such as Obscene Extreme Festival, Dortmund Deathfest, Partysan Festival, and Alcatraz Festival.
Touring reality hits even veteran bands

The situation highlights a harsh truth of modern touring life. Even established underground bands are not immune to logistical failures that can quickly snowball into major financial setbacks. A single canceled flight can ripple through an entire schedule, impacting lodging, transport, and production costs across multiple countries.
For Jungle Rot, the focus remains on staying on the road and delivering shows to fans who have supported them for decades. The GoFundMe is simply a way to bridge an unexpected gap and keep the tour moving forward without further disruption.
As the band continues their 2026 run, the message is clear: the music does not stop, but sometimes the road needs a little help keeping it alive.