Category: news

  • Nia Archives – “Vertical”

    When creating her new single “Vertical,” the third from her forthcoming album Emotional Junglist, Nia Archives thought about how production can evoke feeling, something beyond words. “There’s this one synth that kind of beeps, and it just makes you feel a bit dissociative,” she shared in a press release. “That’s what I enjoy about production – how can you say something without the lyrics? I wanted it to feel like December in London.”

    The post Nia Archives – “Vertical” appeared first on Stereogum.

  • Peter Frampton Is a Friend to All: ‘Frampton’ Film Review

    A new documentary about the guitarist's career, from the highest of highs to the lowest of lows, showcases his seemingly endless fortitude and the remarkable relationships he's built along the way. Continue reading…
  • Change Life Announce Self-Titled Debut Album: Hear “Beyond Control” & “Smile”

    As the leader of the Portland band Change Life, Lawton Browning channels inspiration from anarchist and surrealist traditions into fascinating off-kilter rock with some fascinating rhythmic qualities. They’ll release their self-titled debut album on Spain’s great Meritorio label this month, and they’ve shared two tracks thus far.

    The post Change Life Announce Self-Titled Debut Album: Hear “Beyond Control” & “Smile” appeared first on Stereogum.

  • Album review: JASON RICCI & THE BAD KIND with Kaitlin Dibble – 13 Hours

    Jason Ricci -13 HoursGulf Coast Records [Release date 29.05.26] ’13 Hours’ is Jason Ricci’s 3rd album for Gulf Coast (possibly his 15th in all) and his second credited with partner Kaitlin Dibble, an expressive vocalist and fine songwriter. It’s an honest, balanced and well … Continue reading →

    The post Album review: JASON RICCI & THE BAD KIND with Kaitlin Dibble – 13 Hours appeared first on Get Ready to ROCK!.

  • Fossilization – To Tour Europe With Phobocosm

    Brazilian death doomers Fossilization and Canadian death metal unit Phobocosm will team up for a 3-week long co-headlining tour across Europe. It will kick off at Frantic Fest in Italy on August 14th and will make its way up through Europe to end at Kill-Town Death Fest in Copenhagen, Denmark.
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  • Velatine Playing with the Orbits Review

    Velatine Playing with the Orbits Review

    The song begins with an industrial groove that introduces atmospheric pads, broadening the auditory space. Following this sonic foundation, the female voice enters with repetitive melodic phrases that establish a hypnotic atmosphere. This immersive feeling continues as the song progresses, exploring themes of obsession, insecurity, and the emotional power dynamics present in a complex relationship.

    Velatine Playing with the Orbits

    The singer expresses feelings of being watched and misunderstood, almost invisible, like a shadow. This imagery resonates deeply, conveying a sense of vulnerability. Lyrics about contrasting appearances, specifically concerning blue hair versus blonde, highlight the pressure to conform and the struggle for identity in the face of external judgment.

    The idea of “playing with the orbits” emerges as a central motif. It symbolizes someone who once held the reins of their social interactions and emotional ties but has since lost that influence. This shift introduces a profound sense of longing and disillusionment. The narrative engages the listener, revealing the complexity behind personal dynamics and how perceptions can alter drastically in relationships.

    Playing with the Orbits – Sound and Atmosphere

    The atmosphere crafted in this track combines industrial elements with dark wave influences, creating a thick, smoky haze that obscures clarity. This sonic environment draws listeners further into the narrative, deepening their engagement with the unfolding story. It feels almost cinematic, illustrating the emotional struggles encountered in human connections.

    Loki Lockwood and Holly Purnell are the architects behind this nighttime project, which is tailored for those who thrive in the depths of night. Lockwood’s production talents coupled with Purnell’s captivating vocals result in a rich and impactful musical experience that resonates at a profound level. Their artistic collaboration presents a raw yet thoughtful exploration of emotional turmoil—an experience that transcends mere entertainment.

    The instrumentation invigorates the listening experience. Industrial beats punctuate each phrase, maintaining momentum and intensity. The incorporation of pads, which serve to texture the arrangement, enhances the overall mood.

    Playing with the Orbits – Performance and Production

    The lyrical content stands out, symbolizing broader themes of control, vulnerability, and the quest for understanding in interpersonal relationships. Such topics keep the song relatable and timely, echoing feelings many listeners might have experienced. The repetition of phrases creates an undeniable hook, drawing the audience in further, allowing them to become engrossed in the emotional tumult the lyrics convey.

    Velatine’s latest single, “Playing with the Orbits,” is a striking reflection on the intricacies of modern relationships. The industrial and dark wave influences provide a fitting backdrop for such a compelling narrative. Both Lockwood and Purnell show an impressive understanding of how to evoke emotion through sound and lyrics. This track is highly recommended for anyone interested in music that delves into the complexities of human connection.



    Hypnotic

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    The post Velatine Playing with the Orbits Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • The 10 best new metal songs you need to hear right now

    Pussy Riot, Evanescence, DevilDriver and more feature in this week’s best new metal song round-up
  • Ordoxe – Drummer Passed Away

    Yannick Laplante, a drummer of already disbanded Canadian group Ordoxe, has recently passed away. He was part of the ranks in years between 2014 and 2015. Canadian melodic black metal band Strigampire shared this news via their Facebook page.
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