Category: news

  • Sleeping With Sirens Announce 2027 UK/EU Headline Tour

    Sleeping With Sirens are heading back over to the UK and Europe in early 2027, bringing their new album ‘An Ending In Itself’ to some big rooms.

    The band will make their way across the continent at the start of the year, hitting up six countries as they go. And they are going to bringing along Arm’s Length and Like Roses for the ride.

    So that’s a bit of this:

    Before a bit of this:

    And then a whole load of this:

    Here are the dates you will be catching them at:

    FEBRUARY 2027

    16 – PARIS Le Bataclan
    17 – STRASBOURG La Laiterie (Great Hall)
    18 – VILLEURBANNE CCO La Rayonne
    20 – ZURICH Xtra
    21 – MILAN Alcatraz
    22 – MUNICH Tonhalle
    23 – BERLIN Astra Kulturhaus
    25 – HAMBURG Docks
    26 – STUTTGART LKA- Longhorn
    27 – COLOGNE Carlswerk Victoria
    28 – TILBURG 013 Poppodium

    MARCH 2027

    02 – BRISTOL The Prospect Building
    03 – GLASGOW O2 Academy Glasgow
    05 – MANCHESTER Manchester Academy
    06 – BIRMINGHAM O2 Academy
    07 – LONDON O2 Academy Brixton

    Tickets will be on general sale from June 10 at 10am BST / 11am CEST.


    The band’s new album ‘An Ending In Itself’ is set for release on June 12 via Rise Records. Here is the stunning title track:

    The post Sleeping With Sirens Announce 2027 UK/EU Headline Tour appeared first on Rock Sound.

  • Listening Now : Kallsup – Kino

    Swedish outfit Kallsup return with Kino, a vibrant and infectious indie rock gem that perfectly balances urgency, melody, and emotional weight. Fueled by driving guitars, shimmering shoegaze textures, and a forward-moving energy, the track feels both immediate and expansive. The band’s chemistry is undeniable, with each element locking seamlessly into place while the vocals add an extra layer of conviction and warmth. Catchy yet nuanced, Kino captures Kallsup at their most confident and dynamic, offering an exciting glimpse into what their forthcoming album Alldeles för nära has in store.

    Connect:

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  • Review: Converge – Hum Of Hurt (GC)

    Converge – Hum Of Hurt (Epitaph Records/Death wish Inc) 


    At the beginning of this year, we got a new Converge record, the phenomenal Love Is Not Enough and everything felt right in the world, then seemingly out of nowhere they went and announced there would be another album released in June THIS YEAR!! What the fuck?? 

    How does this happen? Are these all new songs or just cast offs from previous sessions that didn’t make the album? And the main question will it be able to equal the impact of L.I.N.E, or just dull it down with a sub-par release?

    As we get going with Slip The Noose, I need to be 100% honest and say it’s exactly what I wanted for an opening track, it has got all the hallmarks of Converge, savage vocals and an unholy racket that musically backs it all up! 

    After this, following that could be difficult but on Doom In Bloom there is a different style with the way it slowly builds and creeps and manages to shows another side of Converge that many people probably wouldn’t associate with them, it’s slower and more measured than people may expect but still a great track.

    It Only Gets Worse then explodes into life with a cacophony of jagged noise, the guitars cut and jab, the bass flows and carries the beat of the drums and its all cloaked in a vocal display that brings a tear to the eye, wonderfully brutal but it still feels like there is more coming! 

    Then the curve ball is thrown and Detonator feels like a bit of an odd one, with a title like this you expect it explode out of the blocks but it really doesn’t, it’s a bass lead, slow drag of a track with sections that do of course come alive and grab hold of you but this may take a couple more listens to really land properly for me.

    I Won’t Let You Go kicks everything back into gear, once again its not a full throttle attack, it starts off slowly and then just drops into an all out attack on the senses, the music weaves in and out and keeps you on your toes. 

    It never drops from the unrelenting barrage that you want and enjoy and the way Jacob Bannon throws his vocals around always make everything sound 1000 times heavier than is should.

    On Its Not Up to Us you get a real pattern of the flow of the album, its not trying to sound like L.I.N.E in anyway, that was just straight up heavy and brutal whereas here its still heavy but it has a more measured approach, the songs are slower and attach more atmosphere and have a lot more uneasy moments, which is a great juxtaposition from what you may have wanted to hear.

    Dream Debris is the perfect example of the slower approach there is nothing but bass for the first minute or so and then when the drums come in it all stays at one steady pace.

    The guitars add layers in places but never fully take control and the vocals just gently lay on top of it all until they unleash everything for short sharp blats of contrast before then dropping back into the slower pace again, its uncomfortable and expertly done. 

    It Used To Matter is just 2 minutes of ambient guitar noise that sort of floats about and doesn’t really do very much at all and in all honestly, I’m not really sure of the point of this? 

    Anyway, Hum Of Hurt then feels like the most familiar track on the record, it has a huge sound to it that is full of off kilter guitars that track with a big meaty riff throughout and they crash and clash with each other from start to end. 

    The thud and throb of the bass and drums coats the track and really gives it a massive feel and of course once again the vocals just deliver the emotional gut punch you need. A really good choice of song for the title track.

    Nothing Is Over sound like 2001 Mastodon have highjacked the recording studio, it’s a wonderfully executed piece of music that is always stabbing at you but keeps managing to drag its heels at the same time but not in a way that you don’t enjoy.

    In a way that you almost want it to end because it feels so painful to listen to but when it does end you aren’t happy about it your just left on a heap in the floor, majestic.

    6 months into the year and 2 Converge records, does the 2nd one match up to the first, well no because it is a completely different approach so doesn’t really need to be compared and I feel stupid for thinking they would release a cut and paste of Love Is Not Enough as they have never been a band that rest on there laurels and play it safe.

    They are always evolving and changing as they please, not to make you or me happy but to stay true to their beliefs of how there music should sound, don’t like it? 

    I don’t think Converge give one flying fuck and that is what makes them the outstanding band they are and it’s what makes them constantly release albums as good as Hum Of Hurt and long may this continue. 9/10
  • As It Is Share Vital New Track ‘Live, Laugh, Love, Los Angeles’

    As It Is have shared a new track from their upcoming self-titled album that at one point wasn’t even going to play part in it, but now feels incredibly necessary.

    Titled ‘Live, Laugh, Love, Los Angeles’, it sees the band diving into another sonic pool you can tell they have been dying to soak in, with plenty of Bruce Springsteen & E-Street Band worship injected into its bright and breezy disposition. Though peel back the layers and you have a song that is full of concern for the way things are heading currently, especially when it includes the streets of America. The juxtaposition is incredibly powerful and showcases how even though the band’s recent output face more inwards, that doesn’t mean they aren’t paying attention to what’s going on outside their front door.

    The band had this to say about the song and the sentiment:

    “We weren’t planning on releasing another single before the album. In fact, this song wasn’t even on the original tracklisting. But, during album tracking in January 2026, the news and our social fees were flooded by the ICE raids across the USA. Multiple murders by ICE agents in Patty’s home state of Minnesota and almost one mass shooting per day. We watched the USA descend into violence whilst the ‘Rich Televangelist’ at the top stoked the fires further. The song was about Patty’s relationship with America and being an American in the current political climate, but with that added real world context it suddenly became even more urgent and essential, not only to the album but to the album campaign. As tensions continue to rise and the global resurgence of the far right continues, we felt that this song, its message and the video deserved their moment to be seen, heard and felt. Fuck Fascism.”

    ‘As It Is’ is set for release on July 17 via FLG.

    Here is previous single, the wonderful ‘Do You Remember?’:

    As It Is are on the cover of the new issue of Rock Sound.

    Get your magazine alongside an exclusive t-shirt design and exclusive colourway of the band’s new album, only at SHOP.ROCKSOUND.TV

    The post As It Is Share Vital New Track ‘Live, Laugh, Love, Los Angeles’ appeared first on Rock Sound.

  • Does the World Still Misunderstand M.I.A.?

    A winding interview with the pop globalist about her legacy of art and incitement.
  • M.I.A. on MAGA, the Kid Cudi Tour & Bipartisan Cancellation

    Watch the full conversation with M.I.A.; edited excerpts from the interview are below.
  • Christian Shields: 1st Ever UK Headline Show At Cart & Horses On September 3rd

    Christian Shields has announced his first ever UK Headline show at Cart & Horses, London, as part of his European tour with Enuff Z’Nuff. This is a full band show and will take place on Thursday 3 September, don’t miss this chance to be in at the start of this rapidly evolving story. Christian said: “I’m […]

    The post Christian Shields: 1st Ever UK Headline Show At Cart & Horses On September 3rd appeared first on ROCKPOSER DOT COM.

  • Interview: Crowley @ Uprising

    Interview: Crowley @ Uprising

    Interviewed by Cat Finch

    Fresh off the stage at Uprising, Crowley talk to us about their return to action.

    They discuss returning from hiatus, line up changes, their set at that days festival, the promise of a new album, and their desire to return to Bloodstock and play Stonedead.

    You can listen to the interview on this very page below! 

    Or if you prefer to listen on the go, check out the interview on our podcast platforms:

    Youtube | Spotify | Apple Podcasts | Youtube Music

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