Gay Nineties deliver a punchy burst of indie rock energy with Internet, Sex & Drugs, a fast-moving track that captures the restless pulse of modern disconnection. Clocking in at just over two minutes, the song blends bright new wave textures with sharp guitar hooks and a driving rhythm, channeling a nostalgic spirit while dissecting contemporary distractions. Beneath its infectious momentum lies a subtle emotional tension—where the search for real connection collides with the endless noise of the digital age.
Playful yet perceptive, Internet, Sex & Drugs proves that Gay Nineties know how to wrap thoughtful observation inside an irresistibly tight indie anthem.
Psycroptic are rolling through the country in August with a big tour that concludes at Necrosonic in Brisbane.
The Tasmanian metal masters have put together a massive package that also features Pennsylvanian progressive death unit Rivers of Nihil, Melbourne’s Growth and Sydney band Slaughtercult. The shows kicks off in Perth on August 13. Get tickets now.
The Sheepdogs are a band from Saskatoon, a city in the heart of Canada. Formed in the early 2000s, the band established themselves as a solid rock force, with albums entering the Canadian charts. Their 2018 record, “Changing Colours” even climbed to number two in the charts. The Sheepdogs are not that well known in… Continue Reading →
March 3rd, 2026 – Post-Punk band, SIREN SECTION has unveiled their long-awaited, full-length album, Separation Team.
Separation Team was born out of unfinished material dating back nearly a decade. Unexpectedly, the band found that the older compositions were in a similar stylistic “vein” as the newer ones. The songs began to reveal themselves as in a fully-realized concept album.
At the time, the band was effectively on hiatus. That changed when James was hospitalized and nearly died. A personal act of recovery became an imperative to create a record that confronted transformation, survival, and the cost of binding yourself to something larger than your own identity.
Separation Team opens with ritualistic, almost mythic language—phoenix imagery, summoning, the invocation of forces that the narrator doesn’t fully understand. It then takes that transformation earnestly, then follows it toward something more precarious and ultimately doomed. The title itself carries shifting meaning: it can be read as a break-up record, but that framing only captures part of the story. The record also explores dissociation, solidarity, and the dangerous comfort of shared escape—whether with another person or with a fractured version of the self.
Themes of metamorphosis and co-enabled destruction run throughout the album. The “separation team” becomes a vulnerable partnership that consolidates power at the expense of individuality—a tragic symbiosis that echoes a death-drive allegory. The record circles recurring images of cycles and return: the ouroboros, repetition, and the way identity erodes when something consumes you completely.
Musically, Separation Team is largely genre-agnostic, drawing from industrial, post-punk, shoegaze, and IDM without settling comfortably into any one lane. While theatrical at times, the album avoids melodrama, balancing emotional weight with bursts of noise, propulsion, and cinematic scale. Repeating motifs, lyrical callbacks, and electronic momentum thread the album together across its 80-minute runtime, resulting in a work that feels haunted, confrontational, and deeply personal—yet intentionally open-ended. Ultimately, Separation Team suggests that ruin often comes less from what happens to us than from how we come to understand it.
Separation Team is available on all major digital platforms worldwide.
Since winning America’s first gold medal in the Winter Olympics’ women’s free skating event since 2002, Alysa Liu has been at the center of attention. It’s not just her skill that’s been the topic of discussion, but also her music taste. After skating to PinkPantheress and being thanked by the pop singer herself, the ice skater has been asked about what else she wants to skate to. Yesterday she mentioned “Fire In My Heart,” and during her appearance the Today Show misinterpreted it as Simple Plan’s 2013 pop punk anthem.
In January, Charlotte Cornfield announced her new record Hurts Like Hell. So far the Canadian singer-songwriter has released the title track and “Living With It” featuring Feist. Today, she’s back with “Lost Leader” with Christian Lee Hutson. “This is a hard song,” Cornfield says. “But I also think it’s a little bit funny. Tragicomic maybe? It’s…
