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  • 10 Blues Rock Songs That Stand the Test of Time

    Blues rock has produced countless memorable songs over the decades, but only a select few continue to resonate generation after generation. These are the tracks that remain staples of classic rock radio, inspire new guitarists to pick up an instrument, and still electrify audiences decades after their release. Whether through unforgettable riffs, emotional performances, or groundbreaking musicianship, these songs have transcended their era and become timeless classics.

    Here are 10 blues rock songs that truly stand the test of time.

    Free – “All Right Now”

    Few songs capture the spirit of classic rock quite like “All Right Now.” Released by Free in 1970, the song became an international hit and remains one of the most recognizable blues rock anthems ever recorded.

    Paul Kossoff’s guitar work is a masterclass in restraint and feel. Rather than overwhelming listeners with speed or technical fireworks, Kossoff built the song around memorable phrases and perfectly placed bends that continue to influence players today. His tone remains one of the most admired in blues rock history.

    The song’s simple structure and infectious chorus helped make it a staple of FM radio throughout the 1970s and beyond. More than fifty years later, audiences still sing every word. That enduring popularity speaks volumes about its timeless appeal.

    While many songs from the era have faded from public consciousness, “All Right Now” remains as energetic and engaging as ever.

    Stevie Ray Vaughan & Double Trouble – “Pride and Joy”

    When Stevie Ray Vaughan burst onto the scene in the early 1980s, blues rock desperately needed a spark. “Pride and Joy” helped provide exactly that. Built around a Texas shuffle groove, the song showcased Vaughan’s remarkable ability to blend traditional blues influences with modern rock energy. His rhythm guitar work alone is enough to leave players shaking their heads in disbelief. Every note feels alive and perfectly placed.

    Lyrically, the song is straightforward and heartfelt, but the real magic comes from Vaughan’s performance. His playing is aggressive yet controlled, and his vocals carry an authenticity that perfectly complements the music.

    More than four decades after its release, “Pride and Joy” remains one of the definitive blues rock recordings and a gateway song for countless new fans discovering the genre.

    ZZ Top – “La Grange”

    Inspired by the legendary Texas brothel known as the Chicken Ranch, “La Grange” became one of ZZ Top’s signature songs and one of the most recognizable guitar-driven tracks ever recorded. Billy Gibbons crafted one of the greatest riffs in blues rock history. It is instantly identifiable within seconds and remains a favorite among guitarists of every skill level. The groove is hypnotic, driven by the seamless chemistry between Gibbons, Dusty Hill, and Frank Beard.

    Part of what makes “La Grange” timeless is its simplicity. The band never overcomplicates things. Instead, they focus on feel, groove, and attitude. Those qualities age far better than trends or production techniques.

    Today, the song remains a staple of classic rock playlists and continues to energize audiences whenever it is performed live.

    Johnny Winter – “Rock and Roll, Hoochie Koo”

    Before Rick Derringer turned it into a major solo hit, “Rock and Roll, Hoochie Koo” first appeared on Johnny Winter And’s album Johnny Winter And. The song remains one of the great examples of blues rock’s ability to bridge the gap between hard rock energy and blues-based musicianship.

    Winter’s version crackles with raw intensity. His blazing guitar work helped establish him as one of the most exciting players of his era, while the song’s driving rhythm made it impossible to ignore.

    What continues to make the track effective is its pure sense of fun. There is no pretension here. It is simply a band firing on all cylinders and capturing lightning in a bottle.

    More than fifty years later, the song still sounds fresh, energetic, and rebellious.

    Gary Moore – “Still Got the Blues”

    Not every timeless blues rock song has to be an up-tempo rocker. Gary Moore proved that with “Still Got the Blues,” a song that remains one of the most emotionally powerful recordings in the genre.

    The song marked a turning point in Moore’s career as he fully embraced his blues roots. His guitar tone is breathtaking, and the solos rank among the finest of his career. Every note feels deeply personal and emotionally charged.

    Moore’s vocal performance is equally effective. He delivers the lyrics with genuine heartbreak, making the song relatable even for listeners who know little about blues music. “Still Got the Blues” continues to captivate audiences and serves as a reminder that technical brilliance means little without emotional connection.

    Gov’t Mule – “Soulshine”

    Few songs have become as universally beloved within the blues rock community as “Soulshine.” Written by Warren Haynes, the song first appeared on Larry McCray’s 1993 album Delta Hurricane before being recorded by The Allman Brothers Band the following year on Where It All Begins. While both versions helped establish the song’s reputation, it has since grown into one of the defining anthems of modern blues rock.

    Built around a message of hope, perseverance, and finding strength during difficult times, “Soulshine” connects with listeners on a deeply personal level. Haynes’ heartfelt lyrics are matched by soaring guitar work and a melody that feels timeless. Unlike many blues rock classics that rely primarily on a memorable riff, “Soulshine” endures because of the emotional impact it leaves on audiences.

    Over the years, the song has become closely associated with Haynes himself. Whether performing with Gov’t Mule, The Allman Brothers Band, or as a solo artist, he continues to bring “Soulshine” to audiences around the world. The song has become a centerpiece of his live shows and often serves as one of the most anticipated moments of the night.

    Soulshine” remains as relevant and inspiring as ever. Its enduring popularity, powerful message, and continued presence on concert stages prove that it has earned its place among the blues rock songs that truly stand the test of time.

    Kenny Wayne Shepherd – “Blue on Black”

    Few blues rock songs from the 1990s have achieved the staying power of “Blue on Black.” Released on Trouble Is…, the song became Kenny Wayne Shepherd’s signature hit and helped introduce an entirely new generation to blues rock.

    Built around a haunting melody and memorable lyrics, the track showcased a level of songwriting that extended well beyond guitar heroics. Shepherd’s tasteful playing perfectly serves the song, demonstrating maturity and restraint while still delivering plenty of emotional impact.

    The song’s popularity has only grown over time. It remains a fixture on classic rock radio and streaming playlists, while a star-studded 2019 re-recording featuring Brantley Gilbert, Brian May, and Jason Bonham introduced it to an even wider audience.

    Nearly thirty years after its release, “Blue on Black” remains one of the most recognizable blues rock songs of the modern era.

    Michael Burks – “Empty Promises”

    Michael Burks may not have achieved the mainstream recognition of some of his contemporaries, but among blues rock fans, “Empty Promises” stands as one of the genre’s finest songs of the 21st century. Originally appearing on Iron Man, the track perfectly captured his ability to blend searing guitar work with soulful vocals and deeply emotional songwriting.

    The song builds around a powerful groove and a memorable chorus, but it is Burks’ guitar playing that elevates it to another level. His solos are filled with passion, intensity, and the kind of authenticity that cannot be manufactured. Every note feels earned, reflecting a musician who poured his heart into every performance.

    Despite Burks’ passing in 2012, “Empty Promises” has continued to reach new audiences through a new generation of blues artists. Christone “Kingfish” Ingram has become one of the song’s most visible champions, regularly performing it live and introducing Burks’ music to younger fans. The track has also been covered by Eric Steckel, further demonstrating its lasting impact within the blues rock community.

    “Empty Promises” remains a modern blues rock classic. Its combination of heartfelt songwriting, unforgettable guitar work, and continued presence on concert stages today proves that truly great songs never fade away.

    Joe Bonamassa – “Sloe Gin”

    Modern blues rock has produced its share of standout songs, and few have had the lasting impact of Joe Bonamassa’s interpretation of “Sloe Gin.” Although originally written by Tim Curry, Bonamassa transformed the song into something entirely his own. His version became one of the defining recordings of his career and helped establish him as one of the leading figures in contemporary blues rock.

    The slow-burning arrangement allows Bonamassa’s guitar work to shine. Rather than relying on speed, he focuses on phrasing, dynamics, and emotional expression. The result is a performance that grows more powerful with each passing minute. Nearly two decades after its release, “Sloe Gin” is a centerpiece of Bonamassa’s live shows and one fans always want to hear.

    Freddie King – “Going Down”

    Few songs have become as deeply woven into the fabric of blues rock as “Going Down.” Written by Don Nix and popularized by Freddie King on his 1971 album Getting Ready…, the song quickly became one of the defining showcases for electric blues guitar and remains a staple of the genre more than fifty years later. Built around a driving riff and relentless groove, “Going Down” perfectly captures the power and swagger that helped bridge traditional blues and hard rock. Freddie King’s commanding vocal performance is matched by fiery guitar work that still sounds fresh and exciting today. The song’s energy is impossible to ignore, making it a favorite among both musicians and audiences.

    Part of the song’s enduring legacy comes from the countless artists who have embraced it over the decades. Few songs can claim that level of influence across multiple generations of guitarists. More than five decades after its release, “Going Down” remains one of the ultimate blues rock standards. Its combination of memorable songwriting, electrifying guitar work, and continued presence in live performances around the world makes it a perfect example of a song that truly stands the test of time.

    The post 10 Blues Rock Songs That Stand the Test of Time appeared first on Blues Rock Review.

  • Cancer Bats To Headline Marshall ‘Made Of Loud’ Tour

    Marshall have announced the details of their ‘MADE OF LOUD’ tour, with three very wonderful bands hitting the road together.

    Making it’s way across the UK, the tour will be headlined by none other than Cancer Bats. And they will be joined by melodic hardcore legends Ignite and Bristol chaotic noisemakers KNIVES.

    So that’s loads of this:

    Then loads of this:


    And then loads of this:

    Basically, it’s going to get rowdy.

    Cancer Bats had this to say about the announcement, stating, “We are beyond excited to announce this Marshall Made Of Loud Tour!! Playing all our favourite independent venues across the UK, with Ignite and Knives, and we end it all with a Halloween show in London!! This is going to be an insane tour!!!”

    Here are all the dates:

    12 – DOVER The Booking Hall
    13 – BRIGHTON Chalk
    15 – EXETER Cavern
    16 – FALMOUTH Princess Pavilion
    17 – SOUTHAMPTON Joiners
    18 – PLYMOUTH The Depo
    20 – BRISTOL The Fleece
    21 – CARDIFF Clwb Ifor Bach
    22 – MILTON KEYNES Craufurd Arms
    24 – BIRMINGHAM Asylum
    25 – MANCHESTER Gorilla
    26 – NEWCASTLE Anarchy Brew Co
    28 – GLASGOW King Tuts Wah Wah Hut
    29 – LEEDS The Key Club
    30 – NOTINGHAM Rescue Rooms
    31 – LONDON Electric Brixton

    Tickets for the tour will be going on sale from June 05 at 10am.

    The post Cancer Bats To Headline Marshall ‘Made Of Loud’ Tour appeared first on Rock Sound.

  • Michael Stipe & Andrew Watt Perform Rooster Theme For The First Time On Kimmel

    Michael Stipe is getting more and more comfortable doing stuff in public again, and that’s good news for us. Earlier this year, Stipe returned for his second Simpsons guest voice role and sang R.E.M. songs with Michael Shannon and Jason Narducy’s all-star tribute band. In April, Stipe debuted a new song on a late-period Colbert episode. On Tuesday night, Stipe was back on late-night TV, singing his Rooster theme song on Kimmel.

    The post Michael Stipe & Andrew Watt Perform <em>Rooster</em> Theme For The First Time On <em>Kimmel</em> appeared first on Stereogum.

  • tellKujira – La lucha es un poema colectivo

    In the often deeply academic world of avant-garde and experimental music, there is a constant, looming danger of
  • “They expect you to fly about like a lunatic because they’re paying what they think is good money. What they get is heart and soul, and total dedication”: Why Kate Bush, David Sylvian, Tim Buckley and John Martyn all loved Danny Thompson

    The late folk-prog bassist’s compendium of collaborations came about through a creativity and commitment that – as he admitted himself – had a dangerous downside
  • Chez Kane / Friday Night Fever And Pure Rock ‘N’ Roll Escapism At The Brickmakers

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk

    Friday night has always been a great time to party, the end of the working week for many, giving the excuse to let their hair down and potentially enjoy a few drinks while they are at it. Certainly, the soundtrack for the evening could not be better, and both Star Circus and headliner Chez Kane do their very best to bring smiles to the faces of every soul present in a way that shows that there is no hype necessary, just good people playing great songs.

    Chez Kane – Star Circus

    The Brickmakers, Norwich – 29 May 2026

    Words: Paul Monkhouse

    Photography: Steve Ritchie

    As part of their current Destiny’s Door UK tour, openers Star Circus have already built up quite the reputation as rising names on the scene, their ability to knock out high-octane and irresistible numbers finding an ever-growing audience.

    Star Circus - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Star Circus – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    There is a confident swagger here that is well justified by the strength of material shown, some technical difficulties threatening to but never derailing the momentum.

    The ballsy Over & Over is a great opener, its big riff and groove setting the tone for everything to come, and Times Get Tough is a gloriously old school slice of premium hard rock that could have been written any time over the last thirty years.

    Coming on like a cross between Thin Lizzy and SAHB, One Hit Wonder again shows the songwriting skills of the band can stretch beyond the cliché-ridden efforts of some around, and Love Is The Enemy dips its toe nicely into more melodic rock territory.

    Star Circus - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Star Circus – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    Alongside singer and guitarist Dave Winkler, bass player Sophie Aurelia Young and drummer Reuben O’Donoghue, new guitarist Joel Chalk has slotted in perfectly, and the twin fretwork during The Wreckage and Destiny’s Door proves to be some of the biggest highlights of the set.

    Forget the outlandish promo and slavish adherence to templates that other acts are pushing, Star Circus are doing their own thing and giving modern rock music the injection of originality, class and excitement that is going to last.

    A band to truly believe in.

    Star Circus - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Star Circus – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    Chez Kane

    Flying in the face of all that the elitist elements in the industry preach, Chez Kane not just survives but thrives, her take on lycra-clad ’80s hard rock unstoppable.

    Given that she has enough energy to light up a large town, possesses one of the finest voices around, and the material is all killer, no filler, it is no wonder that she is lighting up everywhere she plays.

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    There is an honesty here that is born from a genuine love of the music she and the band play, all of it shorn of any cynicism or artfully crafted pretence, and it shows in the infectious way that everyone is drawn in, the whole show more a shared celebration than a performance.

    An antidote to all that is going on in the world, this is escapism at its finest and a way to forget everything outside of the walls of the venue, offering the chance to just smile and move to the music.

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    To write this off as purely good-time music would do Kane and company a disservice, as each number is a perfect slice of melodic rock with more than enough grit to rub pleasingly against the bubblegum rush.

    Adrenaline-soaked numbers like Personal Rock ‘n’ Roll and All Of It are sure-fire party starters and stand nicely alongside the Heart-style power ballad I Just Want You, and there is more than a touch of Vixen in the pneumatic rocker Nationwide.

    Adding an extra bit of muscle, the three guitar attack of Midnight Rendezvous is a beefy punch to the face, and Bodyrock rides that heavy wave with no compromise, perfectly illustrating that the band can certainly lay down something with the ability to crush when they want to. 

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    This is very much Chez Kane’s world, and her ability to embody both strength and sensuality is a superpower that has seen an increasingly large number of female fans back into her gigs. It is a mantle she wears lightly but confidently, in control of her image and the music equally.

    Labelling a run of numbers the steamy part of the set, it is done with equal parts humour and soul that conveys the mood with a feline grace and a real depth of emotion in the storytelling.

    This ability to switch from muscular melodic rock and the seductive show a quality that will develop nicely in time as she sets herself up for the long run, and with writing of the level of Love Gone Wild, Get It On and Tongue Of Love, there is huge promise to come. 

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    Set closers Rocket On The Radio and Powerzone bring the night to a blazing end, and the long queue for the merchandise desk tells its own story.

    The music and image may be something of a throwback to more carefree times, but there is nothing wrong with that, and it could just be the antidote we all need.

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk

    However you look at it, Chez Kane has all she needs to bring the good times and hard rocking gems of the past back to the future. This is a reminder as to exactly why we fell in love with rock ‘n’ roll in the first place. Long may she continue.

    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Star Circus - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Star Circus – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane - The Brickmakers, Norwich - 29 May 2026. Photo: Steve Ritchie/MetalTalk
    Chez Kane – The Brickmakers, Norwich – 29 May 2026. Photo: Steve Ritchie/MetalTalk
    The post Chez Kane / Friday Night Fever And Pure Rock ‘N’ Roll Escapism At The Brickmakers first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Exhibitor Interviews from Brooklyn Independent Comics Showcase 2026: Part 4

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  • Meryl Streek announces new album ‘Stories They Don’t Teach You At School’ – first video streaming now

    Dublin’s fierce one-man punk outfit Meryl Streek has announced his third studio album, Stories They Don’t Teach You At School, set for release on 9th October via Venn Records. To mark the announcement, Streek has unleashed the lead single “Rotten Fruit”, featuring a guest appearance from punk royalty Steve Ignorant of CRASS alongside TROM. The … Continue reading Meryl Streek announces new album ‘Stories They Don’t Teach You At School’ – first video streaming now
  • Live Gallery: Dead Pony – Sheffield

    Live Gallery: Dead Pony – Corporation, Sheffield

    31st May 2025
    Support: Overgrown, Air Drawn Dagger

    Photos: Martin Hingley

    We look back at the epic Dead Pony show through the eyes of our photographer Martin Hingley!

    Dead Pony

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    Overgrown

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    Air Drawn Dagger

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    All photo credits: Martin Hingley Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: Dead Pony – Sheffield appeared first on The Razor's Edge.

  • Live Review: Dead Pony – Sheffield

    Live Review: Dead Pony – Corporation, Sheffield

    31st May 2026
    Support: Overgrown, Air Drawn Dagger

    Words & Photos: Martin Hingley

    With their fresh new EP out last week and a Slam Dunk Festival appearance already under their belts, Dead Pony hit Sheffield’s Corporation on their Eat My Dust UK tour.

    Opening tonight are Sheffield’s own Air Drawn Dagger, inviting everyone in attendance to join the ‘Church Of Dagger.’ With the stage in darkness, intro track Hymn Of The Hag creates an eerie atmosphere before the highly energetic trio burst into life. Vocalist Maisie Manterfield immediately brings the room to life with her blend of clean vocals and growling screams.

    Having built a strong reputation locally, they’re already playing to a healthy crowd and make the most of it. Guitarist Lewis Budden delivers punchy riffs throughout the super-catchy Castle, helping get the venue moving early on. As the set progresses, Maisie raises the intensity further by jumping into the audience during Cadavers and even standing on the venue’s bar before making her way back to the stage.

    It can’t be denied that Air Drawn Dagger are a must-see act on the local circuit. Their infectious choruses and relentless live presence make them feel destined for bigger things over the next few years.

    Photo Credit: Martin Hingley Photography

    Overgrown are up next, bringing some high-quality nu-metal sounds with them all the way from Berwick-upon-Tweed. Backed by flashing strobe lights, the band use complex but effective melodic riffs to create a nostalgic feel, with guitarist Marc Mitchell particularly impressive throughout. These melodies are balanced with heavier old-school 2000s breakdowns and choruses that help carve out the band’s own identity and a very unique sound.

    Complementing the guitars are Callum Der Morsche’s vocals, which intertwine perfectly with the band’s musical approach. Overgrown make the most of their set time, tearing through songs such as Pieces and Mistake before introducing their latest release, Stinking, which is being played live for only the second time tonight. Closing with Breathe, currently their most-streamed track on Spotify, Overgrown prove that the UK’s nu-metal scene, or ‘nu-grunge’ as the band refer to it, is still alive and well.

    Photo Credit: Martin Hingley Photography

    With their intro track blaring through the PA, Dead Pony arrive to huge cheers from a sold-out Corporation crowd. As the band take the stage, guitarist Blair Crichton throws both hands into the air to ramp up an already excited set of fans. Wasting no time, Dead Pony launch straight into new music, with the tour and EP title track Eat My Dust immediately setting the tone for the evening.

    Vocalist Anna Shields moves across the stage with the confidence of a seasoned frontwoman, drawing even more enthusiasm from those packed into the room. Her versatility is one of the key ingredients behind Dead Pony’s reputation as a formidable live act. This is clearly demonstrated when the band cover You Oughta Know by Alanis Morissette, where Shields makes the song her own, showing off her incredible vocals while remaining true to the spirit of the original.There are plenty of moments of interaction throughout the set, from fist bumps with fans to jokes about a keg they’ve ‘been carrying around on tour’ that’s apparently ‘waiting to explode’. Dead Pony clearly value their supporters and make sure everyone in the room feels part of the show.

    As the band reaches its climax with Ignore This, it’s obvious that Dead Pony are the real deal, delivering a hard-hitting and hyper-energetic performance packed with huge hooks and memorable riffs. Giving the audience a choice of final song, the band ultimately decide to celebrate their new EP by reprising Eat My Dust, which receives an even bigger reaction than it did earlier in the evening.

    Based on tonight’s performance, Dead Pony won’t be playing intimate rooms like this for much longer. With songs this strong and a live show to match, larger stages surely await.

    Photo Credit: Martin Hingley Photography

    Photo credits: Martin Hingley

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZOR’S EDGE on facebook, twitter and instagram.

    The post Live Review: Dead Pony – Sheffield appeared first on The Razor's Edge.