Category: news

  • Fear Factory’s Dino Cazares Reaffirms That Reunion with Former Members Will Never Happen

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    Sometimes, you gotta beat a dead horse I guess. At least, that’s what fans are making Dino Cazares, the founding guitarist of Fear Factory, do. He’s spoken on the relationship—or, honestly, the lack thereof—with his former bandmates but apparently, people still won’t just give up on the idea of them coming back together. For what probably feels like the hundredth time for him, our darling Dino took to his Facebook to yesterday, February 28, to address the issue yet again.

    Dino basically said fuck all that noise…:

    “I don’t hold any hatred toward any former members, but to be clear, I will not be working with them again, I’m sure the feeling is mutual. What’s done is done, and that chapter is permanently closed. I’ve moved forward and remain focused on the present and the future. I sincerely hope they have done the same. Respectfully.

    “The only reason I continue addressing this is because fans keep asking. I’ve already moved on and have said that many times. Unfortunately, some people get upset if I don’t answer the question and others get upset when I give an honest answer they don’t want to hear.”

    There’s a bit of history here and it’s all about money, the great relationship ruiner. Back in. 2024, Dino went on the Life is Peachy podcast to explain what led up to the band’s OG singer Burton C. Bell leaving the band back in 2020. As Dino tells it, the other Fear Factory members felt like they were owed much more than what they received.

    “[After] I [came] back with Fear Factory, we released four records. Me and Burton got sued by [former Fear Factory members] Christian [Olde Wolbers, bass] and Raymond [Herrera, drums] for monies owed. We owed them money. I ended up beating my lawsuit against those guys, but Burton ended up losing his lawsuit against those guys and has to pay them a million dollars. So Burton decides to quit the band. And he said a lot of things in the press, like he only did Fear Factory out of necessity, he only did Fear Factory ’cause he needed money, he didn’t believe a lot of the lyrics he was writing, and blah, blah, blah, blah. He said he felt restrained doing Fear Factory, he felt like he was pigeonholed doing Fear Factory. And that’s fine. I ended up winning my lawsuit against the guys, against Raymond and Christian.

    “One of the biggest misconceptions is that people thought that I sued Burton, but that’s not true. It was Raymond and Christian who sued us individually. We had separate lawsuits. They sued us separately so they can get separate money. So if they would have won my lawsuit, I would have had to give them a million dollars. I won my lawsuit against them. I didn’t owe them anything. But, actually, Burton filed for bankruptcy, and when he filed for bankruptcy, he tried to get out of paying those guys. And, unfortunately, he lied in his bankruptcy. That’s a federal offense. Raymond and Christian took him back to court, made him open up the bankruptcy. The bankruptcy was null and void. So Burton had to pay back those guys, and they took all of Burt’s assets. Assets, meaning whatever you own, whether it’s a house, a car, a trademark, copyright, business, so on and so on. They took all that away from him for lying in court.

    “When you go through a bankruptcy, the bankruptcy court sells your assets to try to make money back, to pay back the people you owe money to, so, when I found out that Burton’s assets were up for sale, my lawyer contacted the court of Pennsylvania and said, ‘Hey, look, we’re interested in buying this Fear Factory trademark,’ Burton’s half. At this point, I owned half and Burton owned half. Raymond and Christian did not own the name at all whatsoever. They were only owed money. That’s it. But they didn’t own the trademark. Even though they tried to take the trademark from us and try to find every possible way to do that. ‘Cause that’s what lawyers do, right? They were not successful. So, the bankruptcy court owned Burton’s half of the trademark. They put it up for sale. It’s like eBay. They auction it off. So I had to place a bid if I wanted that trademark. And that’s what I did. I put a bid up. Now, Burton couldn’t buy his own assets back because he already lied in court. It was a federal offense. So he couldn’t buy his assets back. So he didn’t even have the opportunity to do that legally. I figured, ‘Hey, I’m gonna try to buy this name.’ And I wanted to bring Burton and say, ‘Hey, look, I got the name. Let’s just continue.’ So I put a bid up for the trademark. They wanted a lot of money for it. And Raymond and Christian put a bid up for it as well. But eventually I ended up winning the bid, I ended up winning the auction, and I owned Burton’s half of the name, which meant I owned full 100 percent of the trademark of Fear Factory. So I reached out to Burton and I said, ‘Hey, just come back 50-50,’ which I found out technically, even though I bought Burton’s 50 percent of the trademark, I couldn’t give it to him. I couldn’t legally buy it and then give it to him because if I did, then that means I was colluding and buying a name and just giving it to him. It goes against what the court’s orders were. So I couldn’t even do that, but I could pay Burton 50 percent of whatever we earned as Fear Factory. Now there was a problem with that. The problem was Raymond and Christian froze his assets.

    “If Burton would have come back to Fear Factory, whatever he earns from Fear Factory, a percentage of that would have to go to Raymond and Christian to pay back the million of dollars, so Burton didn’t wanna go out there on tour and [be] working his ass off and having to pay those guys a percentage of what he earns on tour. Basically, whatever money is earned from Burton Bell’s name in Fear Factory, that goes to Raymond and Christian. So in other words, if the song ‘Replica’ earns money on Spotify, that money goes to Raymond and Christian’s lawyers. It’s kind of like child support. If you’re a guy having to pay child support, but you happen to be that guy that doesn’t pay his child support, the court can go after your money that you’re earning from your job. They could take a percentage of that money and pay your kids. That’s basically what was happening to Burt. Now, Burt can go get a regular job. Let’s say he went got a job at [McDonald’s]. He wouldn’t have to give him a portion of that money, because that’s not being earned by Fear Factory. I could be wrong. There might be some technicalities where I’m a little wrong, but it’s basically what happened. So, in reality, me playing the Fear Factory songs live goes to pay back Burton’s debt to those guys. But Burton doesn’t see that.”

    “There’s a whole other side to it that fans just don’t know. And I get it. They’re not in this industry. They’re just a fan listening to the songs and they don’t understand how all this works.”

    After hearing this side of it all, it makes sense he doesn’t want any sort of reunion to happen. Once mess gets truly messy, there’s nothing fun about anymore. At the time Dino did this interview, he said this about the potential for it all to (not) happen and honestly, it seemed pretty to the point back then so I can understand why he might wonder why the hell people are still asking him about it now.

    “Listen, sure, it’s easy for all four of us to get together, but it wouldn’t be easy to do business with them, it wouldn’t be easy to write songs with them and it wouldn’t be easy because somebody would have to be in control of that ship and that would be me. Not anybody else. That’s not gonna work. Look what happened to Jane’s Addiction. They got back together. [Laughs] Burton pretty much said, ‘Ah, fuck you, Dino. I’m not coming back. Fuck that. I’m over it.’ So I’m, like, ‘Okay, I’ll do what I normally do. Put a [new version of the] band together and fucking do it.’ It’s not like I haven’t been there before. I still have the fire, the drive, the passion to do this. And I think that’s owed to the Fear Factory fans. The Fear Factory fans wanna hear the Fear Factory songs like they are on the record. They wanna hear the songs. They grew up with those songs, they still listen to those songs, and then when we go out there and play, we’re gonna give it the best that we can do. And it’s pretty fucking good.”

    At least Dino doesn’t harbor any bad feelings. Carrying around negative weight really drags your life down, but at least he just wishes all the best for everyone. But, I will say I do love that lil dig at Jane’s Addiction, just out here catching strays for no reason.

    The post Fear Factory’s Dino Cazares Reaffirms That Reunion with Former Members Will Never Happen appeared first on MetalSucks.

  • New SPITE Set Featured On Audiotree Live Series

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    Audiotree Live on YouTube have just uploaded a brand new set from the Southern Californian death-metal group SPITE.

    The post New SPITE Set Featured On Audiotree Live Series appeared first on Metal Injection.

  • Nipsey Hussle Square Unveiled In LA Seven Years After City Approval

    Seven years ago this month, the South Central LA rapper and philanthropist Nipsey Hussle was shot and killed at age 33 outside Marathon Clothing, the store he opened in Hyde Park. After his death, fans quickly started a petition to rename the nearby intersection of Slauson Avenue and Crenshaw Boulevard of to Nipsey Hussle Square. On the day of Nipsey’s funeral, city council said they’d be going forward with the decision. That finally came to fruition on Saturday.

    The post Nipsey Hussle Square Unveiled In LA Seven Years After City Approval appeared first on Stereogum.

  • Kelly Osbourne Condemns ‘Cruelty’ Shown After 2026 BRIT Awards

    Some viewers have made negative comments about Osbourne's appearance at the 2026 BRIT Awards, prompting her to fire back via Instagram Stories. Continue reading…
  • Rob Zombie Albums Ranked: Every Solo Record From Worst to Best (2026 Update)

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    The Lord of Salem’s Legacy: Sifting Through the Spookshow International

    Ranking Rob Zombie’s solo catalog isn’t nostalgia. It’s an argument.

    For nearly three decades, Rob Zombie has carved out one of the most recognizable identities in heavy music — industrial groove, B-movie horror, grindhouse sleaze, and riffs built for arenas. Since stepping away from White Zombie in 1998, he hasn’t chased trends. He’s doubled down on his own universe.

    The question isn’t whether he’s influential.

    The question is: Which album actually hits hardest from start to finish?

    This ranking isn’t about sales numbers or cultural moments.

    It’s about replay value.

    No skips. No filler. No mercy.

    TL;DR:

    • Educated Horses remains the most divisive entry
    • Hellbilly Deluxe remains the definitive Rob Zombie record
    • The Sinister Urge is his most complete arena statement
    • The Great Satan lands high as a focused return to aggression
    • Venomous Rat Regeneration Vendor is criminally underrated

    The Loaded Radio Perspective

    Ranking Rob Zombie isn’t about nostalgia. It’s about durability.

    Since stepping out of White Zombie’s shadow in 1998, he hasn’t chased radio trends or modern metal shifts. He built his own universe — grindhouse horror, industrial stomp, sleaze-rock groove, and riffs engineered for festival fields.

    Some records are airtight. Some wander. All of them carry his fingerprint.

    This list isn’t about sales.

    It’s about which albums actually rip from track one to the closer without forcing you to reach for the skip button.

    Get Your Rob Zombie 2026 ‘Freaks On Parade’ Tickets Here

    Rob Zombie Albums Ranked: 8 to 1

    8. Educated Horses (2006)

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    The most controversial record in the catalog — and still the hardest to place.

    After years of industrial stomp and carnival chaos, Zombie pivoted into something far more stripped down. The electronics were toned back. The production leaned organic. The horror aesthetic felt less neon and more dust-covered desert.

    “American Witch” absolutely rips. “Let It All Bleed Out” grooves hard. And this marked the true emergence of John 5 as a monstrous creative force in the band.

    But here’s the issue: it lacks that unmistakable spookshow adrenaline. It feels like a transitional record — interesting, occasionally brilliant, but missing that blood-pumping pulse that defines peak Zombie.

    It’s the most mature album.

    It’s also the least explosive.

    Loaded Radio Recommends – Freaks On Parade: Rob Zombie & Marilyn Manson Reunite For 2026 Co-Headlining Tour

    7. Hellbilly Deluxe 2 (2010)

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    This was the comeback-to-form album.

    After the stylistic shift of Educated Horses, Zombie clearly wanted to remind everyone what made the original Hellbilly Deluxe untouchable. The riffs came back thick. The samples returned. The horror carnival atmosphere was fully restored.

    “Jesus Frankenstein” and “Sick Bubblegum” are built for festival crowds. The band sounds tight, rehearsed, confident.

    But here’s the honest take: it sometimes feels like it’s chasing the lightning instead of creating new thunder. It’s strong, consistent, and live-ready — but it doesn’t redefine anything.

    It’s a reliable monster movie sequel.

    And sometimes that’s enough.

    6. The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser (2016)

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    The title is absurd.

    The album is focused.

    Clocking in just over half an hour, this thing is a blast of psychedelic chaos. Produced by Zeuss, it’s packed with twitchy samples, distorted textures, and hyperactive riffing.

    “Well, Everybody’s Fucking in a U.F.O.” is ridiculous — and somehow completely undeniable. The groove swings. The guitar work is frantic. The pacing never drags.

    The only reason it doesn’t rank higher is length. It feels like a fever dream that ends just as you’re settling into it.

    Still, pound-for-pound, it’s one of the tightest entries in the discography.

    5. Venomous Rat Regeneration Vendor (2013)

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    This is the sleeper heavyweight.

    The opening punch of “Dead City Radio and the New Gods of Supertown” alone justifies revisiting this album. It’s aggressive without being cluttered. It sounds hungry.

    The production is thicker. The riffs feel sharper. The band sounds less concerned with aesthetics and more focused on impact.

    This was the moment where Zombie’s partnership with John 5 hit a creative peak — not flashy for the sake of it, but precise and dangerous.

    It doesn’t get talked about enough.

    It probably should.

    4. The Lunar Injection Kool Aid Eclipse Conspiracy (2021)

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    This is the album that proved Zombie still evolves.

    It’s weird. It’s layered. It’s packed with textures — sitars, acoustic interludes, buried samples, strange transitions. But it never forgets the stomp.

    “The Triumph of King Freak” feels like a victory lap. “The Eternal Struggles of the Howling Man” shows he can still craft atmosphere without sacrificing momentum.

    This record rewards repeat listens more than any other in the catalog. There’s detail here. Intent. Experimentation that doesn’t collapse under its own ambition.

    Late-career artists rarely sound this engaged.

    Zombie did.

    3. The Great Satan (2026)

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    This is the most disciplined Zombie record in years.

    Where some past albums leaned into maximalism — layers, samples, chaos — this one tightens the screws. The riffs hit faster. The songs breathe better. The hooks feel deliberate.

    It’s aggressive without being overproduced. Confident without sounding nostalgic.

    There’s a sense of clarity here — like Zombie knows exactly what works in 2026 and trims everything that doesn’t.

    It doesn’t dethrone the classics.

    But it absolutely earns its spot near the top.

    2. The Sinister Urge (2001)

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    The big-budget horror epic.

    If Hellbilly Deluxe was the breakthrough, The Sinister Urge was the coronation. Bigger production. Massive hooks. Orchestral brass. Ozzy Osbourne guesting on “Iron Head.”

    “Feel So Numb” and “Never Gonna Stop” weren’t just singles — they were era-defining heavy radio staples.

    This album feels cinematic. Expansive. Like Zombie had the keys to the kingdom and used every resource available to build a full-blown arena spectacle.

    It’s polished.

    It’s muscular.

    It’s still dangerous.

    1. Hellbilly Deluxe (1998)

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    Still undefeated.

    From the second “Dragula” kicks in, it’s obvious this wasn’t just another solo debut. It was a cultural shift. Industrial pulse fused with 70s heavy groove and horror theatrics that somehow felt both absurd and unstoppable.

    “Living Dead Girl.”
    “Superbeast.”
    “Demonoid Phenomenon.”

    There isn’t a weak stretch.

    Scott Humphrey’s production remains crisp and aggressive decades later. The sequencing is flawless. The momentum never dips.

    Every artist gets one album where everything aligns.

    For Rob Zombie, this was it.

    And it still sounds alive.

    FAQ: Rob Zombie Albums Ranked

    What is the best Rob Zombie solo album?
    Hellbilly Deluxe remains the definitive Rob Zombie album. It’s his most influential, most consistent, and culturally impactful solo release.

    Where does The Great Satan rank among Rob Zombie albums?
    The Great Satan lands in the upper tier of his catalog. It’s widely viewed as a focused, aggressive return that trims excess while keeping the groove intact.

    What is Rob Zombie’s most underrated album?
    Venomous Rat Regeneration Vendor is often overlooked despite containing some of his strongest songwriting and riff work of the 2010s.

    Is Rob Zombie still touring?
    Yes. Rob Zombie continues to tour globally with his long-running live lineup, delivering high-production theatrical performances that remain festival staples.

    Did Rob Zombie reunite White Zombie?
    No. White Zombie disbanded in 1998, and Rob Zombie has repeatedly stated there are no plans for a reunion.

    What are Rob Zombie’s biggest songs?
    “Dragula,” “Living Dead Girl,” “Superbeast,” “Feel So Numb,” and “Never Gonna Stop” remain his most recognizable and enduring tracks.

    How many solo albums has Rob Zombie released?
    Rob Zombie has released eight solo studio albums to date.

    Band Bio: Rob Zombie

    Rob Zombie is one of the most distinctive figures in modern heavy music. Emerging first as the founder and frontman of White Zombie, he helped define the industrial-groove metal explosion of the 1990s before launching a solo career that would eclipse even that success.

    His 1998 debut Hellbilly Deluxe went multi-platinum and established a formula that blended horror-film aesthetics, electronic pulse, classic heavy metal groove, and carnival-level spectacle. Since then, Zombie has built a solo catalog that balances arena-ready hooks with experimental detours, all while maintaining a fiercely recognizable identity.

    Beyond music, Zombie has carved out a parallel career as a filmmaker, directing cult and mainstream horror films including House of 1000 Corpses, The Devil’s Rejects, and reimaginings of Halloween. He remains one of the rare artists to achieve sustained success in both music and cinema.

    With millions of albums sold worldwide and a touring production that rivals any hard rock act on the road, Rob Zombie continues to operate in his own lane — unapologetic, theatrical, and groove-driven.

    The post Rob Zombie Albums Ranked: Every Solo Record From Worst to Best (2026 Update) appeared first on Loaded Radio.

  • THURSDAY And VARIALS Amidst Another Wave Of Artists Added To Warped Tour 2026’s Lineup

    Warped Tour Tease

    The Warped Tour 2026 lineups grew even more lethal with the recent additions of Thursday and Varials.

    The post THURSDAY And VARIALS Amidst Another Wave Of Artists Added To Warped Tour 2026's Lineup appeared first on Metal Injection.

  • Fear Factory Reunion Rumors Surge After Dino Cazares Addresses Former Members

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    Did Dino Cazares Leave The Door Open For A Fear Factory Reunion?

    No. He says he will not work with former members again and that chapter is permanently closed.

    TL;DR

    • Dino Cazares publicly addressed ongoing reunion questions from fans.
    • He confirmed he will not collaborate again with former Fear Factory members.
    • Past lawsuits involving Burton C. Bell, Christian Olde Wolbers and Raymond Herrera deeply fractured the lineup.
    • The current version of Fear Factory is focused on moving forward — not revisiting the past.

    Reunion speculation follows heavy bands like a shadow. It doesn’t matter how many times it’s answered — it resurfaces.

    This week, Dino Cazares confronted it head-on.

    On February 28, he posted a direct statement clarifying that while he holds no hatred toward former members, he will not be working with them again. “What’s done is done,” he wrote. “That chapter is permanently closed. I’ve moved forward and remain focused on the present and the future.”

    He later added that he continues addressing the topic only because fans keep asking — and that people seem upset whether he answers or not.

    That tone matters. It wasn’t hostile. It wasn’t emotional. It was definitive.

    Get Your 2026 Fear Factory Tickets Here

    The Lawsuits That Changed Everything

    The fractures didn’t begin with a social media post.

    In a November 2024 appearance on the Life Is Peachy podcast, Cazares detailed the legal battles that followed the band’s return years earlier.

    After releasing four albums, both Cazares and original vocalist Burton C. Bell were sued individually by former bassist Christian Olde Wolbers and drummer Raymond Herrera over money owed.

    Cazares says he won his case.

    Bell did not.

    According to Cazares, Bell was ordered to pay approximately one million dollars. Bell later filed for bankruptcy in an effort to avoid payment. Cazares alleges false information was presented in that filing, which led to additional court proceedings and the bankruptcy being invalidated. Assets were reportedly seized as a result.

    Cazares also clarified a persistent misconception: he did not sue Bell. Wolbers and Herrera filed separate lawsuits against both him and Bell individually.

    Legal conflict on that scale rarely resolves into creative reconciliation.

    Loaded Radio Recommends – Thrash Metal Titans: The 13 Best Bands of All Time Ranked (2026 Edition)

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    This Isn’t A Nostalgia Cycle

    Industrial metal has seen its share of reunion tours and anniversary cash-ins. The expectation is almost automatic — enough time passes, wounds cool, classic lineups resurface.

    But Cazares’ language signals something different.

    He isn’t framing this as “never say never.”

    He’s framing it as finished.

    And that reframes the narrative around Fear Factory entirely.

    If you’re following the current era of the band, that clarity matters. The focus isn’t backward. It’s on what the band sounds like now — and where it’s headed next.

    If you’ve been riding with the new lineup, you already know the shows aren’t built as tribute sets. They’re built as continuation. You can hear that in the precision and intensity of recent performances — something we’ve kept in rotation on the Loaded Radio stream because the present version of the band deserves that spotlight.

    The Lineup Moving Forward

    Fear Factory’s current configuration includes:

    • Milo Silvestro – Vocals
    • Tony Campos – Bass
    • Pete Webber – Drums
    • Dino Cazares – Guitar

    The band played its first headlining show with Silvestro and Webber on May 5, 2023 at the Whisky A Go Go in West Hollywood.

    That night wasn’t marketed as a reunion.

    It was a reset.

    Closure Without Drama

    What stands out most about Cazares’ recent statement is what it doesn’t contain.

    There’s no name-calling.

    No reopening of wounds.

    No invitation for debate.

    Just a boundary.

    Some fans will always want the chemistry of the 1990s restored. Others believe evolution is survival.

    But at this point, the direction from Cazares is unmistakable.

    The real question isn’t whether a reunion will happen.

    It’s whether fans are ready to embrace what Fear Factory is becoming instead of what it once was.

    Check This Out – The Black Book of Metal: 13 Heavy Metal Scandals That Shook the Music World

    fear factory replica official vi

    FAQ

    Did Dino Cazares sue Burton C. Bell?
    No. According to Cazares, Christian Olde Wolbers and Raymond Herrera sued both him and Bell separately.

    Why did Burton C. Bell leave Fear Factory?
    Following the legal and financial fallout from the lawsuit, Bell exited the band in 2020.

    Is a classic Fear Factory reunion happening?
    Based on Cazares’ latest public statement, he has ruled out working again with former members.

    Who sings for Fear Factory now?
    Milo Silvestro has been the band’s vocalist since 2023.

    About Fear Factory

    Formed in Los Angeles in 1989, Fear Factory helped define industrial metal by fusing mechanical precision with aggressive riffing and dystopian themes. Albums like Soul of a New Machine, Demanufacture, and Obsolete became foundational releases in the genre. While lineup shifts and legal battles have marked different eras, founding guitarist Dino Cazares has remained the band’s central creative force as it enters its current chapter with Milo Silvestro, Tony Campos and Pete Webber.

    The post Fear Factory Reunion Rumors Surge After Dino Cazares Addresses Former Members appeared first on Loaded Radio.