Category: news

  • “Our popularity has gone up massively over the last six or seven years.” With a summer of European festivals ahead, Saxon are happy to fly the flag for British metal

    Well on the way to recovery from the colon cancer that forced cancellations last year, frontman Biff Byford checks in as the Big Teasers From Barnsley continue their summer of festival dates.

    Lightning bolt page divider

    How is your health now?

    I take things day by day, really, but I’m doing okay.

    Saxon have an impressive summer festival season, including Wacken in Germany, Sweden Rock, Denmark’s Copenhell, Rock For People in the Czech Republic, Poland’s Mystic and Maid Of Stone at Bloodstock in the UK. At these big overseas events do you feel conscious of carrying the flag of Saint George?

    [Laughs] Not really. The Saint George’s flag has been stolen a little bit by various people, hasn’t it? We used to, back in the day, but in a way that has changed.

    Apologies if that sounded a bit of a loaded question. But is Saxon’s Englishness in doubt?

    Not at all. We fly the flag for British metal, definitely. We’ve just done one of the big festivals in Germany, Rock Hard. Our popularity has gone up massively over the last six or seven years. We now get a lot of headline spots at festivals.

    To what do you attribute that resurgence?

    Well, we’ve put out some good albums. I think they’ve been quite excellent, really. Social media has also made a big difference. A lot of younger people have got into the band. Younger bands are coming out and saying that Saxon influenced them. Add those two things together and it makes a big difference. Priest and Maiden are doing really great as well, and so would Motörhead if they were still around.

    As a staple of Bloodstock since it was a far smaller, indoor event, Saxon’s association with that festival is well documented. How strong is your connection to Maid Of Stone?

    We did Maid Of Stone before [in 2017] when it was known as Ramblin’ Man Fair. It’s a good little festival with a lot of character. We like it.

    Do you perform pretty much identical setlists at each event?

    No. Certain countries have their favourite songs, don’t ask me why. Crusader is massively popular in Spain and Italy. Also in Spain we have to play our version of Ride Like The Wind [the Christopher Cross song reworked for 1988 album Destiny]. They chant for that one before we go on stage. Poland goes mad for Broken Heroes. Three or four songs will change in the average set.

    We ask because when Saxon played at Ramblin’ Man Fair you walked out on stage and proceeded to eat the setlist.

    I sometimes do that. It depends upon how I’m feeling. I can be very spontaneous.

    You told the crowd: ‘Setlists are tasty.’

    Well they are if made of the right paper.

    Saxon’s twenty-fifth studio album is due in January 2027. What can you tell us about it?

    I got into trouble for giving away the release date, so I must be very careful what I say. I can tell you that it’s finished, and that we have shot two videos. The pre-order date is in September, but I’m not supposed to have told you that.

    How much would we have to pay you to reveal the title?

    I wouldn’t take any money, but you will find out soon. And we will soon be releasing the dates for the next UK tour, which takes place in February.

    Drummer Nigel Glockler has said it’s “a lot more groove-oriented”.

    I don’t think of it that way. But for him [as a drummer] I can see why he might say that. It’s heavier, more than anything. Maybe that’s what Nigel means.

    New guy Brian Tatler always has a bag of riffs. Presumably he was heavily involved once again?

    Yeah. But it’s about equal between what we call the ‘stringers’ – Brian and Doug [Scarratt]. Brian brings a lot to the band. Which isn’t to say that Paul [Quinn] didn’t, but the fans love him and he’s a well-respected guy.

    Paul Quinn retired from the group a couple of years back but has played occasional Saxon-themed shows with former guitarist Graham Oliver. Do you have any thoughts on that?

    Why shouldn’t they do it?

    Well, there was bad blood towards Graham since he was sacked in 1996.

    I don’t really have any problem with Graham any more. He used to do stupid things that smashed the reputation of the band [along with ex-bassist Steve ‘Dobby’ Dawson, Oliver ran ‘rival’ band Oliver-Dawson Saxon]. That’s all over now. I met Graham not too long ago in an airport and we had a chat. I don’t think Paul wanted to retire from music, just the bigger gigs.

    At a show in Hastings it was heartwarming to watch the two old friends blasting out those riffs to a room full of appreciative middle-aged fans. It’s nice to know you don’t condemn it.

    Really, it’s fine. As long as we’re sensible and don’t start using logos, there’s room for everybody.

    Saxon are currently playing festivals in Europe, and will appear at Maid Of Stone on July 18 and Bloodstock on August 6. The UK and Ireland Gods Of Thunder tour will take place in February 2027. For full dates and tickets, visit the Saxon website.

  • Expellow release new single with video “Ten Of Swords”

    Swiss metalcore band Expellow have just released a new sigle with video titled “Ten Of Swords“. The song is about being trapped in a seemingly endless loop of negativity and therefore failing again and again in life. Ultimately, breaking out of the spiral succeeds by becoming aware of one’s own (controllable) part in the situation and taking back control. 

    Lead singer Mik Dean stated:

    The fundamental theme of the lyrics is agency, meaning having decision-making power / control over your own life, or rather over your own fate. I deliberately built an arc (a developmental arc) into the lyrics, which we also brought to life in the music video; for the spoken part “I refuse to accept my fate”, which comes once after the first verse and once right at the end, we wanted to convey two different moods; the first time, the part is more aggressive, it is a refusal, a rejection of one’s own fate, based on a certain ignorance of the “full picture”, which includes one’s own misconduct. The second rendition was meant to be deliberately calmer, more self-assured, in order to capture the development and the insight that preceded it.

    From my own experience, I know that in negative phases of life one is often tempted to look for blame everywhere except in oneself; yet we often don’t realise how much this behaviour ultimately prevents us from growing and getting out of the bad situations. There is always something, even if it’s only our mindset, over which we retain control, where we can influence how things go on, and it is absolutely crucial that we don’t lose sight of that, no matter where we currently stand in our lives.

    Ultimately, the song / the clip shows two ways of not accepting your fate: on the one hand, rejection through pure ignorance without the will to actually change something actively, and on the other hand, rejection combined with the will to put in the necessary work to effectively change something and move from passivity back into action.

    The post Expellow release new single with video “Ten Of Swords” first appeared on FemMetal – Goddesses of Metal.

  • Anthrax Premiere New Single & Music Video “The Edge Of Perfection” From Upcoming New Album “Cursum Perficio”

    “The Edge Of Perfection” has been chosen as the second single from Anthrax’s long-awaited new studio album, “Cursum Perficio“. The East Coast thrash metal veterans have now unveiled the track alongside a haunting Jeff Harlow-directed music video that appears to contain an unexpected twist. “Cursum Perficio” marks Anthrax’s first new full-len… Read More/Discuss on Metal Underground.com
  • Reminitions Premiere New Single & Music Video “12 Gauge Facial” From Upcoming New EP “Death Cult”

    Southern Californian deathcore outfit Reminitions have been revealed as the newest signing to Seek And Strike. The band will release their upcoming EP “Death Cult” through the label on September 04th. The four-track release campaign has now officially begun with the arrival of the EP’s opening song, “12 Gauge Facial“. A Rohan Akira-directed … Read More/Discuss on Metal Underground.com
  • Miss May I Premiere New Single & Music Video “Sanctuary” From Upcoming New Album “No Place For Me”

    Metalcore outfit Miss May I have joined forces with Solid State Records for the release of their upcoming eighth studio album, “No Place For Me“. The record is set to arrive on October 02nd, with the band now unveiling a new single titled “Sanctuary“. Garrett Drake and Josh Hart co-directed the music video accompanying the track. M… Read More/Discuss on Metal Underground.com
  • New Single ‘Reading Keats In Byron Bay’ Released By PHIL JAMIESON Ahead Of Aussie Tour

    An effervescent outing, laden with crunchy guitars and creamy melodies, today beloved Australian singer and songwriter Phil Jamieson unveils his new single Reading Keats In Byron Bay, a third cut taken from his forthcoming sophomore full-length album 10CHARLIE officially set for release on August 14, and continues to be celebrated throughout 2026 while Phil takes his extensive PJ […]
  • Slaughter To Prevail’s Alex Terrible Premieres Cover Of The Cranberries’ “Zombie”

    Russian deathcore vocalist Alex Terrible of Slaughter To Prevail has shared his own vocal-driven cover of The Cranberries' iconic 1994 hit "Zombie". The classic Irish protest anthem has seen numerous reinterpretations over the years, most notably Bad Wolves' 2018 version, which achieved 3x platinum certification in June 2023. Rather than embrac… Read More/Discuss on Metal Underground.com
  • Southpaw FLHC Premiere New Single & Music Video “Nail In The Coffin”

    Hardcore outfit Southpaw FLHC have premiered their new single “Nail In The Coffin.” The track arrives alongside an official music video and will appear on the band's forthcoming album “The Standard,” due out July 31st. Frontman Daryn LaMontagne shared the following about the meaning behind the song: Read More/Discuss on Metal Underground.com