Some German thrash metal certainly set the standard for various bands, and Swedish thrashers Eternal Evil are one of them. Founded in 2019, the band is launching their newest album, “Forever Feared”, which is their third full-length release. Hailing from Stockholm, the band delivers raging thrash metal with references to bands such as Kreator, Paradox,… Continue Reading →

Lynch .

The post Lynch Mob unveil video for Dokken track “It’s Not Love” from new live album ‘The Final Ride – Live’ first appeared on Sleaze Roxx.

(EN) Every month, Still in Rock publishes a playlist with the best of Monday’s Delusions articles. Here is the one for May 2026. // (FR) Chaque mois, Still in Rock sort une playlist avec le meilleur des articles Delusions publiés chaque lundi matin. Voici celle de mai 2026.

The post PLAYLIST Still in Rock – May 2026 appeared first on Still in Rock.

Greta .

The post Greta Van Fleet share video for new single “Play Your Games” first appeared on Sleaze Roxx.

The realization hit somewhere in the middle of Ikana’s recent homecoming show in San Diego. The room already moved like people understood something bigger was happening. Bodies crashed into each other in the pit while others (including me) screamed every word back toward the stage, completely locked into the moment. It did not feel like watching a band still trying to figure themselves out. It felt like watching a band people are only now starting to catch up to.

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Made up of Jake Davis on lead vocals, Christian Nguyen on lead guitar, Robert Figueroa on rhythm guitar and vocals, Mario J. Rivera on bass and vocals, and Josh Charfauros on drums, Ikana describe themselves as a band shaped by multiple individual influences, with each member bringing something different into the writing process. “We’re a band that has many different individual influences, and we all get an opportunity to let those influences show themselves in our songs. We pull a lot of inspiration from pop punk, emo, and post-hardcore.”

Part of what makes the band stand out is presence. Jake Davis’ vocals cut through the noise in a way that is immediately identifiable. In a scene full of influence and imitation, that kind of sonic identity is rare. It is the kind of voice you do not need to second guess, the kind you could pick out instantly in a lineup.

What stands out is how unforced everything feels. The emotional weight in their music is not manufactured. A band member states that “writing emotionally charged songs is just kind of something that happens naturally, and wasn’t something we deliberately chose. We focus more on the quality and authenticity of what we’re releasing. It’s truly humbling when people connect with our art.”

That honesty is a major reason songs like Colorblind land so quickly with listeners. The band wrote it during what they describe as a pivotal and stressful. “Colorblind is a song that we wrote during a very pivotal and stressful time for us in the band. That song means so much to us. It’s a song that symbolizes resilience for us, and was the song that gave us a much needed push to keep moving.”

That same energy carries directly into their live shows. There is constant movement, but also a clear sense of connection between the band members on stage. “Performing on stage is our favorite thing to do plain and simple,” they stated. “We are very aware how lucky we are, to have all of us on the same page with where we want to go with our band. When you have a group of bandmates that are ‘all in’ it brings a confidence to everything you do, especially performing. You get an experience seeing us live you could never get from the records.”

What makes Ikana especially interesting right now is that they are beginning to outgrow the underground label. They describe their trajectory as a slow burn. “We’ve been a band for a while now. It’s been a slow burn. But with this slow burn, we’ve had the opportunity to make die hard fans, really convince people through our live shows, and marketing ourselves on social media with content we think is high quality and have pride in. Opening for The Used in 2025 really changed the way people view us, and we have been taken more seriously since then.”

Now, the band is focused on finishing a new batch of songs for an upcoming EP while preparing for their next tour.

When asked if they had a message for fans, the band’s answer reflected the same sense of gratitude and connection that runs through both their music and live shows. “Thank you so much to everyone that supports us and enjoys our music. Without you, this opportunity to play music, even in this earlier stage of our journey, wouldn’t be possible. Please come to a live show, and forget about all of the things that bring your life stress for a few hours. We’re all here for the same reason, to connect with other humans and play music!”

Maybe that is what makes Ikana feel different. Not urgency, not hype, not branding. Just consistency, intention, and emotional weight that translates both on and off the stage.

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Blues Rock Weekly highlights Billy F. Gibbons teaming up with Keith Urban, plus new music from Samantha Fish and Robert Jon and the Wreck.

The post Blues Rock Weekly – May 29, 2026 appeared first on Blues Rock Review.

Death Angel are set to release something very special for the 10th anniversary of The Evil Divide.

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