Category: news
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Review SLAUGHTERDAY “Dread Emperor”
Slaughterday has gradually become one of the most influential German death metal bands. Founded in 2010 by Jens Finger and Bernd Reiners, the band is launching its sixth album. “Dread Emperor” is the duo’s latest impressive release. “Dread Emperor” features ten new songs from the duo. The northern German metal force kick off the album… Continue Reading → -
Bob Catley Puts Out Geographically Puzzling Live Album
Last year saw an impressive reissue programme of Bob Catley‘s solo albums – impressive not only in sonic terms but also in terms of artwork that got replaced in favor of Rodney Matthews’s fantastic creations the singer’s been associated with … Continue reading
The post Bob Catley Puts Out Geographically Puzzling Live Album appeared first on DMME.net.
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Karnivool Crack the Number 1
It’s been thirteen years, but the fans haven’t forgotten Karnivool.
In Verses, the first album for the mighty proggers since 2013, has debutted instantly at #1 on the ARIA Charts, also taking the #1 Aus Album and #1 vinyl release positions. It’s an awesome result not just for the band, but for Australian rock and metal in general!
PIC: Kane Hibberd
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Segression Rise Again
Groove metal giants Segression have announced a return in their 30th anniversary year.
After drip-feeding all their old releases onto digital platforms over the past few months – including 1995’s Rise From Darkness, released under their original name Eezee – the band has announced a return to the stage at a special event in Sydney in May.
The show at Marrickville Bowlo will feature an acoustic set, a Q&A session and then a full metal performance. Tickets will go on sale from February 21.
Segression is also teasing further touring to mark their 30th year.
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HEAVY AUSSIE CONTENT DIGIMAG #254
VIEW HEAVY AUSTRALIAN CONTENT DIGIMAG #254 HERE VIEW HEAVY AUSTRALIAN CONTENT DIGIMAG #254 HERE -
Peeling Back The Layers With SOUND AFFLICTION
Brisbane rock outfit Sound Affliction are proud to release their debut album, Behind The Walls, available now via Australia’s only independent rock music label XMusic. The band comment “Behind The Walls is a cumulation of several years of hard work, writing, recording and performing songs we love. It features a diverse range of songs but […] -
Richard Barbieri Yearns For The Past And Years To Come
“After two years of writing mostly rubbish, quite suddenly the music, themes and visuals fell into place”: this is how Richard Barbieri describes the road to his forthcoming record, the British soundmeister’s first offering in half a decade that passed … Continue reading
The post Richard Barbieri Yearns For The Past And Years To Come appeared first on DMME.net.
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“Dark Devotion Dressed in Black” — Vancouver Post-Punk Outfit Actors Share Rebellious Rallying Cry “CTRL”
dark devotion dressed in black
flooded streets drown in your regret
between the teeth of misery
the hunger takes a hold of meA small square of plastic on your keyboard becomes a song, and ACTORS treat it like a match you strike for light…or a smoke. CTRL lands as their first single of the year, a muscular four-on-the-floor banger that shoves the band’s familiar colours further into the red, where warnings blink, and bodies keep moving anyway.
There’s a private joke in that title. Everyone knows the key: the one you press when you mean business, when you mean shortcuts, when you mean to undo the thing you just did with confidence. Dance music has always loved a good command. Here, the command misbehaves. The hook arrives with the clean certainty of a road sign; your feet obey before your brain files the paperwork.
Call it dark disco if you like; call it a dancefloor temptress with sharp cheekbones. The track brings Depeche Mode’s leather poise to mind, the Bootblacks’ late-night glow, the Human League’s pop nerve, and those early Simple Minds records that sounded like they’d landed in a new city and immediately got lost in it. Guitar licks flash through the synths like a grin in a crowded room: quick, telling, gone.
“Our first single of 2026 is a rally cry, a reaction to a world spinning out of control,” says Jason Corbett. “Being true to yourself is an act of resistance.”
That line reads like it belongs on a poster, and maybe it should. The song itself keeps it more personal: longing tightened, memory erased, regret ankle-deep in flooded streets. Devotion dressed in black, misery with teeth. The refrain circles back again and again, a little mantra for anyone who has stared at the ceiling and wondered who’s holding the remote.
If the world won’t offer CTRL+Z, ACTORS offer four minutes of motion, a clean exit, and a sly smile tonight.
Listen to CTRL below and order the single here.
Corbett handles the whole operation: writing, producing, mixing, mastering, at Jacknife Sound in Vancouver, working with a Bowie-sized confidence and a craftsman’s patience. The result sits comfortably beside The Soft Moon and Cold Cave, with enough nostalgia to feel familiar and enough snap to feel current.
ACTORS have earned their legs the hard way, touring the USA, Canada, and Europe, turning clubs into temporary nations. Festival stamps on the passport include Amphifest, Wave-Gotik-Treffen, Cold Waves, Substance, Death Disco, Verboden, and plenty of unnamed rooms where the lights go low and the night gives up its secrets.
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The post “Dark Devotion Dressed in Black” — Vancouver Post-Punk Outfit Actors Share Rebellious Rallying Cry “CTRL” appeared first on Post-Punk.com.
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H.E.A.T and HITTEN Together Again!
Attention Murcia! Swedish hard rock band H.E.A.T is coming to the city on March 12, 2026 as part of their Welcome to the Future Tour, offering fans a chance to experience a spectacular live show. The concert will take place at Sala Mamba!.
Joining the Swedes will be HITTEN, the local band from Murcia that has become one of Spain’s most solid names in heavy and hard rock. Their energy and powerful riffs will be the perfect warm-up for a night full of melodies and intensity.
Formed in Stockholm in 2007, H.E.A.T has earned a prominent place in the international melodic hard rock scene with a combination of memorable choruses, sharp guitars, and standout keyboards. With Kenny Leckremo back on vocals, the band is in a phase of full creativity and live energy, performing both classics and recent tracks.
🎟️ Tickets: now available at Madness Live, with advance prices of €35 and €40 at the door. Please note that under-16s must be accompanied by an adult.
Don’t miss a night of intense hard rock, unforgettable melodies, and a performance that only H.E.A.T, together with local band HITTEN, can deliver. Murcia is ready for an unforgettable and high-energy evening.
Tickets: https://www.madnesslive.es/es/conciertos-en-murcia/1889-comprar-entrada-heat-hitten-murcia.html
Listen to Heat: https://open.spotify.com/artist/7M4PCSo5DDasGginrPHSDd?si=8mlp7oJ3RvqnsEIzd4mgGA
Listen to Hitten: https://open.spotify.com/artist/78LVpk0xhPtf6ptfZjaw5h?si=miW9tfB9Tz-NxxpN7ByLaA
The post H.E.A.T and HITTEN Together Again! first appeared on FemMetal – Goddesses of Metal.
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Berlin Duo Her Absence Fill The World (HAFTW) Revives “Dead Hands” in Haunting New Form
There are moments on our small, turning planet when two people gather their histories and convert them into air that trembles. In Berlin, that long crossroads of language, loss, and late-night light, Her Absence Fill The World steps forward again with Dead Hands II, a renewed meditation drawn from their first version of the song in 2022.
Founded in the restless precincts of Neukölln, Kubi Öztürk and Sascha Kimel call their approach Neue Türkische Welle, a phrase that carries geography inside it. Since their formation, they have released two EPs and carried their songs into rooms filled with strangers who leave altered in quiet ways.
The original Dead Hands now turns three years old. Anniversaries are forms of orbit; the body returns to a point in space, yet it is never the same body. Dead Hands II is less a revision than a reframing. The vocal line rises with a fragile steadiness, moving between a solitary voice and a gathered choir. The lead hovers in a register that suggests lullaby and lament at once, a tenderness held with care. There are echoes of artists who have stood alone before vast audiences: Sinéad O’Connor, PJ Harvey, Chrystabell, Zola Jesus, yet the resemblance is atmospheric rather than imitative, like distant constellations sharing a hue.
The arrangement opens space around the voice. Notes arrive with patience as harmonies bloom and recede. There is a sense of distance measured in memory. The duo seems intent on examining the gap between who they were when the song first appeared and who they are now. Identity, after all, is not fixed; it evolves, as stars evolve, through pressures both internal and immense.
To revive a song is to admit that time has altered it. The past self and the present self rarely align perfectly. In this new iteration, the piece feels illuminated from a different angle. What once may have seemed singular now appears plural: two artists, two histories, two vantage points. Even between them, there is a subtle tension—creative, careful—like the gravitational pull between bodies that neither collide nor drift apart.
Listening to Dead Hands II, one senses that longing can be luminous without spectacle. It can move with quiet resolve. It can be sung softly and still travel great distances. In the end, the song offers continuity and suggests that we are, each of us, revised by time, our voices deepened, our harmonies broadened, our earlier selves still audible.
Listen to Dead Hands II below and order the single here.
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The post Berlin Duo Her Absence Fill The World (HAFTW) Revives “Dead Hands” in Haunting New Form appeared first on Post-Punk.com.
