Category: news

  • ANVIL – Pounding The Past 2026 North America Tour | Dates, Cities & Venues Listed

    ANVIL Pounding The Past 2026 – Tour Dates With Midnite Hellion As Support:

    June 03 – Syracuse, NY – The Song & Dance
    June 04 – Lakewood, OH – The Foundry
    June 05 – Chicago, IL – WC Social Club
    June 06 – St Louis, MO – Off Broadway
    June 07 – Lawrence, KS – Bottleneck
    June 10 – Austin, TX – Come And Take It Live
    June 12 – El Paso, TX – Rockhouse
    June 13 – Tucson, AZ – Club Congress
    June 14 – Las Vegas, NV – The Tuscanny
    June 17 – San Diego, CA – Brick By Brick
    June 18 – Los Angeles, CA – The Moroccan Lounge
    June 19 – Palmdale, CA – Transplants Brewing
    June 20 – Santa Rosa, CA – Arlene Francis Center
    June 21 – Sacramento, CA – Cafe Colonial
    June 24 – Portland, OR – Dante’s
    June 25 – Seattle, WA – El Corazon
    June 26 – Chilliwack, BC – The Chill House
    June 27 – Vancouver, BC – Astoria
    June 28 – Victoria, BC – The Phoenix
    July 01 – Calgary, AB – Palomino
    July 02 – Edmonton, AB – The Dive Bar
    July 03 – Saskatoon, SK – Black Cat Tavern
    July 05 – Winnipeg, MB – The Park Theatre
    July 08 – Minneapolis, MN – 7th St Entry
    July 09 – Madison, WI – Crucible
    July 10 – Indianapolis, IN – Black Circle
    July 11 – Toledo, OH – Frankies Inner-City

    Info: https://anviltour.com/

  • Swedish Thrashers DEAD SLEEP Release New Single and Music Video for “Children of the Blade”

    Swedish thrash metal band Dead Sleep release a new single and music video for “Children of the Blade”, taken from their forthcoming EP Repulsion, due out June 26, 2026. Following the release of the title track “Repulsion”, the band continues the rollout of the EP with their second single, “Children of the Blade”: https://www.youtube.com/watch?v=xb-jzq9gXu8 The song “Children of the Blade” is musically a merge between […]

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  • AT THE GATES – New album out now; “In Dark Distortion” video launched!

    Swedish melodic death metal pioneers At The Gates are releasing their new studio album “The Ghost of a Future Dead”, worldwide today via Century Media Records. The follow-up to 2021’s wildly adventurous “The Nightmare of Being”, this upcoming At The Gates album “The Ghost of a Future Dead” marks a special tribute to frontman Tomas Lindberg, who tragically […]

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  • “I really wanted to help. But if I’m honest I was just crap. I couldn’t pull it off”: It Bites ex Francis Dunnery abandoned Asia after one show. He’s stopped trying to please everybody

    Robert Plant and Santana collaborator reveals complaints about his recent DVDs, the possibility of revisiting his 80s heyday, and why it was time to explore his difficult childhood on new album England’s Tales Of The Council House Kid
  • ALBUM REVIEW: Confess – Metalmorphosis

    Sweden’s sleaze/metal stalwarts Confess are back with their fourth studio album, ‘Metalmorphosis’, set for release on May 15, 2026, via Frontiers Music Srl. To give a taste of what’s to come, the band unleashed the first single ‘Wicked Temptations’ last month, along with an official video. As the band themselves said: ‘Wicked Temptations’ can be described as a classic Confess anthem. It’s a song about releasing the inner animal and just “Go for it!”

    But how is the rest of the album? Let’s dig in and find out…

    Swedish sleaze-metal outfit Confess return with their fourth full-length Metalmorphosis, and if ever there was a record title that nailed its own intent, this is it. This is not a cautious step forward but a full-on reshaping of the band’s identity—still rooted in grit and attitude, but now sharpened, polished, and engineered for bigger stages. Mixed and mastered by Erik Mårtensson of Eclipse, the sound has been elevated without sanding off the band’s trademark bite.

    The album opens with ‘Colorvision’, a punchy statement that immediately signals the expanded scope of the record. There’s a glossy edge to the production, but the riffing still carries that Stockholm Sleaze feel with a Metal sting, setting up a record that wants both hooks and heaviness in equal measure. It’s followed by ‘The Warriors’, which leans harder into anthemic territory and sounds more Motley Crue than that band has in years—with a big, stomping rhythm and a chorus clearly built for shouted live crowds to revel in.

    ‘Wicked Temptations’ sees Confess at their most dangerously melodic, threading sharp guitar lines through a chorus that sticks far longer than it has any right to. Then comes the title track ‘Metalmorphosis’, and this is where the album truly locks in its identity. After a gentle opening it just bursts forth fully formed and rocking. It’s anthem of a song—with a nice heaviness, arena-sized vocal delivery, and a pace that just sweeps you up. I love the keyboard flourishes underpinning the start of teh solo too!

    Frontman John Elliot—also known for his work with Crashdïet—delivers one of his most controlled yet commanding performances across the record. His voice sits right at the intersection of Sleaze and Hard Rock sophistication, especially on tracks like ‘Beat Of My Heart’, which pushes further into commercial Melodic Rock without losing its edge. The rhythm section of Samuel Samael and Lucky keeps everything grounded, while guitarists Ludwig Nordlander and Asser Hakala constantly balance the dynamic range between shred and atmosphere.

    Later highlights like the Power Metal flourish of the tale of ‘Pursuit Of The Jenny Haniver’ (go on look it up) and the contrast of the hugely commercial Hard Rock of  ‘The Other Side’ which shows the band has a huge depth to their songwriting. This is becoming a classic. The final run—led by the fiery Priest-like rocker ‘Running To My Death’, is incredible, and as solid as the opening run. ‘Plague Of Steel’, another favourite gets cinematic again and balances the heavier attack with the album’s lushest melodies. It works so well.

    Closer ‘Silvermalen’—brings the album home with a sweeping cinematic soundscape, a tale of conquest and battle, it’s  a song that reinforces the idea that Metalmorphosis is as much about evolution as it is about expectation. By the end of teh record, Confess sound like a band that has fully embraced expansion without abandoning their core identity. It’s sleaze-metal with ambition, polish with bite. It’s confidence without compromise—exactly the kind of statement record that separates survivors from contenders.

    Confess has an already impressive back catalogue and this may well be their best yet.

    9/10

    “Metalmorphosis” Tracklist: 1. Colorvision | 2. The Warriors | 3. Wicked Temptations | 4. Metalmorphosis | 5. Beat Of My Heart | 6. Pursuit Of The Jenny Haniver | 7. The Other Side | 8. Running To My Death | 9. Plague Of Steel | 10. Silvermalen

    Line Up: John Elliot – Vocals | Samuel Samael – Drums | Ludwig Nordlander – Guitars | Asser Hakala – Guitars | Lucky – Bass

    Follow CONFESS: Website | Facebook | Instagram

    The post ALBUM REVIEW: Confess – Metalmorphosis appeared first on The Rockpit.

  • Zara Larsson’s Pop Career Had Stalled. But a Big Second Act Awaited.

    The Swedish singer spent a decade toiling outside the spotlight. But a PinkPantheress remix, a rainbow-streaked dolphin and an ability to roll with the punches brought her back.
  • How Nieves González’s Painting of Lily Allen Made Her Famous

    Nieves González, a 29-year-old painter, once worked in relative obscurity in Andalusia. Her picture of the British singer Lily Allen changed that.
  • BRICK BRISCOE – Found Footage

    BRICK BRISCOE – Found Footage

    Brick Briscoe 2026 Digging into the depths of existential dramas, a Hoosier singer-songwriter discovers wondrously moving, and often optimistic, details behind the veil of sorrow. Brick Briscoe may reside in Indiana, but all of his albums contain songs whose titles … Continue reading

    The post BRICK BRISCOE – Found Footage appeared first on DMME.net.

  • SULPHUR AND MERCURY – Traditional Heavy Metal Stalwarts, Featuring Misery Index’s Jason Netherton, Reveal “Sulphur Eternal” Single

    Traditional heavy metal force SULPHUR AND MERCURY unveil their new single “Sulphur Eternal”, marking another step forward in the band’s evolving path.

    Built upon their unmistakable foundation of occult-tinged classic metal, the track carries a renewed sense of purpose, shaped by the band’s reconfigured line-up and a sharpened creative direction.

    “Sulphur Eternal” blends brooding atmospheres with riff-driven intensity, drawing from the spirit of late ’80s heavy metal while forging a distinct identity. The result is a dark, immersive composition that balances melody, weight, and arcane mood, reaffirming SULPHUR AND MERCURY as a compelling force for those drawn to the more esoteric side of traditional metal.

    The band comments:

    “‘Sulphur Eternal’ is our anthem – an unabashed affirmation of our dedication to the trade and task of sonic metallurgy. We wanted to make a triumphant ode to the classics of metal’s yesteryear, but also a song we could call ‘our own’ – a battle cry of sorts. Melodic passages and exultant choruses combine to make it an instant call to arms. Under the fist of Mercury, the sulphur legions unite!”.

    YouTubehttps://youtu.be/psvLHPXSVNI

    Streaminghttps://ffm.to/sulphur-and-mercury-sulphur-eternal

    SULPHUR AND MERCURY:

    https://sulphurandmercury.bandcamp.com

    https://www.facebook.com/sulphurandmercury

    https://www.instagram.com/sulphurandmercury1987/

    Time To Kill Records:

    https://timetokillrecords.bandcamp.com/

    https://www.instagram.com/timetokillrecords/

    https://www.facebook.com/timetokillrecords/

    https://timetokillrecords.com/

  • Review VENOM “Into Oblivion”

    Venom are certainly one of the most influential bands in heavy metal. They set the standard for raw and devilish metal with their first albums, which are now considered classics. Albums like “Welcome to Hell” and “At War with Satan” defined a whole new genre, which was also given a name with the “Black Metal”… Continue Reading →