Category: news
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Out Now: CREMATORY Releases Greatest Hits Album “English Hymns & Deutsche Hymnen”!
German gothic metal pioneers CREMATORY release their much-awaited “Greatest Hits” album, “English Hymns & Deutsche Hymnen”, today via ROAR – A Division Of Reigning Phoenix Music. The compilation celebrates 35 years of the band’s career and brings together CREMATORY’s most iconic tracks and milestones, offering a retrospective journey through decades of their impressive history. At the same time, the band is currently on tour, performing fan […] -
VANAHEIM – release new single & lyric video “Eendracht Maakt Macht”
Vanaheim, an international storytelling caravan, has its roots in the land of the far sight, namely the Netherlands, in the city of Tilburg. Since their founding in 2015, the quintet has been on an everlasting journey through foreign lands, to spread folktales of their own. Today, Vanaheim release their new single and lyric video for the song […] -
“I think that losing a parent as a child had an adverse effect. There was this melancholy, a sadness that never really went away.” How a profound loss informed Alter Bridge frontman Myles Kennedy’s solo album Year of the Tiger
The Alter Bridge and Slash frontman channeled a childhood tragedy into his emotionally raw 2018 solo debut album -
Melbourne guitarist/singer-songwriter KATHLEEN HALLORAN Brings Her Debut Album ‘Nobody’s Baby’ to Mojo’s Bar, Fremantle This Wednesday!
Kate Halloran – Photo: Hunter Brothers Media Melbourne guitarist and singer-songwriter Kathleen Halloran will bring her debut album Nobody’s Baby to Mojo’s Bar, Fremantle this week for a special intimate solo performance as part of her first national headline tour.
After years earning a reputation as one of Australia’s most formidable live guitarists – including touring and performing alongside some of the country’s most respected artists – Halloran now steps forward with a powerful body of work that blends blues-soaked rock, raw vulnerability and fearless musicianship. Check out our review of ‘Free Like Me’ Single Launch
In this rare solo setting, audiences will experience the songs in their most personal form — voice, guitar and story. Featuring music from Nobody’s Baby including “Wolves Like You”, “Free With Me”, “Showstopper” and the title track, the Fremantle show offers a closer look at the song-writing behind the record.
Click on image for album details Halloran’s live performances have drawn praise for their intensity, emotion and commanding guitar work, with recent appearances, including the Roar Festival, continuing to cement her reputation as one of Australia’s most exciting rising artists. Known for balancing grit, soul and electrifying musicianship, Kathleen Halloran’s Mojo’s Bar appearance promises an unforgettable night inside one of Fremantle’s most iconic live music venues.
Purchase HERE or head to our Facebook page for a chance to win a pair of tickets for this Wednesday’s show.
For more info visit https://www.kathleenhalloran.com/
The post Melbourne guitarist/singer-songwriter KATHLEEN HALLORAN Brings Her Debut Album ‘Nobody’s Baby’ to Mojo’s Bar, Fremantle This Wednesday! appeared first on The Rockpit.
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Reetoxa War Killer Review
Reetoxa War Killer Review
“War Killer” kicks off with a powerful introduction. The song features heavy guitars and an atmosphere reminiscent of hard rock from the 70s and 80s. Immediately, the energy of the music captures attention, setting the stage for a dynamic experience.
The chorus, which repeats the phrase “War Killer,” sticks in your mind. This memorable hook draws listeners in, making it difficult to shake off the melody. The song possesses a dystopian feel, evoking thoughts of political interactions, particularly the unprecedented meeting between Donald Trump and Kim Jong-un.
What once appeared to be an unyielding global conflict transforms into a seemingly different front. The lyrics engage listeners on a deeper level, encouraging the awakening of awareness about social issues. This element makes the track resonate with listeners seeking more than just entertainment.
War Killer – Sound and Atmosphere
Musically, “War Killer” holds strong influences from icons like Alice Cooper and Black Sabbath. These inspirations manifest through gritty guitar riffs and energetic rhythms. Each note and lyrical phrase builds an undeniable connection to the rock genre’s rich history.
This track is not just a tribute; it stands firmly on its own. Reetoxa carries the torch forward with pure rock, stripped of any unnecessary embellishment. Jason McKee, the band’s driving force, shines in this composition. His collaboration with producer Simon Moro results in a polished yet raw production that enhances the song’s intensity.
The instrumentation is tightly executed, with guitars soaring over a relentless drumbeat. This combination ensures that the energy remains high throughout the song.
War Killer – Performance and Production
The song’s production quality helps highlight its strengths. Each instrument is clearly defined, allowing the listener to appreciate the complexity of the arrangement. The balanced mix ensures that every element contributes to the overall explosive nature of the track.
The antithesis of dry rhetoric, the track demands an emotional response. It prompts physical reactions, such as raising your fist in the air, connecting listeners to the energetic spirit of rock. It’s a call to action, unifying listeners under the banner of pure, unfiltered music.
“War Killer” stands as a bold statement in Reetoxa’s repertoire. The commitment to rock music is evident, tied closely to its roots while managing to feel fresh. This balance creates an engaging atmosphere that invites multiple listens.
As an embodiment of rock’s timeless appeal, the song acts as a reminder of the genre’s power. It has the capacity to inspire thought and evoke feelings. In this way, Reetoxa showcases their ability to produce material that resonates deeply with fans.
“War Killer” expertly combines heavy rock influences with contemporary themes, creating a song that is relevant and enjoyable. Reetoxa, with the help of McKee and Moro, delivers a powerful track that deserves recognition in today’s music landscape.
Powerful
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If you love this music: Discover More
For fans of:
Alice Cooper • Black Sabbath
The post Reetoxa War Killer Review appeared first on Edgar Allan Poets – Noir Rock Band.
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OpCritical Doing Fine Review
OpCritical Doing Fine Review
The song begins with a riff that transports listeners back to the 1990s. It embodies the raw energy and grit of rock and grunge music. The atmosphere created is enveloping, drawing you in from the very first note. An intense, tribal rhythm takes over, making it nearly impossible to remain still. The song develops into something that feels urgent and hypnotic.
This melody captures attention right away. It unfolds like a nursery rhyme, odd and gripping. The catchy nature of the tune lingers, making it a memorable experience. Influences from bands like Nirvana and Weezer are apparent throughout the track, evident in the vocal delivery and instrumental arrangements. The energy is playful yet unsettling, reminiscent of a clown with a twisted smile. Such imagery reflects the powerful themes OpCritical aims to convey.
The band’s ethos revolves around delivering a countercurrent message through their music. They encourage listeners to think differently and embrace their true selves. This commitment shines through every note, urging individuals to resist conformity. The progression of the song maintains an equilibrium between moments of suspended guitar lines and relentless beats. This interplay keeps listeners engaged and wanting more.
Doing Fine – Sound and Atmosphere
Additionally, the accompanying music video beautifully complements the song’s vibe. Featuring a VHS effect, it transports viewers back to an era when MTV was synonymous with music culture. The chaotic yet psychedelic visuals match the energy and mood of the track. This work emphasizes the band’s artistic vision and innovative approach, making it an essential watch alongside the single.
OpCritical has crafted a single that does more than just entertain. It invites listeners to be introspective and challenges societal norms. The unique blend of rock and grunge elements, combined with thoughtful lyrics, sets the band apart in today’s musical landscape. They have carved a niche for themselves, appealing to those who seek authenticity in art.
The guitar passages are one of the song’s strongest elements. They linger in the air, cementing the song’s grip on the listener. Rhythmic elements propel the track forward, creating a sense of urgency. Each section is skillfully constructed, showcasing the band’s understanding of dynamics and transitions.
Doing Fine – Performance and Production
Moreover, the energy does not fade but rather builds consistently throughout the song. Each evolution in the melody adds layers of complexity, revealing new facets with each listen. This persistent intensity adds to the overall experience, making it a track that demands attention and invites repeated listening.
“Doing Fine” emerges as a remarkable exploration of musical expression. In an age where authenticity often takes a backseat, this single stands out as a refreshing reminder of what music can achieve. With memorable melodies and nuanced lyrics, it not only entertains but also provokes thought.
Fans of rock and grunge will undoubtedly find something to resonate with in their work. It is a testament to their dedication and artistry, making them a band to watch in the coming years.
Energetic
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If you love this music: Discover More
For fans of:
Nirvana • Weezer
The post OpCritical Doing Fine Review appeared first on Edgar Allan Poets – Noir Rock Band.
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John Diva veröffentlicht „Bigger than America“ – Jetzt hier im Video
John Diva veröffentlicht „Bigger than America“ – Jetzt hier im Video
Der Beitrag John Diva veröffentlicht „Bigger than America“ – Jetzt hier im Video erschien zuerst auf Rock-Music.net – Live, laut, legendär!.
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‘He’s a Malignant Narcissist’: Chris Holmes Blasts Blackie Lawless and Rules Out W.A.S.P. Reunion
The bad blood between former W.A.S.P. guitarist Chris Holmes and frontman Blackie Lawless has boiled over into absolute hostility. In a blistering new interview, Holmes completely shut down any possibility of ever rejoining the heavy metal icons, labeling Lawless a “malignant narcissist” who systematically stole his money.
Holmes exposed decades of alleged financial betrayal, severe touring pay disparities, and widespread live track-faking that turned his final years with the band into a living hell. If fans were holding out hope for a classic-era reunion, Holmes has made it clear: it would take a miracle, and a massive payout, to ever get him back on stage with Lawless.
The Financial Betrayal: ‘I’d Be an Idiot to Go Back’
Speaking with Thomas S. Orwat, Jr. of the Rock Interview Series, Holmes did not mince words when asked if he would ever return if Lawless extended an olive branch. The guitarist pointed directly to a historical robbery regarding his songwriting royalties as the ultimate dealbreaker.
“Why would I play with him again? It’d be pretty stupid, wouldn’t it?” Holmes stated. “He’d have to pay me my publishing before I would even consider going back, and he’s not gonna do that. I’d be an idiot to go back.”
Holmes detailed a specific road incident involving late W.A.S.P. and Quiet Riot drummer Frankie Banali to highlight how deeply the financial divide ran. While Banali was pulling in $1,850 a week on tour, Holmes claims he was only being paid a meager $500 a week. When he confronted the frontman about the massive paycheck disparity, Lawless allegedly pacified him with lies.
“Blackie grabs me and puts his arm around me and he goes, ‘You’re gonna make more off your publishing. What are you worried about?’ When he knew he was taking my money,” Holmes revealed. “When he knew they already wrote me down as a session player. What kind of person is that? You think I’d ever wanna even sit in a room with that guy? No.”
Check This Out – W.A.S.P. Band Facts, Members, History And What They’re Known For
Faking It on Stage: The Inside Track-Faking Scandal
The hostility extends far beyond stolen royalties. Holmes confessed that performing live with W.A.S.P. after their 1997 album Kill Fuck Die became a source of deep emotional depression because the band began heavily relying on pre-recorded backing tracks and samples.
For a musician rooted in the raw, dangerous energy of the 1980s L.A. metal scene, the transition to a manufactured live show was a breaking point. “It’s not live to me,” Holmes admitted. “And it hurt me in my heart to be playing, knowing that I was faking it to people—or the band was faking it. I wasn’t. But knowing that it was faking it. I really hated myself doing that.”
The guitarist admitted his deep-seated resentment runs so deep that he genuinely despises signing classic W.A.S.P. records for fans. “I never got a penny of my publishing. I can’t stand that band. I can’t stand the band. I can’t stand what he’s done.”
Health Updates and a Forced Tour Cancellation
This explosive reality check arrives at a complicated time for the legendary guitarist. Holmes was recently forced to cancel a highly anticipated tour of the United Kingdom and Scandinavia scheduled for May 2026. The cancellation was triggered by a “minor prostate issue” that required immediate medical attention from his doctors.
This latest health hurdle follows Holmes’ inspiring and triumphant battle against throat and neck cancer. Diagnosed in February 2022, the guitarist underwent seven grueling weeks of intense radiation therapy. Five months later, he happily informed the metal community that he was officially cancer-free.
Holmes originally joined W.A.S.P. in 1982, playing an integral role in their rise to infamy before exiting in 1990. He returned for a second stint from 1996 to 2001 but has not shared a stage with Blackie Lawless since.
FAQ: Chris Holmes and W.A.S.P. Reunion Status
Why won’t Chris Holmes rejoin W.A.S.P.? Holmes refuses to return due to severe financial disputes with Blackie Lawless, claiming he never received his songwriting publishing royalties and was secretly categorized as a session musician.
What did Chris Holmes say about Blackie Lawless? Holmes labeled Blackie Lawless a “malignant narcissist” and accused him of intentionally manipulating road pay and stealing his publishing money while pretending to be his friend.
Why did Chris Holmes cancel his May 2026 tour? Holmes canceled his 2026 UK and Scandinavian tour dates to undergo immediate treatment for a minor prostate issue. This is unrelated to his previous throat and neck cancer, which he beat in 2022.
We Also Recommend – The 13 Best Metal Guitarists Right Now: Loaded Radio’s Definitive 2026 Ranking
Artist Bio: Chris Holmes
Chris Holmes is an American heavy metal guitarist best known as the co-founder and lead guitarist of the shock-rock outfit W.A.S.P. His fierce, aggressive guitar solos defined the band’s multi-platinum classic albums like W.A.S.P. and The Last Command. Renowned for his raw honesty and untamed lifestyle, Holmes remains a legendary and unfiltered figure in the history of heavy rock.
STAY LOUD: Catch the full breakdown of today’s stories on the Loaded Radio Daily Podcast with Scott Penfold, or crank the hard rock and metal 24/7 on our live digital stream at LoadedRadio.com.
TL;DR:
Former W.A.S.P. guitarist Chris Holmes ruled out a reunion, calling Blackie Lawless a “malignant narcissist” who stole his publishing royalties and forced the band to fake their live shows.
Is Chris Holmes completely justified in sitting out a W.A.S.P. reunion, or should the two former partners find a way to settle the score for the sake of the music? Let us know your thoughts in the comments below.
The post ‘He’s a Malignant Narcissist’: Chris Holmes Blasts Blackie Lawless and Rules Out W.A.S.P. Reunion appeared first on Loaded Radio.
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ELEINE Releases New Single and Music Video “Empire Of Lies”
Swedish metal band ELEINE has released a new single and accompanying music video for “Empire Of Lies.” The track delivers a heavy, rhythm-driven sound centered around themes of deception and the inevitable collapse of falsehoods.
Formed in Sweden and driven by founding members Rikard and Madeleine, the group has established a signature style that balances aggressive musicality with strong melodies. Their material consistently contrasts dark, heavy riffing with catchy vocal arrangements.
“Empire Of Lies” serves as the first official preview of the band’s upcoming full-length album. The new record is scheduled for release later this year on December 4 via RPM.
The post ELEINE Releases New Single and Music Video “Empire Of Lies” first appeared on FemMetal – Goddesses of Metal.