Saosin has announced a 28-city U.S. headline tour this fall, celebrating the 20th anniversary of their debut self-titled album. Originally released in 2006, the record charted at No. 22 on the Billboard 200 and produced fan staples “Voices,” “Bury Your Head,” and the gold-certified “You’re Not Alone” — and as of this announcement, the full album has earned its RIAA gold certification. The trek kicks off October 23 in Anaheim, California, and runs through November 28 in San Diego, with support from Silent Planet, Like Moths to Flames, and Save Us.
The tour follows Saosin‘s formal return: earlier this year, the band signed to Sumerian Records and released “Starting Over Again,” their first new music in over a decade and the first in 14 years featuring vocalist Cove Reber.
Guitarist Beau Burchell reflected on what it means to revisit the record: “During the creation of self-titled, I don’t think we fully understood the album we were making at the time. We were just doing the same thing we have always done, and are still doing now. And that’s making the best music we can. We had no idea the impact it would have on so many people’s lives and the genre. Getting to revisit it 20 years later, with that appreciation and perspective, gives us a new invigorated energy that we are so excited to bring to the stage.”
“There’s a different weight to these songs when you’ve lived with them for two decades,” Burchell continued. “Not only for us, but for all the fans who have shared their stories with us over the years. The connection people have to these songs is unreal, so the opportunity to share and celebrate our self-titled record across the U.S. in a live setting is something very important to us. It’s crazy to think we are at peak performance 20 years into our career, but it really does feel that way, and we are chomping at the bit to bring this show to as many people as we can.”
Vocalist Reber added his own take: “Our self-titled album defined a major chapter of my life, as well as the lives of so many others. I grew up through these songs, the shows, and the touring we did together. Celebrating this record now is not only about honoring the fans who grew up alongside us, but also the new fans who are growing up with us today. We’ve come to understand what that musical era of our lives truly meant, and I’m excited to bring it back to the stage with a renewed sense of energy and excitement.”
The current lineup — Burchell and Phil Sgrosso on guitars, Chris Sorenson on bass, Alex Rodriguez on drums — recently completed runs through New Zealand, Australia, and Southeast Asia. Upcoming stops include Slam Dunk festival in the U.K. later this month, Vans Warped Tour in Mexico City, and Aftershock in Sacramento in the fall, and the “Emo’s Not Dead” cruise out of Miami in January 2027.
Celebrating 20 Years Of Self-Titled & More U.S. Tour Dates:
10/23 – Anaheim, CA @ House of Blues
10/24 – Tempe, AZ @ The Marquee
10/25 – Albuquerque, NM @ Sunshine Theater
10/27 – San Antonio, TX @ Vibes Event Center
10/28 – Dallas, TX @ House of Blues
10/29 – Houston, TX @ House of Blues
10/30 – New Orleans, LA @ House of Blues
10/31 – Pensacola, FL @ Vinyl Music Hall
11/01 – Orlando, FL @ House of Blues
11/03 – Nashville, TN @ Brooklyn Bowl
11/04 – Raleigh, NC @ The Ritz
11/06 – Sayreville, NJ @ Starland Ballroom
11/07 – New York, NY @ Webster Hall
11/08 – Worcester, MA @ The Palladium
11/10 – Philadelphia, PA @ Brooklyn Bowl
11/11 – Baltimore, MD @ Nevermore Hall
11/13 – Buffalo, NY @ Town Ballroom
11/14 – Detroit, MI @ The Majestic
11/15 – Chicago, IL @ House of Blues
11/17 – Milwaukee, WI @ The Rave II
11/18 – Minneapolis, MN @ The Fillmore
11/20 – Denver, CO @ Summit Music Hall
11/21 – Salt Lake City, UT @ The Complex
11/22 – Boise, ID @ Knitting Factory
11/24 – Seattle, WA @ Showbox SoDo
11/25 – Portland, OR @ Roseland Theater
11/27 – Los Angeles, CA @ The Novo
11/28 – San Diego, CA @ SOMA
Upcoming festival dates:
05/23 – Hatfield, UK @ Slam Dunk Festival
05/24 – Leeds, UK @ Slam Dunk Festival
09/12-13 – Mexico City, Mexico @ Vans Warped Tour
09/25 – Pittsburgh, PA @ Four Chord Music Festival
Tabernis doesn't mince words when it comes to labeling themselves, but they prefer to be called a medieval folk duo. Another thing Tabernis wants to be known for is the concept of the Hive. If this already sounds alluring, we're only scratching the surface of a project that uses only bagpipes and a davul (think percussion), while garbed in beek… Read More/Discuss on Metal Underground.com
FKA twigs presumably has the “FKA” in her name because the name “Twigs” was already taken. When Tahliah Barnett was just starting to use her stage name back in 2014, twin-sister alt-pop duo the Twigs filed a trademark claim against her. The Twigs, the duo of sisters Laura and Linda Good, dropped their lawsuit after losing an initial injunction request. Apparently, though, the Twigs have not stopped sending cease-and-desist letters to FKA twigs in the years since. As a result, twigs asked for a judge’s declaration to end those cease-and-desist letters so that she can keep going with her own registered trademark. Now, the Twigs have hit FKA twigs with a countersuit, attempting to bar FKA twigs from performing under the name “FKA twigs.”
Gold Connections first came on our radar when Car Seat Headrest’s Will Toledo produced their self-titled 2017 EP, citing his long shared history with Gold Connections’ Will Marsh and Marsh’s influence on his own classic Teens Of Denial. (Think of them as the Kurt Vile and Adam Granduciel of William & Mary.) Now based in New Orleans and comprising Marsh plus his younger cousin Fraser Wright, Gold Connections have put out a lot of great music in the intervening years, including two full-lengths and a litany of EPs and singles. And now they’ve made a film.
Our top 10 songs about voting take a look at various ways songwriters have utilized the concept of voting in their music. Few themes in popular music have reflected the tensions, hopes, frustrations, and passions of democracy quite like songs about voting. From rock artists urging young people to head to the polls to protest songs written during times of political unrest, musicians have spent decades using their voices to encourage civic participation and inspire listeners to pay attention to elections and social change. The best songs about voting capture more than politics alone; they document moments in history, generational
There are plenty of classic albums that deserve respect because of their influence. Then there are the rare records that still feel alive decades later. These are the albums that continue to jump out of the speakers in 2026 with energy, swagger, emotion, and guitar work that refuses to age. Whether it is the production, songwriting, performances, or sheer attitude, these records still sound modern long after their original release dates.
Blues rock has always been built on timeless ingredients. Great riffs, soulful vocals, emotional honesty, and explosive guitar playing never really go out of style. The albums on this list continue to inspire younger musicians, dominate playlists, and attract new listeners every year. Some helped define the genre in the first place, while others pushed blues rock into new territory.
Here are 10 blues rock albums that still sound incredibly fresh in 2026.
Robert Randolph & The Family Band – Colorblind
When Robert Randolph & The Family Band released Colorblind in 2006, it felt like blues rock was suddenly injected with a completely different kind of energy. Twenty years later, the album still sounds fresh because very few records before or after it have blended blues rock, funk, soul, gospel, and jam-band improvisation quite this naturally.
Randolph’s pedal steel playing remains the centerpiece of the album and still feels revolutionary in 2026. Instead of treating the instrument as background texture, Randolph turned it into a fiery lead instrument capable of screaming solos, emotional melodies, and explosive improvisation. Tracks like “Ain’t Nothing Wrong With That” and “Thrill of It” still sound vibrant and alive because of the sheer joy radiating through the performances.
The guest appearances also helped give the album crossover appeal without sacrificing authenticity. Eric Clapton appears on “Jesus Is Just Alright,” while Dave Matthews contributes vocals to “Love Is the Only Way.” Yet the record never feels overloaded with celebrity cameos. Randolph’s personality and musicianship remain at the center throughout.
Another reason Colorblind still resonates is because it refused to sound retro even while embracing blues traditions. The production feels warm and organic, but the grooves and arrangements still sound modern. That combination helped the album connect with rock fans, jam-band audiences, blues listeners, and younger music fans all at once.
In many ways, Colorblind proved blues rock could evolve without losing its soul. Even in 2026, it remains one of the genre’s most unique and energetic albums. Robert Randolph finally won his first Grammy in 2026, but probably should have already earned that honor 20 years ago.
Gov’t Mule – Mr. High & Mighty
Gov’t Mule’s Mr. High & Mighty remains one of the most underrated blues rock albums of the 2000s, and in 2026 it still sounds bold, heavy, and refreshingly unfiltered. Released in 2006, the album captured the band blending blues rock, hard rock, southern grooves, and jam-band improvisation into a sound that still feels massive today.
Warren Haynes delivers some of the fiercest guitar playing of his career throughout the record. Songs like “Mr. High & Mighty” and “Brand New Angel” balance thick riffs with soulful phrasing, while Haynes’ gritty vocals give the album a lived-in authenticity that modern blues rock still strives for.
One reason the album continues sounding fresh is its production. Rather than chasing the heavily compressed rock sound that dominated the early 2000s, Mr. High & Mighty feels organic and dynamic. The guitars breathe, the rhythm section sounds enormous, and the performances retain a raw energy that keeps the record exciting from start to finish.
The album also showcased Gov’t Mule’s ability to evolve beyond traditional blues rock formulas. Tracks like “Silent Scream” and “Unring the Bell” brought darker textures and modern songwriting approaches into the band’s blues foundation without losing the emotional core of the music.
Even in 2026, Mr. High & Mighty still feels powerful because it sounds like a real band playing real music without relying on trends or studio gimmicks. That honesty is a major reason the album continues resonating with blues rock fans more than two decades later.
Rory Gallagher – Photo-Finish
Rory Gallagher released several legendary albums during his career, but Photo-Finish remains one of the records that still sounds the most modern in 2026. Packed with urgency, attitude, and fearless guitar work, the album captures Gallagher leaning into a harder-edged blues rock sound without sacrificing the soul and authenticity that defined his music.
From the opening blast of “Shin Kicker,” the album sounds alive and aggressive. Gallagher’s guitar tone remains absolutely massive, balancing raw blues emotion with the energy of late-1970s hard rock. Songs like “Shadow Play” and “Brute Force & Ignorance” still feel explosive decades later because the performances are completely committed and free of excess polish.
One reason Photo-Finish continues sounding fresh is the production. Unlike some albums from the era that became buried under dated studio trends, this record still feels punchy and immediate. The band sounds tight but never mechanical, allowing Gallagher’s personality to dominate every track.
The album also showcased Gallagher’s ability to evolve. While deeply rooted in blues traditions, Photo-Finish embraced heavier riffs and more aggressive arrangements that helped bridge the gap between classic blues rock and the harder rock sounds emerging at the time. That versatility is part of why modern blues rock artists still cite Gallagher as a major influence.
Photo-Finish feels energetic, dangerous, and completely timeless.
Freddie King – Getting Ready…
Freddie King’s Getting Ready… remains one of the most influential blues rock albums ever recorded, and in 2026 it still sounds remarkably powerful. While deeply rooted in traditional blues, the album carries an energy and attitude that helped shape the future of blues rock.
King’s guitar playing throughout the record feels effortless yet explosive. Songs like the classic “Going Down,” “Same Old Blues” and “Dust My Broom” showcase his signature blend of raw power, melodic phrasing, and razor-sharp tone. His style influenced nearly every major blues rock guitarist that followed, including Eric Clapton, Stevie Ray Vaughan, and Johnny Winter.
What keeps Getting Ready… sounding fresh is the album’s directness. There is no wasted motion in these performances. Every riff, solo, and vocal line feels natural and authentic. The grooves still sound massive decades later because they were built on feel rather than studio trickery.
The production also aged beautifully because it captured the warmth and immediacy of King’s playing without burying it beneath unnecessary polish. Modern blues rock still borrows heavily from the balance of grit and precision heard throughout the album.
More than 50 years after its release, Getting Ready… remains essential listening for anyone wanting to understand the DNA of blues rock guitar.
Cream – Disraeli Gears
Few albums captured the explosive possibilities of blues rock quite like Disraeli Gears. Eric Clapton’s guitar work remains phenomenal, but what truly keeps the album fresh is how adventurous the band sounded. Cream pushed blues into psychedelic territory without losing the emotional core of the music. “Sunshine of Your Love” remains one of the greatest riffs ever recorded, while “Strange Brew” still sounds effortlessly cool.
Jack Bruce and Ginger Baker also played a huge role in making the album feel ahead of its time. The rhythm section constantly shifts underneath Clapton’s guitar, giving the music a restless energy.
Another reason the album continues resonating is its balance between accessibility and experimentation. The songs are memorable, but the band still takes risks throughout the record.
Many modern blues rock bands still rely on the template Cream helped establish here: heavy riffs, improvisation, and blues-rooted songwriting with psychedelic ambition.
Johnny Winter – Second Winter
Johnny Winter’s Second Winter remains one of the most fiery blues rock albums ever recorded. Even in 2026, it still sounds completely untamed.
Winter attacked the guitar with an intensity that separated him from nearly everyone else of his era. Songs like “Memory Pain” and “Highway 61 Revisited” still sound explosive because of the sheer energy behind the performances. His slide playing remains jaw-dropping even by modern standards.
The album’s raw production also helps it age beautifully. Nothing feels overly polished or restrained. The band sounds like it could completely fly apart at any second, and that tension gives the record tremendous excitement.
Winter’s willingness to blend traditional blues with aggressive rock guitar also helped shape the future of blues rock. Countless players who came after him borrowed elements of his style, tone, and fearless approach to improvisation. Second Winter still feels loud, dangerous, and thrilling.
Led Zeppelin – Led Zeppelin II
While Led Zeppelin evolved beyond strict blues rock labels, Led Zeppelin II remains one of the genre’s defining statements. The album still sounds massive in 2026.
Jimmy Page’s production was revolutionary for its time and continues influencing rock music today. The guitars on tracks like “Whole Lotta Love” and “Heartbreaker” still feel enormous. John Bonham’s drumming remains one of the most powerful sounds ever captured on tape.
What keeps the album feeling fresh is its intensity. Even after decades of imitators, the performances still sound dangerous and alive. Robert Plant’s vocals carry incredible swagger, while Page constantly shifts between raw blues phrasing and explosive hard rock riffing.
The album also helped establish the blueprint for countless future blues rock and hard rock bands. Yet despite its influence, it never feels dated or overly tied to one era.
Robin Trower – Bridge of Sighs
Robin Trower created one of the moodiest and most atmospheric blues rock albums ever made with Bridge of Sighs. More than 50 years later, the album still sounds hypnotic.
Trower’s guitar tone remains legendary. Deep, swirling, and emotionally charged, it continues influencing modern blues and rock players alike. Tracks like “Too Rolling Stoned” and the title track feel immersive in a way that many modern records still struggle to achieve.
James Dewar’s soulful vocals also add enormous depth to the album. Rather than competing with the guitar work, his voice blends perfectly into the music’s dark atmosphere.
What makes Bridge of Sighs feel fresh in 2026 is its patience. The songs breathe naturally and build tension slowly rather than chasing instant gratification. That confidence gives the album a timeless quality.
Many modern blues rock artists still attempt to capture the same emotional depth and atmospheric sound that Trower achieved here.
The Black Keys – Brothers
By 2010, blues rock was once again evolving, and Brothers became one of the genre’s most important modern crossover albums. Dan Auerbach and Patrick Carney understood the power of simplicity. The grooves on tracks like “Howlin’ for You” and “Next Girl” remain instantly addictive without relying on excessive production tricks.
The album also introduced blues rock influences to a younger mainstream audience. While deeply rooted in blues traditions, the record blended garage rock, soul, and indie sensibilities in a way that felt contemporary.
That connection to blues traditions helped give the album depth beneath its modern production style. In many ways, Brothers proved blues rock could still evolve and connect with new generations without abandoning its roots.
Kenny Wayne Shepherd Band – Trouble Is…
When Trouble Is… arrived in 1997, it helped bring blues rock back into mainstream visibility for a younger generation. Nearly 30 years later, the album still sounds energetic and relevant.
Kenny Wayne Shepherd combined blues tradition with modern rock production in a way that connected with both longtime blues fans and younger rock listeners. Songs like “Blue on Black” became massive hits because they balanced memorable hooks with authentic blues feeling.
The guitar work throughout the album remains impressive without becoming excessive. Shepherd focused on strong songs first, which helped the album age far better than many guitar-driven records of the era.
Vocalist Noah Hunt also played a major role in the album’s success. His gritty delivery gave the music emotional weight and helped separate the band from countless blues rock imitators.
Trouble Is… still feels like one of the defining modern blues rock albums of the late 1990s.