Last year we named the LA alt-pop group Junior Varsity a Band To Watch. They’ve since pared down to a duo, with singer Brooke Danaher no longer listed as a band member and singer-songwriter-producers Greg Aram and Zach Michel remaining. Last month they released a single called “Radio,” and it turns out that song is…
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Anne Bennett returns with her new single “Stars,” now available across all streaming platforms. With this release, the alternative artist continues to shape her signature sound-defined by dark atmospheres and emotional depth-while embracing a clear influence from ’90s alternative rock.
Described by Bennett as a deeply personal track, “Stars” explores the search for connection with someone who understands feelings of existential unease and displacement. Written as a response to years of struggling with depression and apathy, the song becomes a form of emotional release, transforming inner turmoil into something both intimate and universal.
In a more recent statement, the artist also reveals another layer behind the track. A self-confessed astronomy enthusiast, Bennett draws inspiration from her fascination with the night sky and the vastness of the universe. This cosmic perspective feeds directly into the song’s narrative, which reflects on the anxiety of remaining on Earth while longing to escape-imagining a departure into a sci-fi-like journey among the stars. The idea of “flying away” becomes both a literal and metaphorical desire, reinforcing the themes of alienation and yearning that define the track.
Sonically, “Stars” is rooted in ’90s alternative and melodic grunge, with influences from bands such as Garbage and Veruca Salt. The result is an atmospheric composition that balances fragility and intensity, blending ethereal textures with a raw emotional core.
This new single further solidifies Bennett’s artistic identity, where dark aesthetics intertwine with deeply personal storytelling. While “Stars” leans toward a slightly more accessible sound, it remains true to her essence-honest, introspective, and emotionally driven. It speaks directly to those who have ever felt out of place or overwhelmed by the weight of existence.
The post Anne Bennett Channels ’90s Alternative Spirit In Her New Single “Stars” first appeared on FemMetal – Goddesses of Metal.
Red Giant is pleased to announce the release of their new E.P. ‘Red Giant – Vol. 1‘ on Wednesday April 29th via CD, Spotify, and iTunes. The CD is available – here. The EP is available on the streaming platforms – here. To celebrate the occasion, the band are excited to release “Overcome” the third […]
The post Dave Simpson Releases ‘Red Giant: Volume 1’ E.P. Feat New Single ‘Overcome’ appeared first on ROCKPOSER DOT COM.
Every week the Stereogum staff chooses the five best new songs of the week. The eligibility period begins and ends Thursdays right before midnight. You can hear this week’s picks below and on Stereogum’s Favorite New Music Spotify playlist, which is updated weekly. (An expanded playlist of our new music picks is available to members on Spotify and Apple Music, updated throughout the week.)
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That run will launch in early June.
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On the back of last week’s solo release, John Corabi returns with The Dead Daisies’ first live album “Live Plus Five”. The album captures the band’s set at “Live at Stonedead” from 2025, plus additional tracks from various outings across Europe and America in 2024/25.
The album covers tracks from the quintet’s previous two releases: 2024’s Light Em’ Up and last year’s Blues covers release Lookin’ for Trouble,plus tracks from earlier in their career, which includes covers of Creedence Clearwater Revival’s “Fortunate Son” and “Midnight Moses” by The Sensational Alex Harvey Band. I don’t usually cover live albums because it always feels like it would be better to watch a band live so you experience the live feeling. However, i don’t get much of an opportunity to see The Dead Daisies live in the UK, so was eager to cover this one.
I feel this is a strong release, Which covers all the major hits from the band’s 15 year career (including the Glenn Hughes era). The album begins with screeching riffs of “Long Way to Go” and “Rise Up”, before John Corabi thanks the crowd for coming (Which makes me think this release is back to front) This is a good start to get the live crowd on their feet, before the album “calms ” the crowd tracks with more anthemic tracks like “Dead and Gone”, “I Wanna be Your Bitch” and “I’m Gonna Ride”.
I do believe The Dead Daisies sounds better with Corabi at the helm, as his soulful voice connects with the music. He is the usual cool, calm and charismatic leader as he implores the fans to pull a sickie and vacate to “Mexico”, before checking whether they want to hear the blues. “I’m Ready” and “black Betty” sound better live than on record. The album finishes with these tracks in a special Bonus package, which helps level the album out. It brings a good balance between hard rockers and soulful, blues numbers that play to the strengths to the band , as performers, and as musicians.
Overall, i would recommend this live release to diehard fans of the band, who may be robbed of the opportunity to see them live. It’ll be a welcome acquisiton to the record shelf.
If you would like to read more about The Dead Daisies, please follow these links
https://therockstarreviewer.co.uk/2025/05/28/review-the-dead-daisies-lookin-for-trouble/
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Following the strong reception of his recent singles ‘Bad Bones‘ and ‘Born To Break‘, Swedish rock vocalist Erik Grönwall now releases the third single from his upcoming solo album ‘Bad Bones‘ – the powerful and deeply personal ‘Praying For A Miracle‘. Set for release on May 1st, the new single reveals another side of Erik’s […]
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You can catch a live video of “The Shooting Star That Destroyed Us” from that performance now.
The post A Static Lullaby To Release Live In-Studio Performance Of Their Debut Album “…And Don’t Forget To Breathe” appeared first on Theprp.com.