Nashville songwriter, musician, and producer townsend explores the exhaustion and uncertainty of balancing creative ambitions with everyday life on slipping. Built around a reflective perspective on growing older and dealing with unexpected turns, the track carries an intimate, emotionally grounded quality. Its songwriting focuses on the tension between persistence and vulnerability, capturing the feeling of trying to keep moving forward while life continually shifts beneath the surface. Rather than overstating its themes, townsend allows the song to unfold with a natural sense of honesty and restraint, giving the lyrics room to connect with the music. slipping feels like a thoughtful meditation on uncertainty, resilience, and the realities of maintaining a creative life while navigating everything else that comes with it.
Jet Black Berries return with Rocketfire Sex66, a swaggering collision of punk, glam rock, power pop, and psychedelic garage energy. The Rochester band, known for their long-running underground presence and cult releases, bring a playful, theatrical edge to a track inspired by sci-fi, Western imagery, and classic rock excess. Propulsive rhythms, gritty guitars, and charismatic vocals give the song a raw, energetic feel, while its tongue-in-cheek space-pistolero concept adds plenty of personality and humour. Drawing on the flamboyance of T. Rex and the New York Dolls while retaining a scrappy punk attitude, Jet Black Berries create something deliberately retro without feeling overly nostalgic. Rocketfire Sex66 is loose, colourful, and full of rock ’n’ roll swagger, showcasing a band still having fun with its sound and identity.
Slipknot’s former producer has revealed why he recorded the Iowan nu metal nine-piece’s second album with a broken back.
Ross Robinson, who worked with the band on their landmark 1999 self-titled debut, returned for 2001’s Iowa but broke his back in a motocross accident midway through production. He took only one day off before resuming his duties.
In the new issue of Metal Hammer, Robinson, 59, is asked why he continued and didn’t relinquish his role on Iowa to another producer. He explains that his injury reminded the members of their raw metal roots and early determination.
“No, that’d be impossible,” he answers. “It was actually really good for the record because the guys were being taken out in Hollywood, hanging out with all these big stars and shit. When I broke my back and showed up anyway, it put a very next-level diligence into those guys.
“Joey [Jordison, then-drummer] said to me later, ‘It was the greatest thing that ever happened to us.’ It was really tough – I’d get home and just lie there watching The Big Lebowski until I passed out. I was in so much pain, but I’d get to the studio and it’d be, ‘Let’s get it the fuck on!’”
Elsewhere in the interview, Robinson is asked what the toughest part of recording Iowa was. He surprisingly doesn’t say it was recording with a broken back, instead mentioning the vocal overdub process and how it drew out personal demons within the band.
“Vocal overdubs could be tough,” he says. “The bar was set so high with the band slamming together – when you’re that extreme, it gets difficult, especially when you’re on your own and trying to get back into the zone. There was a lot going on with Corey [Taylor, vocals] at the time too – he’d be going out pretty much every night and had this little fanbase of people he hung out with.
“Weirdly, the easiest one to get in the zone was when Sid’s [Wilson, turntables] grandfather passed away, and I’d asked him to do some overdubs for the background of People = Shit. He was so distraught, sad, hurt and was just crying. I was like, ‘You’re doing backgrounds today’ and he nailed it.”
Slipknot released Iowa on August 28, 2001, and consolidated the commercial success of their debut. It topped the UK album chart and reached number three in the US. It has since been certified Platinum in both markets, as well as in Canada.
Despite Iowa’s critical and commercial success, the band were in disarray during its production and release, burnt out by touring and using substances.
Singer Taylor told Loudwire in 2015: “We fought every cliche leading up to getting signed, going out and playing shows, and then, all of a sudden, we had everything: double-Platinum album, we were one of the biggest metal bands in the world, we were headlining because nobody wanted us to open for them. We were making a hugely, hugely anticipated album, so we just started getting fucked up.”
Due to these issues, Slipknot went on hiatus in 2002. They returned in 2004 with their third album, Vol. 3: The Subliminal Verses, which charted number two in the US and later also went Platinum.
Slipknot are currently recording their as-yet-unannounced eighth studio album. Guitarist Jim Root recently revealed that they’ve been tracking with Faith No More producer Matt Wallace, with more than 50 song ideas stockpiled.
TMZ reported earlier this month that turntablist Wilson had left the lineup after 28 years, but the band have yet to comment on the matter.
Polish death/black metal veterans NEOLITH have unleashed a brand-new track, “Modlitwa na Marny Czas”, from their highly anticipated sixth studio album, Inbir. The album is slated for release on September 12, 2026, via Deformeathing Production on LP, CD, and digital formats. Listen to the official track premiere for “Modlitwa na Marny Czas” on YouTube Breaking […]
