UK emo revival heroes Crash Of Rhinos are making their grand return next month with Logbook, their first album in 13 years. They told us all about it. Today, they’re following lead single “Figures Of Light” with an impassioned, anthemic new one called “Recurring.” If you like your emo fast and melodic, with a perfect…
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A couple of days ago, Madonna confirmed her long-teased plans to release a new album called Confessions II this summer. The new album is the sequel to her 2005 LP Confessions On A Dance Floor, the last truly beloved Madonna album. Once again, Madonna recorded it with dance producer Stuart Price. Today, she shares its…
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Limp Bizkit albums ranked is a shorter list than the band’s footprint suggests: six studio albums in twenty-four years, two of them among the biggest-selling rock records of their era, one made without Wes Borland, and one dropped on Halloween with no warning.
This is the definitive order, worst to best, with the release dates, chart peaks and certifications for each, the 2005 EP that isn’t counted, and where the band stands in late 2026: a year after the death of bassist Sam Rivers, a summer of festival headlines on both sides of the Atlantic, and a seventh album in progress in Nashville. Critics usually hand the crown to the debut. We don’t.
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The only Limp Bizkit album without Wes Borland, and it sounds like it. Borland quit in October 2001; Durst handled much of the guitar himself and brought in Snot’s Mike Smith for seven tracks. Rick Rubin started the sessions and is credited on five songs; Terry Date finished the job. The result runs 68 minutes and plays like a Fred Durst solo record that keeps wandering into mid-tempo alternative rock.
It still went to No. 3 and platinum, ending the band’s run of No. 1 debuts, and the cover of The Who’s ‘Behind Blue Eyes,’ complete with a Speak & Spell in the bridge and Halle Berry in the video, went top five in Australia and Germany while stalling at No. 71 on the Hot 100. ‘Eat You Alive’ and ‘Gimme The Mic’ have the old snap. The rest is the sound of a band that had lost its best musician and hadn’t noticed yet.
The reunion record. The original five got back together in 2009, and Gold Cobra, produced by Durst himself, was built to recapture what he called the band’s caveman charm. Sometimes it does: Borland’s riff on ‘Shotgun’ is one of his heaviest, ‘Bring It Back’ moves, and the title track knows exactly what it is.
What it lacks is the hooks that made 1999 and 2000 inevitable; ‘Shark Attack’ tries to rebuild ‘Break Stuff’ from memory and misses. It debuted at No. 16 in the US with 27,000 first-week copies (No. 1 in Germany, for the record), and it was the band’s last album for Interscope; they left the label within months. An honest, loud record that proved the lineup still worked, and not much more.
Released digitally on Halloween 2021 with no run-up, Still Sucks is the shortest Limp Bizkit album at 31 minutes and 55 seconds, and arguably the most focused. It began life a decade earlier as Stampede Of The Disco Elephants; what finally came out, produced by Durst and Zakk Cervini, is a band that has stopped pretending to be anything other than itself and is having a very good time about it.
‘Dad Vibes’ had already gone viral after Lollapalooza that August, when Durst’s new look sent the band’s streams up 27 percent in a weekend, and it was widely named the rock song of that year. ‘Dirty Rotten Bizkit’ and ‘Out Of Style’ are the dumbest fun Borland has had on record. It peaked at No. 155 and nobody cared, least of all the band, which is the point. The follow-up is being recorded now.
The blueprint. Recorded at Indigo Ranch in Malibu between November 1996 and February 1997 with Ross Robinson, fresh off Korn and a year before Slipknot, it’s the rawest and most hardcore-leaning thing in the catalog. On the drive west to make it, the band’s van flipped; Durst took it as a sign and called Borland, who had already quit once, to come back. Borland played much of it with his fingers rather than a pick. DJ Lethal, newly arrived from House Of Pain, gave it a hip-hop texture no other band on the Robinson production line had.
The ‘Faith’ cover broke them, ‘Counterfeit’ got them on radio (Interscope famously paid a Portland station $5,000 to play it fifty times), and the sixteen-minute improvised closer ‘Everything’ is the record’s real soul. It didn’t chart until 1999, when Significant Other dragged it to No. 22 and eventually double platinum. Critics still call it the best Limp Bizkit album. It’s the purest. That isn’t the same thing.
The peak of the nu-metal explosion as a commercial event. Chocolate Starfish sold 1,054,511 copies in its first week in the US, the biggest opening for a rock album in the SoundScan era, and went to No. 1 and 6× Platinum. Rick Rubin was hired to produce and lasted less than a week; Terry Date came back and made the record, with Swizz Beatz on the ‘Urban Assault Vehicle’ remix of ‘Rollin’.’
‘Rollin’,’ ‘My Generation,’ ‘My Way’ and the Mission: Impossible 2 hit ‘Take A Look Around’ are the four pillars, and each one is a stadium song. Between them there’s more filler than on its predecessor, and the Rubin episode tells you why: this was a band chasing scale rather than sharpening songs. It got the scale. At the time it was the biggest rock band on the planet, and this is the document.
The one that made Limp Bizkit a global entity, and the one with no filler. Terry Date, who had just made Deftones‘ Around The Fur, gave the band a bigger, more dynamic sound without sanding off the aggression; Borland’s guitars went from blunt force to texture and back inside a single song. It debuted at No. 1 with 643,874 first-week copies, earned a Grammy nomination for Best Rock Album, and is certified 7× Platinum in the US, with 16 million worldwide the figure the band and label have long claimed.
‘Nookie’ and ‘Break Stuff’ are the anthems; ‘Re-Arranged’ is the song that proved Durst could sing; and ‘N 2 Gether Now,’ produced by DJ Premier with Method Man on the mic, remains the most credible hip-hop crossover any rock band of the era managed. It’s the record where everything Limp Bizkit could do happened at once, and the only one where none of it goes wrong. The debut is the blueprint; this is the building.
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Borland came back in August 2004 and the band recorded a seven-track EP with Ross Robinson, darker and heavier than anything since the debut, with Sammy Siegler on drums for most of it while John Otto was in rehab. Released May 2, 2005 with no promotion, it reached No. 24 on 37,000 copies and then everyone went home; Part 2 was never made, and Borland was telling MTV by March 2006 that his plans didn’t include Limp Bizkit.
As a record it belongs between Three Dollar Bill and Gold Cobra in spirit. As a release it’s an EP, so it isn’t counted here, and the answer to ‘how many albums does Limp Bizkit have’ stays at six.
Sam Rivers, co-founder and bassist on all six albums, died on October 18, 2025 at his home in St. Johns County, Florida, aged 48. The band’s statement called him ‘our heartbeat’ and ‘pure magic’; no cause of death has been officially disclosed. He had left the band in 2015 with alcohol-related liver disease, received a transplant, and returned in 2018. ‘Making Love To Morgan Wallen,’ released a month before his death for the Battlefield 6 soundtrack, was the last song he co-wrote; it topped Billboard’s Hot Hard Rock Songs chart.
Richie ‘Kid Not’ Buxton has played bass on every date since November 2025 as a touring member; Borland has said Sam ‘can’t ever be replaced’ and that the band hopes to keep Buxton. The 2026 run was festivals only, and it was the biggest year of the band’s second life: a first-ever Download headline on June 12, Rock am Ring, Hellfest, Graspop, Tons Of Rock and Resurrection in Europe, then Rock Fest, Inkcarceration, Louder Than Life and Aftershock as headliners at home, with Good Things in Australia to close the year in December.
In August the band was in a Nashville studio working on album seven. No title or date yet. If it’s anything like the last two years, it’ll arrive without warning, which is how the best nu-metal bands have always done it.
Not a studio album: The Unquestionable Truth (Part 1), a seven-track EP released May 2, 2005 on Flip/Geffen, produced by Ross Robinson, No. 24 on the Billboard 200. Part 2 never arrived. More on it below the ranking.
For a period at the turn of the millennium, Limp Bizkit was the undisputed biggest rock band on the planet. While critics point to their 1997 debut for its raw energy, Loaded Radio ranks Significant Other (1999) as the best Limp Bizkit album for its perfect balance of hip-hop groove and explosive rock riffs. Despite the loss of bassist Sam Rivers in 2025, the band remains a touring titan in 2026, with new music currently in production.
Significant Other (1999). It debuted at No. 1 on the Billboard 200, is certified 7× Platinum in the US, earned a Grammy nomination for Best Rock Album, and contains ‘Nookie,’ ‘Break Stuff,’ ‘Re-Arranged’ and ‘N 2 Gether Now’ with no filler between them. Many critics prefer the rawer 1997 debut Three Dollar Bill, Y’all$, which we rank third.
Six studio albums: Three Dollar Bill, Y’all$ (1997), Significant Other (1999), Chocolate Starfish And The Hot Dog Flavored Water (2000), Results May Vary (2003), Gold Cobra (2011) and Still Sucks (2021). They also released the EP The Unquestionable Truth (Part 1) in 2005 and a Greatest Hitz compilation that same year. A seventh studio album was in progress in Nashville as of August 2026.
Three Dollar Bill, Y’all$ (July 1, 1997), Significant Other (June 22, 1999), Chocolate Starfish And The Hot Dog Flavored Water (October 17, 2000), Results May Vary (September 23, 2003), Gold Cobra (June 28, 2011) and Still Sucks (October 31, 2021). The EP The Unquestionable Truth (Part 1) came out May 2, 2005.
Around 40 million records worldwide, by the most commonly cited figure. In the US, the RIAA certifies Significant Other at 7× Platinum, Chocolate Starfish And The Hot Dog Flavored Water at 6× Platinum, Three Dollar Bill, Y’all$ at 2× Platinum and Results May Vary at Platinum. Chocolate Starfish sold 1,054,511 copies in its first week in October 2000.
Richie ‘Kid Not’ Buxton has been Limp Bizkit’s touring bassist since November 2025, following the death of co-founder Sam Rivers on October 18, 2025 at age 48. Wes Borland has said Rivers ‘can’t ever be replaced’ and that the band hopes to keep Buxton. The current lineup is Fred Durst, Wes Borland, John Otto and DJ Lethal, with Buxton on bass.
Where should Limp Bizkit sit among the nu-metal greats? Start with our 13 best nu-metal bands, then see how Linkin Park, System Of A Down and Deftones stack up, and tell us in the comments if the debut should be No. 1.
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The first 114 artists have been announced with over 200 more to go.
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The Summer Of ’99 & Beyond Cruise is returning in 2027, and Scott Stapp and company have put together their most stacked lineup yet for what will be the fifth sailing of the fan-favourite rock event at sea.
In partnership with Sixthman, the leader in festivals and music cruises for more than two decades, and set for April 17–21, 2027, the cruise departs from Miami aboard the Norwegian Joy, bound for Great Stirrup Cay in the Bahamas — and this time, very special guests Breaking Benjamin will join Creed at the top of a bill that reads like a greatest-hits playlist of late-’90s and early-2000s hard rock.
Sevendust, Hoobastank, Our Lady Peace, Hinder, Fuel, Drowning Pool, Fastball, Sponge, The Flys, and Ashes Of Billy round out the announcement, with more names still to come. Zach Myers of Shinedown will also appear, while Eddie Trunk and DJ Rock Feed return as hosts.
Creed — Scott Stapp, Mark Tremonti, Brian Marshall, and Scott Phillips — will headline with two pool deck sets. Given that all four previous editions sold out completely, anyone with even a passing interest in nabbing a cabin should move fast.
Alumni pre-sales open April 30–May 1 and May 4–5. First-round presale signups close May 4 at 11:59 p.m. ET, with final-round signups wrapping May 11. Public on-sale begins May 13 at 2:00 p.m. ET at summerof99cruise.com. A $100 saving is available during the presale window, with prices rising on May 13.
The first 850 cabins booked also get a choice of perks: an exclusive 30-minute Creed acoustic set, a photo with the band, or a 30-minute Q&A with Breaking Benjamin — subject to availability.
Beyond the onboard experience, cruisers will have the chance to enjoy a shore excursion to Great Stirrup Cay, Bahamas, an idyllic private island paradise known for its white sand beaches and clear blue waters. Guests who purchase a beverage package will be able to use it for all-inclusive drinks on Great Stirrup Cay. Please note: Shore excursions will not be available until 4-6 weeks before sailing. Cruisers will be able to book an excursion upon receipt of their reservation number.
Creed‘s post-reunion momentum has been impossible to ignore. Since officially reforming in July 2023, the band logged more than 60 dates in 2024, another 30 in 2025, and headlined their own two-day land festival — all while pulling record crowds. Their catalogue remains extraordinary on paper: Human Clay (1999) is RIAA diamond-certified with over 11 million U.S. sales, placing them in company with Van Halen, Guns N’ Roses, and Metallica. Weathered (2001) debuted at No. 1 on the Billboard 200. A reunion that hasn’t been about nostalgia, but more about a genuine return to form.
The cruise format suits them perfectly. It gives the band room to breathe, and gives fans a weekend-long immersive experience that a standard arena show simply can’t replicate.
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