Category: news

  • Bloodstock M2TM South Wales Interviews: Clarity As Arson – West Heat #1 The Bunkhouse, 15.02.26

    Interview With Clarity As Arson – West Heat #1 The Bunkhouse, 15.02.26

    1. Please introduce yourself for anyone who may not know you. Tell us
    a little bit more about you as a band?

    We are Clarity As Arson, we are a metalcore band from Ebbw Vale South Wales. We formed in 2008 but after a few name changes, we settled on Clarity As Arson. We were active for many years playing all over Wales and a few times in England but in 2016 we decided to go on an extended hiatus as several of us wanted to settle down and start a family. 

    Time passed and we all decided to get back together and jam for fun but after a few sessions we decided to start playing gigs again as nothing feels as good as playing on a stage in front of a crowd. 

    Last year we recorded our Second EP Blood, Sweat and Beers which is on all streaming sites and we are looking to record another EP sometime this year. We mix metalcore heavy riffs with southern hardcore licks, we draw our influences from Cancer Bats, Every Time I Die, Killswitch Engage, Letlive., Converge, Malevolence and so many more.

    2. What made you want to participate in the Metal To The Masses South Wales 2026 campaign? Have you had previous experience? Or is this your First time?

    We have previously played in metal to the masses many years ago and got to the final heat. It was an amazing experience and we had so much fun, it was held in Fuel Cardiff and the energy from the crowd and comradery from the other bands made applying for this year’s competition a no brainer for us.


    3. M2TM is all about supporting your local scene. How important is the local scene to you as a band?

    The whole scene has changed massively since we were last playing gigs regularly, the scene is crucial for us as an aspiring band and it’s always good to make connections with bands and promoters at gigs and M2TM is a huge opportunity for us and other bands.

    4. We have a slightly different set up this year with Heats/Quarters/Semis taking place at Bunkhouse & Green Rooms. Have you played the venue before or is this your first time? Are you excited to get on those stages?

    We are playing Bunkhouse and its avenue that we have never played before but we have heard amazing things about the venue from friends who have had the privilege to play there. We have played in Swansea before, in Sin City, Lemon Factory and The Scene. It was always a great atmosphere in Swansea

    5. What are your expectations from being a part of M2TM?

    What we expect from being a part of M2TM is to put on a good show, meet new bands and people and hopefully build relationships and connections that lead to more shows and opportunities for us as a band.

    6. What would getting to our Day Of Wreckoning final and the possibility of playing Bloodstock Festival 2026 mean to you?

    As a band playing in the Day Of Wreckoning would be an incredible opportunity, playing for the chance to play at Bloodstock with the best up and coming bands in the UK. Even if we didn’t make it to Bloodstock the learning that we would come away with from that opportunity would be invaluable. But on the other side, playing a festival as established and renowned like Bloodstock is every band’s dream. 

    We at Clarity As Arson have always wanted the opportunity to play a festival and would love for that dream to become a reality one day.

    7. We encourage all the bands in M2TM to try and check out the other bands, who are you most looking forward to? Who should your fans also try to catch?


    We have checked out the other bands in our heat and there is some fierce competition. I know I am really looking forward to sharing the stage and hearing House of Hosts live.

    8. Tell us in five words why people should come and see your band?

    High Energy, groovy metal, sweaty

    https://www.facebook.com/clarityasarson
    https://open.spotify.com/artist/03havxXkl41PmZPjhyxze4?si=EZ50uPIeQ22ujysZ23cFww
  • Upcoming Metal Releases: 2/8/26 – 2/14/26

    Here are the new releases for February 8th to 14th. Releases reflect proposed North American scheduling, if available.



    Upcoming Metal Releases: 2/8/26 – 2/14/26


    MaulénEntra Omry | Independent | Drone + Experimental | Sweden (Gothenburg)

    Enta Omry is Maulén’s first full-length album and they’ve chosen an ambitious project to start with. It’s a re-interpretation of “Inta Omri”, a popular piece by Egyptian singer Umm Kulthum. As of writing, only part of it is available to listen, but this version does well to invoke the same feelings, human connection, places, and emotions in a pilgrimage across desert soundscapes.

    –Kevin Zecchel




    SlaughterdayDread Emperor | Testimony Records | Death Metal | Germany (Lower Saxony)

    The German duo’s fifth album is vintage-encrusted death metal that delights your senses rather than overloads them. While not caveman-levels of brainless, Dread Emperor is simple and to the point, and all the better for it.

    –Colin Dempsey




    SundecayThe Blood Lives Again | Independent | Doom Metal | Canada (Toronto, ON)

    Doom metal can venture off in a few different directions, including fantastical, depressive, nihilistic, or, in the case of Sundecay, suspicious. The group’s third album carries a sense of dread, as if it’s discovering skeletons in every closet it investigates. Note that this is different from morbid. The Blood Lives Again is definitely not music for giving up.

    –Colin Dempsey




    FossilizationAdvent of Wounds | Everlasting Spew Records | Death Metal + Doom Metal | Brazil (São Paulo)

    On their second album, Brazil’s Fossilization take cues from the early days of Anathema, Paradise Lost, and Katatonia, then crank the intensity up past its limits. Although the duo namedrops death/doom progenitors, they seemingly draw more from brutal death metal. There’s probably some sorrow on Advent of Wounds, you’ll just have to dig through mountains of intricate riffs to find it.

    –Colin Dempsey




    OvertounDeath Drive Anthropology | Time to Kill Records | Thrash Metal + Progressive Death Metal | Chile (Santiago)

    Overtoun understand that it’s better to be rough around the edges. Yes, their twitchy thrash metal owes a good bit to the early progressive death metal scene, but they intentionally left Death Drive Anthropology a tad unpolished so that its breakdowns and shred-happy solos can sound lawless.

    –Colin Dempsey




    GreyhawkWarriors of Greyhawk | Cruz del Sur Records | Heavy Metal + Power Metal | United States (Seattle, WA)

    Armed with a new vocalist, Greyhawk is back and riding out with their third album of steel-bending power metal. On Warriors of Greyhawk, they continue to expand their anthemic AOR vibes that were present on their last album without sacrificing their original classic heavy metal sound. It’s a blistering, shining work of power metal.

    –Kevin Zecchel




    WormNecropalace | Century Media Records | Symphonic Black Metal + Doom Metal | United States (Florida)

    Everyone’s favorite gloomlords are back! On Necropalace, Worm has taken cues from 90s symphonic black metal, injecting their death-doom with vampiric grandiosity. The result is something that feels otherworldly, haunted, and malefic. The guitar leads are excellent as always, and the album features a guest solo from Marty Friedman.

    –Kevin Zecchel




    Wampyric RitesUnder the Tragic Fullmoon of the Vampire | Inferna Profundus | Black Metal | Ecudor (Loja)

    From Colin Dempsey’s track premiere of “Cuando seamos absorbidos por la obscuridad”:
    “Cuando seamos absorbidos por la obscuridad,” and Under the Tragic Fullmoon of the Vampire, espouses a devotion to one aesthetic and explores its smallest pockets. Such primitiveness will turn some off, but that’s the point. Wampyric Rites are checking IDs at the door to see if you can weather the full moon, or if you’ll lose your mind before dawn.




  • CORROSION OF CONFORMITY To Release Massive Double Album, Good God / Baad Man, On April 3rd Via Nuclear Blast; New Video/Single Now Playing + Preorders Available

    Photo by Danin Drahos Watch CORROSION OF CONFORMITY’s “Gimme Some Moore” video HERE.  American heavy metal legends CORROSION OF CONFORMITY will release their long-awaited new double album, Good God / Baad Man, on April 3rd […]

    The post CORROSION OF CONFORMITY To Release Massive Double Album, Good God / Baad Man, On April 3rd Via Nuclear Blast; New Video/Single Now Playing + Preorders Available appeared first on INFRARED MAGAZINE.

  • The Black Keys Announce Place Bell Show

    The Black Keys announced the Peaches ‘n Kream World Tour, a six-month run across North America and Europe that hits Place Bell in Laval on October 16. The tour launches April 24 in Fort Lauderdale and wraps October 18 in Windsor, Ontario, supporting the duo’s 14th studio album Peaches!, arriving May 1 via Easy Eye Sound/Warner Records.

    The tour follows the band’s No Rain, No Flowers run last year, which moved over 250,000 tickets across North America and Europe with sold-out shows at Red Rocks Amphitheatre, Los Angeles’ Greek Theatre, and London’s Alexandra Palace Park. All support acts on the new tour come from Dan Auerbach’s Easy Eye Sound label, with lineups varying by city. Jeremie Albino opens the Canadian leg, including the Place Bell date.

    Peaches! was recorded live in one room with minimal overdubs, the first album the band has mixed entirely themselves since 2006’s Magic Potion. Dan Auerbach described it as the band’s “most natural record” since their 2002 debut The Big Come Up. The sessions happened while Auerbach’s father was staying in his Nashville home in the final stages of esophageal cancer. Patrick Carney, Auerbach’s bandmate and longtime friend, knew “it would be good for Dan to have something to do.”

    “We weren’t making a record. We were just jamming, like this is for us,” Auerbach said in a statement. “Really primal, in a moment when all the nerves were raw, just kinda screaming. I think my dad getting sick made me not give a fuck and just wanna scream for a bit.” Carney added, “Everything was all cut live in one with no separation, including vocals. It was a nightmare to mix but we got it sounding raw and filthy.”

    The band released the single You Got To Lose last week. The album features cover art by Memphis photographer William Eggleston, who also shot the cover for their 2021 album Delta Kream. Patrick Carney’s brother Michael designed the package, as he did for early Black Keys albums including Brothers, which won a Grammy for its cover.

    Artist pre-sale starts Thursday, February 12 at 10am local. General on-sale starts Friday, February 13 at 10am local.

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    The post The Black Keys Announce Place Bell Show appeared first on Montreal Rocks.

  • David Draiman Has a ‘Radical’ Idea for a Music Festival

    Disturbed vocalist David Draiman has called for 'any festival organizer' to set up a festival with musicians from across the political spectrum. Continue reading…
  • Wampyric Rites Summon the Moon on “Cuando seamos absorbidos por la obscuridad” (Track Premiere)

    Of course, Wampyric Rites are releasing an album, Under the Tragic Fullmoon of the Vampire, on Friday the 13th in the coldest month of the year. That on-the-nose mise-en-scene comes about rarely and with the Ecuadorian band’s embodiment of all things feral and nocturnal, it’d be inappropriate not to take the opportunity. Although, what’s traditionally seen as appropriate doesn’t exist in their raw black metal, pushed aside by cassette-tape quality hiss and flat soundscapes. On their upcoming third full-length record, Wampyric Rites tapers their focus onto black metal’s skeleton, dismissing the dungeon synth of their previous works. The benefits of this are on full display on “Cuando seamos absorbidos por la obscuridad,” which you can listen to below. 

    “Cuando seamos absorbidos por la obscuridad” follows the principles laid out by Transylvanian Hunger over 30 years ago, bouncing between frosty, antagonistic black metal and d-beat, although it damns variation and dynamism to hypnotise. Which is to say, the track is repetitive. You could say Wampyric Rites are invoking a trance, or that they’re hiding their power level in service of the song, but they are as stubborn as a pitbull. Fortunately, like watching a marathon runner set a new record pace, that stubbornness is part of the appeal and a chance for the duo to flaunt their stamina. The other part of the appeal is that “Cuando seamos absorbidos por la obscuridad,” and Under the Tragic Fullmoon of the Vampire, espouses a devotion to one aesthetic and explores its smallest pockets. Such primitiveness will turn some off, but that’s the point. Wampyric Rites are checking IDs at the door to see if you can weather the full moon, or if you’ll lose your mind before dawn. 

    Under the Tragic Fullmoon of the Vampire is available this Friday via Inferna Profundus Records.

  • CRYPTIC SHIFT: UK Progressive Death Metallers Release “Cryogenically Frozen” Single; Overspace & Supertime To Drop On February 27th Through Metal Blade Records

    Photo by Murry Deaves “Cryogenically Frozen” is the latest single from UK progressive death metallers CRYPTIC SHIFT. The track comes off the band’s Overspace & Supertime full-length, set to drop on February 27th through Metal […]

    The post CRYPTIC SHIFT: UK Progressive Death Metallers Release “Cryogenically Frozen” Single; Overspace & Supertime To Drop On February 27th Through Metal Blade Records appeared first on INFRARED MAGAZINE.

  • Cryptic Shift: UK Progressive Death Metallers Release “Cryogenically Frozen” Single

    – February 10th, 2026 –

    Overspace & Supertime To Drop On February 27th Through Metal Blade Records

    Photo by Murry Deaves

    Watch/stream CRYPTIC SHIFT’s “Cryogenically Frozen” HERE

    Cryogenically Frozen” is the latest single from UK progressive death metallers CRYPTIC SHIFT. The track comes off the band’s Overspace & Supertime full-length, set to drop on February 27th through Metal Blade Records.

    Issues vocalist/guitarist Alexander Bradley, “Contrasting the prolonged, cinematic opening of our previous album [Visitations From Enceladus] ‘Cryogenically Frozen’ wastes no time by bursting into a flurry of jazz fusion-esque movements as if metal had an alternate timeline progressing from the lineage of masters like Cynic, Pestilence, and Allan Holdsworth, whilst still remaining true to our death/thrashing tendencies with lightning riffs tailor-made for the headbangers and circle pitters! Simultaneously, all aspects of our songwriting propel our new character, ‘The Recaller,’ through her sci-fi adventures, beginning with a cybertronic shootout and meditations in dreams and consciousness. Being one of the shorter songs on the album defined by a pulsing verse and chorus, it ends with a moment of calm before the true centerpiece of Overspace & Supertime begins with the 29-minute ‘Stratocumulus Evergaol’ which we can’t wait for all Astrodeath freaks to explore on the February 27th.

    Stream CRYPTIC SHIFT‘s “Cryogenically FrozenHERE.

    Watch CRYPTIC SHIFT‘s previously released video for “Hexagonal Eyes (Diverity Trepaphymphaszym)HERE.

    While not commonly known as an extraterrestrial hotspot, Leeds faced an encounter of another kind in 2015 when Bradley and drummer Ryan Sheperson set out to accomplish a project embodying their joint passion for the art of science fiction and heavy metal music. The band unveiled their debut full-length, Visitations From Enceladus, in 2020. The offering received critical acclaim for its adventurous, progressive technical death thrash compositions, a twisted form of extreme metal simply referred to as the “Phenomenal Technological Astrodeath.

    Overspace & Supertime continues the conceptual and musical themes of their debut and delivers a new standard of technical thrash/death metal showmanship, including returning influences of progressive writing, harmonized with their fantastical storytelling. “The concept of Overspace & Supertime plays as an alternative reality to the happenings of Visitations From Enceladus, taking our character into new dimensions filled with both greater adventures and more bizarre encounters,” notes Sheperson. “Whilst the concept themes of our sci-fi tale have grown, so have our efforts in synthesizing it with the ultimate Astrodeath soundscape. The record takes the listener on a deeper journey through the fusion of our influences, with some exciting twists and turns along the way.”

    In an advance 9/10 review of the record, Metal Hammer UK writes, “CRYPTIC SHIFT are operating on a higher plane of prog metal consciousness, and Overspace & Supertime is a potentially life-changing act of artistic audacity.Deaf Forever Germany concurs with a 9.5/10 rating, “In the future, all technical thrash/death bands from the Vektor/Voivod/Blood Incantation school will be measured against this record!” Adds Sweden Rock Magazine with a 9/10 score, “This is already a candidate for the year’s, if not the best, then definitely the most ambitious work.”

    Overspace & Supertime was produced by Jack Helliwell and mastered by Greg Chandler (Esoteric, My Dying Bride) and features the stunning artwork of Jesse Jacobi.

    Overspace & Supertime will be released on CD and digital formats as well as 2xLP in the following color variants:

    180g Black
    Cloudscape Orange Vinyl (Orange Red Marbled) – (Ltd. 600)
    Ancient Storm Swirl Vinyl (Violet Blue w/ Black, Blue & Red Smoke) – (Ltd. 250)
    Ice Cauldron Blue Vinyl (Blue/Purple Merged) – (Ltd. 250)

    Find pre-orders at: metalblade.com/crypticshift

    CRYPTIC SHIFT Live:
    2/28/2026 Boston Music Rooms – London, UK * Record Release Show
    5/21-24/2026 Maryland Deathfest – Baltimore, MD

    CRYPTIC SHIFT:
    Alexander Bradley – vocals, guitars
    Joss Farrington – guitars
    John Riley – bass
    Ryan Sheperson – drums

    https://www.facebook.com/crypticshift
    https://www.instagram.com/crypticshift.ufo

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    Team Great Britain snowboarder Mia Brookes rocked out some Pantera ahead of her medal-determining jump at the 2026 Winter Olympics. Continue reading…