The Mighty Decibel names its top 10 albums of 2025!

Still in Rock now presents its selection of the 100 songs of 2025. Any attempt to rank tracks across garage rock, slacker, post-skate, power pop, egg punk, surf, punk, psych-rock, jangle, and bedroom pop is necessarily fragile. To preserve balance and variety, only one track per album has been retained. The result is nearly five hours of music, offered as an invitation to explore rather than a definitive judgment. Enjoy the journey.

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The post Best of 2025: Best songs appeared first on Still in Rock.

The Mad Lads came from Birmingham and seem to have been active no later than late summer 1966.

They cut one excellent original song “Come Back to Me” written by Butch Romana and Larry Rosser, backed with a good version of “Tossin’ and Turnin’”. It was released on Prestige Productions Records PP66-152 in August 1966.

The Mad Lads did get some fine gigs, including Stage Center for the April 19-20, 1966 Festival of Arts at Third Avenue and 20th Street North. Other rock performers those days included the Shades and Carol the Go-go Girl, the Discotheques, and the Blackouts.

They also played at Holiday Beach on the Tuscaloosa Highway in June, 1966.

Most notably they performed at a Battle of the Bands on TV Channel 42 vs. the Impacts on Saturday, March 26, 1966!

I would appreciate more info on the group. Does a photo of the band exist?

The Beard’s Top Live Shows of 2025 (Part 1)

Good Day Noir Family,
Ryan McDavid’s “Runaway (Late Night Reverb)” unfolds like a quiet invitation into the hours when the city exhales, and thoughts become louder than traffic.

Runaway (Late Night Reverb) is Ryan McDavid’s Single Out Now

A muted, mysterious tone greets the listener first, and then soft keys step in with an unmistakable nod to classic ’80s moods.

Immediately, the rhythm settles into a steady pulse, relaxed yet deliberate, creating a hypnotic framework that feels designed for motion rather than stillness.

Soon, McDavid’s voice enters, soaked in reverb and sitting deep within the mix. Instead of dominating the track, it blends into the atmosphere, functioning almost like an internal monologue. As a result, the song adopts a nocturnal personality, one shaped by neon reflections, empty streets, and long drives without a destination. Moreover, the vocal delivery conveys restraint, which enhances the emotional impact rather than weakening it.

The electronic textures remain elegant and controlled. Synth layers drift in and out with precision, never overcrowding the arrangement. Because of this, the track maintains clarity even while leaning into a hazy, dreamlike direction. At the same time, subtle changes in tone keep the listener engaged, preventing the groove from becoming repetitive. The production choices feel intentional, focused on mood rather than excess.

Then, the song begins to reveal its core strength: balance. It soothes without becoming passive, and it energizes without aggression. “Runaway (Late Night Reverb)” works equally well as a late-night companion or a reflective solo listen. There is a gentle nostalgia present, yet it never feels stuck in the past. It uses familiar textures to tell a modern story.

Additionally, the track suggests movement, not escape, but exploration. It captures the feeling of driving with no clear plan, letting thoughts wander freely. The song resonates with anyone who finds clarity after midnight. The refined sound design enhances this experience, allowing each element to breathe while contributing to a unified vision.

In the end, Ryan McDavid delivers a track that understands the power of subtlety. It doesn’t chase trends, and it doesn’t demand attention. Rather, it earns it quietly, one shimmering layer at a time.

Runaway (Late Night Reverb) is Ryan McDavid‘s Single Out Now!

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Nocturnal!

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Ryan McDavid is an indie musician from Georgetown, Guyana, creating dream pop and shoegaze in the quiet hours when the world feels overwhelming. His music leans into space, reverb, and restraint, shaped by solitude and a strong DIY approach. Ryan’s songs are for those who move at their own pace and find comfort in the quiet.

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Find Ryan McDavid Here:

Spotify
Instagram

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The post Runaway (Late Night Reverb) is Ryan McDavid’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
Hearing CrazySeed for the first time through Let It Be Alone feels like opening a familiar door and discovering that the room behind it has quietly evolved.

Let it be Alone is CrazySeed’s Single Out Now

The track introduces itself with a guitar strum that feels restrained and charged. At first, the mood sits in a reflective space. However, tension already simmers beneath the surface.

Soon after, distortion enters with purpose rather than excess. As a result, the atmosphere shifts from introspection toward something more assertive. The verse deliberately pulls back, leaving space for a heavily reverberated vocal that echoes with clear ’90s lineage.

This does not come across as imitation. Instead, the influence of bands like Soundgarden or Pearl Jam appears as a natural reference point rather than a destination.

Meanwhile, the song’s structure shows confident restraint. The chorus opens wide and invites the listener in rather than overwhelming them. It delivers a melody that lingers and encourages participation. At the same time, it never drifts into nostalgia for its own sake. The emotional weight stays grounded, direct, and honest.

Then comes the bridge, which stands out as a defining moment. Here, the guitars expand and grow more feral, yet they remain controlled. The track reaches its most expressive peak without losing cohesion. This section channels the spirit of alternative rock’s most daring moments, while still sounding rooted in the present. The energy rises, but the song never abandons its emotional clarity.

Additionally, the production deserves mention for its balance. The sound feels large and warm, yet nothing spills over unnecessarily. Each element serves the song’s intent. Because of that, the track maintains momentum without becoming bloated. The dynamics breathe, and the performance feels lived-in rather than manufactured.

Let It Be Alone succeeds because it understands the power of contrast. It moves between softness and force with intention. It respects its influences while confidently asserting its own voice. CrazySeed proves that modern rock can still feel human, textured, and emotionally grounded.

Let it be Alone is CrazySeed’s Single Out Now!

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Resonant!

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CrazySeed is a rising artist from Lisbon, Portugal, driven by a deep passion for music production and a fiercely personal solo vision. Drawing on gritty Nirvana-era energy, he blends melancholic vocals with aggressive rock instrumentals to shape a sound that feels raw yet focused. Refined through dedicated production study and hands-on experimentation, CrazySeed delivers music with a clear identity and emotional punch—marking him as an artist to watch.

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Find CrazySeed Here:

Spotify
Instagram
Youtube

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The post Let it be Alone is CrazySeed’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
Cold, abrasive textures greet the listener right away, and yet there is intention behind every strike.

Shadows Of The Eclipse is Ungoliath’s Album Out Now

 Shadows Of The Eclipse does not aim to welcome; instead, it confronts.

From the opening moments of “Sealed In Fire, Crowned In Dusk,” a razor-edged guitar tone cuts through the air while reverb stretches the notes into something vast and hostile. Soon after, relentless drums surge forward, and an ancestral scream pulls you into a frozen ritual that offers no comfort. However, this harshness never feels careless. Rather, it establishes the album’s bleak universe with precision.

Then, “Threnody Of The Fallen Sphere” deepens that descent. The pace remains unforgiving, yet the atmosphere grows heavier and more suffocating. Instead of release, the track insists on endurance. Still, subtle shifts in rhythm and texture prevent monotony. The listener stays alert, trapped inside a landscape shaped by tension and resolve.

The title track, “Shadows Of The Eclipse,” accelerates the chaos even further. Here, the music feels like a barrage, almost mechanical in speed. Meanwhile, the keyboards emerge as ceremonial elements rather than decoration, evoking images of ancient rites performed under a blackened sky. The vocal delivery is merciless, alternating between guttural force and solid intensity. The track becomes one of the album’s most punishing statements.

Yet Ungoliath understands contrast. “Rise From Ruins” briefly shifts perspective. At first, cinematic keys suggest fragile calm, almost deceptive in nature. Nevertheless, that illusion collapses quickly as the storm returns. This balance between restraint and explosion adds emotional depth, proving the project can shape narrative, not just aggression.

“Born To Ashes” closes the album with apocalyptic weight. The imagery feels tangible: smoke, embers, and distant destruction drifting through silence and fury alike. Instead of offering resolution, the track leaves a scar. The album ends not with closure, but with aftermath.

Overall, Shadows Of The Eclipse blends black metal ferocity with melodic and cinematic instincts. While it remains uncompromising, it also shows careful construction. Moreover, Ungoliath demonstrates a clear vision that refuses trends and embraces intensity. This is not easy listening; It is deeply immersive for those willing to step into the darkness.

Shadows Of The Eclipse is Ungoliath’s Album Out Now!

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Relentless!

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Ungoliath is a Berlin-based atmospheric black metal project founded in 2002 by Steffen Kraatz, known as Bane. Conceived as a passage into the dark realm of Tendalied, the music blends haunting melodies, evocative riffs, and somber ambience into immersive soundscapes.

A one-man project rooted in the underground, Ungoliath explores themes of fallen gods, cosmic ruin, and inner struggle. With releases like Whispers of the Gale (2024) and The Fourfold Descent (2025), the project continues to evolve, fusing raw black metal energy with symphonic and cinematic depth.

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The post Shadows Of The Eclipse is Ungoliath’s Album Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Location: Kedelhuset, Silkeborg, DenmarkDate: 19th of December, 2025 As an early Christmas present, Danish thrash metal legends Artillery play one of my local venues. This […]

For the 15th consecutive year, Still in Rock publishes its selection of the year’s best albums. Any ranking exercise is necessarily imperfect, particularly when it seeks to compare post-punk, pop, and slacker music, but the list stands as an honest snapshot of the year. All albums are available for listening below and can be added to Spotify with a single click. Many thanks to everyone who keeps this ritual alive.

40. blister – Window of Islands
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39. Personality Cult – Dilated
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38. Sex Mex – Repackaged II
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37. Rex Tycoon – No Limit 2 Luv
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36. shame – Cutthroat
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35. PUP – Who Will Look After The Dogs?
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34. Vaguess – Another Man’s Treasure
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33. PAL – Under Your Radar
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32. Teo Wise – Fermo o Sparo!
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31. Alien Nosejob – Forced Communal Existence
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30. Glyders – Forever
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29. Public Body – Finger Food
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28. CLAMM – Serious Acts
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27. Ty Segall – Possession
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26. CIVIC – Chrome Dipped
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25. Dragnet – Dragnet Reigns!
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24. Jacuzzi Boys – Too Cold To Tango
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23. Snooper – Worldwide
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22. ty – WE R TY
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21. Lambrini Girls – Who Let The Dogs Out

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20. Mac DeMarco – Guitar
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19. Mini Skirt – All That We Know
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18. Baby Tyler – Sucker With A Dream
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17. Tickles – Sugar & Plastic Plates
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16. Metdog – One For The Kids
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15. Los Scallywaggs – Plastic People
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14. Osees – ABOMINATION REVEALED AT LAST
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13. Helvetia – Welcome the Summer Heartbreak
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12. The Wytches – Talking Machine
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11. STEROÏD – CHAINMAIL COMMANDOS
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10. Motorbike – Kick It Over
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9. Wavves – Spun
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8. Death by Unga Bunga – Raw Muscular Power
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7. ELVIS 2 – THANK YOU VERY MUCH
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6. Radioactivity – Time Won’t Bring Me Down
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5. Fuzz – Fuzz’s Fourth Dream: Singles, Demos And Rarities
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4. Bee Bee Sea – Stanzini Can Be Allright
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3. White Reaper – Only Slightly Empty
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2. King Gizzard – Aerodynamic

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1. TH da Freak – Negative Freaks
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The post Best of 2025: Best albums appeared first on Still in Rock.

Inspired by a famous monologue from the legendary 80s blockbuster Blade Runner, Tailgunner dives into epic songwriting with the second single from their upcoming album, Midnight Blitz, out on February 6, 2026, via Napalm Records.

“Tears In Rain,” named after a phrase the movie’s antagonist, Roy Batty, uses in his last words, showcases Tailgunner frontman Craig Cairns’ broad vocal skills and the band’s ability to deliver huge, infectious choruses. No wonder the young British band even got heavy metal legend K. K. Downing himself on board as producer. “Tears In Rain” – contrary to the original movie quote – will definitely not be lost in time!
 
“‘Lost in time, like Tears in Rain…’ The most iconic monologue in cinematic history, and one of most legendary on-screen moments of the 80s. ‘Blade Runner’ has been a focal point throughout writing our new album, and none more so than here, on our new single ‘Tears in Rain’. Carrying a chorus for the ages, this is a track we can’t wait to take out on the road and have you sing with us, deep into the night. Made for those moments where the light fades, and things get that little more epic, ‘Tears in Rain’ is an all-time anthem, here for the modern day,” says the band.

Pre-order the album here.

Bursting onto the scene in 2022, their sophomore work draws heavily from classic British heavy metal, but just like those influences, the band is determined to push forward. Always crafting their sound and building on what they have, whilst never compromising on what they started with – pure heavy metal. In an astonishingly short time, the emerging British heavy metal talent has found support in the very heroes they follow: after making a strong impression supporting KK’s Priest, legendary guitarist K.K. Downing went on to produce the upcoming album, Midnight Blitz.
 
Midnight Blitz is classic heavy metal without being a pastiche. This is a band for the here and now – not just worshipping at the altar, but determined to stand upon it as the Metal Gods of a whole new generation of headbangers. Tailgunner prove their skills effortlessly, carving themselves out as heavy metal’s future and grabbing the torch from the legends themselves. Catchy hooks, killer riffs, and appealing to every heavy metal fan – join K.K. Downing and discover your new heroes now!

The post Rising Heavy Metallers TAILGUNNER Pay Homage To Classic 80s Movie Blade Runner With New Single “Tears In Rain” appeared first on Sonic Perspectives.