FOR IMMEDIATE RELEASE
CONJURIST Unleash Debut Album I Am The Earth — A Primal Fusion of Atmosphere, Aggression, and Arcane Themes
Nashville, TN – Rising from the underground with a sound as immersive as it is unrelenting, atmospheric extreme metal project CONJURIST has officially released their debut full-length album, I Am The Earth , on Friday the 13th, March 2026.
Clocking in at just under 40 minutes across 10 tracks, I Am The Earth is a dense and dynamic sonic journey that blurs the lines between melodic death metal, post-black and blackgaze, doom, and hardcore. Written and recorded by Blake Bailey and brought to life through mixing and mastering by Robbie Bingham, the album delivers a carefully crafted balance of technical precision, raw intensity, and haunting atmosphere.
CONJURIST’s music dives deep beyond surface-level aggression, pulling listeners into a conceptual world steeped in mysticism, ancient history, mythology, and existential reflection. Themes of ritual, primal energy, and humanity’s connection to the Earth run throughout the record, giving it both a cerebral and visceral weight.
This vision extends into the band’s visual identity as well. The music video for the track “Solace for the Shaman” features members adorned in animal skull masks, evoking ritualistic imagery and a raw connection to something ancient and otherworldly. It’s not just music, it’s an experience rooted in symbolism and atmosphere.
Sonically, CONJURIST channels a wide range of influences while carving out something distinctly their own. Fans of bands like Gojira , Fallujah , Alcest , Meshuggah , Pallbearer , Converge , and Acid Bath will find familiar elements woven into the project’s expansive sound.
Early reactions are already highlighting the album’s unique identity. Mark’s Metal Minute praised the release, stating:
“This album is heavy, atmospheric, and weird in the best way. Musically it lives somewhere between blackened metal, doom, experimental, and extreme metal. The riffs seem ancient — slow, crushing sections suddenly explode into faster chaos. The theme leans hard into Earth, ritual, and ancient power. It feels primal.”
With I Am The Earth , CONJURIST doesn’t just introduce themselves, they make a statement. This is a band unafraid to push boundaries, blending genres and ideas into something that feels both timeless and forward-thinking.
The album is available now on all major streaming platforms.
For fans of: Atmospheric extremity, conceptual depth, and genre-defying metal that hits as hard as it haunts.
Media Contact: zach@metaldevastationradio.com
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Connect with the band: 
https://conjurist.bandcamp.com
https://www.facebook.com/profile.php?id=61566891959330
https://www.instagram.com/conjuristmusic
Contact: Conjuristmusic@gmail.com

Posted on March 30th 2026, 3:18p.m.

Waves of the Echo – Words Review

Waves of the Echo steps into “Words ” with a sound that feels controlled.

Words is Waves of the Echo’s Single Out Now

Words captures a cinematic, nostalgic soundscape. The single opens with a beautiful swirl of keys, immediately evoking a mysterious atmosphere reminiscent of a Dario Argento film.

The drum entry adds a distinct 1980s rock influence, energizing the track. The powerful and steady beat channels vintage rock bands, anchoring the song firmly in that era while maintaining modern clarity. The driving percussion enhances the opening keys, creating a rhythmic foundation that is both nostalgic and fresh.

Waves of the Echo mix dynamics skillfully at minute 2:13. The song noticeably pulls back, stripping away layers to generate space and focus. This reduction creates tension and invites deeper listening before expanding again. Such dynamic control reveals the band’s strong compositional experience and their ability to manipulate sound textures effectively.

Melodia’s melancholic yet intense vibe permeates the song throughout. The melody blends emotional weight with anthemic qualities, recalling the styles of U2 and INXS without imitating them. The vocal line encourages participation, especially during the chorus, which is melodic and accessible enough to prompt a sing-along. This adds an immediate, communal energy to the piece.

A rifled keyboard passage later in the track pushes the arrangement into a dystopian sonic space. This riff rises aggressively, filling the soundscape and creating an almost suffocating atmosphere. The effect contrasts sharply with the earlier sections, showcasing the song’s range and depth with concrete, layered storytelling through music.

The band’s compositional expertise shines clearly in this track. The experience behind the arrangement becomes apparent in the balancing of nostalgia and innovation. The song sounds polished yet emotionally raw, enabling listeners to connect to the music and the mood directly.

Overall, Waves of the Echo deliver a textured, compelling single in Words. The integration of filmic keys, 1980s rock drums, and tight dynamics defines the track. Words reveals a band confident in their identity and craft.

Words is Waves of the Echo’s Single Out Now!

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Intense!

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Helsinki-based indie rock band Waves of the Echo returns after nearly a decade away, reigniting their sound with renewed energy and purpose. Formed through a shared love of Britpop, the band blends echoing guitars, 80s-inspired synths, and melodic hooks into a style that bridges indie rock, shoegaze, and electro influences. Their self-released debut album Fading Daylight, Bright Nights introduced a rich, emotionally driven sound shaped by northern landscapes and the contrast between joy and melancholy. Now, with new material on the horizon, Waves of the Echo continues to explore the lasting impact of human connection through vibrant, atmospheric songwriting.

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The post Words is Waves of the Echo’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Exodus and Slayer guitarist Gary Holt names metal's greatest albums and says his band "crushes" Metallica these days. Continue reading…

Here we go….Down The Road, The Complete Ian Gillan Band Story. A monster eight CD box set comprising of the band’s three studio albums together with some bonus tracks, rarities and live performances from the old Rainbow in London and the Budokan and Hiroshima in Japan. This was Ian’s return to music in the mid-1970s […]

The post The Complete Ian Gillan Band Box Set Review first appeared on New Wave of British Heavy Metal.

It’s almost comforting to learn that Wu-Tang Clan members still sometimes don’t show up for Wu-Tang Clan shows. The chaos of Wu-Tang group performances has been a constant through most of their history, going all the way back to the ’90s. I once caught a European festival set where only four of the ten core members made it to the stage. It was still great! The Wu-Tang members who do show up know how to cover for those absences, sometimes performing deeper cuts and changing up setlists on the fly. Wu-Tang have had a more professional operation lately, but the old chaos came back during their recent Australian tour.

The post Australian Wu-Tang Concertgoers Can Get Refunds Because Four Members Didn’t Show Up appeared first on Stereogum.

The guitarist will be joined by a bunch of fellow legends including Pete Townshend and Billy Gibbons. Continue reading…

The post GODTHRYMM: UK Doom Metal Juggernauts To Unleash Third Album, Projections, On May 29th Via Profound Lore Records; New Video/Single Now Playing + Preorders Available appeared first on INFRARED MAGAZINE.

(This is DGR’s review of the first new album by The Duskfall in a dozen years. It was independently released earlier this month.) There is no such thing as the phrase “did not have that on my bingo card for the year” when said bingo card has effectively been shot to shreds and has existed […]

The post THE DUSKFALL: “THE EVERLASTING SHADOWS” appeared first on NO CLEAN SINGING.

FOR IMMEDIATE RELEASE
Crucial Velocity Returns with “Mortal Fallacy,” First in a Trilogy of New Singles
Veteran hard rock/metal band Crucial Velocity is set to unleash their latest single, Mortal Fallacy , within the next four to six weeks via Golden Robot Records’ distribution platform, Robot Distro. Marking their first new music in over a year, the track also serves as the opening strike in a planned series of three singles set for release over the coming months.
Mortal Fallacy dives into the eternal search for something pure, only to uncover that the so-called “new messiah” is no better than the last. Frontman Androo O’Hearn delivers soaring, Queen-inspired layered vocals, while guitarist Michael Harris brings his signature virtuosity with a sharp prog edge. Behind the kit, Matt Thompson, fresh off touring with King Diamond, lays down the heaviest and most technical drum performance ever captured on a Crucial Velocity release.
“All music and lyrics are written by Nate Bauer,” the band states. “Musically, we’re picking up right where we left off after the Controller album. After two full-length releases, we’ve really locked in a sound that blends classic ’80s and ’90s metal with something modern. Heavy groove, strong melody, and a clear identity. This single is exactly what Crucial Velocity stands for.”
Fans of Queensrÿche, Black Sabbath, and Ghost will find plenty to latch onto, but Mortal Fallacy stands firmly on its own with layered harmonies, driving riffs, and a powerful, modern production.
Mortal Fallacy will be distributed digitally through Golden Robot Records and available on all major streaming platforms.
Pre-save now: https://orcd.co/mortal-fallacy
For updates, exclusive content, and early listens, follow Crucial Velocity on their social media channels.
Press Contact:
zach@metaldevastationradio.com


  Follow the band at these links:
https://crucial-velocity.com/ 
https://www.instagram.com/natebauermusic/
https://www.facebook.com/nate.bauer.12
Contact: mrnatebauer@gmail.com