Portrayal of Guilt have toured the world over, creating their own musical eco-system and released four seminal full-length albums that have seen the Austin trio consecutively reinvent themselves. They’ve done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of “menacing”, “compelling” and “must hear”.
…Beginning of the End, their upcoming studio album on Run For Cover embraces both the groove and avant-garde, revisiting the raw, teeth-gnashing intensity of their previous work. It feels like a band that has traversed every shadowy corner of heavy music, distilling their decade of innovation and knowledge into a singular show of force.
Today, they’ve unleashed their second set of singles, “Object of Pain” and “Death From Above”, alongside two new videos to complete their …Beginning of the End video trilogy, which they collaborated on with director Craig Murray.
“Object of Pain” and “Death From Above” follow lead singles “Ecstasy” and “Human Terror” released earlier in the month and give a preview into the album’s experimentation with nu-metal, alternative rock, trip hop, dark ambient and other disparate influences.
Portrayal of Guilt made an immediate impact in underground circles with their debut, Let Pain Be Your Guide by mixing nihilistic hardcore, black metal, classic screamo, and imaginative textures. We Are Always AloneandCHRISTF*CKER LPs followed in 2021, the band’s breakout body blows that corroded the band’s commitment to genre, nodding at industrial music, post-metal, sludge and even post-hardcore, all while cementing the band’s tendencies toward experimentalism. Their fearless spirit reimagined their own sound as classical (Devil Music EP) and EBM / goth (CHRISTF*CKER II) on more recent efforts. And though the pacing of releases and the band’s evolution has remained steady, Portrayal of Guilt’s execution has kept their audiences hungry for the band’s ever-evolving sound.
…Beginning of the End was recorded and mixed by Phillip Odom between March and June 2025, with mastering handled by Will Yip. It’s Portrayal of Guilt’s fourth studio album in eight years, and third with Run For Cover.
Just after their performance at the world-renowned Roadburn Festival in April, Portrayal of Guilt set out on a full North American headlining tour, which kicks off with a hometown send-off on the 9th of May at Mohawk in Austin. The run crosses East Coast, Midwest and more withPg. 99, Taraneh, Halloween and The Infinity Ring supporting select dates. Tickets are on sale Friday, March 6 at 10AM Local Here. For a full list of dates and posters, see below.
Canadians Cancer Bats have recently confirmed ’20 Years Of Madness’ European headline tour, encompassing 26 shows in total that are scheduled to be executed from late May to early July. Read more…
Nashville, Tennessee-based technical death metal formation Inferi have released “Godless Sky” as another preview tune off their forthcoming studio record, Heaven Wept. Read more…
With a captivating presence and a warm, natural confidence brought to both lyrics and vocal performance, breakthrough indie-pop artist GYPSY LEE is setting herself up for a vibrant new arc with the debut of her latest track, ‘SNITCHES’.
As a preview of her forthcoming EP project, the new single from the Melbourne-based artist is an engaging stride forward. A beautiful blend of songwriting skill and charisma, GYPSYLEE leaves the listener with no choice but to be drawn in.
Written with collaborator and producer THRONES (Andrew Lowden), ‘Snitches’ was created following a breakup that GYPSY LEE describes as her “first heartbreak”. The song is produced without any instruments, it’s entirely GYPSY’s vocals and percussive elements such as hands claps and door slams.
“I was less upset by the loss of the person, more the actions that ended the relationship. There’s an anthemic quality to the song – not just for me, but perhaps for women everywhere – a call out of the bullshit some boys put them through. I’m not a blow up doll, a barbie or your property. I am completely myself and I’m not afraid to call you out – or snitch.” GYPSY LEE
Accompanying the release of ‘Snitches’, GYPSY LEE has released the song’s official visuals, directed by Glen Wilk the video captures the fun of ‘Snitches’, while also elevating the artist’s own unique vibe and approach to pop music that at all times, is led with heart.
“I wanted a video that captured everything I am, everything I’m not and what I could be. I can be fun, I can be messy, I can be ugly, I can be your dream girl. What I won’t be, however, is silent.”GYPSY LEE
Since making her debut in 2024 with the PRETTY IN THE DARK EP, audiences have been able to witness GYPSY LEE evolve from buzz artist, to becoming a dynamic breath of fresh air and certainly, one to watch. Having already enjoyed sold out shows at venues including The Espy in Melbourne and Sydney’s Oxford Art Factory, GYPSY LEE has been enjoying the challenge of stepping out of the studio and bringing her songs to the stage.
With the release of more new music in 2026, GYSPY LEE is a name Australian music fans will become more and more familiar with.
Friday 27 March Kew Court House MELBOURNE VIC – SOLD OUT
Friday 17 April Brunswick Artist Bar MELBOURNE VIC
Thursday 23 April Espy Basement MELBOURNE VIC
Thursday 9 July Big Red Bash SIMPSON DESERT QLD
Don Broco’s evolution has been fascinating to witness. But while some focus on their transformation from skinny-jeaned rock ladz to sonic eccentrics that sound unlike anyone else, what’s equally interesting is their change of lyrical focus, even from their last record to this one.
On their previous album, 2021’s excellent Amazing Things, they looked out at the world, commenting on such disparate topics as how superficial fixations blind us to real issues (Swimwear Season) and the anger associated with having someone’s bigotry thrust upon you (Uber), all serious topics tackled in far from the obvious ways.
On Nightmare Tripping, they’re similarly unpredictable in their approach, though this time turn their gaze inwards, with most of these 11 songs feeling like variations on a theme that none of us are as tough, or as beyond reproach, as we’d like to think we are. And that’s okay.
Darker examinations naturally result in darker music. And while Broco are no less loco – as Pacify Me confirms, gamely putting the bark in absolutely barking – their sound has been alloyed with more abrasive and suffocating textures.
Opener Cellophane was the perfect choice as first single, perfectly teeing up what’s to come, musically and thematically. With its references to The Matrix (thankfully the Keanu Reeves movie rather than the odious manosphere connotation), it’s a moment of awakening to the fact life can go from a picnic to a shit-sandwich buffet in the blink of an eye.
The first four tracks – completed by Disappear, Somersaults and the Nickelback-collaborating title-track – absolutely bombard the senses. Sometimes, it appears, it’s to scratch the itch of paying homage to formative influences like Korn and Limp Bizkit. Alternatively, as on Somersaults, it’s to provide context, namely recapturing the exuberance of youth and heady days when life was only frantic in a fun way. Nevertheless, you can’t help needing a bit of a breather when you’re drowning in ideas. It arrives via Ghost In The Night, its expansive melodies taking the foot off the gas and your windpipe for its four-plus minute duration.
That respite is short-lived, though, which is good news if you never wanted it to begin with, but less so if you like your Broco on the breezier side.
True Believers, featuring Architects’ Sam Carter, is a symphonic metalcore behemoth, undoubtedly inspired by Don Broco’s show at the Royal Albert Hall backed by an orchestra in 2022, and seemingly custom-made with spectacular live performances in mind. Quite how the hell they will recreate Euphoria Live Forever and Pacify Me onstage is anyone’s guess. Listening to both, the words ‘nu-metal nightclub’ spring to mind.
So, too, does a sense that more doesn’t always equal more. In piling on the downtuned riffs, vocals both crooning and cacophonous, an ’80s throwback vibe and the kitchen sink, they’ve successfully accumulated all the stages of Broco in one go. You can’t help feeling they’re getting in their own way at times, though, and that those two songs in particular might have been more impactful with a little more refinement.
Critiquing this band for being unrestrained is like berating water for being wet, though. Nightmare Tripping is something of a double pivot from its authors, busier and more brooding than what’s come before. This is the way they want to tell their story, though, right here and right now, and you’d have to be tripping to begrudge them that – especially when the results frequently dazzle.
French gothic doomers Angellore will return with their forth studio album, Nocturnes, on May 15th 2026 via Ardua Music. It’s comprised of 5 new songs and 54 minutes in total. Other details can be checked out below. Read more…
Willie Nelson has officially announced a new, 79th solo studio album titled “Dream Chaser.”
News of the project has quickly positioned it as one of the most notable late-career additions to his catalog.
Early reports have focused on two major points:
The album’s release details
The arrival of new music through the title track.
Attention around the announcement also signals that Nelson remains an active recording artist at a stage in life when most performers have long since slowed down.
Let us see what this album, which just dropped, looks like.
Release Date and Basic Album Details
Source: Shutterstock, New album is coming out this May
“Dream Chaser” is set for release on May 29, 2026, giving Willie Nelson another major date in a career that already spans one of the largest catalogs in popular music.
Coverage has described the album in two different ways because outlets are counting different parts of his recording history.
One publication labels it Nelson’s 156th studio LP, while another identifies it as his 79th solo studio album.
The difference in those numbers does not create a contradiction so much as it shows just how vast his body of work has become after decades of recording, collaborations, and solo releases.
A few details make that distinction especially important:
156th studio LP points to the full scale of Nelson’s recording output across multiple formats and eras.
79th solo studio album narrows the focus to his solo catalog rather than the complete studio total.
Both counts still place “Dream Chaser” among the latest entries in one of country music’s biggest discographies.
The size of Nelson’s catalog gives the new album extra weight before anyone even hears the full record.
Reaching a point where outlets can describe a release with such massive numbers says a great deal about his consistency and longevity.
New projects are not rare events in his career, yet each one still adds another chapter to a recording history that continues to grow at an astonishing rate.
Why This Album Matters
Few artists continue putting out new music at Willie Nelson’s pace, especially at his age.
“Dream Chaser” keeps that long pattern going and reinforces the idea that he remains creatively active after decades in the studio.
One outlet places the release in the context of Nelson nearing his 93rd birthday, which immediately gives the album greater importance in public conversation.
Age alone does not define the record, but it does shape the way people look at it.
Ongoing productivity at that stage of life makes the album feel larger than a routine addition to a release schedule.
Instead of functioning as a nostalgia project, “Dream Chaser” comes across as proof that Nelson is still writing, recording, and issuing new material with remarkable regularity.
That kind of consistency is rare in any genre, and it helps explain why the announcement has drawn so much attention.
Reported tracklist details give a strong early look at the album’s shape. Songs include:
Willie Nelson has already released “Dream Chaser” as the first preview of the album, giving listeners an early sense of its mood and direction.
Early descriptions portray the song as autobiographical and thoughtful, linking its tone to ambition, memory, and perseverance.
Those ideas fit naturally with Nelson’s long public image as an artist who has continued moving forward across multiple decades of success, hardship, reinvention, and endurance.
Song themes already associated with the single include:
Ambition
Memory
Perseverance
Placement of “Dream Chaser” as the title track also matters because title songs often shape first impressions of an album’s identity.
In this case, early reactions suggest a record that is personal, measured, and emotionally direct.
Rather than introducing the project with something flashy or playful, Nelson appears to be opening the rollout with a song that points toward experience, reflection, and continued purpose.
That choice gives the album a steady emotional center right at the start.
Trends Among Music Audiences
Coverage tied to major artists often opens the door to wider conversations about daily habits, mood, and personal wellness.
Music does not exist in isolation for many readers, especially those who also follow topics connected to relaxation, self-care, and routines that support emotional balance.
Interest in reflection and comfort can easily overlap with entertainment coverage, which makes related lifestyle subjects feel relevant within the same reading experience.
Many fans do not engage with new album news only as a matter of release dates, tracklists, or tour schedules. Personal meaning also plays a role, especially when an artist releases work that carries a thoughtful or introspective tone.
Songs centered on memory, perseverance, and perspective can naturally sit alongside broader audience interests tied to calming routines and wellness habits, including products like edibles.
Seen from that angle, the connection feels natural within the wider reading experience. Coverage of Dream Chaser can easily sit within a cultural space shaped by music, mood, routine, and personal well-being, especially when the album’s tone invites a more thoughtful and reflective response.
The Bob Dylan Connection
One of the biggest talking points attached to “Dream Chaser” is the presence of a Bob Dylan co-write.
Reported details identify that song as “I Can’t Read Your Mind,” with writing credited to:
Willie Nelson
Buddy Cannon
Bob Dylan
Any album tied to a Dylan collaboration is likely to draw immediate notice, and that is especially true here because both artists carry enormous histories in American songwriting and recording.
Fans of both artists are likely to treat it as one of the album’s most anticipated tracks, not only because of Dylan’s name in the credits but also because collaborations at that level tend to carry extra curiosity.
Interest in the full album will almost certainly rise as listeners wait to hear how that partnership sounds on record.
Songwriting and Creative Direction
Available songwriting credits suggest that “Dream Chaser” was built through a collaborative process centered heavily on Willie Nelson, Buddy Cannon, and Bobby Tomberlin, with additional contributions coming into the mix as well.
Early descriptions portray the album as a set of story-centered songs that deal with relationships, personal growth, life on the road, perseverance, timing, and clarity.
Material framed in those terms points to a record shaped by mature writing rather than novelty or trend-chasing.
Narrative focus appears to be one of the clearest traits attached to the project so far.
Songs built around those themes suggest careful writing rooted in lived experience, emotional honesty, and observation.
Nelson has long worked comfortably inside that kind of material, so “Dream Chaser” seems positioned as an album that leans into the strengths he has developed over many years.
The presence of trusted collaborators like Cannon and Tomberlin also suggests a creative environment built on familiarity, discipline, and strong songcraft.
Tour Dates and Album Rollout
Source: YouTube/Screenshot, Willie Nelson has no plans to stop, new album and the upcoming tour are the best answer
Album news has been paired with a limited run of spring 2026 tour dates, making the rollout feel broader than a standard studio announcement.
Pairing new music with live performances gives the project added momentum and helps keep attention fixed on both the album and Nelson’s continued activity as a touring artist.
Release strategy suggests that “Dream Chaser” is being introduced not just as a new record, but as part of a larger moment in his 2026 schedule.
Live dates also reinforce an important point about Nelson’s current career phase. He is not simply issuing new material while stepping away publicly.
He is still appearing in concert, still recording, and still giving fans multiple ways to engage with new work.
Framing the announcement through both music and touring makes “Dream Chaser” feel like a full-scale Willie Nelson moment rather than just another title added quietly to his catalog.
How Different Outlets Are Framing the Story
Coverage surrounding “Dream Chaser” shows that various outlets are choosing slightly different angles while working with the same core announcement.
One publication focuses on the size of Nelson’s catalog and the Bob Dylan co-write.
Another leans harder into his longevity, the approach of his 93rd birthday, and the emotional tone of the title track. Elsewhere, coverage centers on the combination of new album news, the first single, and a run of spring tour dates.
Variation in coverage shows how many angles the album announcement already offers. Some outlets treat catalog size as the major story.
Others focus on age, emotional tone, or rollout strategy.
Taken together, those approaches suggest that “Dream Chaser” is attracting attention for more than one reason, which is often a sign that an album announcement has real momentum in music media.
Summary
“Dream Chaser” looks set to become another strong late-career release for Willie Nelson.
Main hooks surrounding the project are already clear: a new album arriving on May 29, 2026, a freshly released title track, a co-write with Bob Dylan, and live dates connected to the rollout.
Ongoing output at this stage of Nelson’s life gives the album extra meaning.
For fans and music writers alike, announcement details make “Dream Chaser” one of the more notable Willie Nelson releases in recent years.
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